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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 194 244 it is the complementary color RGB 202 61 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 194 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 194 244 shade: RGB 58 194 239, RGB 75 212 255, RGB 92 230 255, RGB 109 248 255 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 194 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 194 244 shade: RGB 53 194 244, RGB 36 176 225, RGB 19 158 206, RGB 2 140 187 and RGB 0 122 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 194 244 shade: RGB 52 194 244, RGB 52 142 244, RGB 52 90 244, RGB 65 52 244 and RGB 117 52 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 194 244 shade: RGB 52 194 244, RGB 52 142 244, RGB 52 90 244 and RGB 52 52 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 194 244 shade matches the following richer shades: RGB 52 194 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 194 244 shade: RGB 52 194 244, RGB 69 186 227, RGB 86 177 210, RGB 103 169 192 and RGB 121 161 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 194 244 shade: RGB 52 244 190, RGB 52 244 241, RGB 52 196 244, RGB 52 145 244 and RGB 52 93 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 194 244 shade: RGB 11 152 203, RGB 13 182 242, RGB 52 194 244, RGB 91 206 246 and RGB 130 217 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 194 244 shade: RGB 53 194 244, RGB 138 52 244 and RGB 244 215 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 194 244 shade: RGB 53 194 244, RGB 244 52 196 and RGB 196 244 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 194 244 shade: RGB 53 194 244, RGB 138 52 244, RGB 244 100 52 and RGB 158 244 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 194 244 shade: RGB 53 194 244, RGB 196 52 244, RGB 244 100 52 and RGB 100 244 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 20 / 0 / 4

HEX #35C2F4

RGB 53 194 244

HSL 195.71, 0.9%, 0.58%

LAB 73.46, -20.24, -35.16

 

Complementary color

CMYK 0 / 70 / 95 / 21

HEX #CA3D0B

RGB 202 61 11

HSL 15.71, 0.9%, 0.42%

LAB 46.87, 53.96, 55.5

 

CMYK 76 / 19 / 0 / 6

HEX #3AC2EF

RGB 58 194 239

HSL 194.92, 0.85%, 0.58%

LAB 73.36, -21.36, -32.62

 

CMYK 71 / 17 / 0 / 0

HEX #4BD4FF

RGB 75 212 255

HSL 194.33, 1%, 0.65%

LAB 79.5, -23.41, -31.69

 

CMYK 64 / 10 / 0 / 0

HEX #5CE6FF

RGB 92 230 255

HSL 189.2, 1%, 0.68%

LAB 85.04, -29.86, -23.19

 

CMYK 57 / 3 / 0 / 0

HEX #6DF8FF

RGB 109 248 255

HSL 182.88, 1%, 0.71%

LAB 90.6, -35.57, -14.76

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 78 / 20 / 0 / 4

HEX #35C2F4

RGB 53 194 244

HSL 195.71, 0.9%, 0.58%

LAB 73.46, -20.24, -35.16

 

CMYK 84 / 22 / 0 / 12

HEX #24B0E1

RGB 36 176 225

HSL 195.56, 0.76%, 0.51%

LAB 67.17, -18.67, -34.61

 

CMYK 91 / 23 / 0 / 19

HEX #139ECE

RGB 19 158 206

HSL 195.4, 0.83%, 0.44%

LAB 60.82, -16.72, -33.98

 

CMYK 99 / 25 / 0 / 27

HEX #028CBB

RGB 2 140 187

HSL 195.24, 0.98%, 0.37%

LAB 54.4, -14.36, -33.28

 

CMYK 100 / 27 / 0 / 34

HEX #007AA8

RGB 0 122 168

HSL 196.43, 1%, 0.33%

LAB 47.94, -11.37, -32.45

 

CMYK 79 / 20 / 0 / 4

HEX #34C2F4

RGB 52 194 244

HSL 195.63, 0.9%, 0.58%

LAB 73.45, -20.33, -35.19

 

CMYK 79 / 42 / 0 / 4

HEX #348EF4

RGB 52 142 244

HSL 211.88, 0.9%, 0.58%

LAB 58.61, 8.78, -58.56

 

CMYK 79 / 63 / 0 / 4

HEX #345AF4

RGB 52 90 244

HSL 228.13, 0.9%, 0.58%

LAB 45.05, 41.06, -80.53

 

CMYK 73 / 79 / 0 / 4

HEX #4134F4

RGB 65 52 244

HSL 244.06, 0.9%, 0.58%

LAB 38.04, 63.15, -92.06

 

CMYK 52 / 79 / 0 / 4

HEX #7534F4

RGB 117 52 244

HSL 260.31, 0.9%, 0.58%

LAB 42.41, 68.12, -84.69

 

CMYK 79 / 20 / 0 / 4

HEX #34C2F4

RGB 52 194 244

HSL 195.63, 0.9%, 0.58%

LAB 73.45, -20.33, -35.19

 

CMYK 79 / 42 / 0 / 4

HEX #348EF4

RGB 52 142 244

HSL 211.88, 0.9%, 0.58%

LAB 58.61, 8.78, -58.56

 

CMYK 79 / 63 / 0 / 4

HEX #345AF4

RGB 52 90 244

HSL 228.13, 0.9%, 0.58%

LAB 45.05, 41.06, -80.53

 

CMYK 79 / 79 / 0 / 4

HEX #3434F4

RGB 52 52 244

HSL 240, 0.9%, 0.58%

LAB 37.33, 62.34, -93.26

 

CMYK 79 / 20 / 0 / 4

HEX #34C2F4

RGB 52 194 244

HSL 195.63, 0.9%, 0.58%

LAB 73.45, -20.33, -35.19

 

