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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 193 141 it is the complementary color RGB 202 62 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 193 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 193 141 shade: RGB 58 193 136, RGB 75 211 155, RGB 92 229 174, RGB 109 247 193 and RGB 126 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 193 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 193 141 shade: RGB 53 193 141, RGB 36 175 122, RGB 19 157 103, RGB 2 139 84 and RGB 0 121 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 193 141 shade: RGB 53 192 140, RGB 53 192 103, RGB 53 192 65, RGB 78 192 53 and RGB 115 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 193 141 shade: RGB 53 192 140, RGB 53 192 178, RGB 53 169 192, RGB 53 131 192 and RGB 53 93 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 193 141 shade matches the following richer shades: RGB 53 192 140, RGB 33 212 145 and RGB 13 232 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 193 141 shade: RGB 53 192 140, RGB 72 172 135, RGB 92 153 130, RGB 112 133 125 and RGB 132 113 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 193 141 shade: RGB 53 192 64, RGB 53 192 101, RGB 53 192 139, RGB 53 192 176 and RGB 53 171 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 193 141 shade: RGB 35 127 93, RGB 44 160 117, RGB 53 192 140, RGB 79 207 159 and RGB 112 216 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 193 141 shade: RGB 53 193 141, RGB 53 78 192 and RGB 192 83 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 193 141 shade: RGB 53 193 141, RGB 139 53 192 and RGB 192 139 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 193 141 shade: RGB 53 193 141, RGB 53 78 192, RGB 192 53 106 and RGB 192 167 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 193 141 shade: RGB 53 193 141, RGB 69 53 192, RGB 192 53 106 and RGB 176 192 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 27 / 24

HEX #35C18D

RGB 53 193 141

HSL 157.71, 0.57%, 0.48%

LAB 70.05, -49.07, 15.75

 

Complementary color

CMYK 0 / 69 / 44 / 21

HEX #CA3E72

RGB 202 62 114

HSL 337.71, 0.57%, 0.52%

LAB 48.53, 58.9, 2.09

 

CMYK 70 / 0 / 30 / 24

HEX #3AC188

RGB 58 193 136

HSL 154.67, 0.54%, 0.49%

LAB 70.05, -49.43, 18.45

 

CMYK 64 / 0 / 27 / 17

HEX #4BD39B

RGB 75 211 155

HSL 155.29, 0.61%, 0.56%

LAB 76.35, -49.8, 17.11

 

CMYK 60 / 0 / 24 / 10

HEX #5CE5AE

RGB 92 229 174

HSL 155.91, 0.72%, 0.63%

LAB 82.58, -49.98, 15.89

 

CMYK 56 / 0 / 22 / 3

HEX #6DF7C1

RGB 109 247 193

HSL 156.52, 0.9%, 0.7%

LAB 88.74, -50.04, 14.76

 

CMYK 51 / 0 / 17 / 0

HEX #7EFFD4

RGB 126 255 212

HSL 160, 1%, 0.75%

LAB 92, -45.74, 9.66

 

CMYK 73 / 0 / 27 / 24

HEX #35C18D

RGB 53 193 141

HSL 157.71, 0.57%, 0.48%

LAB 70.05, -49.07, 15.75

 

CMYK 79 / 0 / 30 / 31

HEX #24AF7A

RGB 36 175 122

HSL 157.12, 0.66%, 0.41%

LAB 63.71, -48.31, 17.21

 

CMYK 88 / 0 / 34 / 38

HEX #139D67

RGB 19 157 103

HSL 156.52, 0.78%, 0.35%

LAB 57.3, -47.11, 18.85

 

CMYK 99 / 0 / 40 / 45

HEX #028B54

RGB 2 139 84

HSL 155.91, 0.97%, 0.28%

LAB 50.83, -45.43, 20.66

 

CMYK 100 / 0 / 46 / 53

HEX #007941

RGB 0 121 65

HSL 152.23, 1%, 0.24%

LAB 44.31, -42.77, 22.73

 

CMYK 72 / 0 / 27 / 25

HEX #35C08C

RGB 53 192 140

HSL 157.55, 0.57%, 0.48%

LAB 69.72, -48.89, 15.82

 

