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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 196 35 it is the complementary color RGB 202 59 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 196 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 196 35 shade: RGB 58 196 30, RGB 75 214 49, RGB 92 232 68, RGB 109 250 87 and RGB 126 255 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 196 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 196 35 shade: RGB 53 196 35, RGB 36 178 16, RGB 19 160 0, RGB 2 142 0 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 196 35 shade: RGB 52 195 34, RGB 96 195 34, RGB 139 195 34, RGB 182 195 34 and RGB 195 164 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 196 35 shade: RGB 52 195 34, RGB 34 195 60, RGB 34 195 103, RGB 34 195 146 and RGB 34 195 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 196 35 shade matches the following richer shades: RGB 52 195 34 and RGB 38 214 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 196 35 shade: RGB 52 195 34, RGB 67 177 53, RGB 81 158 72, RGB 96 139 90 and RGB 110 121 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 196 35 shade: RGB 139 195 34, RGB 96 195 34, RGB 53 195 34, RGB 34 195 59 and RGB 34 195 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 196 35 shade: RGB 34 125 22, RGB 43 160 28, RGB 52 195 34, RGB 70 219 52 and RGB 102 225 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 196 35 shade: RGB 53 196 35, RGB 34 182 195 and RGB 195 34 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 196 35 shade: RGB 53 196 35, RGB 34 53 195 and RGB 195 34 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 196 35 shade: RGB 53 196 35, RGB 34 182 195, RGB 176 34 195 and RGB 195 48 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 196 35 shade: RGB 53 196 35, RGB 34 133 195, RGB 176 34 195 and RGB 195 96 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 82 / 23

HEX #35C423

RGB 53 196 35

HSL 113.29, 0.7%, 0.45%

LAB 69.72, -64.79, 63.18

 

Complementary color

CMYK 8 / 73 / 0 / 14

HEX #CA3BDC

RGB 202 59 220

HSL 293.29, 0.7%, 0.55%

LAB 52.79, 74.54, -53.76

 

CMYK 70 / 0 / 85 / 23

HEX #3AC41E

RGB 58 196 30

HSL 109.88, 0.73%, 0.44%

LAB 69.81, -64.17, 64.54

 

CMYK 65 / 0 / 77 / 16

HEX #4BD631

RGB 75 214 49

HSL 110.55, 0.67%, 0.52%

LAB 75.95, -65.64, 65.19

 

CMYK 60 / 0 / 71 / 9

HEX #5CE844

RGB 92 232 68

HSL 111.22, 0.78%, 0.59%

LAB 82.06, -66.64, 65.04

 

CMYK 56 / 0 / 65 / 2

HEX #6DFA57

RGB 109 250 87

HSL 111.9, 0.94%, 0.66%

LAB 88.12, -67.3, 64.42

 

CMYK 51 / 0 / 58 / 0

HEX #7EFF6A

RGB 126 255 106

HSL 111.95, 1%, 0.71%

LAB 90.32, -62.98, 59.2

 

CMYK 73 / 0 / 82 / 23

HEX #35C423

RGB 53 196 35

HSL 113.29, 0.7%, 0.45%

LAB 69.72, -64.79, 63.18

 

CMYK 80 / 0 / 91 / 30

HEX #24B210

RGB 36 178 16

HSL 112.59, 0.84%, 0.38%

LAB 63.55, -62.62, 61.76

 

CMYK 88 / 0 / 100 / 37

HEX #13A000

RGB 19 160 0

HSL 112.88, 1%, 0.31%

LAB 57.35, -59.6, 58.87

 

CMYK 99 / 0 / 100 / 44

HEX #028E00

RGB 2 142 0

HSL 119.15, 1%, 0.28%

LAB 51.1, -55.6, 53.81

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 73 / 0 / 83 / 24

HEX #34C322

RGB 52 195 34

HSL 113.29, 0.7%, 0.45%

LAB 69.38, -64.7, 63.12

 

