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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 206 112 it is the complementary color RGB 202 49 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 206 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 206 112 shade: RGB 58 206 107, RGB 75 224 126, RGB 92 242 145, RGB 109 255 164 and RGB 126 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 206 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 206 112 shade: RGB 53 206 112, RGB 36 188 93, RGB 19 170 74, RGB 2 152 55 and RGB 0 134 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 206 112 shade: RGB 54 206 113, RGB 54 206 72, RGB 77 206 54, RGB 118 206 54 and RGB 159 206 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 206 112 shade: RGB 54 206 113, RGB 54 206 154, RGB 54 206 195, RGB 54 177 206 and RGB 54 135 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 206 112 shade matches the following richer shades: RGB 54 206 113, RGB 34 226 108 and RGB 13 247 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 206 112 shade: RGB 54 206 113, RGB 74 186 117, RGB 94 166 122, RGB 114 146 126 and RGB 135 125 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 206 112 shade: RGB 77 206 54, RGB 54 206 72, RGB 54 206 112, RGB 54 206 153 and RGB 54 206 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 206 112 shade: RGB 35 143 76, RGB 43 176 94, RGB 54 206 113, RGB 87 214 136 and RGB 120 222 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 206 112 shade: RGB 53 206 112, RGB 54 117 206 and RGB 206 54 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 206 112 shade: RGB 53 206 112, RGB 112 54 206 and RGB 206 112 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 206 112 shade: RGB 53 206 112, RGB 54 117 206, RGB 206 54 148 and RGB 206 143 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 206 112 shade: RGB 53 206 112, RGB 54 72 206, RGB 206 54 148 and RGB 206 188 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 46 / 19

HEX #35CE70

RGB 53 206 112

HSL 143.14, 0.61%, 0.51%

LAB 73.59, -59.67, 35.66

 

Complementary color

CMYK 0 / 76 / 29 / 21

HEX #CA318F

RGB 202 49 143

HSL 323.14, 0.61%, 0.49%

LAB 47.93, 66.45, -16.38

 

CMYK 72 / 0 / 48 / 19

HEX #3ACE6B

RGB 58 206 107

HSL 139.86, 0.6%, 0.52%

LAB 73.61, -59.74, 38.2

 

CMYK 67 / 0 / 44 / 12

HEX #4BE07E

RGB 75 224 126

HSL 140.54, 0.71%, 0.59%

LAB 79.79, -60.33, 36.7

 

CMYK 62 / 0 / 40 / 5

HEX #5CF291

RGB 92 242 145

HSL 141.2, 0.85%, 0.65%

LAB 85.92, -60.66, 35.28

 

CMYK 57 / 0 / 36 / 0

HEX #6DFFA4

RGB 109 255 164

HSL 142.6, 1%, 0.71%

LAB 90.53, -58.89, 31.98

 

CMYK 51 / 0 / 28 / 0

HEX #7EFFB7

RGB 126 255 183

HSL 146.51, 1%, 0.75%

LAB 91.4, -51.63, 23.68

 

CMYK 74 / 0 / 46 / 19

HEX #35CE70

RGB 53 206 112

HSL 143.14, 0.61%, 0.51%

LAB 73.59, -59.67, 35.66

 

CMYK 81 / 0 / 51 / 26

HEX #24BC5D

RGB 36 188 93

HSL 142.5, 0.68%, 0.44%

LAB 67.38, -58.62, 37.27

 

CMYK 89 / 0 / 56 / 33

HEX #13AA4A

RGB 19 170 74

HSL 141.85, 0.8%, 0.37%

LAB 61.12, -57.02, 38.94

 

CMYK 99 / 0 / 64 / 40

HEX #029837

RGB 2 152 55

HSL 141.2, 0.97%, 0.3%

LAB 54.81, -54.78, 40.56

 

CMYK 100 / 0 / 73 / 47

HEX #008624

RGB 0 134 36

HSL 136.12, 1%, 0.26%

LAB 48.48, -51.38, 41.93

 

CMYK 74 / 0 / 45 / 19

HEX #36CE71

RGB 54 206 113

HSL 143.29, 0.61%, 0.51%

LAB 73.62, -59.36, 35.2

 

