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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 203 68 it is the complementary color RGB 202 52 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 203 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 203 68 shade: RGB 58 203 63, RGB 75 221 82, RGB 92 239 101, RGB 109 255 120 and RGB 126 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 203 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 203 68 shade: RGB 53 203 68, RGB 36 185 49, RGB 19 167 30, RGB 2 149 11 and RGB 0 131 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 203 68 shade: RGB 52 203 67, RGB 78 203 52, RGB 118 203 52, RGB 159 203 52 and RGB 200 203 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 203 68 shade: RGB 52 203 67, RGB 52 203 108, RGB 52 203 148, RGB 52 203 189 and RGB 52 176 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 203 68 shade matches the following richer shades: RGB 52 203 67, RGB 32 223 51 and RGB 11 244 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 203 68 shade: RGB 52 203 67, RGB 73 182 84, RGB 94 161 100, RGB 114 141 117 and RGB 135 120 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 203 68 shade: RGB 117 203 52, RGB 77 203 52, RGB 52 203 67, RGB 52 203 107 and RGB 52 203 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 203 68 shade: RGB 35 137 46, RGB 44 170 56, RGB 52 203 67, RGB 85 211 98 and RGB 118 220 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 203 68 shade: RGB 53 203 68, RGB 52 158 203 and RGB 203 52 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 203 68 shade: RGB 53 203 68, RGB 67 52 203 and RGB 203 67 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 203 68 shade: RGB 53 203 68, RGB 52 158 203, RGB 203 52 188 and RGB 203 97 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 203 68 shade: RGB 53 203 68, RGB 52 112 203, RGB 203 52 188 and RGB 203 143 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 67 / 20

HEX #35CB44

RGB 53 203 68

HSL 126, 0.59%, 0.5%

LAB 72.15, -64.52, 54.31

 

Complementary color

CMYK 0 / 74 / 7 / 21

HEX #CA34BB

RGB 202 52 187

HSL 306, 0.59%, 0.5%

LAB 50.22, 71.44, -38.87

 

CMYK 71 / 0 / 69 / 20

HEX #3ACB3F

RGB 58 203 63

HSL 122.07, 0.58%, 0.51%

LAB 72.21, -64.19, 56.39

 

CMYK 66 / 0 / 63 / 13

HEX #4BDD52

RGB 75 221 82

HSL 122.88, 0.68%, 0.58%

LAB 78.36, -65.21, 55.47

 

CMYK 62 / 0 / 58 / 6

HEX #5CEF65

RGB 92 239 101

HSL 123.67, 0.82%, 0.65%

LAB 84.46, -65.86, 54.32

 

CMYK 57 / 0 / 53 / 0

HEX #6DFF78

RGB 109 255 120

HSL 124.52, 1%, 0.71%

LAB 89.92, -65.53, 52.38

 

CMYK 51 / 0 / 45 / 0

HEX #7EFF8B

RGB 126 255 139

HSL 126.05, 1%, 0.75%

LAB 90.7, -58.92, 44.57

 

CMYK 74 / 0 / 67 / 20

HEX #35CB44

RGB 53 203 68

HSL 126, 0.59%, 0.5%

LAB 72.15, -64.52, 54.31

 

CMYK 81 / 0 / 74 / 27

HEX #24B931

RGB 36 185 49

HSL 125.23, 0.67%, 0.43%

LAB 65.98, -62.9, 55.08

 

CMYK 89 / 0 / 82 / 35

HEX #13A71E

RGB 19 167 30

HSL 124.46, 0.8%, 0.36%

LAB 59.77, -60.53, 55.16

 

CMYK 99 / 0 / 93 / 42

HEX #02950B

RGB 2 149 11

HSL 123.67, 0.97%, 0.3%

LAB 53.53, -57.26, 53.94

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 74 / 0 / 67 / 20

HEX #34CB43

RGB 52 203 67

HSL 125.96, 0.59%, 0.5%

LAB 72.13, -64.77, 54.69

 

