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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 195 154 it is the complementary color RGB 202 60 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 195 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 195 154 shade: RGB 58 195 149, RGB 75 213 168, RGB 92 231 187, RGB 109 249 206 and RGB 126 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 195 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 195 154 shade: RGB 53 195 154, RGB 36 177 135, RGB 19 159 116, RGB 2 141 97 and RGB 0 123 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 195 154 shade: RGB 54 196 155, RGB 54 196 117, RGB 54 196 78, RGB 68 196 54 and RGB 106 196 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 195 154 shade: RGB 54 196 155, RGB 54 196 193, RGB 54 160 196, RGB 54 122 196 and RGB 54 84 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 195 154 shade matches the following richer shades: RGB 54 196 155, RGB 34 216 164 and RGB 13 237 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 195 154 shade: RGB 54 196 155, RGB 74 176 147, RGB 94 156 138, RGB 114 136 129 and RGB 135 115 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 195 154 shade: RGB 54 196 77, RGB 54 196 115, RGB 54 196 153, RGB 54 196 191 and RGB 54 163 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 195 154 shade: RGB 36 131 104, RGB 45 164 129, RGB 54 196 155, RGB 83 208 172 and RGB 116 217 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 195 154 shade: RGB 53 195 154, RGB 54 68 196 and RGB 196 96 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 195 154 shade: RGB 53 195 154, RGB 153 54 196 and RGB 196 153 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 195 154 shade: RGB 53 195 154, RGB 54 68 196, RGB 196 54 96 and RGB 196 182 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 195 154 shade: RGB 53 195 154, RGB 82 54 196, RGB 196 54 96 and RGB 168 196 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 21 / 24

HEX #35C39A

RGB 53 195 154

HSL 162.68, 0.57%, 0.49%

LAB 70.95, -46.86, 9.99

 

Complementary color

CMYK 0 / 70 / 50 / 21

HEX #CA3C65

RGB 202 60 101

HSL 342.68, 0.57%, 0.51%

LAB 47.92, 58.47, 9.14

 

CMYK 70 / 0 / 24 / 24

HEX #3AC395

RGB 58 195 149

HSL 159.85, 0.54%, 0.5%

LAB 70.94, -47.34, 12.69

 

CMYK 65 / 0 / 21 / 16

HEX #4BD5A8

RGB 75 213 168

HSL 160.43, 0.62%, 0.56%

LAB 77.23, -47.73, 11.45

 

CMYK 60 / 0 / 19 / 9

HEX #5CE7BB

RGB 92 231 187

HSL 161.01, 0.74%, 0.63%

LAB 83.45, -47.95, 10.31

 

CMYK 56 / 0 / 17 / 2

HEX #6DF9CE

RGB 109 249 206

HSL 161.57, 0.92%, 0.7%

LAB 89.61, -48.05, 9.26

 

CMYK 51 / 0 / 12 / 0

HEX #7EFFE1

RGB 126 255 225

HSL 166.05, 1%, 0.75%

LAB 92.31, -42.85, 3.38

 

CMYK 73 / 0 / 21 / 24

HEX #35C39A

RGB 53 195 154

HSL 162.68, 0.57%, 0.49%

LAB 70.95, -46.86, 9.99

 

CMYK 80 / 0 / 24 / 31

HEX #24B187

RGB 36 177 135

HSL 162.13, 0.66%, 0.42%

LAB 64.62, -46.08, 11.36

 

CMYK 88 / 0 / 27 / 38

HEX #139F74

RGB 19 159 116

HSL 161.57, 0.79%, 0.35%

LAB 58.22, -44.89, 12.88

 

CMYK 99 / 0 / 31 / 45

HEX #028D61

RGB 2 141 97

HSL 161.01, 0.97%, 0.28%

LAB 51.75, -43.26, 14.59

 

CMYK 100 / 0 / 37 / 52

HEX #007B4E

RGB 0 123 78

HSL 158.05, 1%, 0.24%

LAB 45.24, -40.75, 16.57

 

CMYK 72 / 0 / 21 / 23

HEX #36C49B

RGB 54 196 155

HSL 162.68, 0.57%, 0.49%

LAB 71.3, -46.91, 9.95

 

