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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 194 152 it is the complementary color RGB 202 61 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 194 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 194 152 shade: RGB 58 194 147, RGB 75 212 166, RGB 92 230 185, RGB 109 248 204 and RGB 126 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 194 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 194 152 shade: RGB 53 194 152, RGB 36 176 133, RGB 19 158 114, RGB 2 140 95 and RGB 0 122 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 194 152 shade: RGB 53 192 151, RGB 53 192 113, RGB 53 192 75, RGB 68 192 53 and RGB 105 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 194 152 shade: RGB 53 192 151, RGB 53 192 188, RGB 53 158 192, RGB 53 121 192 and RGB 53 83 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 194 152 shade matches the following richer shades: RGB 53 192 151, RGB 33 212 159 and RGB 13 232 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 194 152 shade: RGB 53 192 151, RGB 72 172 143, RGB 92 153 135, RGB 112 133 127 and RGB 132 113 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 194 152 shade: RGB 53 192 76, RGB 53 192 113, RGB 53 192 150, RGB 53 192 188 and RGB 53 160 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 194 152 shade: RGB 35 127 100, RGB 44 160 125, RGB 53 192 151, RGB 79 207 169 and RGB 112 216 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 194 152 shade: RGB 53 194 152, RGB 53 67 192 and RGB 192 94 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 194 152 shade: RGB 53 194 152, RGB 150 53 192 and RGB 192 150 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 194 152 shade: RGB 53 194 152, RGB 53 67 192, RGB 192 53 94 and RGB 192 178 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 194 152 shade: RGB 53 194 152, RGB 81 53 192, RGB 192 53 94 and RGB 164 192 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 22 / 24

HEX #35C298

RGB 53 194 152

HSL 162.13, 0.57%, 0.48%

LAB 70.6, -46.93, 10.57

 

Complementary color

CMYK 0 / 70 / 49 / 21

HEX #CA3D67

RGB 202 61 103

HSL 342.13, 0.57%, 0.52%

LAB 48.1, 58.27, 8.18

 

CMYK 70 / 0 / 24 / 24

HEX #3AC293

RGB 58 194 147

HSL 159.26, 0.54%, 0.49%

LAB 70.59, -47.39, 13.28

 

CMYK 65 / 0 / 22 / 17

HEX #4BD4A6

RGB 75 212 166

HSL 159.85, 0.61%, 0.56%

LAB 76.88, -47.77, 12.02

 

CMYK 60 / 0 / 20 / 10

HEX #5CE6B9

RGB 92 230 185

HSL 160.43, 0.73%, 0.63%

LAB 83.11, -47.98, 10.88

 

CMYK 56 / 0 / 18 / 3

HEX #6DF8CC

RGB 109 248 204

HSL 161.01, 0.91%, 0.7%

LAB 89.27, -48.07, 9.82

 

CMYK 51 / 0 / 13 / 0

HEX #7EFFDF

RGB 126 255 223

HSL 165.12, 1%, 0.75%

LAB 92.26, -43.3, 4.35

 

CMYK 73 / 0 / 22 / 24

HEX #35C298

RGB 53 194 152

HSL 162.13, 0.57%, 0.48%

LAB 70.6, -46.93, 10.57

 

CMYK 80 / 0 / 24 / 31

HEX #24B085

RGB 36 176 133

HSL 161.57, 0.66%, 0.42%

LAB 64.26, -46.15, 11.95

 

CMYK 88 / 0 / 28 / 38

HEX #139E72

RGB 19 158 114

HSL 161.01, 0.79%, 0.35%

LAB 57.85, -44.97, 13.49

 

CMYK 99 / 0 / 32 / 45

HEX #028C5F

RGB 2 140 95

HSL 160.43, 0.97%, 0.28%

LAB 51.38, -43.34, 15.21

 

CMYK 100 / 0 / 38 / 52

HEX #007A4C

RGB 0 122 76

HSL 157.38, 1%, 0.24%

LAB 44.86, -40.81, 17.2

 

CMYK 72 / 0 / 21 / 25

HEX #35C097

RGB 53 192 151

HSL 162.3, 0.57%, 0.48%

LAB 69.96, -46.34, 10.21

 