CMYK 51 / 0 / 83 / 24

HEX #60C322

RGB 96 195 34

HSL 96.89, 0.7%, 0.45%

LAB 70.62, -54.59, 64.7

 

CMYK 29 / 0 / 83 / 24

HEX #8BC322

RGB 139 195 34

HSL 80.87, 0.7%, 0.45%

LAB 72.65, -39.98, 67.29

 

CMYK 7 / 0 / 83 / 24

HEX #B6C322

RGB 182 195 34

HSL 64.84, 0.7%, 0.45%

LAB 75.51, -22.58, 70.88

 

CMYK 0 / 16 / 83 / 24

HEX #C3A422

RGB 195 164 34

HSL 48.45, 0.7%, 0.45%

LAB 68.22, -1.01, 65.09

 

CMYK 73 / 0 / 83 / 24

HEX #34C322

RGB 52 195 34

HSL 113.29, 0.7%, 0.45%

LAB 69.38, -64.7, 63.12

 

CMYK 83 / 0 / 69 / 24

HEX #22C33C

RGB 34 195 60

HSL 129.69, 0.7%, 0.45%

LAB 69.25, -65.24, 54.32

 

CMYK 83 / 0 / 47 / 24

HEX #22C367

RGB 34 195 103

HSL 145.71, 0.7%, 0.45%

LAB 69.72, -59.61, 35.19

 

CMYK 83 / 0 / 25 / 24

HEX #22C392

RGB 34 195 146

HSL 161.74, 0.7%, 0.45%

LAB 70.49, -50.89, 13.62

 

CMYK 83 / 0 / 3 / 24

HEX #22C3BE

RGB 34 195 190

HSL 178.14, 0.7%, 0.45%

LAB 71.61, -39.24, -8.68

 

CMYK 73 / 0 / 83 / 24

HEX #34C322

RGB 52 195 34

HSL 113.29, 0.7%, 0.45%

LAB 69.38, -64.7, 63.12

 

CMYK 82 / 0 / 93 / 16

HEX #26D610

RGB 38 214 16

HSL 113.33, 0.86%, 0.45%

LAB 75.17, -72.86, 71.55

 

CMYK 73 / 0 / 83 / 24

HEX #34C322

RGB 52 195 34

HSL 113.29, 0.7%, 0.45%

LAB 69.38, -64.7, 63.12

 

CMYK 62 / 0 / 70 / 31

HEX #43B135

RGB 67 177 53

HSL 113.23, 0.54%, 0.45%

LAB 64.08, -54.45, 51.81

 

CMYK 49 / 0 / 54 / 38

HEX #519E48

RGB 81 158 72

HSL 113.72, 0.37%, 0.45%

LAB 58.67, -41.3, 37.33

 

CMYK 31 / 0 / 35 / 45

HEX #608B5A

RGB 96 139 90

HSL 112.65, 0.21%, 0.45%

LAB 53.7, -24.9, 21.63

 

CMYK 9 / 0 / 10 / 53

HEX #6E796D

RGB 110 121 109

HSL 115, 0.05%, 0.45%

LAB 49.61, -6.56, 5.18

 

CMYK 29 / 0 / 83 / 24

HEX #8BC322

RGB 139 195 34

HSL 80.87, 0.7%, 0.45%

LAB 72.65, -39.98, 67.29

 

CMYK 51 / 0 / 83 / 24

HEX #60C322

RGB 96 195 34

HSL 96.89, 0.7%, 0.45%

LAB 70.62, -54.59, 64.7

 

CMYK 73 / 0 / 83 / 24

HEX #35C322

RGB 53 195 34

HSL 112.92, 0.7%, 0.45%

LAB 69.4, -64.53, 63.15

 

CMYK 83 / 0 / 70 / 24

HEX #22C33B

RGB 34 195 59

HSL 129.32, 0.7%, 0.45%

LAB 69.25, -65.34, 54.7

 