CMYK 72 / 0 / 46 / 25

HEX #35C067

RGB 53 192 103

HSL 141.58, 0.57%, 0.48%

LAB 69.07, -56.14, 34.43

 

CMYK 72 / 0 / 66 / 25

HEX #35C041

RGB 53 192 65

HSL 125.18, 0.57%, 0.48%

LAB 68.63, -61.23, 51.72

 

CMYK 59 / 0 / 72 / 25

HEX #4EC035

RGB 78 192 53

HSL 109.21, 0.57%, 0.48%

LAB 69.17, -57.18, 57.17

 

CMYK 40 / 0 / 72 / 25

HEX #73C035

RGB 115 192 53

HSL 93.24, 0.57%, 0.48%

LAB 70.6, -46.36, 59.07

 

CMYK 72 / 0 / 27 / 25

HEX #35C08C

RGB 53 192 140

HSL 157.55, 0.57%, 0.48%

LAB 69.72, -48.89, 15.82

 

CMYK 72 / 0 / 7 / 25

HEX #35C0B2

RGB 53 192 178

HSL 173.96, 0.57%, 0.48%

LAB 70.64, -39.37, -3.53

 

CMYK 72 / 12 / 0 / 25

HEX #35A9C0

RGB 53 169 192

HSL 189.93, 0.57%, 0.48%

LAB 64.11, -24.22, -21.06

 

CMYK 72 / 32 / 0 / 25

HEX #3583C0

RGB 53 131 192

HSL 206.33, 0.57%, 0.48%

LAB 52.72, -3.37, -38.71

 

CMYK 72 / 52 / 0 / 25

HEX #355DC0

RGB 53 93 192

HSL 222.73, 0.57%, 0.48%

LAB 41.83, 20.31, -56.09

 

CMYK 72 / 0 / 27 / 25

HEX #35C08C

RGB 53 192 140

HSL 157.55, 0.57%, 0.48%

LAB 69.72, -48.89, 15.82

 

CMYK 84 / 0 / 32 / 17

HEX #21D491

RGB 33 212 145

HSL 157.54, 0.73%, 0.48%

LAB 75.73, -57.71, 21.43

 

CMYK 94 / 0 / 35 / 9

HEX #0DE897

RGB 13 232 151

HSL 157.81, 0.89%, 0.48%

LAB 81.86, -64.75, 26.63

 

CMYK 72 / 0 / 27 / 25

HEX #35C08C

RGB 53 192 140

HSL 157.55, 0.57%, 0.48%

LAB 69.72, -48.89, 15.82

 

CMYK 58 / 0 / 22 / 33

HEX #48AC87

RGB 72 172 135

HSL 157.8, 0.41%, 0.48%

LAB 63.86, -38.18, 10.4

 

CMYK 40 / 0 / 15 / 40

HEX #5C9982

RGB 92 153 130

HSL 157.38, 0.25%, 0.48%

LAB 58.67, -25.27, 5.91

 

CMYK 16 / 0 / 6 / 48

HEX #70857D

RGB 112 133 125

HSL 157.14, 0.09%, 0.48%

LAB 53.71, -9.29, 1.77

 

CMYK 0 / 14 / 9 / 48

HEX #847178

RGB 132 113 120

HSL 337.89, 0.08%, 0.48%

LAB 49.58, 8.7, -1.12

 

CMYK 72 / 0 / 67 / 25

HEX #35C040

RGB 53 192 64

HSL 124.75, 0.57%, 0.48%

LAB 68.63, -61.33, 52.13

 

CMYK 72 / 0 / 47 / 25

HEX #35C065

RGB 53 192 101

HSL 140.72, 0.57%, 0.48%

LAB 69.04, -56.47, 35.4

 

CMYK 72 / 0 / 28 / 25

HEX #35C08B

RGB 53 192 139

HSL 157.12, 0.57%, 0.48%

LAB 69.7, -49.12, 16.33

 

CMYK 72 / 0 / 8 / 25

HEX #35C0B0

RGB 53 192 176

HSL 173.09, 0.57%, 0.48%

LAB 70.59, -39.92, -2.52

 

