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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 194 124 it is the complementary color RGB 202 61 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 194 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 194 124 shade: RGB 58 194 119, RGB 75 212 138, RGB 92 230 157, RGB 109 248 176 and RGB 126 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 194 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 194 124 shade: RGB 53 194 124, RGB 36 176 105, RGB 19 158 86, RGB 2 140 67 and RGB 0 122 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 194 124 shade: RGB 53 192 123, RGB 53 192 85, RGB 58 192 53, RGB 95 192 53 and RGB 133 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 194 124 shade: RGB 53 192 123, RGB 53 192 161, RGB 53 186 192, RGB 53 149 192 and RGB 53 111 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 194 124 shade matches the following richer shades: RGB 53 192 123, RGB 33 212 123 and RGB 13 232 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 194 124 shade: RGB 53 192 123, RGB 72 172 123, RGB 92 153 123, RGB 112 133 122 and RGB 132 113 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 194 124 shade: RGB 57 192 53, RGB 53 192 85, RGB 53 192 122, RGB 53 192 160 and RGB 53 188 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 194 124 shade: RGB 35 127 81, RGB 44 160 102, RGB 53 192 123, RGB 79 207 143 and RGB 112 216 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 194 124 shade: RGB 53 194 124, RGB 53 94 192 and RGB 192 67 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 194 124 shade: RGB 53 194 124, RGB 122 53 192 and RGB 192 122 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 194 124 shade: RGB 53 194 124, RGB 53 94 192, RGB 192 53 122 and RGB 192 150 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 194 124 shade: RGB 53 194 124, RGB 53 53 192, RGB 192 53 122 and RGB 192 192 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 36 / 24

HEX #35C27C

RGB 53 194 124

HSL 150.21, 0.57%, 0.48%

LAB 70.03, -53.06, 24.8

 

Complementary color

CMYK 0 / 70 / 35 / 21

HEX #CA3D83

RGB 202 61 131

HSL 330.21, 0.57%, 0.52%

LAB 48.92, 61.05, -7.64

 

CMYK 70 / 0 / 39 / 24

HEX #3AC277

RGB 58 194 119

HSL 146.91, 0.54%, 0.49%

LAB 70.05, -53.26, 27.46

 

CMYK 65 / 0 / 35 / 17

HEX #4BD48A

RGB 75 212 138

HSL 147.59, 0.61%, 0.56%

LAB 76.32, -53.66, 26.01

 

CMYK 60 / 0 / 32 / 10

HEX #5CE69D

RGB 92 230 157

HSL 148.26, 0.73%, 0.63%

LAB 82.54, -53.85, 24.67

 

CMYK 56 / 0 / 29 / 3

HEX #6DF8B0

RGB 109 248 176

HSL 148.92, 0.91%, 0.7%

LAB 88.7, -53.9, 23.43

 

CMYK 51 / 0 / 24 / 0

HEX #7EFFC3

RGB 126 255 195

HSL 152.09, 1%, 0.75%

LAB 91.64, -49.29, 17.88

 

CMYK 73 / 0 / 36 / 24

HEX #35C27C

RGB 53 194 124

HSL 150.21, 0.57%, 0.48%

LAB 70.03, -53.06, 24.8

 

CMYK 80 / 0 / 40 / 31

HEX #24B069

RGB 36 176 105

HSL 149.57, 0.66%, 0.42%

LAB 63.71, -52.24, 26.39

 

CMYK 88 / 0 / 46 / 38

HEX #139E56

RGB 19 158 86

HSL 148.92, 0.79%, 0.35%

LAB 57.33, -50.93, 28.12

 

CMYK 99 / 0 / 52 / 45

HEX #028C43

RGB 2 140 67

HSL 148.26, 0.97%, 0.28%

LAB 50.89, -49.05, 29.98

 

CMYK 100 / 0 / 61 / 52

HEX #007A30

RGB 0 122 48

HSL 143.61, 1%, 0.24%

LAB 44.42, -46.05, 31.94

 