CMYK 83 / 0 / 48 / 24

HEX #22C365

RGB 34 195 101

HSL 144.97, 0.7%, 0.45%

LAB 69.69, -59.94, 36.16

 

CMYK 73 / 0 / 82 / 51

HEX #227D16

RGB 34 125 22

HSL 113.01, 0.7%, 0.29%

LAB 45.72, -45.67, 44.46

 

CMYK 73 / 0 / 83 / 37

HEX #2BA01C

RGB 43 160 28

HSL 113.18, 0.7%, 0.37%

LAB 57.79, -55.41, 54.01

 

CMYK 73 / 0 / 83 / 24

HEX #34C322

RGB 52 195 34

HSL 113.29, 0.7%, 0.45%

LAB 69.38, -64.7, 63.12

 

CMYK 68 / 0 / 76 / 14

HEX #46DB34

RGB 70 219 52

HSL 113.53, 0.7%, 0.53%

LAB 77.41, -68.05, 65.62

 

CMYK 55 / 0 / 61 / 12

HEX #66E157

RGB 102 225 87

HSL 113.48, 0.7%, 0.61%

LAB 80.38, -60.08, 55.83

 

CMYK 73 / 0 / 82 / 23

HEX #35C423

RGB 53 196 35

HSL 113.29, 0.7%, 0.45%

LAB 69.72, -64.79, 63.18

 

CMYK 83 / 7 / 0 / 24

HEX #22B6C3

RGB 34 182 195

HSL 184.84, 0.7%, 0.45%

LAB 67.83, -31.67, -17.11

 

CMYK 0 / 83 / 40 / 24

HEX #C32275

RGB 195 34 117

HSL 329.07, 0.7%, 0.45%

LAB 44.28, 65.96, -6.15

 

CMYK 73 / 0 / 82 / 23

HEX #35C423

RGB 53 196 35

HSL 113.29, 0.7%, 0.45%

LAB 69.72, -64.79, 63.18

 

CMYK 83 / 73 / 0 / 24

HEX #2235C3

RGB 34 53 195

HSL 232.92, 0.7%, 0.45%

LAB 31.41, 44.97, -74.92

 

CMYK 0 / 83 / 73 / 24

HEX #C32235

RGB 195 34 53

HSL 352.92, 0.7%, 0.45%

LAB 42.77, 61.49, 31.53

 

CMYK 73 / 0 / 82 / 23

HEX #35C423

RGB 53 196 35

HSL 113.29, 0.7%, 0.45%

LAB 69.72, -64.79, 63.18

 

CMYK 83 / 7 / 0 / 24

HEX #22B6C3

RGB 34 182 195

HSL 184.84, 0.7%, 0.45%

LAB 67.83, -31.67, -17.11

 

CMYK 10 / 83 / 0 / 24

HEX #B022C3

RGB 176 34 195

HSL 292.92, 0.7%, 0.45%

LAB 44.68, 72.43, -52.61

 

CMYK 0 / 75 / 83 / 24

HEX #C33022

RGB 195 48 34

HSL 5.22, 0.7%, 0.45%

LAB 43.99, 56.8, 43.53

 

CMYK 73 / 0 / 82 / 23

HEX #35C423

RGB 53 196 35

HSL 113.29, 0.7%, 0.45%

LAB 69.72, -64.79, 63.18

 

CMYK 83 / 32 / 0 / 24

HEX #2285C3

RGB 34 133 195

HSL 203.11, 0.7%, 0.45%

LAB 53.01, -5.63, -40.01

 

CMYK 10 / 83 / 0 / 24

HEX #B022C3

RGB 176 34 195

HSL 292.92, 0.7%, 0.45%

LAB 44.68, 72.43, -52.61

 

CMYK 0 / 51 / 83 / 24

HEX #C36022

RGB 195 96 34

HSL 23.11, 0.7%, 0.45%

LAB 51.93, 35.78, 50.81

 

Description

Color code: RGB 53 196 35 | qconv.com Color code: RGB 53 196 35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 196 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 196 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 82 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 82% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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