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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 198 25 it is the complementary color RGB 202 57 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 198 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 198 25 shade: RGB 58 198 20, RGB 75 216 39, RGB 92 234 58, RGB 109 252 77 and RGB 126 255 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 198 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 198 25 shade: RGB 53 198 25, RGB 36 180 6, RGB 19 162 0, RGB 2 144 0 and RGB 0 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 198 25 shade: RGB 53 200 25, RGB 100 200 25, RGB 147 200 25, RGB 195 200 25 and RGB 200 158 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 198 25 shade: RGB 53 200 25, RGB 25 200 44, RGB 25 200 91, RGB 25 200 138 and RGB 25 200 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 198 25 shade matches the following richer shades: RGB 53 200 25 and RGB 41 218 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 198 25 shade: RGB 53 200 25, RGB 65 182 43, RGB 78 163 61, RGB 90 145 79 and RGB 102 127 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 198 25 shade: RGB 147 200 25, RGB 101 200 25, RGB 54 200 25, RGB 25 200 42 and RGB 25 200 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 198 25 shade: RGB 34 126 16, RGB 43 163 20, RGB 53 200 25, RGB 68 228 38 and RGB 100 233 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 198 25 shade: RGB 53 198 25, RGB 25 194 200 and RGB 200 25 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 198 25 shade: RGB 53 198 25, RGB 25 54 200 and RGB 200 25 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 198 25 shade: RGB 53 198 25, RGB 25 194 200, RGB 171 25 200 and RGB 200 31 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 198 25 shade: RGB 53 198 25, RGB 25 141 200, RGB 171 25 200 and RGB 200 83 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 87 / 22

HEX #35C619

RGB 53 198 25

HSL 110.29, 0.78%, 0.44%

LAB 70.33, -65.86, 66.05

 

Complementary color

CMYK 12 / 75 / 0 / 10

HEX #CA39E6

RGB 202 57 230

HSL 290.29, 0.78%, 0.56%

LAB 53.16, 76.9, -58.82

 

CMYK 71 / 0 / 90 / 22

HEX #3AC614

RGB 58 198 20

HSL 107.19, 0.82%, 0.43%

LAB 70.41, -65.17, 67.08

 

CMYK 65 / 0 / 82 / 15

HEX #4BD827

RGB 75 216 39

HSL 107.8, 0.69%, 0.5%

LAB 76.53, -66.84, 68.55

 

CMYK 61 / 0 / 75 / 8

HEX #5CEA3A

RGB 92 234 58

HSL 108.41, 0.81%, 0.57%

LAB 82.61, -68.02, 68.98

 

CMYK 57 / 0 / 69 / 1

HEX #6DFC4D

RGB 109 252 77

HSL 109.03, 0.97%, 0.65%

LAB 88.64, -68.83, 68.75

 

CMYK 51 / 0 / 62 / 0

HEX #7EFF60

RGB 126 255 96

HSL 108.68, 1%, 0.69%

LAB 90.23, -63.97, 63.29

 

CMYK 73 / 0 / 87 / 22

HEX #35C619

RGB 53 198 25

HSL 110.29, 0.78%, 0.44%

LAB 70.33, -65.86, 66.05

 

CMYK 80 / 0 / 97 / 29

HEX #24B406

RGB 36 180 6

HSL 109.66, 0.94%, 0.36%

LAB 64.19, -63.46, 63.66

 

CMYK 88 / 0 / 100 / 36

HEX #13A200

RGB 19 162 0

HSL 112.96, 1%, 0.32%

LAB 58.02, -60.18, 59.41

 

CMYK 99 / 0 / 100 / 44

HEX #029000

RGB 2 144 0

HSL 119.17, 1%, 0.28%

LAB 51.79, -56.17, 54.36

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 74 / 0 / 88 / 22

HEX #35C819

RGB 53 200 25

HSL 110.4, 0.78%, 0.44%

LAB 70.96, -66.47, 66.6

 