CMYK 72 / 0 / 36 / 25

HEX #35C07B

RGB 53 192 123

HSL 150.22, 0.57%, 0.48%

LAB 69.39, -52.49, 24.46

 

CMYK 72 / 0 / 56 / 25

HEX #35C055

RGB 53 192 85

HSL 133.81, 0.57%, 0.48%

LAB 68.83, -58.86, 43

 

CMYK 70 / 0 / 72 / 25

HEX #3AC035

RGB 58 192 53

HSL 117.84, 0.57%, 0.48%

LAB 68.65, -61.45, 56.47

 

CMYK 51 / 0 / 72 / 25

HEX #5FC035

RGB 95 192 53

HSL 101.87, 0.57%, 0.48%

LAB 69.75, -52.64, 57.94

 

CMYK 31 / 0 / 72 / 25

HEX #85C035

RGB 133 192 53

HSL 85.47, 0.57%, 0.48%

LAB 71.52, -39.98, 60.3

 

CMYK 72 / 0 / 36 / 25

HEX #35C07B

RGB 53 192 123

HSL 150.22, 0.57%, 0.48%

LAB 69.39, -52.49, 24.46

 

CMYK 72 / 0 / 16 / 25

HEX #35C0A1

RGB 53 192 161

HSL 166.62, 0.57%, 0.48%

LAB 70.2, -43.87, 5.1

 

CMYK 72 / 3 / 0 / 25

HEX #35BAC0

RGB 53 186 192

HSL 182.59, 0.57%, 0.48%

LAB 69.24, -32.6, -13.3

 

CMYK 72 / 22 / 0 / 25

HEX #3595C0

RGB 53 149 192

HSL 198.56, 0.57%, 0.48%

LAB 58.09, -13.63, -30.32

 

CMYK 72 / 42 / 0 / 25

HEX #356FC0

RGB 53 111 192

HSL 214.96, 0.57%, 0.48%

LAB 46.88, 8.81, -47.98

 

CMYK 72 / 0 / 36 / 25

HEX #35C07B

RGB 53 192 123

HSL 150.22, 0.57%, 0.48%

LAB 69.39, -52.49, 24.46

 

CMYK 84 / 0 / 42 / 17

HEX #21D47B

RGB 33 212 123

HSL 150.17, 0.73%, 0.48%

LAB 75.35, -62.08, 32.31

 

CMYK 94 / 0 / 47 / 9

HEX #0DE87B

RGB 13 232 123

HSL 150.14, 0.89%, 0.48%

LAB 81.42, -69.91, 40.1

 

CMYK 72 / 0 / 36 / 25

HEX #35C07B

RGB 53 192 123

HSL 150.22, 0.57%, 0.48%

LAB 69.39, -52.49, 24.46

 

CMYK 58 / 0 / 28 / 33

HEX #48AC7B

RGB 72 172 123

HSL 150.6, 0.41%, 0.48%

LAB 63.6, -40.83, 16.65

 

CMYK 40 / 0 / 20 / 40

HEX #5C997B

RGB 92 153 123

HSL 150.49, 0.25%, 0.48%

LAB 58.5, -26.82, 9.63

 

CMYK 16 / 0 / 8 / 48

HEX #70857A

RGB 112 133 122

HSL 148.57, 0.09%, 0.48%

LAB 53.63, -9.92, 3.39

 

CMYK 0 / 14 / 8 / 48

HEX #84717A

RGB 132 113 122

HSL 331.58, 0.08%, 0.48%

LAB 49.64, 9.07, -2.22

 

CMYK 70 / 0 / 72 / 25

HEX #39C035

RGB 57 192 53

HSL 118.27, 0.57%, 0.48%

LAB 68.63, -61.63, 56.44

 

CMYK 72 / 0 / 56 / 25

HEX #35C055

RGB 53 192 85

HSL 133.81, 0.57%, 0.48%

LAB 68.83, -58.86, 43

 