CMYK 72 / 0 / 40 / 23

HEX #36C475

RGB 54 196 117

HSL 146.62, 0.57%, 0.49%

LAB 70.56, -55.01, 29.17

 

CMYK 72 / 0 / 60 / 23

HEX #36C44E

RGB 54 196 78

HSL 130.14, 0.57%, 0.49%

LAB 70.05, -60.96, 47.67

 

CMYK 65 / 0 / 72 / 23

HEX #44C436

RGB 68 196 54

HSL 114.08, 0.57%, 0.49%

LAB 70.16, -60.75, 57.72

 

CMYK 46 / 0 / 72 / 23

HEX #6AC436

RGB 106 196 54

HSL 98.03, 0.57%, 0.49%

LAB 71.43, -50.81, 59.42

 

CMYK 72 / 0 / 21 / 23

HEX #36C49B

RGB 54 196 155

HSL 162.68, 0.57%, 0.49%

LAB 71.3, -46.91, 9.95

 

CMYK 72 / 0 / 2 / 23

HEX #36C4C1

RGB 54 196 193

HSL 178.73, 0.57%, 0.49%

LAB 72.3, -36.87, -9.26

 

CMYK 72 / 18 / 0 / 23

HEX #36A0C4

RGB 54 160 196

HSL 195.21, 0.57%, 0.49%

LAB 61.58, -18.11, -27.18

 

CMYK 72 / 38 / 0 / 23

HEX #367AC4

RGB 54 122 196

HSL 211.27, 0.57%, 0.49%

LAB 50.32, 3.61, -44.8

 

CMYK 72 / 57 / 0 / 23

HEX #3654C4

RGB 54 84 196

HSL 227.32, 0.57%, 0.49%

LAB 39.77, 27.75, -61.77

 

CMYK 72 / 0 / 21 / 23

HEX #36C49B

RGB 54 196 155

HSL 162.68, 0.57%, 0.49%

LAB 71.3, -46.91, 9.95

 

CMYK 84 / 0 / 24 / 15

HEX #22D8A4

RGB 34 216 164

HSL 162.86, 0.73%, 0.49%

LAB 77.36, -54.88, 13.66

 

CMYK 95 / 0 / 27 / 7

HEX #0DEDAC

RGB 13 237 172

HSL 162.59, 0.9%, 0.49%

LAB 83.77, -62.05, 18.43

 

CMYK 72 / 0 / 21 / 23

HEX #36C49B

RGB 54 196 155

HSL 162.68, 0.57%, 0.49%

LAB 71.3, -46.91, 9.95

 

CMYK 58 / 0 / 16 / 31

HEX #4AB093

RGB 74 176 147

HSL 162.94, 0.41%, 0.49%

LAB 65.45, -36.73, 6.03

 

CMYK 40 / 0 / 12 / 39

HEX #5E9C8A

RGB 94 156 138

HSL 162.58, 0.25%, 0.49%

LAB 59.88, -24.36, 3.14

 

CMYK 16 / 0 / 5 / 47

HEX #728881

RGB 114 136 129

HSL 160.91, 0.09%, 0.49%

LAB 54.84, -9.39, 1.11

 

CMYK 0 / 15 / 10 / 47

HEX #877379

RGB 135 115 121

HSL 342, 0.08%, 0.49%

LAB 50.44, 8.87, -0.41

 

CMYK 72 / 0 / 61 / 23

HEX #36C44D

RGB 54 196 77

HSL 129.72, 0.57%, 0.49%

LAB 70.04, -61.08, 48.11

 

CMYK 72 / 0 / 41 / 23

HEX #36C473

RGB 54 196 115

HSL 145.77, 0.57%, 0.49%

LAB 70.53, -55.37, 30.16

 

CMYK 72 / 0 / 22 / 23

HEX #36C499

RGB 54 196 153

HSL 161.83, 0.57%, 0.49%

LAB 71.26, -47.38, 10.97

 

CMYK 72 / 0 / 3 / 23

HEX #36C4BF

RGB 54 196 191

HSL 177.89, 0.57%, 0.49%

LAB 72.25, -37.44, -8.26

 