CMYK 50 / 0 / 88 / 22

HEX #64C819

RGB 100 200 25

HSL 94.29, 0.78%, 0.44%

LAB 72.29, -55.62, 68.26

 

CMYK 27 / 0 / 88 / 22

HEX #93C819

RGB 147 200 25

HSL 78.17, 0.78%, 0.44%

LAB 74.56, -39.41, 71.09

 

CMYK 3 / 0 / 88 / 22

HEX #C3C819

RGB 195 200 25

HSL 61.71, 0.78%, 0.44%

LAB 77.86, -19.75, 75.16

 

CMYK 0 / 21 / 88 / 22

HEX #C89E19

RGB 200 158 25

HSL 45.6, 0.78%, 0.44%

LAB 67.13, 4.19, 66.74

 

CMYK 74 / 0 / 88 / 22

HEX #35C819

RGB 53 200 25

HSL 110.4, 0.78%, 0.44%

LAB 70.96, -66.47, 66.6

 

CMYK 88 / 0 / 78 / 22

HEX #19C82C

RGB 25 200 44

HSL 126.51, 0.78%, 0.44%

LAB 70.66, -68.84, 61.35

 

CMYK 88 / 0 / 55 / 22

HEX #19C85B

RGB 25 200 91

HSL 142.63, 0.78%, 0.44%

LAB 71.06, -63.92, 42.73

 

CMYK 88 / 0 / 31 / 22

HEX #19C88A

RGB 25 200 138

HSL 158.74, 0.78%, 0.44%

LAB 71.79, -55.33, 19.71

 

CMYK 88 / 0 / 8 / 22

HEX #19C8B9

RGB 25 200 185

HSL 174.86, 0.78%, 0.44%

LAB 72.9, -43.49, -4.06

 

CMYK 74 / 0 / 88 / 22

HEX #35C819

RGB 53 200 25

HSL 110.4, 0.78%, 0.44%

LAB 70.96, -66.47, 66.6

 

CMYK 81 / 0 / 97 / 15

HEX #29DA07

RGB 41 218 7

HSL 110.33, 0.94%, 0.44%

LAB 76.45, -73.83, 73.59

 

CMYK 74 / 0 / 88 / 22

HEX #35C819

RGB 53 200 25

HSL 110.4, 0.78%, 0.44%

LAB 70.96, -66.47, 66.6

 

CMYK 64 / 0 / 76 / 29

HEX #41B62B

RGB 65 182 43

HSL 110.5, 0.62%, 0.44%

LAB 65.56, -57.43, 56.94

 

CMYK 52 / 0 / 63 / 36

HEX #4EA33D

RGB 78 163 61

HSL 110, 0.46%, 0.44%

LAB 60.02, -45.53, 44.12

 

CMYK 38 / 0 / 46 / 43

HEX #5A914F

RGB 90 145 79

HSL 110, 0.29%, 0.44%

LAB 55.06, -31.65, 29.36

 

CMYK 20 / 0 / 24 / 50

HEX #667F61

RGB 102 127 97

HSL 110, 0.13%, 0.44%

LAB 50.53, -15.22, 13.41

 

CMYK 27 / 0 / 88 / 22

HEX #93C819

RGB 147 200 25

HSL 78.17, 0.78%, 0.44%

LAB 74.56, -39.41, 71.09

 

CMYK 50 / 0 / 88 / 22

HEX #65C819

RGB 101 200 25

HSL 93.94, 0.78%, 0.44%

LAB 72.33, -55.32, 68.31

 

CMYK 73 / 0 / 88 / 22

HEX #36C819

RGB 54 200 25

HSL 110.06, 0.78%, 0.44%

LAB 70.98, -66.31, 66.63

 

CMYK 88 / 0 / 79 / 22

HEX #19C82A

RGB 25 200 42

HSL 125.83, 0.78%, 0.44%

LAB 70.65, -68.97, 61.94

 

