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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 203 170 it is the complementary color RGB 202 52 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 203 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 203 170 shade: RGB 58 203 165, RGB 75 221 184, RGB 92 239 203, RGB 109 255 222 and RGB 126 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 203 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 203 170 shade: RGB 53 203 170, RGB 36 185 151, RGB 19 167 132, RGB 2 149 113 and RGB 0 131 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 203 170 shade: RGB 52 203 170, RGB 52 203 129, RGB 52 203 88, RGB 57 203 52 and RGB 97 203 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 203 170 shade: RGB 52 203 170, RGB 52 195 203, RGB 52 155 203, RGB 52 114 203 and RGB 52 74 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 203 170 shade matches the following richer shades: RGB 52 203 170, RGB 32 223 181 and RGB 11 244 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 203 170 shade: RGB 52 203 170, RGB 73 182 158, RGB 94 161 147, RGB 114 141 135 and RGB 135 120 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 203 170 shade: RGB 52 203 87, RGB 52 203 128, RGB 52 203 168, RGB 52 198 203 and RGB 52 158 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 203 170 shade: RGB 35 137 115, RGB 44 170 142, RGB 52 203 170, RGB 85 211 183 and RGB 118 220 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 203 170 shade: RGB 53 203 170, RGB 52 57 203 and RGB 203 107 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 203 170 shade: RGB 53 203 170, RGB 168 52 203 and RGB 203 168 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 203 170 shade: RGB 53 203 170, RGB 52 57 203, RGB 203 52 87 and RGB 203 198 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 203 170 shade: RGB 53 203 170, RGB 92 52 203, RGB 203 52 87 and RGB 163 203 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 16 / 20

HEX #35CBAA

RGB 53 203 170

HSL 166.8, 0.59%, 0.5%

LAB 73.79, -46.27, 5.39

 

Complementary color

CMYK 0 / 74 / 58 / 21

HEX #CA3455

RGB 202 52 85

HSL 346.8, 0.59%, 0.5%

LAB 46.54, 60.04, 17.04

 

CMYK 71 / 0 / 19 / 20

HEX #3ACBA5

RGB 58 203 165

HSL 164.28, 0.58%, 0.51%

LAB 73.76, -46.86, 8.06

 

CMYK 66 / 0 / 17 / 13

HEX #4BDDB8

RGB 75 221 184

HSL 164.79, 0.68%, 0.58%

LAB 79.99, -47.34, 6.89

 

CMYK 62 / 0 / 15 / 6

HEX #5CEFCB

RGB 92 239 203

HSL 165.31, 0.82%, 0.65%

LAB 86.17, -47.64, 5.82

 

CMYK 57 / 0 / 13 / 0

HEX #6DFFDE

RGB 109 255 222

HSL 166.44, 1%, 0.71%

LAB 91.71, -46.96, 4

 

CMYK 51 / 0 / 5 / 0

HEX #7EFFF1

RGB 126 255 241

HSL 173.49, 1%, 0.75%

LAB 92.71, -39.09, -4.3

 

CMYK 74 / 0 / 16 / 20

HEX #35CBAA

RGB 53 203 170

HSL 166.8, 0.59%, 0.5%

LAB 73.79, -46.27, 5.39

 

CMYK 81 / 0 / 18 / 27

HEX #24B997

RGB 36 185 151

HSL 166.31, 0.67%, 0.43%

LAB 67.51, -45.4, 6.67

 

CMYK 89 / 0 / 21 / 35

HEX #13A784

RGB 19 167 132

HSL 165.81, 0.8%, 0.36%

LAB 61.17, -44.16, 8.1

 

CMYK 99 / 0 / 24 / 42

HEX #029571

RGB 2 149 113

HSL 165.31, 0.97%, 0.3%

LAB 54.76, -42.51, 9.7

 

CMYK 100 / 0 / 28 / 49

HEX #00835E

RGB 0 131 94

HSL 163.05, 1%, 0.26%

LAB 48.31, -40.09, 11.54

 

CMYK 74 / 0 / 16 / 20

HEX #34CBAA

RGB 52 203 170

HSL 166.89, 0.59%, 0.5%

LAB 73.77, -46.39, 5.37

 

