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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 193 149 it is the complementary color RGB 202 62 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 193 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 193 149 shade: RGB 58 193 144, RGB 75 211 163, RGB 92 229 182, RGB 109 247 201 and RGB 126 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 193 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 193 149 shade: RGB 53 193 149, RGB 36 175 130, RGB 19 157 111, RGB 2 139 92 and RGB 0 121 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 193 149 shade: RGB 53 192 148, RGB 53 192 111, RGB 53 192 73, RGB 70 192 53 and RGB 107 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 193 149 shade: RGB 53 192 148, RGB 53 192 186, RGB 53 161 192, RGB 53 123 192 and RGB 53 86 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 193 149 shade matches the following richer shades: RGB 53 192 148, RGB 33 212 156 and RGB 13 232 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 193 149 shade: RGB 53 192 148, RGB 72 172 141, RGB 92 153 134, RGB 112 133 126 and RGB 132 113 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 193 149 shade: RGB 53 192 74, RGB 53 192 111, RGB 53 192 148, RGB 53 192 185 and RGB 53 162 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 193 149 shade: RGB 35 127 98, RGB 44 160 123, RGB 53 192 148, RGB 79 207 167 and RGB 112 216 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 193 149 shade: RGB 53 193 149, RGB 53 69 192 and RGB 192 92 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 193 149 shade: RGB 53 193 149, RGB 148 53 192 and RGB 192 148 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 193 149 shade: RGB 53 193 149, RGB 53 69 192, RGB 192 53 97 and RGB 192 176 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 193 149 shade: RGB 53 193 149, RGB 78 53 192, RGB 192 53 97 and RGB 167 192 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 23 / 24

HEX #35C195

RGB 53 193 149

HSL 161.14, 0.57%, 0.48%

LAB 70.22, -47.23, 11.67

 

Complementary color

CMYK 0 / 69 / 48 / 21

HEX #CA3E6A

RGB 202 62 106

HSL 341.14, 0.57%, 0.52%

LAB 48.31, 58.16, 6.65

 

CMYK 70 / 0 / 25 / 24

HEX #3AC190

RGB 58 193 144

HSL 158.22, 0.54%, 0.49%

LAB 70.21, -47.66, 14.37

 

CMYK 64 / 0 / 23 / 17

HEX #4BD3A3

RGB 75 211 163

HSL 158.82, 0.61%, 0.56%

LAB 76.51, -48.03, 13.1

 

CMYK 60 / 0 / 21 / 10

HEX #5CE5B6

RGB 92 229 182

HSL 159.42, 0.72%, 0.63%

LAB 82.75, -48.23, 11.94

 

CMYK 56 / 0 / 19 / 3

HEX #6DF7C9

RGB 109 247 201

HSL 160, 0.9%, 0.7%

LAB 88.92, -48.31, 10.87

 

CMYK 51 / 0 / 14 / 0

HEX #7EFFDC

RGB 126 255 220

HSL 163.72, 1%, 0.75%

LAB 92.19, -43.98, 5.8

 

CMYK 73 / 0 / 23 / 24

HEX #35C195

RGB 53 193 149

HSL 161.14, 0.57%, 0.48%

LAB 70.22, -47.23, 11.67

 

CMYK 79 / 0 / 26 / 31

HEX #24AF82

RGB 36 175 130

HSL 160.58, 0.66%, 0.41%

LAB 63.87, -46.46, 13.06

 

CMYK 88 / 0 / 29 / 38

HEX #139D6F

RGB 19 157 111

HSL 160, 0.78%, 0.35%

LAB 57.46, -45.29, 14.62

 

CMYK 99 / 0 / 34 / 45

HEX #028B5C

RGB 2 139 92

HSL 159.42, 0.97%, 0.28%

LAB 50.98, -43.65, 16.37

 

CMYK 100 / 0 / 40 / 53

HEX #007949

RGB 0 121 73

HSL 156.2, 1%, 0.24%

LAB 44.46, -41.1, 18.38

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 72 / 0 / 42 / 25

HEX #35C06F

RGB 53 192 111

HSL 145.04, 0.57%, 0.48%

LAB 69.19, -54.76, 30.48

 

CMYK 72 / 0 / 62 / 25

HEX #35C049

RGB 53 192 73

HSL 128.63, 0.57%, 0.48%

LAB 68.71, -60.36, 48.36

 

CMYK 64 / 0 / 72 / 25

HEX #46C035

RGB 70 192 53

HSL 112.66, 0.57%, 0.48%

LAB 68.94, -59.03, 56.86

 

CMYK 44 / 0 / 72 / 25

HEX #6BC035

RGB 107 192 53

HSL 96.69, 0.57%, 0.48%

LAB 70.23, -48.98, 58.59

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 72 / 0 / 3 / 25

HEX #35C0BA

RGB 53 192 186

HSL 177.41, 0.57%, 0.48%

LAB 70.87, -37.14, -7.57

 

CMYK 72 / 16 / 0 / 25

HEX #35A1C0

RGB 53 161 192

HSL 193.38, 0.57%, 0.48%

LAB 61.7, -20.08, -24.75

 

CMYK 72 / 36 / 0 / 25

HEX #357BC0

RGB 53 123 192

HSL 209.78, 0.57%, 0.48%

LAB 50.37, 1.41, -42.43

 

CMYK 72 / 55 / 0 / 25

HEX #3556C0

RGB 53 86 192

HSL 225.76, 0.57%, 0.48%

LAB 39.95, 24.85, -59.15

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 84 / 0 / 26 / 17

HEX #21D49C

RGB 33 212 156

HSL 161.23, 0.73%, 0.48%

LAB 75.95, -55.27, 15.93

 

