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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 194 35 it is the complementary color RGB 202 61 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 194 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 194 35 shade: RGB 58 194 30, RGB 75 212 49, RGB 92 230 68, RGB 109 248 87 and RGB 126 255 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 194 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 194 35 shade: RGB 53 194 35, RGB 36 176 16, RGB 19 158 0, RGB 2 140 0 and RGB 0 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 194 35 shade: RGB 53 194 36, RGB 96 194 36, RGB 139 194 36, RGB 182 194 36 and RGB 194 164 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 194 35 shade: RGB 53 194 36, RGB 36 194 60, RGB 36 194 103, RGB 36 194 146 and RGB 36 194 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 194 35 shade matches the following richer shades: RGB 53 194 36 and RGB 39 212 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 194 35 shade: RGB 53 194 36, RGB 68 175 54, RGB 82 157 73, RGB 97 138 91 and RGB 111 120 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 194 35 shade: RGB 139 194 36, RGB 96 194 36, RGB 54 194 36, RGB 36 194 59 and RGB 36 194 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 194 35 shade: RGB 34 124 23, RGB 44 159 29, RGB 53 194 36, RGB 72 218 53 and RGB 103 224 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 194 35 shade: RGB 53 194 35, RGB 36 181 194 and RGB 194 36 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 194 35 shade: RGB 53 194 35, RGB 36 54 194 and RGB 194 36 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 194 35 shade: RGB 53 194 35, RGB 36 181 194, RGB 175 36 194 and RGB 194 49 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 194 35 shade: RGB 53 194 35, RGB 36 133 194, RGB 175 36 194 and RGB 194 96 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

Complementary color

CMYK 8 / 72 / 0 / 14

HEX #CA3DDC

RGB 202 61 220

HSL 293.21, 0.69%, 0.55%

LAB 53.02, 73.88, -53.39

 

CMYK 70 / 0 / 85 / 24

HEX #3AC21E

RGB 58 194 30

HSL 109.76, 0.73%, 0.44%

LAB 69.17, -63.53, 63.97

 

CMYK 65 / 0 / 77 / 17

HEX #4BD431

RGB 75 212 49

HSL 110.43, 0.65%, 0.51%

LAB 75.33, -64.98, 64.59

 

CMYK 60 / 0 / 70 / 10

HEX #5CE644

RGB 92 230 68

HSL 111.11, 0.76%, 0.58%

LAB 81.45, -65.96, 64.42

 

CMYK 56 / 0 / 65 / 3

HEX #6DF857

RGB 109 248 87

HSL 111.8, 0.92%, 0.66%

LAB 87.52, -66.6, 63.77

 

CMYK 51 / 0 / 58 / 0

HEX #7EFF6A

RGB 126 255 106

HSL 111.95, 1%, 0.71%

LAB 90.32, -62.98, 59.2

 

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

CMYK 80 / 0 / 91 / 31

HEX #24B010

RGB 36 176 16

HSL 112.5, 0.83%, 0.38%

LAB 62.9, -62.02, 61.2

 

CMYK 88 / 0 / 100 / 38

HEX #139E00

RGB 19 158 0

HSL 112.78, 1%, 0.31%

LAB 56.68, -59.02, 58.33

 

CMYK 99 / 0 / 100 / 45

HEX #028C00

RGB 2 140 0

HSL 119.14, 1%, 0.27%

LAB 50.42, -55.03, 53.26

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 73 / 0 / 81 / 24

HEX #35C224

RGB 53 194 36

HSL 113.54, 0.69%, 0.45%

LAB 69.09, -64.11, 62.33

 

CMYK 51 / 0 / 81 / 24

HEX #60C224

RGB 96 194 36

HSL 97.22, 0.69%, 0.45%

LAB 70.31, -54.12, 63.9

 

CMYK 28 / 0 / 81 / 24

HEX #8BC224

RGB 139 194 36

HSL 80.89, 0.69%, 0.45%

LAB 72.36, -39.47, 66.52

 

CMYK 6 / 0 / 81 / 24

HEX #B6C224

RGB 182 194 36

HSL 64.56, 0.69%, 0.45%

LAB 75.24, -22.03, 70.15

 

CMYK 0 / 15 / 81 / 24

HEX #C2A424

RGB 194 164 36

HSL 48.61, 0.69%, 0.45%

LAB 68.13, -1.39, 64.39

 

CMYK 73 / 0 / 81 / 24

HEX #35C224

RGB 53 194 36

HSL 113.54, 0.69%, 0.45%

LAB 69.09, -64.11, 62.33

 

CMYK 81 / 0 / 69 / 24

HEX #24C23C

RGB 36 194 60

HSL 129.11, 0.69%, 0.45%

LAB 68.96, -64.72, 54.01

 

CMYK 81 / 0 / 47 / 24

HEX #24C267

RGB 36 194 103

HSL 145.44, 0.69%, 0.45%

LAB 69.43, -59.06, 34.83

 

CMYK 81 / 0 / 25 / 24

HEX #24C292

RGB 36 194 146

HSL 161.77, 0.69%, 0.45%

LAB 70.2, -50.31, 13.22

 

CMYK 81 / 0 / 3 / 24

HEX #24C2BC

RGB 36 194 188

HSL 177.72, 0.69%, 0.45%

LAB 71.28, -39.21, -8.09

 