CMYK 72 / 17 / 0 / 23

HEX #36A3C4

RGB 54 163 196

HSL 193.94, 0.57%, 0.49%

LAB 62.48, -19.7, -25.79

 

CMYK 73 / 0 / 21 / 49

HEX #248368

RGB 36 131 104

HSL 162.95, 0.57%, 0.33%

LAB 49.02, -34.08, 6.78

 

CMYK 73 / 0 / 21 / 36

HEX #2DA481

RGB 45 164 129

HSL 162.35, 0.57%, 0.41%

LAB 60.51, -40.96, 8.89

 

CMYK 72 / 0 / 21 / 23

HEX #36C49B

RGB 54 196 155

HSL 162.68, 0.57%, 0.49%

LAB 71.3, -46.91, 9.95

 

CMYK 60 / 0 / 17 / 18

HEX #53D0AC

RGB 83 208 172

HSL 162.72, 0.57%, 0.57%

LAB 76.03, -43.23, 7.62

 

CMYK 47 / 0 / 13 / 15

HEX #74D9BC

RGB 116 217 188

HSL 162.77, 0.57%, 0.65%

LAB 80.16, -36.42, 5.17

 

CMYK 73 / 0 / 21 / 24

HEX #35C39A

RGB 53 195 154

HSL 162.68, 0.57%, 0.49%

LAB 70.95, -46.86, 9.99

 

CMYK 72 / 65 / 0 / 23

HEX #3644C4

RGB 54 68 196

HSL 234.08, 0.57%, 0.49%

LAB 35.8, 37.94, -68.24

 

CMYK 0 / 51 / 72 / 23

HEX #C46036

RGB 196 96 54

HSL 17.75, 0.57%, 0.49%

LAB 52.25, 36.97, 41.71

 

CMYK 73 / 0 / 21 / 24

HEX #35C39A

RGB 53 195 154

HSL 162.68, 0.57%, 0.49%

LAB 70.95, -46.86, 9.99

 

CMYK 22 / 72 / 0 / 23

HEX #9936C4

RGB 153 54 196

HSL 281.83, 0.57%, 0.49%

LAB 43.35, 62.02, -55.51

 

CMYK 0 / 22 / 72 / 23

HEX #C49936

RGB 196 153 54

HSL 41.83, 0.57%, 0.49%

LAB 65.58, 6.13, 55.62

 

CMYK 73 / 0 / 21 / 24

HEX #35C39A

RGB 53 195 154

HSL 162.68, 0.57%, 0.49%

LAB 70.95, -46.86, 9.99

 

CMYK 72 / 65 / 0 / 23

HEX #3644C4

RGB 54 68 196

HSL 234.08, 0.57%, 0.49%

LAB 35.8, 37.94, -68.24

 

CMYK 0 / 72 / 51 / 23

HEX #C43660

RGB 196 54 96

HSL 342.25, 0.57%, 0.49%

LAB 45.93, 58.44, 9.26

 

CMYK 0 / 7 / 72 / 23

HEX #C4B636

RGB 196 182 54

HSL 54.08, 0.57%, 0.49%

LAB 73.19, -9.26, 63.1

 

CMYK 73 / 0 / 21 / 24

HEX #35C39A

RGB 53 195 154

HSL 162.68, 0.57%, 0.49%

LAB 70.95, -46.86, 9.99

 

CMYK 58 / 72 / 0 / 23

HEX #5236C4

RGB 82 54 196

HSL 251.83, 0.57%, 0.49%

LAB 34.84, 49.64, -69.75

 

CMYK 0 / 72 / 51 / 23

HEX #C43660

RGB 196 54 96

HSL 342.25, 0.57%, 0.49%

LAB 45.93, 58.44, 9.26

 

CMYK 14 / 0 / 72 / 23

HEX #A8C436

RGB 168 196 54

HSL 71.83, 0.57%, 0.49%

LAB 74.87, -28.07, 63.97

 

Description

Color code: RGB 53 195 154 | qconv.com Color code: RGB 53 195 154 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 195 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 195 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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