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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 196 159 it is the complementary color RGB 202 59 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 196 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 196 159 shade: RGB 58 196 154, RGB 75 214 173, RGB 92 232 192, RGB 109 250 211 and RGB 126 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 196 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 196 159 shade: RGB 53 196 159, RGB 36 178 140, RGB 19 160 121, RGB 2 142 102 and RGB 0 124 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 196 159 shade: RGB 54 196 159, RGB 54 196 121, RGB 54 196 83, RGB 63 196 54 and RGB 102 196 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 196 159 shade: RGB 54 196 159, RGB 54 195 196, RGB 54 156 196, RGB 54 118 196 and RGB 54 79 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 196 159 shade matches the following richer shades: RGB 54 196 159, RGB 34 216 169 and RGB 13 237 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 196 159 shade: RGB 54 196 159, RGB 74 176 150, RGB 94 156 140, RGB 114 136 130 and RGB 135 115 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 196 159 shade: RGB 54 196 82, RGB 54 196 120, RGB 54 196 158, RGB 54 196 196 and RGB 54 158 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 196 159 shade: RGB 36 131 107, RGB 45 164 133, RGB 54 196 159, RGB 83 208 176 and RGB 116 217 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 196 159 shade: RGB 53 196 159, RGB 54 63 196 and RGB 196 101 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 196 159 shade: RGB 53 196 159, RGB 158 54 196 and RGB 196 158 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 196 159 shade: RGB 53 196 159, RGB 54 63 196, RGB 196 54 92 and RGB 196 187 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 196 159 shade: RGB 53 196 159, RGB 87 54 196, RGB 196 54 92 and RGB 163 196 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 19 / 23

HEX #35C49F

RGB 53 196 159

HSL 164.48, 0.57%, 0.49%

LAB 71.38, -46.07, 7.89

 

Complementary color

CMYK 0 / 71 / 52 / 21

HEX #CA3B60

RGB 202 59 96

HSL 344.48, 0.57%, 0.51%

LAB 47.66, 58.42, 11.84

 

CMYK 70 / 0 / 21 / 23

HEX #3AC49A

RGB 58 196 154

HSL 161.74, 0.54%, 0.5%

LAB 71.36, -46.58, 10.58

 

CMYK 65 / 0 / 19 / 16

HEX #4BD6AD

RGB 75 214 173

HSL 162.3, 0.63%, 0.57%

LAB 77.64, -46.99, 9.37

 

CMYK 60 / 0 / 17 / 9

HEX #5CE8C0

RGB 92 232 192

HSL 162.86, 0.75%, 0.64%

LAB 83.86, -47.23, 8.27

 

CMYK 56 / 0 / 16 / 2

HEX #6DFAD3

RGB 109 250 211

HSL 163.4, 0.93%, 0.7%

LAB 90.01, -47.35, 7.25

 

CMYK 51 / 0 / 10 / 0

HEX #7EFFE6

RGB 126 255 230

HSL 168.37, 1%, 0.75%

LAB 92.43, -41.69, 0.98

 

CMYK 73 / 0 / 19 / 23

HEX #35C49F

RGB 53 196 159

HSL 164.48, 0.57%, 0.49%

LAB 71.38, -46.07, 7.89

 

CMYK 80 / 0 / 21 / 30

HEX #24B28C

RGB 36 178 140

HSL 163.94, 0.66%, 0.42%

LAB 65.05, -45.26, 9.21

 

CMYK 88 / 0 / 24 / 37

HEX #13A079

RGB 19 160 121

HSL 163.4, 0.79%, 0.35%

LAB 58.66, -44.07, 10.7

 

CMYK 99 / 0 / 28 / 44

HEX #028E66

RGB 2 142 102

HSL 162.86, 0.97%, 0.28%

LAB 52.2, -42.44, 12.36

 

CMYK 100 / 0 / 33 / 51

HEX #007C53

RGB 0 124 83

HSL 160.16, 1%, 0.24%

LAB 45.69, -39.97, 14.28

 

CMYK 72 / 0 / 19 / 23

HEX #36C49F

RGB 54 196 159

HSL 164.37, 0.57%, 0.49%

LAB 71.4, -45.93, 7.92

 