CMYK 79 / 20 / 0 / 4

HEX #34C2F4

RGB 52 194 244

HSL 195.63, 0.9%, 0.58%

LAB 73.45, -20.33, -35.19

 

CMYK 70 / 18 / 0 / 11

HEX #45BAE3

RGB 69 186 227

HSL 195.57, 0.74%, 0.58%

LAB 70.82, -19.72, -30.01

 

CMYK 59 / 16 / 0 / 18

HEX #56B1D2

RGB 86 177 210

HSL 195.97, 0.58%, 0.58%

LAB 68.08, -17.51, -24.88

 

CMYK 46 / 12 / 0 / 25

HEX #67A9C0

RGB 103 169 192

HSL 195.51, 0.41%, 0.58%

LAB 65.8, -14.84, -18.34

 

CMYK 31 / 8 / 0 / 31

HEX #79A1AF

RGB 121 161 175

HSL 195.56, 0.25%, 0.58%

LAB 63.88, -10.15, -11.66

 

CMYK 79 / 0 / 22 / 4

HEX #34F4BE

RGB 52 244 190

HSL 163.13, 0.9%, 0.58%

LAB 86.58, -58.13, 13.08

 

CMYK 79 / 0 / 1 / 4

HEX #34F4F1

RGB 52 244 241

HSL 179.06, 0.9%, 0.58%

LAB 87.86, -45.02, -11.67

 

CMYK 79 / 20 / 0 / 4

HEX #34C4F4

RGB 52 196 244

HSL 195, 0.9%, 0.58%

LAB 74.02, -21.36, -34.3

 

CMYK 79 / 41 / 0 / 4

HEX #3491F4

RGB 52 145 244

HSL 210.94, 0.9%, 0.58%

LAB 59.45, 6.98, -57.22

 

CMYK 79 / 62 / 0 / 4

HEX #345DF4

RGB 52 93 244

HSL 227.19, 0.9%, 0.58%

LAB 45.76, 39.21, -79.36

 

CMYK 95 / 25 / 0 / 20

HEX #0B98CB

RGB 11 152 203

HSL 195.94, 0.9%, 0.42%

LAB 58.83, -14.85, -35.43

 

CMYK 95 / 25 / 0 / 5

HEX #0DB6F2

RGB 13 182 242

HSL 195.72, 0.9%, 0.5%

LAB 69.44, -17.12, -40.38

 

CMYK 79 / 20 / 0 / 4

HEX #34C2F4

RGB 52 194 244

HSL 195.63, 0.9%, 0.58%

LAB 73.45, -20.33, -35.19

 

CMYK 63 / 16 / 0 / 4

HEX #5BCEF6

RGB 91 206 246

HSL 195.48, 0.9%, 0.66%

LAB 77.89, -20.79, -29.34

 

CMYK 48 / 13 / 0 / 3

HEX #82D9F8

RGB 130 217 248

HSL 195.76, 0.89%, 0.74%

LAB 82.46, -18.19, -23.29

 

CMYK 78 / 20 / 0 / 4

HEX #35C2F4

RGB 53 194 244

HSL 195.71, 0.9%, 0.58%

LAB 73.46, -20.24, -35.16

 

CMYK 43 / 79 / 0 / 4

HEX #8A34F4

RGB 138 52 244

HSL 266.88, 0.9%, 0.58%

LAB 44.79, 70.83, -80.7

 

CMYK 0 / 12 / 79 / 4

HEX #F4D734

RGB 244 215 52

HSL 50.94, 0.9%, 0.58%

LAB 86.05, -5.7, 77.18

 

CMYK 78 / 20 / 0 / 4

HEX #35C2F4

RGB 53 194 244

HSL 195.71, 0.9%, 0.58%

LAB 73.46, -20.24, -35.16

 

CMYK 0 / 79 / 20 / 4

HEX #F434C4

RGB 244 52 196

HSL 315, 0.9%, 0.58%

LAB 57.73, 81.76, -31.8

 

CMYK 20 / 0 / 79 / 4

HEX #C4F434

RGB 196 244 52

HSL 75, 0.9%, 0.58%

LAB 90.18, -39.15, 79.51

 

CMYK 78 / 20 / 0 / 4

HEX #35C2F4

RGB 53 194 244

HSL 195.71, 0.9%, 0.58%

LAB 73.46, -20.24, -35.16

 

CMYK 43 / 79 / 0 / 4

HEX #8A34F4

RGB 138 52 244

HSL 266.88, 0.9%, 0.58%

LAB 44.79, 70.83, -80.7

 

CMYK 0 / 59 / 79 / 4

HEX #F46434

RGB 244 100 52

HSL 15, 0.9%, 0.58%

LAB 60.42, 52.89, 53.48

 

CMYK 35 / 0 / 79 / 4

HEX #9EF434

RGB 158 244 52

HSL 86.88, 0.9%, 0.58%

LAB 88.07, -53.01, 76.82

 

CMYK 78 / 20 / 0 / 4

HEX #35C2F4

RGB 53 194 244

HSL 195.71, 0.9%, 0.58%

LAB 73.46, -20.24, -35.16

 

CMYK 20 / 79 / 0 / 4

HEX #C434F4

RGB 196 52 244

HSL 285, 0.9%, 0.58%

LAB 52.65, 79.81, -67.56

 

CMYK 0 / 59 / 79 / 4

HEX #F46434

RGB 244 100 52

HSL 15, 0.9%, 0.58%

LAB 60.42, 52.89, 53.48

 

CMYK 59 / 0 / 79 / 4

HEX #64F434

RGB 100 244 52

HSL 105, 0.9%, 0.58%

LAB 85.84, -69.87, 73.93

 

Description

Color code: RGB 53 194 244 | qconv.com Color code: RGB 53 194 244 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 194 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 194 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 20 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 20% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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