CMYK 74 / 0 / 36 / 20

HEX #34CB81

RGB 52 203 129

HSL 150.6, 0.59%, 0.5%

LAB 72.91, -55.63, 26.03

 

CMYK 74 / 0 / 57 / 20

HEX #34CB58

RGB 52 203 88

HSL 134.3, 0.59%, 0.5%

LAB 72.33, -62.36, 45.74

 

CMYK 72 / 0 / 74 / 20

HEX #39CB34

RGB 57 203 52

HSL 118.01, 0.59%, 0.5%

LAB 72.11, -65.26, 60.32

 

CMYK 52 / 0 / 74 / 20

HEX #61CB34

RGB 97 203 52

HSL 102.12, 0.59%, 0.5%

LAB 73.22, -56.27, 61.79

 

CMYK 74 / 0 / 16 / 20

HEX #34CBAA

RGB 52 203 170

HSL 166.89, 0.59%, 0.5%

LAB 73.77, -46.39, 5.37

 

CMYK 74 / 4 / 0 / 20

HEX #34C3CB

RGB 52 195 203

HSL 183.18, 0.59%, 0.5%

LAB 72.28, -33.72, -14.75

 

CMYK 74 / 24 / 0 / 20

HEX #349BCB

RGB 52 155 203

HSL 199.07, 0.59%, 0.5%

LAB 60.32, -13.32, -33.04

 

CMYK 74 / 44 / 0 / 20

HEX #3472CB

RGB 52 114 203

HSL 215.36, 0.59%, 0.5%

LAB 48.36, 10.86, -51.94

 

CMYK 74 / 64 / 0 / 20

HEX #344ACB

RGB 52 74 203

HSL 231.26, 0.59%, 0.5%

LAB 37.73, 36.44, -69.15

 

CMYK 74 / 0 / 16 / 20

HEX #34CBAA

RGB 52 203 170

HSL 166.89, 0.59%, 0.5%

LAB 73.77, -46.39, 5.37

 

CMYK 86 / 0 / 19 / 13

HEX #20DFB5

RGB 32 223 181

HSL 166.81, 0.75%, 0.5%

LAB 79.85, -53.67, 8.19

 

CMYK 95 / 0 / 21 / 4

HEX #0BF4C1

RGB 11 244 193

HSL 166.87, 0.91%, 0.5%

LAB 86.32, -59.84, 11.1

 

CMYK 74 / 0 / 16 / 20

HEX #34CBAA

RGB 52 203 170

HSL 166.89, 0.59%, 0.5%

LAB 73.77, -46.39, 5.37

 

CMYK 60 / 0 / 13 / 29

HEX #49B69E

RGB 73 182 158

HSL 166.79, 0.43%, 0.5%

LAB 67.53, -36.95, 2.96

 

CMYK 42 / 0 / 9 / 37

HEX #5EA193

RGB 94 161 147

HSL 167.46, 0.26%, 0.5%

LAB 61.63, -24.74, 0.61

 

CMYK 19 / 0 / 4 / 45

HEX #728D87

RGB 114 141 135

HSL 166.67, 0.11%, 0.5%

LAB 56.46, -10.85, 0.02

 

CMYK 0 / 11 / 9 / 47

HEX #87787B

RGB 135 120 123

HSL 348, 0.06%, 0.5%

LAB 51.85, 6.32, 0.46

 

CMYK 74 / 0 / 57 / 20

HEX #34CB57

RGB 52 203 87

HSL 133.91, 0.59%, 0.5%

LAB 72.32, -62.49, 46.19

 

CMYK 74 / 0 / 37 / 20

HEX #34CB80

RGB 52 203 128

HSL 150.2, 0.59%, 0.5%

LAB 72.89, -55.82, 26.53

 

CMYK 74 / 0 / 17 / 20

HEX #34CBA8

RGB 52 203 168

HSL 166.09, 0.59%, 0.5%

LAB 73.72, -46.9, 6.37

 

CMYK 74 / 2 / 0 / 20

HEX #34C6CB

RGB 52 198 203

HSL 181.99, 0.59%, 0.5%

LAB 73.17, -35.13, -13.4

 