CMYK 74 / 0 / 65 / 19

HEX #36CE48

RGB 54 206 72

HSL 127.11, 0.61%, 0.51%

LAB 73.15, -64.93, 53.76

 

CMYK 63 / 0 / 74 / 19

HEX #4DCE36

RGB 77 206 54

HSL 110.92, 0.61%, 0.51%

LAB 73.54, -62.2, 61.21

 

CMYK 43 / 0 / 74 / 19

HEX #76CE36

RGB 118 206 54

HSL 94.74, 0.61%, 0.51%

LAB 74.99, -50.97, 63.13

 

CMYK 23 / 0 / 74 / 19

HEX #9FCE36

RGB 159 206 54

HSL 78.55, 0.61%, 0.51%

LAB 77.15, -36.31, 65.97

 

CMYK 74 / 0 / 45 / 19

HEX #36CE71

RGB 54 206 113

HSL 143.29, 0.61%, 0.51%

LAB 73.62, -59.36, 35.2

 

CMYK 74 / 0 / 25 / 19

HEX #36CE9A

RGB 54 206 154

HSL 159.47, 0.61%, 0.51%

LAB 74.36, -51.22, 14.8

 

CMYK 74 / 0 / 5 / 19

HEX #36CEC3

RGB 54 206 195

HSL 175.66, 0.61%, 0.51%

LAB 75.37, -40.84, -5.8

 

CMYK 74 / 14 / 0 / 19

HEX #36B1CE

RGB 54 177 206

HSL 191.45, 0.61%, 0.51%

LAB 67.04, -23.72, -24.34

 

CMYK 74 / 34 / 0 / 19

HEX #3687CE

RGB 54 135 206

HSL 208.03, 0.61%, 0.51%

LAB 54.63, -0.59, -43.67

 

CMYK 74 / 0 / 45 / 19

HEX #36CE71

RGB 54 206 113

HSL 143.29, 0.61%, 0.51%

LAB 73.62, -59.36, 35.2

 

CMYK 85 / 0 / 52 / 11

HEX #22E26C

RGB 34 226 108

HSL 143.13, 0.77%, 0.51%

LAB 79.51, -69.13, 44.96

 

CMYK 95 / 0 / 58 / 3

HEX #0DF767

RGB 13 247 103

HSL 143.08, 0.94%, 0.51%

LAB 85.8, -77.45, 54.73

 

CMYK 74 / 0 / 45 / 19

HEX #36CE71

RGB 54 206 113

HSL 143.29, 0.61%, 0.51%

LAB 73.62, -59.36, 35.2

 

CMYK 60 / 0 / 37 / 27

HEX #4ABA75

RGB 74 186 117

HSL 143.04, 0.45%, 0.51%

LAB 67.92, -47.47, 25.76

 

CMYK 43 / 0 / 27 / 35

HEX #5EA67A

RGB 94 166 122

HSL 143.33, 0.29%, 0.51%

LAB 62.56, -32.7, 15.88

 

CMYK 22 / 0 / 14 / 43

HEX #72927E

RGB 114 146 126

HSL 142.5, 0.13%, 0.51%

LAB 57.7, -15.46, 6.95

 

CMYK 0 / 7 / 3 / 47

HEX #877D83

RGB 135 125 131

HSL 324, 0.04%, 0.51%

LAB 53.45, 4.95, -1.89

 

CMYK 63 / 0 / 74 / 19

HEX #4DCE36

RGB 77 206 54

HSL 110.92, 0.61%, 0.51%

LAB 73.54, -62.2, 61.21

 

CMYK 74 / 0 / 65 / 19

HEX #36CE48

RGB 54 206 72

HSL 127.11, 0.61%, 0.51%

LAB 73.15, -64.93, 53.76

 

CMYK 74 / 0 / 46 / 19

HEX #36CE70

RGB 54 206 112

HSL 142.89, 0.61%, 0.51%

LAB 73.61, -59.53, 35.68

 

CMYK 74 / 0 / 26 / 19

HEX #36CE99

RGB 54 206 153

HSL 159.08, 0.61%, 0.51%

LAB 74.33, -51.45, 15.3

 