CMYK 72 / 0 / 41 / 25

HEX #35C071

RGB 53 192 113

HSL 145.9, 0.57%, 0.48%

LAB 69.22, -54.4, 29.48

 

CMYK 72 / 0 / 61 / 25

HEX #35C04B

RGB 53 192 75

HSL 129.5, 0.57%, 0.48%

LAB 68.73, -60.13, 47.5

 

CMYK 65 / 0 / 72 / 25

HEX #44C035

RGB 68 192 53

HSL 113.53, 0.57%, 0.48%

LAB 68.89, -59.47, 56.79

 

CMYK 45 / 0 / 72 / 25

HEX #69C035

RGB 105 192 53

HSL 97.55, 0.57%, 0.48%

LAB 70.15, -49.61, 58.48

 

CMYK 72 / 0 / 21 / 25

HEX #35C097

RGB 53 192 151

HSL 162.3, 0.57%, 0.48%

LAB 69.96, -46.34, 10.21

 

CMYK 72 / 0 / 2 / 25

HEX #35C0BC

RGB 53 192 188

HSL 178.27, 0.57%, 0.48%

LAB 70.93, -36.57, -8.58

 

CMYK 72 / 18 / 0 / 25

HEX #359EC0

RGB 53 158 192

HSL 194.68, 0.57%, 0.48%

LAB 60.8, -18.5, -26.14

 

CMYK 72 / 37 / 0 / 25

HEX #3579C0

RGB 53 121 192

HSL 210.65, 0.57%, 0.48%

LAB 49.78, 2.63, -43.36

 

CMYK 72 / 57 / 0 / 25

HEX #3553C0

RGB 53 83 192

HSL 227.05, 0.57%, 0.48%

LAB 39.15, 26.8, -60.43

 

CMYK 72 / 0 / 21 / 25

HEX #35C097

RGB 53 192 151

HSL 162.3, 0.57%, 0.48%

LAB 69.96, -46.34, 10.21

 

CMYK 84 / 0 / 25 / 17

HEX #21D49F

RGB 33 212 159

HSL 162.23, 0.73%, 0.48%

LAB 76.02, -54.57, 14.42

 

CMYK 94 / 0 / 28 / 9

HEX #0DE8A7

RGB 13 232 167

HSL 162.19, 0.89%, 0.48%

LAB 82.16, -61.34, 18.78

 

CMYK 72 / 0 / 21 / 25

HEX #35C097

RGB 53 192 151

HSL 162.3, 0.57%, 0.48%

LAB 69.96, -46.34, 10.21

 

CMYK 58 / 0 / 17 / 33

HEX #48AC8F

RGB 72 172 143

HSL 162.6, 0.41%, 0.48%

LAB 64.05, -36.29, 6.24

 

CMYK 40 / 0 / 12 / 40

HEX #5C9987

RGB 92 153 135

HSL 162.3, 0.25%, 0.48%

LAB 58.8, -24.12, 3.26

 

CMYK 16 / 0 / 5 / 48

HEX #70857F

RGB 112 133 127

HSL 162.86, 0.09%, 0.48%

LAB 53.76, -8.86, 0.69

 

CMYK 0 / 14 / 10 / 48

HEX #847177

RGB 132 113 119

HSL 341.05, 0.08%, 0.48%

LAB 49.55, 8.51, -0.57

 

CMYK 72 / 0 / 60 / 25

HEX #35C04C

RGB 53 192 76

HSL 129.93, 0.57%, 0.48%

LAB 68.74, -60.01, 47.06

 

CMYK 72 / 0 / 41 / 25

HEX #35C071

RGB 53 192 113

HSL 145.9, 0.57%, 0.48%

LAB 69.22, -54.4, 29.48

 

CMYK 72 / 0 / 22 / 25

HEX #35C096

RGB 53 192 150

HSL 161.87, 0.57%, 0.48%

LAB 69.94, -46.58, 10.72

 

CMYK 72 / 0 / 2 / 25

HEX #35C0BC

RGB 53 192 188

HSL 178.27, 0.57%, 0.48%

LAB 70.93, -36.57, -8.58

 