CMYK 72 / 0 / 38 / 23

HEX #36C479

RGB 54 196 121

HSL 148.31, 0.57%, 0.49%

LAB 70.63, -54.26, 27.17

 

CMYK 72 / 0 / 58 / 23

HEX #36C453

RGB 54 196 83

HSL 132.25, 0.57%, 0.49%

LAB 70.1, -60.34, 45.44

 

CMYK 68 / 0 / 72 / 23

HEX #3FC436

RGB 63 196 54

HSL 116.2, 0.57%, 0.49%

LAB 70.04, -61.75, 57.56

 

CMYK 48 / 0 / 72 / 23

HEX #66C436

RGB 102 196 54

HSL 99.72, 0.57%, 0.49%

LAB 71.26, -52.04, 59.2

 

CMYK 72 / 0 / 19 / 23

HEX #36C49F

RGB 54 196 159

HSL 164.37, 0.57%, 0.49%

LAB 71.4, -45.93, 7.92

 

CMYK 72 / 1 / 0 / 23

HEX #36C3C4

RGB 54 195 196

HSL 180.42, 0.57%, 0.49%

LAB 72.09, -35.54, -11.21

 

CMYK 72 / 20 / 0 / 23

HEX #369CC4

RGB 54 156 196

HSL 196.9, 0.57%, 0.49%

LAB 60.38, -15.97, -29.03

 

CMYK 72 / 40 / 0 / 23

HEX #3676C4

RGB 54 118 196

HSL 212.96, 0.57%, 0.49%

LAB 49.16, 6.06, -46.64

 

CMYK 72 / 60 / 0 / 23

HEX #364FC4

RGB 54 79 196

HSL 229.44, 0.57%, 0.49%

LAB 38.48, 30.97, -63.85

 

CMYK 72 / 0 / 19 / 23

HEX #36C49F

RGB 54 196 159

HSL 164.37, 0.57%, 0.49%

LAB 71.4, -45.93, 7.92

 

CMYK 84 / 0 / 22 / 15

HEX #22D8A9

RGB 34 216 169

HSL 164.51, 0.73%, 0.49%

LAB 77.47, -53.69, 11.16

 

CMYK 95 / 0 / 24 / 7

HEX #0DEDB3

RGB 13 237 179

HSL 164.46, 0.9%, 0.49%

LAB 83.92, -60.45, 15

 

CMYK 72 / 0 / 19 / 23

HEX #36C49F

RGB 54 196 159

HSL 164.37, 0.57%, 0.49%

LAB 71.4, -45.93, 7.92

 

CMYK 58 / 0 / 15 / 31

HEX #4AB096

RGB 74 176 150

HSL 164.71, 0.41%, 0.49%

LAB 65.52, -35.99, 4.47

 

CMYK 40 / 0 / 10 / 39

HEX #5E9C8C

RGB 94 156 140

HSL 164.52, 0.25%, 0.49%

LAB 59.93, -23.89, 2.08

 

CMYK 16 / 0 / 4 / 47

HEX #728882

RGB 114 136 130

HSL 163.64, 0.09%, 0.49%

LAB 54.86, -9.18, 0.57

 

CMYK 0 / 15 / 11 / 47

HEX #877378

RGB 135 115 120

HSL 345, 0.08%, 0.49%

LAB 50.42, 8.69, 0.13

 

CMYK 72 / 0 / 58 / 23

HEX #36C452

RGB 54 196 82

HSL 131.83, 0.57%, 0.49%

LAB 70.09, -60.46, 45.89

 

CMYK 72 / 0 / 39 / 23

HEX #36C478

RGB 54 196 120

HSL 147.89, 0.57%, 0.49%

LAB 70.61, -54.45, 27.67

 

CMYK 72 / 0 / 19 / 23

HEX #36C49E

RGB 54 196 158

HSL 163.94, 0.57%, 0.49%

LAB 71.37, -46.18, 8.43

 

CMYK 72 / 0 / 0 / 23

HEX #36C4C4

RGB 54 196 196

HSL 180, 0.57%, 0.49%

LAB 72.4, -36.01, -10.76

 

