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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 195 76 it is the complementary color RGB 202 60 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 195 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 195 76 shade: RGB 58 195 71, RGB 75 213 90, RGB 92 231 109, RGB 109 249 128 and RGB 126 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 195 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 195 76 shade: RGB 53 195 76, RGB 36 177 57, RGB 19 159 38, RGB 2 141 19 and RGB 0 123 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 195 76 shade: RGB 54 196 77, RGB 69 196 54, RGB 107 196 54, RGB 146 196 54 and RGB 184 196 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 195 76 shade: RGB 54 196 77, RGB 54 196 115, RGB 54 196 154, RGB 54 196 192 and RGB 54 162 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 195 76 shade matches the following richer shades: RGB 54 196 77, RGB 34 216 63 and RGB 13 237 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 195 76 shade: RGB 54 196 77, RGB 74 176 90, RGB 94 156 104, RGB 114 136 118 and RGB 135 115 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 195 76 shade: RGB 108 196 54, RGB 70 196 54, RGB 54 196 75, RGB 54 196 113 and RGB 54 196 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 195 76 shade: RGB 36 131 51, RGB 45 164 64, RGB 54 196 77, RGB 83 208 103 and RGB 116 217 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 195 76 shade: RGB 53 195 76, RGB 54 146 196 and RGB 196 54 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 195 76 shade: RGB 53 195 76, RGB 75 54 196 and RGB 196 75 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 195 76 shade: RGB 53 195 76, RGB 54 146 196, RGB 196 54 175 and RGB 196 104 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 195 76 shade: RGB 53 195 76, RGB 54 104 196, RGB 196 54 175 and RGB 196 146 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 61 / 24

HEX #35C34C

RGB 53 195 76

HSL 129.72, 0.57%, 0.49%

LAB 69.69, -61.02, 48.15

 

Complementary color

CMYK 0 / 70 / 11 / 21

HEX #CA3CB3

RGB 202 60 179

HSL 309.72, 0.57%, 0.51%

LAB 50.74, 67.66, -33.39

 

CMYK 70 / 0 / 64 / 24

HEX #3AC347

RGB 58 195 71

HSL 125.69, 0.54%, 0.5%

LAB 69.74, -60.75, 50.43

 

CMYK 65 / 0 / 58 / 16

HEX #4BD55A

RGB 75 213 90

HSL 126.52, 0.62%, 0.56%

LAB 75.96, -61.56, 49.22

 

CMYK 60 / 0 / 53 / 9

HEX #5CE76D

RGB 92 231 109

HSL 127.34, 0.74%, 0.63%

LAB 82.13, -62.03, 47.92

 

CMYK 56 / 0 / 49 / 2

HEX #6DF980

RGB 109 249 128

HSL 128.14, 0.92%, 0.7%

LAB 88.24, -62.28, 46.6

 

CMYK 51 / 0 / 42 / 0

HEX #7EFF93

RGB 126 255 147

HSL 129.77, 1%, 0.75%

LAB 90.81, -57.75, 40.85

 

CMYK 73 / 0 / 61 / 24

HEX #35C34C

RGB 53 195 76

HSL 129.72, 0.57%, 0.49%

LAB 69.69, -61.02, 48.15

 

CMYK 80 / 0 / 68 / 31

HEX #24B139

RGB 36 177 57

HSL 128.94, 0.66%, 0.42%

LAB 63.44, -59.65, 49.31

 

CMYK 88 / 0 / 76 / 38

HEX #139F26

RGB 19 159 38

HSL 128.14, 0.79%, 0.35%

LAB 57.15, -57.57, 50.06

 

CMYK 99 / 0 / 87 / 45

HEX #028D13

RGB 2 141 19

HSL 127.34, 0.97%, 0.28%

LAB 50.82, -54.6, 49.87

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 72 / 0 / 61 / 23

HEX #36C44D

RGB 54 196 77

HSL 129.72, 0.57%, 0.49%

LAB 70.04, -61.08, 48.11

 

