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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 192 67 it is the complementary color RGB 202 63 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 192 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 192 67 shade: RGB 58 192 62, RGB 75 210 81, RGB 92 228 100, RGB 109 246 119 and RGB 126 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 192 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 36 174 48, RGB 19 156 29, RGB 2 138 10 and RGB 0 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 76 192 53, RGB 114 192 53, RGB 151 192 53 and RGB 189 192 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 53 192 104, RGB 53 192 142, RGB 53 192 180 and RGB 53 167 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 192 67 shade matches the following richer shades: RGB 53 192 67, RGB 33 212 51 and RGB 13 232 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 72 172 82, RGB 92 153 98, RGB 112 133 114 and RGB 132 113 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 192 67 shade: RGB 113 192 53, RGB 76 192 53, RGB 53 192 67, RGB 53 192 104 and RGB 53 192 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 192 67 shade: RGB 35 127 44, RGB 44 160 55, RGB 53 192 67, RGB 79 207 92 and RGB 112 216 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 53 150 192 and RGB 192 53 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 67 53 192 and RGB 192 67 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 53 150 192, RGB 192 53 178 and RGB 192 94 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 192 67 shade: RGB 53 192 67, RGB 53 108 192, RGB 192 53 178 and RGB 192 136 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

Complementary color

CMYK 0 / 69 / 7 / 21

HEX #CA3FBC

RGB 202 63 188

HSL 306.04, 0.57%, 0.52%

LAB 51.54, 67.96, -37.36

 

CMYK 70 / 0 / 68 / 25

HEX #3AC03E

RGB 58 192 62

HSL 121.79, 0.54%, 0.49%

LAB 68.71, -60.66, 53.07

 

CMYK 64 / 0 / 61 / 18

HEX #4BD251

RGB 75 210 81

HSL 122.67, 0.6%, 0.56%

LAB 74.94, -61.55, 52.05

 

CMYK 60 / 0 / 56 / 11

HEX #5CE464

RGB 92 228 100

HSL 123.53, 0.72%, 0.63%

LAB 81.12, -62.09, 50.86

 

CMYK 56 / 0 / 52 / 4

HEX #6DF677

RGB 109 246 119

HSL 124.38, 0.88%, 0.7%

LAB 87.24, -62.38, 49.59

 

CMYK 51 / 0 / 46 / 0

HEX #7EFF8A

RGB 126 255 138

HSL 125.58, 1%, 0.75%

LAB 90.68, -59.06, 45.03

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 79 / 0 / 72 / 32

HEX #24AE30

RGB 36 174 48

HSL 125.22, 0.66%, 0.41%

LAB 62.39, -59.54, 51.78

 

CMYK 88 / 0 / 81 / 39

HEX #139C1D

RGB 19 156 29

HSL 124.38, 0.78%, 0.34%

LAB 56.09, -57.3, 52

 

CMYK 99 / 0 / 93 / 46

HEX #028A0A

RGB 2 138 10

HSL 123.53, 0.97%, 0.27%

LAB 49.75, -54.11, 50.89

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 60 / 0 / 72 / 25

HEX #4CC035

RGB 76 192 53

HSL 110.07, 0.57%, 0.48%

LAB 69.11, -57.66, 57.09

 

CMYK 41 / 0 / 72 / 25

HEX #72C035

RGB 114 192 53

HSL 93.67, 0.57%, 0.48%

LAB 70.55, -46.69, 59.01

 

CMYK 21 / 0 / 72 / 25

HEX #97C035

RGB 151 192 53

HSL 77.7, 0.57%, 0.48%

LAB 72.59, -33.08, 61.71

 

CMYK 2 / 0 / 72 / 25

HEX #BDC035

RGB 189 192 53

HSL 61.29, 0.57%, 0.48%

LAB 75.31, -17.4, 65.29

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 72 / 0 / 46 / 25

HEX #35C068

RGB 53 192 104

HSL 142.01, 0.57%, 0.48%

LAB 69.08, -55.98, 33.94

 

CMYK 72 / 0 / 26 / 25

HEX #35C08E

RGB 53 192 142

HSL 158.42, 0.57%, 0.48%

LAB 69.76, -48.44, 14.8

 

CMYK 72 / 0 / 6 / 25

HEX #35C0B4

RGB 53 192 180

HSL 174.82, 0.57%, 0.48%

LAB 70.7, -38.82, -4.54

 

CMYK 72 / 13 / 0 / 25

HEX #35A7C0

RGB 53 167 192

HSL 190.79, 0.57%, 0.48%

LAB 63.51, -23.2, -21.98

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 84 / 0 / 76 / 17

HEX #21D433

RGB 33 212 51

HSL 126.03, 0.73%, 0.48%

LAB 74.6, -71.16, 63

 