CMYK 72 / 17 / 0 / 25

HEX #35A0C0

RGB 53 160 192

HSL 193.81, 0.57%, 0.48%

LAB 61.4, -19.56, -25.22

 

CMYK 72 / 0 / 21 / 50

HEX #237F64

RGB 35 127 100

HSL 162.39, 0.57%, 0.32%

LAB 47.57, -33.46, 7.06

 

CMYK 73 / 0 / 22 / 37

HEX #2CA07D

RGB 44 160 125

HSL 161.9, 0.57%, 0.4%

LAB 59.12, -40.37, 9.16

 

CMYK 72 / 0 / 21 / 25

HEX #35C097

RGB 53 192 151

HSL 162.3, 0.57%, 0.48%

LAB 69.96, -46.34, 10.21

 

CMYK 62 / 0 / 18 / 19

HEX #4FCFA9

RGB 79 207 169

HSL 162.19, 0.57%, 0.56%

LAB 75.55, -44.25, 8.53

 

CMYK 48 / 0 / 14 / 15

HEX #70D8B9

RGB 112 216 185

HSL 162.12, 0.57%, 0.64%

LAB 79.65, -37.6, 6

 

CMYK 73 / 0 / 22 / 24

HEX #35C298

RGB 53 194 152

HSL 162.13, 0.57%, 0.48%

LAB 70.6, -46.93, 10.57

 

CMYK 72 / 65 / 0 / 25

HEX #3543C0

RGB 53 67 192

HSL 233.96, 0.57%, 0.48%

LAB 35.16, 37.04, -66.96

 

CMYK 0 / 51 / 72 / 25

HEX #C05E35

RGB 192 94 53

HSL 17.7, 0.57%, 0.48%

LAB 51.23, 36.37, 40.94

 

CMYK 73 / 0 / 22 / 24

HEX #35C298

RGB 53 194 152

HSL 162.13, 0.57%, 0.48%

LAB 70.6, -46.93, 10.57

 

CMYK 22 / 72 / 0 / 25

HEX #9635C0

RGB 150 53 192

HSL 281.87, 0.57%, 0.48%

LAB 42.52, 61, -54.55

 

CMYK 0 / 22 / 72 / 25

HEX #C09635

RGB 192 150 53

HSL 41.87, 0.57%, 0.48%

LAB 64.38, 5.96, 54.7

 

CMYK 73 / 0 / 22 / 24

HEX #35C298

RGB 53 194 152

HSL 162.13, 0.57%, 0.48%

LAB 70.6, -46.93, 10.57

 

CMYK 72 / 65 / 0 / 25

HEX #3543C0

RGB 53 67 192

HSL 233.96, 0.57%, 0.48%

LAB 35.16, 37.04, -66.96

 

CMYK 0 / 72 / 51 / 25

HEX #C0355E

RGB 192 53 94

HSL 342.3, 0.57%, 0.48%

LAB 45.03, 57.45, 9.11

 

CMYK 0 / 7 / 72 / 25

HEX #C0B235

RGB 192 178 53

HSL 53.96, 0.57%, 0.48%

LAB 71.76, -8.97, 61.96

 

CMYK 73 / 0 / 22 / 24

HEX #35C298

RGB 53 194 152

HSL 162.13, 0.57%, 0.48%

LAB 70.6, -46.93, 10.57

 

CMYK 58 / 72 / 0 / 25

HEX #5135C0

RGB 81 53 192

HSL 252.09, 0.57%, 0.48%

LAB 34.19, 48.84, -68.46

 

CMYK 0 / 72 / 51 / 25

HEX #C0355E

RGB 192 53 94

HSL 342.3, 0.57%, 0.48%

LAB 45.03, 57.45, 9.11

 

CMYK 15 / 0 / 72 / 25

HEX #A4C035

RGB 164 192 53

HSL 72.09, 0.57%, 0.48%

LAB 73.45, -27.84, 62.84

 

Description

Color code: RGB 53 194 152 | qconv.com Color code: RGB 53 194 152 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 194 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 194 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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