CMYK 65 / 0 / 72 / 23

HEX #45C436

RGB 69 196 54

HSL 113.66, 0.57%, 0.49%

LAB 70.18, -60.54, 57.76

 

CMYK 45 / 0 / 72 / 23

HEX #6BC436

RGB 107 196 54

HSL 97.61, 0.57%, 0.49%

LAB 71.47, -50.5, 59.47

 

CMYK 26 / 0 / 72 / 23

HEX #92C436

RGB 146 196 54

HSL 81.13, 0.57%, 0.49%

LAB 73.45, -36.8, 62.11

 

CMYK 6 / 0 / 72 / 23

HEX #B8C436

RGB 184 196 54

HSL 65.07, 0.57%, 0.49%

LAB 76.03, -21.45, 65.49

 

CMYK 72 / 0 / 61 / 23

HEX #36C44D

RGB 54 196 77

HSL 129.72, 0.57%, 0.49%

LAB 70.04, -61.08, 48.11

 

CMYK 72 / 0 / 41 / 23

HEX #36C473

RGB 54 196 115

HSL 145.77, 0.57%, 0.49%

LAB 70.53, -55.37, 30.16

 

CMYK 72 / 0 / 21 / 23

HEX #36C49A

RGB 54 196 154

HSL 162.25, 0.57%, 0.49%

LAB 71.28, -47.15, 10.46

 

CMYK 72 / 0 / 2 / 23

HEX #36C4C0

RGB 54 196 192

HSL 178.31, 0.57%, 0.49%

LAB 72.28, -37.15, -8.76

 

CMYK 72 / 17 / 0 / 23

HEX #36A2C4

RGB 54 162 196

HSL 194.37, 0.57%, 0.49%

LAB 62.18, -19.17, -26.26

 

CMYK 72 / 0 / 61 / 23

HEX #36C44D

RGB 54 196 77

HSL 129.72, 0.57%, 0.49%

LAB 70.04, -61.08, 48.11

 

CMYK 84 / 0 / 71 / 15

HEX #22D83F

RGB 34 216 63

HSL 129.56, 0.73%, 0.49%

LAB 75.95, -71.31, 60.21

 

CMYK 95 / 0 / 79 / 7

HEX #0DED31

RGB 13 237 49

HSL 129.64, 0.9%, 0.49%

LAB 82.31, -79.57, 70.97

 

CMYK 72 / 0 / 61 / 23

HEX #36C44D

RGB 54 196 77

HSL 129.72, 0.57%, 0.49%

LAB 70.04, -61.08, 48.11

 

CMYK 58 / 0 / 49 / 31

HEX #4AB05A

RGB 74 176 90

HSL 129.41, 0.41%, 0.49%

LAB 64.36, -48.02, 35.2

 

CMYK 40 / 0 / 33 / 39

HEX #5E9C68

RGB 94 156 104

HSL 129.68, 0.25%, 0.49%

LAB 59.12, -31.42, 21.11

 

CMYK 16 / 0 / 13 / 47

HEX #728876

RGB 114 136 118

HSL 130.91, 0.09%, 0.49%

LAB 54.55, -11.66, 7.04

 

CMYK 0 / 15 / 3 / 47

HEX #877383

RGB 135 115 131

HSL 312, 0.08%, 0.49%

LAB 50.75, 10.78, -5.87

 

CMYK 45 / 0 / 72 / 23

HEX #6CC436

RGB 108 196 54

HSL 97.18, 0.57%, 0.49%

LAB 71.51, -50.19, 59.53

 

CMYK 64 / 0 / 72 / 23

HEX #46C436

RGB 70 196 54

HSL 113.24, 0.57%, 0.49%

LAB 70.21, -60.33, 57.79

 

CMYK 72 / 0 / 62 / 23

HEX #36C44B

RGB 54 196 75

HSL 128.87, 0.57%, 0.49%

LAB 70.02, -61.31, 48.97

 

CMYK 72 / 0 / 42 / 23

HEX #36C471

RGB 54 196 113

HSL 144.93, 0.57%, 0.49%

LAB 70.49, -55.73, 31.16

 