CMYK 94 / 0 / 85 / 9

HEX #0DE823

RGB 13 232 35

HSL 126.03, 0.89%, 0.48%

LAB 80.69, -78.92, 72.94

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 58 / 0 / 52 / 33

HEX #48AC52

RGB 72 172 82

HSL 126, 0.41%, 0.48%

LAB 62.92, -48.09, 37.43

 

CMYK 40 / 0 / 36 / 40

HEX #5C9962

RGB 92 153 98

HSL 125.9, 0.25%, 0.48%

LAB 57.98, -31.7, 22.87

 

CMYK 16 / 0 / 14 / 48

HEX #708572

RGB 112 133 114

HSL 125.71, 0.09%, 0.48%

LAB 53.42, -11.53, 7.73

 

CMYK 0 / 14 / 2 / 48

HEX #847182

RGB 132 113 130

HSL 306.32, 0.08%, 0.48%

LAB 49.89, 10.63, -6.59

 

CMYK 41 / 0 / 72 / 25

HEX #71C035

RGB 113 192 53

HSL 94.1, 0.57%, 0.48%

LAB 70.5, -47.02, 58.95

 

CMYK 60 / 0 / 72 / 25

HEX #4CC035

RGB 76 192 53

HSL 110.07, 0.57%, 0.48%

LAB 69.11, -57.66, 57.09

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 72 / 0 / 46 / 25

HEX #35C068

RGB 53 192 104

HSL 142.01, 0.57%, 0.48%

LAB 69.08, -55.98, 33.94

 

CMYK 72 / 0 / 27 / 25

HEX #35C08D

RGB 53 192 141

HSL 157.99, 0.57%, 0.48%

LAB 69.74, -48.67, 15.31

 

CMYK 72 / 0 / 65 / 50

HEX #237F2C

RGB 35 127 44

HSL 125.87, 0.57%, 0.32%

LAB 46.6, -44.18, 36.52

 

CMYK 73 / 0 / 66 / 37

HEX #2CA037

RGB 44 160 55

HSL 125.69, 0.57%, 0.4%

LAB 57.99, -53.01, 44.26

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 62 / 0 / 56 / 19

HEX #4FCF5C

RGB 79 207 92

HSL 126.09, 0.57%, 0.56%

LAB 74.23, -58.34, 46.29

 

CMYK 48 / 0 / 44 / 15

HEX #70D87A

RGB 112 216 122

HSL 125.77, 0.57%, 0.64%

LAB 78.44, -49.54, 37.18

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 72 / 22 / 0 / 25

HEX #3596C0

RGB 53 150 192

HSL 198.13, 0.57%, 0.48%

LAB 58.39, -14.18, -29.86

 

CMYK 0 / 72 / 51 / 25

HEX #C0355E

RGB 192 53 94

HSL 342.3, 0.57%, 0.48%

LAB 45.03, 57.45, 9.11

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 65 / 72 / 0 / 25

HEX #4335C0

RGB 67 53 192

HSL 246.04, 0.57%, 0.48%

LAB 33.02, 47.01, -70.44

 

CMYK 0 / 65 / 72 / 25

HEX #C04335

RGB 192 67 53

HSL 6.04, 0.57%, 0.48%

LAB 46.28, 49.27, 35.43

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 72 / 22 / 0 / 25

HEX #3596C0

RGB 53 150 192

HSL 198.13, 0.57%, 0.48%

LAB 58.39, -14.18, -29.86

 

CMYK 0 / 72 / 7 / 25

HEX #C035B2

RGB 192 53 178

HSL 306.04, 0.57%, 0.48%

LAB 48.22, 67.54, -36.87

 

CMYK 0 / 51 / 72 / 25

HEX #C05E35

RGB 192 94 53

HSL 17.7, 0.57%, 0.48%

LAB 51.23, 36.37, 40.94

 

CMYK 72 / 0 / 65 / 25

HEX #35C043

RGB 53 192 67

HSL 126.04, 0.57%, 0.48%

LAB 68.65, -61.02, 50.9

 

CMYK 72 / 44 / 0 / 25

HEX #356CC0

RGB 53 108 192

HSL 216.26, 0.57%, 0.48%

LAB 46.03, 10.7, -49.35

 

CMYK 0 / 72 / 7 / 25

HEX #C035B2

RGB 192 53 178

HSL 306.04, 0.57%, 0.48%

LAB 48.22, 67.54, -36.87

 

CMYK 0 / 29 / 72 / 25

HEX #C08835

RGB 192 136 53

HSL 35.83, 0.57%, 0.48%

LAB 60.84, 13.63, 51.11

 

Description

Color code: RGB 53 192 67 | qconv.com Color code: RGB 53 192 67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 192 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 192 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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