CMYK 72 / 11 / 0 / 25

HEX #35ABC0

RGB 53 171 192

HSL 189.06, 0.57%, 0.48%

LAB 64.71, -25.23, -20.14

 

CMYK 72 / 0 / 27 / 50

HEX #237F5D

RGB 35 127 93

HSL 157.83, 0.57%, 0.32%

LAB 47.4, -35.22, 10.91

 

CMYK 73 / 0 / 27 / 37

HEX #2CA075

RGB 44 160 117

HSL 157.76, 0.57%, 0.4%

LAB 58.94, -42.29, 13.38

 

CMYK 72 / 0 / 27 / 25

HEX #35C08C

RGB 53 192 140

HSL 157.55, 0.57%, 0.48%

LAB 69.72, -48.89, 15.82

 

CMYK 62 / 0 / 23 / 19

HEX #4FCF9F

RGB 79 207 159

HSL 157.5, 0.57%, 0.56%

LAB 75.32, -46.53, 13.57

 

CMYK 48 / 0 / 18 / 15

HEX #70D8B1

RGB 112 216 177

HSL 157.5, 0.57%, 0.64%

LAB 79.46, -39.37, 9.99

 

CMYK 73 / 0 / 27 / 24

HEX #35C18D

RGB 53 193 141

HSL 157.71, 0.57%, 0.48%

LAB 70.05, -49.07, 15.75

 

CMYK 72 / 59 / 0 / 25

HEX #354EC0

RGB 53 78 192

HSL 229.21, 0.57%, 0.48%

LAB 37.86, 30.04, -62.54

 

CMYK 0 / 57 / 72 / 25

HEX #C05335

RGB 192 83 53

HSL 12.95, 0.57%, 0.48%

LAB 49.07, 41.9, 38.56

 

CMYK 73 / 0 / 27 / 24

HEX #35C18D

RGB 53 193 141

HSL 157.71, 0.57%, 0.48%

LAB 70.05, -49.07, 15.75

 

CMYK 28 / 72 / 0 / 25

HEX #8B35C0

RGB 139 53 192

HSL 277.12, 0.57%, 0.48%

LAB 40.96, 58.82, -57.14

 

CMYK 0 / 28 / 72 / 25

HEX #C08B35

RGB 192 139 53

HSL 37.12, 0.57%, 0.48%

LAB 61.59, 11.98, 51.87

 

CMYK 73 / 0 / 27 / 24

HEX #35C18D

RGB 53 193 141

HSL 157.71, 0.57%, 0.48%

LAB 70.05, -49.07, 15.75

 

CMYK 72 / 59 / 0 / 25

HEX #354EC0

RGB 53 78 192

HSL 229.21, 0.57%, 0.48%

LAB 37.86, 30.04, -62.54

 

CMYK 0 / 72 / 45 / 25

HEX #C0356A

RGB 192 53 106

HSL 337.12, 0.57%, 0.48%

LAB 45.35, 58.52, 2.16

 

CMYK 0 / 13 / 72 / 25

HEX #C0A735

RGB 192 167 53

HSL 49.21, 0.57%, 0.48%

LAB 68.82, -3.19, 59.1

 

CMYK 73 / 0 / 27 / 24

HEX #35C18D

RGB 53 193 141

HSL 157.71, 0.57%, 0.48%

LAB 70.05, -49.07, 15.75

 

CMYK 64 / 72 / 0 / 25

HEX #4535C0

RGB 69 53 192

HSL 246.91, 0.57%, 0.48%

LAB 33.17, 47.25, -70.18

 

CMYK 0 / 72 / 45 / 25

HEX #C0356A

RGB 192 53 106

HSL 337.12, 0.57%, 0.48%

LAB 45.35, 58.52, 2.16

 

CMYK 8 / 0 / 72 / 25

HEX #B0C035

RGB 176 192 53

HSL 66.91, 0.57%, 0.48%

LAB 74.31, -22.88, 63.98

 

Description

Color code: RGB 53 193 141 | qconv.com Color code: RGB 53 193 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 193 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 193 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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