CMYK 72 / 0 / 36 / 25

HEX #35C07A

RGB 53 192 122

HSL 149.78, 0.57%, 0.48%

LAB 69.37, -52.69, 24.97

 

CMYK 72 / 0 / 17 / 25

HEX #35C0A0

RGB 53 192 160

HSL 166.19, 0.57%, 0.48%

LAB 70.17, -44.12, 5.61

 

CMYK 72 / 2 / 0 / 25

HEX #35BCC0

RGB 53 188 192

HSL 181.73, 0.57%, 0.48%

LAB 69.84, -33.55, -12.39

 

CMYK 72 / 0 / 36 / 50

HEX #237F51

RGB 35 127 81

HSL 150, 0.57%, 0.32%

LAB 47.14, -37.98, 17.5

 

CMYK 73 / 0 / 36 / 37

HEX #2CA066

RGB 44 160 102

HSL 150, 0.57%, 0.4%

LAB 58.64, -45.59, 21.27

 

CMYK 72 / 0 / 36 / 25

HEX #35C07B

RGB 53 192 123

HSL 150.22, 0.57%, 0.48%

LAB 69.39, -52.49, 24.46

 

CMYK 62 / 0 / 31 / 19

HEX #4FCF8F

RGB 79 207 143

HSL 150, 0.57%, 0.56%

LAB 75, -49.93, 21.61

 

CMYK 48 / 0 / 24 / 15

HEX #70D8A4

RGB 112 216 164

HSL 150, 0.57%, 0.64%

LAB 79.18, -42.1, 16.48

 

CMYK 73 / 0 / 36 / 24

HEX #35C27C

RGB 53 194 124

HSL 150.21, 0.57%, 0.48%

LAB 70.03, -53.06, 24.8

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 0 / 65 / 72 / 25

HEX #C04335

RGB 192 67 53

HSL 6.04, 0.57%, 0.48%

LAB 46.28, 49.27, 35.43

 

CMYK 73 / 0 / 36 / 24

HEX #35C27C

RGB 53 194 124

HSL 150.21, 0.57%, 0.48%

LAB 70.03, -53.06, 24.8

 

CMYK 36 / 72 / 0 / 25

HEX #7A35C0

RGB 122 53 192

HSL 269.78, 0.57%, 0.48%

LAB 38.71, 55.59, -60.9

 

CMYK 0 / 36 / 72 / 25

HEX #C07A35

RGB 192 122 53

HSL 29.78, 0.57%, 0.48%

LAB 57.45, 21.34, 47.59

 

CMYK 73 / 0 / 36 / 24

HEX #35C27C

RGB 53 194 124

HSL 150.21, 0.57%, 0.48%

LAB 70.03, -53.06, 24.8

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 0 / 72 / 36 / 25

HEX #C0357A

RGB 192 53 122

HSL 330.22, 0.57%, 0.48%

LAB 45.85, 60.15, -6.94

 

CMYK 0 / 22 / 72 / 25

HEX #C09635

RGB 192 150 53

HSL 41.87, 0.57%, 0.48%

LAB 64.38, 5.96, 54.7

 

CMYK 73 / 0 / 36 / 24

HEX #35C27C

RGB 53 194 124

HSL 150.21, 0.57%, 0.48%

LAB 70.03, -53.06, 24.8

 

CMYK 72 / 72 / 0 / 25

HEX #3535C0

RGB 53 53 192

HSL 240, 0.57%, 0.48%

LAB 32.05, 45.48, -72.06

 

CMYK 0 / 72 / 36 / 25

HEX #C0357A

RGB 192 53 122

HSL 330.22, 0.57%, 0.48%

LAB 45.85, 60.15, -6.94

 

CMYK 0 / 0 / 72 / 25

HEX #C0C035

RGB 192 192 53

HSL 60, 0.57%, 0.48%

LAB 75.55, -16.13, 65.6

 

Description

Color code: RGB 53 194 124 | qconv.com Color code: RGB 53 194 124 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 194 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 194 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 36 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 36% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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