CMYK 74 / 22 / 0 / 20

HEX #349ECB

RGB 52 158 203

HSL 197.88, 0.59%, 0.5%

LAB 61.22, -14.96, -31.66

 

CMYK 74 / 0 / 16 / 46

HEX #238973

RGB 35 137 115

HSL 167.06, 0.59%, 0.34%

LAB 51.25, -34.04, 3.58

 

CMYK 74 / 0 / 16 / 33

HEX #2CAA8E

RGB 44 170 142

HSL 166.67, 0.59%, 0.42%

LAB 62.71, -40.4, 4.77

 

CMYK 74 / 0 / 16 / 20

HEX #34CBAA

RGB 52 203 170

HSL 166.89, 0.59%, 0.5%

LAB 73.77, -46.39, 5.37

 

CMYK 60 / 0 / 13 / 17

HEX #55D3B7

RGB 85 211 183

HSL 166.67, 0.59%, 0.58%

LAB 77.24, -41.54, 3.49

 

CMYK 46 / 0 / 10 / 14

HEX #76DCC5

RGB 118 220 197

HSL 166.47, 0.59%, 0.66%

LAB 81.33, -35.26, 2.08

 

CMYK 74 / 0 / 16 / 20

HEX #35CBAA

RGB 53 203 170

HSL 166.8, 0.59%, 0.5%

LAB 73.79, -46.27, 5.39

 

CMYK 74 / 72 / 0 / 20

HEX #3439CB

RGB 52 57 203

HSL 238.01, 0.59%, 0.5%

LAB 33.92, 46.74, -75.43

 

CMYK 0 / 47 / 74 / 20

HEX #CB6B34

RGB 203 107 52

HSL 21.85, 0.59%, 0.5%

LAB 55.54, 33.96, 46.53

 

CMYK 74 / 0 / 16 / 20

HEX #35CBAA

RGB 53 203 170

HSL 166.8, 0.59%, 0.5%

LAB 73.79, -46.27, 5.39

 

CMYK 17 / 74 / 0 / 20

HEX #A834CB

RGB 168 52 203

HSL 286.09, 0.59%, 0.5%

LAB 45.76, 67.1, -55.58

 

CMYK 0 / 17 / 74 / 20

HEX #CBA834

RGB 203 168 52

HSL 46.09, 0.59%, 0.5%

LAB 70.14, 1.05, 61.13

 

CMYK 74 / 0 / 16 / 20

HEX #35CBAA

RGB 53 203 170

HSL 166.8, 0.59%, 0.5%

LAB 73.79, -46.27, 5.39

 

CMYK 74 / 72 / 0 / 20

HEX #3439CB

RGB 52 57 203

HSL 238.01, 0.59%, 0.5%

LAB 33.92, 46.74, -75.43

 

CMYK 0 / 74 / 57 / 20

HEX #CB3457

RGB 203 52 87

HSL 346.09, 0.59%, 0.5%

LAB 46.76, 60.47, 16.15

 

CMYK 0 / 2 / 74 / 20

HEX #CBC634

RGB 203 198 52

HSL 58.01, 0.59%, 0.5%

LAB 78.07, -14.51, 68.63

 

CMYK 74 / 0 / 16 / 20

HEX #35CBAA

RGB 53 203 170

HSL 166.8, 0.59%, 0.5%

LAB 73.79, -46.27, 5.39

 

CMYK 55 / 74 / 0 / 20

HEX #5C34CB

RGB 92 52 203

HSL 255.89, 0.59%, 0.5%

LAB 36.07, 54.05, -71.78

 

CMYK 0 / 74 / 57 / 20

HEX #CB3457

RGB 203 52 87

HSL 346.09, 0.59%, 0.5%

LAB 46.76, 60.47, 16.15

 

CMYK 20 / 0 / 74 / 20

HEX #A3CB34

RGB 163 203 52

HSL 75.89, 0.59%, 0.5%

LAB 76.53, -33.47, 66.13

 

Description

Color code: RGB 53 203 170 | qconv.com Color code: RGB 53 203 170 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 203 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 203 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 16% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Pinkfrenetik | On y ...
Link: http://www.pinkfrenetik.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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