CMYK 62 / 0 / 74 / 20

HEX #4ECB34

RGB 78 203 52

HSL 109.67, 0.59%, 0.5%

LAB 72.61, -61.1, 60.98

 

CMYK 42 / 0 / 74 / 20

HEX #76CB34

RGB 118 203 52

HSL 93.77, 0.59%, 0.5%

LAB 74.07, -49.9, 62.91

 

CMYK 22 / 0 / 74 / 20

HEX #9FCB34

RGB 159 203 52

HSL 77.48, 0.59%, 0.5%

LAB 76.27, -35.04, 65.8

 

CMYK 1 / 0 / 74 / 20

HEX #C8CB34

RGB 200 203 52

HSL 61.19, 0.59%, 0.5%

LAB 79.18, -18.27, 69.57

 

CMYK 74 / 0 / 67 / 20

HEX #34CB43

RGB 52 203 67

HSL 125.96, 0.59%, 0.5%

LAB 72.13, -64.77, 54.69

 

CMYK 74 / 0 / 47 / 20

HEX #34CB6C

RGB 52 203 108

HSL 142.25, 0.59%, 0.5%

LAB 72.58, -59.41, 36.37

 

CMYK 74 / 0 / 27 / 20

HEX #34CB94

RGB 52 203 148

HSL 158.15, 0.59%, 0.5%

LAB 73.27, -51.64, 16.48

 

CMYK 74 / 0 / 7 / 20

HEX #34CBBD

RGB 52 203 189

HSL 174.44, 0.59%, 0.5%

LAB 74.26, -41.39, -4.19

 

CMYK 74 / 13 / 0 / 20

HEX #34B0CB

RGB 52 176 203

HSL 190.73, 0.59%, 0.5%

LAB 66.59, -24.41, -23.38

 

CMYK 74 / 0 / 67 / 20

HEX #34CB43

RGB 52 203 67

HSL 125.96, 0.59%, 0.5%

LAB 72.13, -64.77, 54.69

 

CMYK 86 / 0 / 77 / 13

HEX #20DF33

RGB 32 223 51

HSL 125.97, 0.75%, 0.5%

LAB 78.06, -74.43, 66.37

 

CMYK 95 / 0 / 86 / 4

HEX #0BF422

RGB 11 244 34

HSL 125.92, 0.91%, 0.5%

LAB 84.43, -82.24, 76.44

 

CMYK 74 / 0 / 67 / 20

HEX #34CB43

RGB 52 203 67

HSL 125.96, 0.59%, 0.5%

LAB 72.13, -64.77, 54.69

 

CMYK 60 / 0 / 54 / 29

HEX #49B654

RGB 73 182 84

HSL 126.06, 0.43%, 0.5%

LAB 66.15, -51.44, 40.37

 

CMYK 42 / 0 / 38 / 37

HEX #5EA164

RGB 94 161 100

HSL 125.37, 0.26%, 0.5%

LAB 60.6, -34.45, 25.27

 

CMYK 19 / 0 / 17 / 45

HEX #728D75

RGB 114 141 117

HSL 126.67, 0.11%, 0.5%

LAB 56, -14.56, 9.68

 

CMYK 0 / 11 / 1 / 47

HEX #877885

RGB 135 120 133

HSL 308, 0.06%, 0.5%

LAB 52.15, 8.24, -4.97

 

CMYK 42 / 0 / 74 / 20

HEX #75CB34

RGB 117 203 52

HSL 94.17, 0.59%, 0.5%

LAB 74.02, -50.23, 62.85

 

CMYK 62 / 0 / 74 / 20

HEX #4DCB34

RGB 77 203 52

HSL 110.07, 0.59%, 0.5%

LAB 72.59, -61.32, 60.94

 

CMYK 74 / 0 / 67 / 20

HEX #34CB43

RGB 52 203 67

HSL 125.96, 0.59%, 0.5%

LAB 72.13, -64.77, 54.69

 

CMYK 74 / 0 / 47 / 20

HEX #34CB6B

RGB 52 203 107

HSL 141.85, 0.59%, 0.5%

LAB 72.56, -59.57, 36.85

 