CMYK 73 / 0 / 81 / 24

HEX #35C224

RGB 53 194 36

HSL 113.54, 0.69%, 0.45%

LAB 69.09, -64.11, 62.33

 

CMYK 82 / 0 / 92 / 17

HEX #27D411

RGB 39 212 17

HSL 113.23, 0.85%, 0.45%

LAB 74.55, -72.16, 70.91

 

CMYK 73 / 0 / 81 / 24

HEX #35C224

RGB 53 194 36

HSL 113.54, 0.69%, 0.45%

LAB 69.09, -64.11, 62.33

 

CMYK 61 / 0 / 69 / 31

HEX #44AF36

RGB 68 175 54

HSL 113.06, 0.53%, 0.45%

LAB 63.47, -53.41, 50.78

 

CMYK 48 / 0 / 54 / 38

HEX #529D49

RGB 82 157 73

HSL 113.57, 0.37%, 0.45%

LAB 58.4, -40.44, 36.53

 

CMYK 30 / 0 / 34 / 46

HEX #618A5B

RGB 97 138 91

HSL 112.34, 0.21%, 0.45%

LAB 53.46, -23.88, 20.77

 

CMYK 8 / 0 / 8 / 53

HEX #6F786E

RGB 111 120 110

HSL 114, 0.04%, 0.45%

LAB 49.42, -5.41, 4.33

 

CMYK 28 / 0 / 81 / 24

HEX #8BC224

RGB 139 194 36

HSL 80.89, 0.69%, 0.45%

LAB 72.36, -39.47, 66.52

 

CMYK 51 / 0 / 81 / 24

HEX #60C224

RGB 96 194 36

HSL 97.22, 0.69%, 0.45%

LAB 70.31, -54.12, 63.9

 

CMYK 72 / 0 / 81 / 24

HEX #36C224

RGB 54 194 36

HSL 113.16, 0.69%, 0.45%

LAB 69.11, -63.95, 62.35

 

CMYK 81 / 0 / 70 / 24

HEX #24C23B

RGB 36 194 59

HSL 128.73, 0.69%, 0.45%

LAB 68.95, -64.81, 54.4

 

CMYK 81 / 0 / 47 / 24

HEX #24C266

RGB 36 194 102

HSL 145.06, 0.69%, 0.45%

LAB 69.41, -59.23, 35.31

 

CMYK 73 / 0 / 81 / 51

HEX #227C17

RGB 34 124 23

HSL 113.47, 0.69%, 0.29%

LAB 45.38, -45.26, 43.81

 

CMYK 72 / 0 / 82 / 38

HEX #2C9F1D

RGB 44 159 29

HSL 113.08, 0.69%, 0.37%

LAB 57.48, -54.84, 53.44

 

CMYK 73 / 0 / 81 / 24

HEX #35C224

RGB 53 194 36

HSL 113.54, 0.69%, 0.45%

LAB 69.09, -64.11, 62.33

 

CMYK 67 / 0 / 76 / 15

HEX #48DA35

RGB 72 218 53

HSL 113.09, 0.69%, 0.53%

LAB 77.15, -67.28, 65.07

 

CMYK 54 / 0 / 61 / 12

HEX #67E058

RGB 103 224 88

HSL 113.38, 0.69%, 0.61%

LAB 80.12, -59.35, 55.11

 

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

CMYK 81 / 7 / 0 / 24

HEX #24B5C2

RGB 36 181 194

HSL 184.94, 0.69%, 0.45%

LAB 67.51, -31.34, -17.03

 

CMYK 0 / 81 / 40 / 24

HEX #C22475

RGB 194 36 117

HSL 329.24, 0.69%, 0.45%

LAB 44.26, 65.23, -6.2

 

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

CMYK 81 / 72 / 0 / 24

HEX #2436C2

RGB 36 54 194

HSL 233.16, 0.69%, 0.45%

LAB 31.6, 44.16, -74.02

 

CMYK 0 / 81 / 72 / 24

HEX #C22436

RGB 194 36 54

HSL 353.16, 0.69%, 0.45%

LAB 42.76, 60.75, 30.86

 

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

CMYK 81 / 7 / 0 / 24

HEX #24B5C2

RGB 36 181 194

HSL 184.94, 0.69%, 0.45%

LAB 67.51, -31.34, -17.03

 

CMYK 10 / 81 / 0 / 24

HEX #AF24C2

RGB 175 36 194

HSL 292.78, 0.69%, 0.45%

LAB 44.62, 71.59, -52.13

 

CMYK 0 / 75 / 81 / 24

HEX #C23124

RGB 194 49 36

HSL 4.94, 0.69%, 0.45%

LAB 43.94, 56.21, 42.37

 

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

CMYK 81 / 31 / 0 / 24

HEX #2485C2

RGB 36 133 194

HSL 203.16, 0.69%, 0.45%

LAB 53, -5.81, -39.45

 

CMYK 10 / 81 / 0 / 24

HEX #AF24C2

RGB 175 36 194

HSL 292.78, 0.69%, 0.45%

LAB 44.62, 71.59, -52.13

 

CMYK 0 / 51 / 81 / 24

HEX #C26024

RGB 194 96 36

HSL 22.78, 0.69%, 0.45%

LAB 51.79, 35.45, 49.78

 

Description

Color code: RGB 53 194 35 | qconv.com Color code: RGB 53 194 35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 194 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 194 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 82% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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