CMYK 72 / 0 / 23 / 23

HEX #36C497

RGB 54 196 151

HSL 160.99, 0.57%, 0.49%

LAB 71.21, -47.86, 11.99

 

CMYK 73 / 0 / 61 / 49

HEX #248333

RGB 36 131 51

HSL 129.47, 0.57%, 0.33%

LAB 48.07, -44.58, 34.84

 

CMYK 73 / 0 / 61 / 36

HEX #2DA440

RGB 45 164 64

HSL 129.58, 0.57%, 0.41%

LAB 59.42, -53.17, 41.79

 

CMYK 72 / 0 / 61 / 23

HEX #36C44D

RGB 54 196 77

HSL 129.72, 0.57%, 0.49%

LAB 70.04, -61.08, 48.11

 

CMYK 60 / 0 / 50 / 18

HEX #53D067

RGB 83 208 103

HSL 129.6, 0.57%, 0.57%

LAB 74.78, -56.36, 41.75

 

CMYK 47 / 0 / 39 / 15

HEX #74D984

RGB 116 217 132

HSL 129.5, 0.57%, 0.65%

LAB 79.04, -47.31, 32.95

 

CMYK 73 / 0 / 61 / 24

HEX #35C34C

RGB 53 195 76

HSL 129.72, 0.57%, 0.49%

LAB 69.69, -61.02, 48.15

 

CMYK 72 / 26 / 0 / 23

HEX #3692C4

RGB 54 146 196

HSL 201.13, 0.57%, 0.49%

LAB 57.39, -10.46, -33.67

 

CMYK 0 / 72 / 55 / 23

HEX #C43659

RGB 196 54 89

HSL 345.21, 0.57%, 0.49%

LAB 45.76, 57.88, 13.34

 

CMYK 73 / 0 / 61 / 24

HEX #35C34C

RGB 53 195 76

HSL 129.72, 0.57%, 0.49%

LAB 69.69, -61.02, 48.15

 

CMYK 62 / 72 / 0 / 23

HEX #4B36C4

RGB 75 54 196

HSL 248.87, 0.57%, 0.49%

LAB 34.23, 48.7, -70.77

 

CMYK 0 / 62 / 72 / 23

HEX #C44B36

RGB 196 75 54

HSL 8.87, 0.57%, 0.49%

LAB 48.3, 47.18, 37.34

 

CMYK 73 / 0 / 61 / 24

HEX #35C34C

RGB 53 195 76

HSL 129.72, 0.57%, 0.49%

LAB 69.69, -61.02, 48.15

 

CMYK 72 / 26 / 0 / 23

HEX #3692C4

RGB 54 146 196

HSL 201.13, 0.57%, 0.49%

LAB 57.39, -10.46, -33.67

 

CMYK 0 / 72 / 11 / 23

HEX #C436AF

RGB 196 54 175

HSL 308.87, 0.57%, 0.49%

LAB 48.85, 67.68, -34.08

 

CMYK 0 / 47 / 72 / 23

HEX #C46836

RGB 196 104 54

HSL 21.13, 0.57%, 0.49%

LAB 53.92, 32.8, 43.52

 

CMYK 73 / 0 / 61 / 24

HEX #35C34C

RGB 53 195 76

HSL 129.72, 0.57%, 0.49%

LAB 69.69, -61.02, 48.15

 

CMYK 72 / 47 / 0 / 23

HEX #3668C4

RGB 54 104 196

HSL 218.87, 0.57%, 0.49%

LAB 45.18, 14.85, -53.01

 

CMYK 0 / 72 / 11 / 23

HEX #C436AF

RGB 196 54 175

HSL 308.87, 0.57%, 0.49%

LAB 48.85, 67.68, -34.08

 

CMYK 0 / 26 / 72 / 23

HEX #C49236

RGB 196 146 54

HSL 38.87, 0.57%, 0.49%

LAB 63.8, 9.94, 53.83

 

Description

Color code: RGB 53 195 76 | qconv.com Color code: RGB 53 195 76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 195 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 195 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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