CMYK 74 / 0 / 27 / 20

HEX #34CB94

RGB 52 203 148

HSL 158.15, 0.59%, 0.5%

LAB 73.27, -51.64, 16.48

 

CMYK 74 / 0 / 66 / 46

HEX #23892E

RGB 35 137 46

HSL 126.47, 0.59%, 0.34%

LAB 50.03, -47.55, 39.42

 

CMYK 74 / 0 / 67 / 33

HEX #2CAA38

RGB 44 170 56

HSL 125.71, 0.59%, 0.42%

LAB 61.28, -56.3, 47.44

 

CMYK 74 / 0 / 67 / 20

HEX #34CB43

RGB 52 203 67

HSL 125.96, 0.59%, 0.5%

LAB 72.13, -64.77, 54.69

 

CMYK 60 / 0 / 54 / 17

HEX #55D362

RGB 85 211 98

HSL 126.19, 0.59%, 0.58%

LAB 75.7, -57.71, 45.28

 

CMYK 46 / 0 / 42 / 14

HEX #76DC80

RGB 118 220 128

HSL 125.88, 0.59%, 0.66%

LAB 79.95, -48.63, 36.17

 

CMYK 74 / 0 / 67 / 20

HEX #35CB44

RGB 53 203 68

HSL 126, 0.59%, 0.5%

LAB 72.15, -64.52, 54.31

 

CMYK 74 / 22 / 0 / 20

HEX #349ECB

RGB 52 158 203

HSL 197.88, 0.59%, 0.5%

LAB 61.22, -14.96, -31.66

 

CMYK 0 / 74 / 52 / 20

HEX #CB3461

RGB 203 52 97

HSL 342.12, 0.59%, 0.5%

LAB 46.99, 61.22, 10.32

 

CMYK 74 / 0 / 67 / 20

HEX #35CB44

RGB 53 203 68

HSL 126, 0.59%, 0.5%

LAB 72.15, -64.52, 54.31

 

CMYK 67 / 74 / 0 / 20

HEX #4334CB

RGB 67 52 203

HSL 245.96, 0.59%, 0.5%

LAB 33.9, 50.98, -75.42

 

CMYK 0 / 67 / 74 / 20

HEX #CB4334

RGB 203 67 52

HSL 5.96, 0.59%, 0.5%

LAB 48.21, 52.96, 38.68

 

CMYK 74 / 0 / 67 / 20

HEX #35CB44

RGB 53 203 68

HSL 126, 0.59%, 0.5%

LAB 72.15, -64.52, 54.31

 

CMYK 74 / 22 / 0 / 20

HEX #349ECB

RGB 52 158 203

HSL 197.88, 0.59%, 0.5%

LAB 61.22, -14.96, -31.66

 

CMYK 0 / 74 / 7 / 20

HEX #CB34BC

RGB 203 52 188

HSL 305.96, 0.59%, 0.5%

LAB 50.43, 71.81, -39.1

 

CMYK 0 / 52 / 74 / 20

HEX #CB6134

RGB 203 97 52

HSL 17.88, 0.59%, 0.5%

LAB 53.49, 39.11, 44.37

 

CMYK 74 / 0 / 67 / 20

HEX #35CB44

RGB 53 203 68

HSL 126, 0.59%, 0.5%

LAB 72.15, -64.52, 54.31

 

CMYK 74 / 45 / 0 / 20

HEX #3470CB

RGB 52 112 203

HSL 216.16, 0.59%, 0.5%

LAB 47.79, 12.12, -52.85

 

CMYK 0 / 74 / 7 / 20

HEX #CB34BC

RGB 203 52 188

HSL 305.96, 0.59%, 0.5%

LAB 50.43, 71.81, -39.1

 

CMYK 0 / 30 / 74 / 20

HEX #CB8F34

RGB 203 143 52

HSL 36.16, 0.59%, 0.5%

LAB 63.83, 14.54, 54.96

 

Description

Color code: RGB 53 203 68 | qconv.com Color code: RGB 53 203 68 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 203 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 203 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 67 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 67% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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