CMYK 88 / 0 / 56 / 22

HEX #19C859

RGB 25 200 89

HSL 141.94, 0.78%, 0.44%

LAB 71.03, -64.21, 43.65

 

CMYK 73 / 0 / 87 / 51

HEX #227E10

RGB 34 126 16

HSL 110.18, 0.77%, 0.28%

LAB 46.04, -46.36, 46.49

 

CMYK 74 / 0 / 88 / 36

HEX #2BA314

RGB 43 163 20

HSL 110.35, 0.78%, 0.36%

LAB 58.75, -56.77, 56.89

 

CMYK 74 / 0 / 88 / 22

HEX #35C819

RGB 53 200 25

HSL 110.4, 0.78%, 0.44%

LAB 70.96, -66.47, 66.6

 

CMYK 70 / 0 / 83 / 11

HEX #44E426

RGB 68 228 38

HSL 110.53, 0.78%, 0.52%

LAB 80.1, -71.99, 71.97

 

CMYK 57 / 0 / 68 / 9

HEX #64E94A

RGB 100 233 74

HSL 110.19, 0.78%, 0.6%

LAB 82.64, -64.64, 63.51

 

CMYK 73 / 0 / 87 / 22

HEX #35C619

RGB 53 198 25

HSL 110.29, 0.78%, 0.44%

LAB 70.33, -65.86, 66.05

 

CMYK 88 / 3 / 0 / 22

HEX #19C2C8

RGB 25 194 200

HSL 182.06, 0.78%, 0.44%

LAB 71.53, -36.4, -14.28

 

CMYK 0 / 88 / 38 / 22

HEX #C8197C

RGB 200 25 124

HSL 326.06, 0.78%, 0.44%

LAB 44.84, 69.66, -9.52

 

CMYK 73 / 0 / 87 / 22

HEX #35C619

RGB 53 198 25

HSL 110.29, 0.78%, 0.44%

LAB 70.33, -65.86, 66.05

 

CMYK 88 / 73 / 0 / 22

HEX #1936C8

RGB 25 54 200

HSL 230.06, 0.78%, 0.44%

LAB 31.84, 45.63, -77.14

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 73 / 0 / 87 / 22

HEX #35C619

RGB 53 198 25

HSL 110.29, 0.78%, 0.44%

LAB 70.33, -65.86, 66.05

 

CMYK 88 / 3 / 0 / 22

HEX #19C2C8

RGB 25 194 200

HSL 182.06, 0.78%, 0.44%

LAB 71.53, -36.4, -14.28

 

CMYK 15 / 88 / 0 / 22

HEX #AB19C8

RGB 171 25 200

HSL 290.06, 0.78%, 0.44%

LAB 43.54, 74.33, -57.39

 

CMYK 0 / 85 / 88 / 22

HEX #C81F19

RGB 200 31 25

HSL 2.06, 0.78%, 0.44%

LAB 43.26, 62.73, 47.67

 

CMYK 73 / 0 / 87 / 22

HEX #35C619

RGB 53 198 25

HSL 110.29, 0.78%, 0.44%

LAB 70.33, -65.86, 66.05

 

CMYK 88 / 30 / 0 / 22

HEX #198DC8

RGB 25 141 200

HSL 200.23, 0.78%, 0.44%

LAB 55.51, -9.1, -38.92

 

CMYK 15 / 88 / 0 / 22

HEX #AB19C8

RGB 171 25 200

HSL 290.06, 0.78%, 0.44%

LAB 43.54, 74.33, -57.39

 

CMYK 0 / 59 / 88 / 22

HEX #C85319

RGB 200 83 25

HSL 19.89, 0.78%, 0.44%

LAB 50.14, 43.96, 53.16

 

Description

Color code: RGB 53 198 25 | qconv.com Color code: RGB 53 198 25 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 198 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 198 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 87 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 87% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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