CMYK 72 / 19 / 0 / 23

HEX #369EC4

RGB 54 158 196

HSL 196.06, 0.57%, 0.49%

LAB 60.98, -17.04, -28.1

 

CMYK 73 / 0 / 18 / 49

HEX #24836B

RGB 36 131 107

HSL 164.84, 0.57%, 0.33%

LAB 49.09, -33.29, 5.14

 

CMYK 73 / 0 / 19 / 36

HEX #2DA485

RGB 45 164 133

HSL 164.37, 0.57%, 0.41%

LAB 60.61, -39.96, 6.79

 

CMYK 72 / 0 / 19 / 23

HEX #36C49F

RGB 54 196 159

HSL 164.37, 0.57%, 0.49%

LAB 71.4, -45.93, 7.92

 

CMYK 60 / 0 / 15 / 18

HEX #53D0B0

RGB 83 208 176

HSL 164.64, 0.57%, 0.57%

LAB 76.12, -42.28, 5.62

 

CMYK 47 / 0 / 12 / 15

HEX #74D9BF

RGB 116 217 191

HSL 164.55, 0.57%, 0.65%

LAB 80.24, -35.74, 3.68

 

CMYK 73 / 0 / 19 / 23

HEX #35C49F

RGB 53 196 159

HSL 164.48, 0.57%, 0.49%

LAB 71.38, -46.07, 7.89

 

CMYK 72 / 68 / 0 / 23

HEX #363FC4

RGB 54 63 196

HSL 236.2, 0.57%, 0.49%

LAB 34.65, 41.02, -70.13

 

CMYK 0 / 48 / 72 / 23

HEX #C46536

RGB 196 101 54

HSL 19.86, 0.57%, 0.49%

LAB 53.29, 34.38, 42.84

 

CMYK 73 / 0 / 19 / 23

HEX #35C49F

RGB 53 196 159

HSL 164.48, 0.57%, 0.49%

LAB 71.38, -46.07, 7.89

 

CMYK 19 / 72 / 0 / 23

HEX #9E36C4

RGB 158 54 196

HSL 283.94, 0.57%, 0.49%

LAB 44.08, 63.03, -54.3

 

CMYK 0 / 19 / 72 / 23

HEX #C49E36

RGB 196 158 54

HSL 43.94, 0.57%, 0.49%

LAB 66.87, 3.43, 56.91

 

CMYK 73 / 0 / 19 / 23

HEX #35C49F

RGB 53 196 159

HSL 164.48, 0.57%, 0.49%

LAB 71.38, -46.07, 7.89

 

CMYK 72 / 68 / 0 / 23

HEX #363FC4

RGB 54 63 196

HSL 236.2, 0.57%, 0.49%

LAB 34.65, 41.02, -70.13

 

CMYK 0 / 72 / 53 / 23

HEX #C4365C

RGB 196 54 92

HSL 343.94, 0.57%, 0.49%

LAB 45.83, 58.11, 11.59

 

CMYK 0 / 5 / 72 / 23

HEX #C4BB36

RGB 196 187 54

HSL 56.2, 0.57%, 0.49%

LAB 74.54, -11.83, 64.4

 

CMYK 73 / 0 / 19 / 23

HEX #35C49F

RGB 53 196 159

HSL 164.48, 0.57%, 0.49%

LAB 71.38, -46.07, 7.89

 

CMYK 56 / 72 / 0 / 23

HEX #5736C4

RGB 87 54 196

HSL 253.94, 0.57%, 0.49%

LAB 35.3, 50.35, -68.97

 

CMYK 0 / 72 / 53 / 23

HEX #C4365C

RGB 196 54 92

HSL 343.94, 0.57%, 0.49%

LAB 45.83, 58.11, 11.59

 

CMYK 17 / 0 / 72 / 23

HEX #A3C436

RGB 163 196 54

HSL 73.94, 0.57%, 0.49%

LAB 74.53, -30.1, 63.52

 

Description

Color code: RGB 53 196 159 | qconv.com Color code: RGB 53 196 159 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 196 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 196 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 19 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 19% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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