CMYK 94 / 0 / 30 / 9

HEX #0DE8A3

RGB 13 232 163

HSL 161.1, 0.89%, 0.48%

LAB 82.08, -62.22, 20.75

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 58 / 0 / 18 / 33

HEX #48AC8D

RGB 72 172 141

HSL 161.4, 0.41%, 0.48%

LAB 64, -36.77, 7.28

 

CMYK 40 / 0 / 12 / 40

HEX #5C9986

RGB 92 153 134

HSL 161.31, 0.25%, 0.48%

LAB 58.77, -24.35, 3.79

 

CMYK 16 / 0 / 5 / 48

HEX #70857E

RGB 112 133 126

HSL 160, 0.09%, 0.48%

LAB 53.74, -9.08, 1.23

 

CMYK 0 / 14 / 10 / 48

HEX #847177

RGB 132 113 119

HSL 341.05, 0.08%, 0.48%

LAB 49.55, 8.51, -0.57

 

CMYK 72 / 0 / 61 / 25

HEX #35C04A

RGB 53 192 74

HSL 129.06, 0.57%, 0.48%

LAB 68.72, -60.25, 47.93

 

CMYK 72 / 0 / 42 / 25

HEX #35C06F

RGB 53 192 111

HSL 145.04, 0.57%, 0.48%

LAB 69.19, -54.76, 30.48

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 72 / 0 / 4 / 25

HEX #35C0B9

RGB 53 192 185

HSL 176.98, 0.57%, 0.48%

LAB 70.84, -37.43, -7.07

 

CMYK 72 / 16 / 0 / 25

HEX #35A2C0

RGB 53 162 192

HSL 192.95, 0.57%, 0.48%

LAB 62, -20.61, -24.29

 

CMYK 72 / 0 / 23 / 50

HEX #237F62

RGB 35 127 98

HSL 161.09, 0.57%, 0.32%

LAB 47.52, -33.97, 8.16

 

CMYK 73 / 0 / 23 / 37

HEX #2CA07B

RGB 44 160 123

HSL 160.86, 0.57%, 0.4%

LAB 59.07, -40.86, 10.21

 

CMYK 72 / 0 / 23 / 25

HEX #35C094

RGB 53 192 148

HSL 161.01, 0.57%, 0.48%

LAB 69.89, -47.05, 11.74

 

CMYK 62 / 0 / 19 / 19

HEX #4FCFA7

RGB 79 207 167

HSL 161.25, 0.57%, 0.56%

LAB 75.5, -44.71, 9.54

 

CMYK 48 / 0 / 15 / 15

HEX #70D8B7

RGB 112 216 183

HSL 160.96, 0.57%, 0.64%

LAB 79.6, -38.05, 7

 

CMYK 73 / 0 / 23 / 24

HEX #35C195

RGB 53 193 149

HSL 161.14, 0.57%, 0.48%

LAB 70.22, -47.23, 11.67

 

CMYK 72 / 64 / 0 / 25

HEX #3545C0

RGB 53 69 192

HSL 233.09, 0.57%, 0.48%

LAB 35.63, 35.79, -66.18

 

CMYK 0 / 52 / 72 / 25

HEX #C05C35

RGB 192 92 53

HSL 16.83, 0.57%, 0.48%

LAB 50.82, 37.4, 40.5

 

CMYK 73 / 0 / 23 / 24

HEX #35C195

RGB 53 193 149

HSL 161.14, 0.57%, 0.48%

LAB 70.22, -47.23, 11.67

 

CMYK 23 / 72 / 0 / 25

HEX #9435C0

RGB 148 53 192

HSL 281.01, 0.57%, 0.48%

LAB 42.23, 60.6, -55.03

 

CMYK 0 / 23 / 72 / 25

HEX #C09435

RGB 192 148 53

HSL 41.01, 0.57%, 0.48%

LAB 63.87, 7.05, 54.18

 

CMYK 73 / 0 / 23 / 24

HEX #35C195

RGB 53 193 149

HSL 161.14, 0.57%, 0.48%

LAB 70.22, -47.23, 11.67

 

CMYK 72 / 64 / 0 / 25

HEX #3545C0

RGB 53 69 192

HSL 233.09, 0.57%, 0.48%

LAB 35.63, 35.79, -66.18

 

CMYK 0 / 72 / 49 / 25

HEX #C03561

RGB 192 53 97

HSL 341.01, 0.57%, 0.48%

LAB 45.1, 57.7, 7.37

 

CMYK 0 / 8 / 72 / 25

HEX #C0B035

RGB 192 176 53

HSL 53.09, 0.57%, 0.48%

LAB 71.22, -7.93, 61.44

 

CMYK 73 / 0 / 23 / 24

HEX #35C195

RGB 53 193 149

HSL 161.14, 0.57%, 0.48%

LAB 70.22, -47.23, 11.67

 

CMYK 59 / 72 / 0 / 25

HEX #4E35C0

RGB 78 53 192

HSL 250.79, 0.57%, 0.48%

LAB 33.92, 48.42, -68.91

 

CMYK 0 / 72 / 49 / 25

HEX #C03561

RGB 192 53 97

HSL 341.01, 0.57%, 0.48%

LAB 45.1, 57.7, 7.37

 

CMYK 13 / 0 / 72 / 25

HEX #A7C035

RGB 167 192 53

HSL 70.79, 0.57%, 0.48%

LAB 73.66, -26.61, 63.12

 

Description

Color code: RGB 53 193 149 | qconv.com Color code: RGB 53 193 149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 193 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 193 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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