CMYK 74 / 0 / 6 / 19

HEX #36CEC2

RGB 54 206 194

HSL 175.26, 0.61%, 0.51%

LAB 75.34, -41.12, -5.3

 

CMYK 76 / 0 / 47 / 44

HEX #238F4C

RGB 35 143 76

HSL 142.78, 0.61%, 0.35%

LAB 52.42, -45.36, 27.21

 

CMYK 76 / 0 / 47 / 31

HEX #2BB05E

RGB 43 176 94

HSL 143.01, 0.61%, 0.43%

LAB 63.65, -53.33, 32.09

 

CMYK 74 / 0 / 45 / 19

HEX #36CE71

RGB 54 206 113

HSL 143.29, 0.61%, 0.51%

LAB 73.62, -59.36, 35.2

 

CMYK 59 / 0 / 36 / 16

HEX #57D688

RGB 87 214 136

HSL 143.15, 0.61%, 0.59%

LAB 77.22, -52.45, 28.31

 

CMYK 46 / 0 / 28 / 13

HEX #78DEA0

RGB 120 222 160

HSL 143.53, 0.61%, 0.67%

LAB 81.17, -43.47, 21.39

 

CMYK 74 / 0 / 46 / 19

HEX #35CE70

RGB 53 206 112

HSL 143.14, 0.61%, 0.51%

LAB 73.59, -59.67, 35.66

 

CMYK 74 / 43 / 0 / 19

HEX #3675CE

RGB 54 117 206

HSL 215.13, 0.61%, 0.51%

LAB 49.45, 10.35, -51.9

 

CMYK 0 / 74 / 73 / 19

HEX #CE3638

RGB 206 54 56

HSL 359.21, 0.61%, 0.51%

LAB 47.03, 58.95, 35.25

 

CMYK 74 / 0 / 46 / 19

HEX #35CE70

RGB 53 206 112

HSL 143.14, 0.61%, 0.51%

LAB 73.59, -59.67, 35.66

 

CMYK 46 / 74 / 0 / 19

HEX #7036CE

RGB 112 54 206

HSL 262.89, 0.61%, 0.51%

LAB 38.79, 56.9, -68.97

 

CMYK 0 / 46 / 74 / 19

HEX #CE7036

RGB 206 112 54

HSL 22.89, 0.61%, 0.51%

LAB 57.05, 32.64, 47.27

 

CMYK 74 / 0 / 46 / 19

HEX #35CE70

RGB 53 206 112

HSL 143.14, 0.61%, 0.51%

LAB 73.59, -59.67, 35.66

 

CMYK 74 / 43 / 0 / 19

HEX #3675CE

RGB 54 117 206

HSL 215.13, 0.61%, 0.51%

LAB 49.45, 10.35, -51.9

 

CMYK 0 / 74 / 28 / 19

HEX #CE3694

RGB 206 54 148

HSL 322.89, 0.61%, 0.51%

LAB 49.37, 66.48, -17.11

 

CMYK 0 / 31 / 74 / 19

HEX #CE8F36

RGB 206 143 54

HSL 35.13, 0.61%, 0.51%

LAB 64.19, 15.93, 54.59

 

CMYK 74 / 0 / 46 / 19

HEX #35CE70

RGB 53 206 112

HSL 143.14, 0.61%, 0.51%

LAB 73.59, -59.67, 35.66

 

CMYK 74 / 65 / 0 / 19

HEX #3648CE

RGB 54 72 206

HSL 232.89, 0.61%, 0.51%

LAB 37.62, 38.97, -71.08

 

CMYK 0 / 74 / 28 / 19

HEX #CE3694

RGB 206 54 148

HSL 322.89, 0.61%, 0.51%

LAB 49.37, 66.48, -17.11

 

CMYK 0 / 9 / 74 / 19

HEX #CEBC36

RGB 206 188 54

HSL 52.89, 0.61%, 0.51%

LAB 75.67, -8.05, 65.78

 

Description

Color code: RGB 53 206 112 | qconv.com Color code: RGB 53 206 112 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 206 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 206 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 46 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 46% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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