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Color name
RGB 53 192 53

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 192 53 it is the complementary color RGB 202 63 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 192 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 192 53 shade: RGB 58 192 48, RGB 75 210 67, RGB 92 228 86, RGB 109 246 105 and RGB 126 255 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 192 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 36 174 34, RGB 19 156 15, RGB 2 138 0 and RGB 0 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 90 192 53, RGB 128 192 53, RGB 166 192 53 and RGB 192 181 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 53 192 90, RGB 53 192 128, RGB 53 192 166 and RGB 53 181 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 192 53 shade matches the following richer shades: RGB 53 192 53, RGB 33 212 33 and RGB 13 232 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 72 172 72, RGB 92 153 92, RGB 112 133 112 and RGB 132 113 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 192 53 shade: RGB 127 192 53, RGB 90 192 53, RGB 53 192 53, RGB 53 192 90 and RGB 53 192 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 192 53 shade: RGB 35 127 35, RGB 44 160 44, RGB 53 192 53, RGB 79 207 79 and RGB 112 216 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 53 164 192 and RGB 192 53 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 53 53 192 and RGB 192 53 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 53 164 192, RGB 192 53 192 and RGB 192 81 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 192 53 shade: RGB 53 192 53, RGB 53 122 192, RGB 192 53 192 and RGB 192 122 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

Complementary color

CMYK 0 / 69 / 0 / 21

HEX #CA3FCA

RGB 202 63 202

HSL 300, 0.57%, 0.52%

LAB 52.26, 70.19, -44.32

 

CMYK 70 / 0 / 75 / 25

HEX #3AC030

RGB 58 192 48

HSL 115.83, 0.6%, 0.47%

LAB 68.62, -61.84, 58.21

 

CMYK 64 / 0 / 68 / 18

HEX #4BD243

RGB 75 210 67

HSL 116.64, 0.61%, 0.54%

LAB 74.82, -62.94, 57.72

 

CMYK 60 / 0 / 62 / 11

HEX #5CE456

RGB 92 228 86

HSL 117.46, 0.72%, 0.62%

LAB 80.98, -63.65, 56.83

 

CMYK 56 / 0 / 57 / 4

HEX #6DF669

RGB 109 246 105

HSL 118.3, 0.89%, 0.69%

LAB 87.09, -64.07, 55.75

 

CMYK 51 / 0 / 51 / 0

HEX #7EFF7C

RGB 126 255 124

HSL 119.08, 1%, 0.74%

LAB 90.51, -60.92, 51.39

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 79 / 0 / 80 / 32

HEX #24AE22

RGB 36 174 34

HSL 119.14, 0.67%, 0.41%

LAB 62.31, -60.58, 56.45

 

CMYK 88 / 0 / 90 / 39

HEX #139C0F

RGB 19 156 15

HSL 118.3, 0.82%, 0.34%

LAB 56.04, -57.99, 55.42

 

CMYK 99 / 0 / 100 / 46

HEX #028A00

RGB 2 138 0

HSL 119.13, 1%, 0.27%

LAB 49.73, -54.45, 52.71

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 53 / 0 / 72 / 25

HEX #5AC035

RGB 90 192 53

HSL 104.03, 0.57%, 0.48%

LAB 69.56, -54.06, 57.69

 

CMYK 33 / 0 / 72 / 25

HEX #80C035

RGB 128 192 53

HSL 87.63, 0.57%, 0.48%

LAB 71.25, -41.81, 59.94

 

CMYK 14 / 0 / 72 / 25

HEX #A6C035

RGB 166 192 53

HSL 71.22, 0.57%, 0.48%

LAB 73.59, -27.02, 63.03

 

CMYK 0 / 6 / 72 / 25

HEX #C0B535

RGB 192 181 53

HSL 55.25, 0.57%, 0.48%

LAB 72.57, -10.52, 62.74

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 72 / 0 / 53 / 25

HEX #35C05A

RGB 53 192 90

HSL 135.97, 0.57%, 0.48%

LAB 68.89, -58.16, 40.67

 

CMYK 72 / 0 / 33 / 25

HEX #35C080

RGB 53 192 128

HSL 152.37, 0.57%, 0.48%

LAB 69.48, -51.48, 21.93

 

CMYK 72 / 0 / 14 / 25

HEX #35C0A6

RGB 53 192 166

HSL 168.78, 0.57%, 0.48%

LAB 70.32, -42.58, 2.56

 

CMYK 72 / 6 / 0 / 25

HEX #35B5C0

RGB 53 181 192

HSL 184.75, 0.57%, 0.48%

LAB 67.73, -30.19, -15.57

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 84 / 0 / 84 / 17

HEX #21D421

RGB 33 212 33

HSL 120, 0.73%, 0.48%

LAB 74.52, -72.21, 67.92

 

CMYK 94 / 0 / 94 / 9

HEX #0DE80D

RGB 13 232 13

HSL 120, 0.89%, 0.48%

LAB 80.64, -79.59, 76.36

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 58 / 0 / 58 / 33

HEX #48AC48

RGB 72 172 72

HSL 120, 0.41%, 0.48%

LAB 62.8, -49.41, 42.15

 

CMYK 40 / 0 / 40 / 40

HEX #5C995C

RGB 92 153 92

HSL 120, 0.25%, 0.48%

LAB 57.88, -32.71, 26.01

 

CMYK 16 / 0 / 16 / 48

HEX #708570

RGB 112 133 112

HSL 120, 0.09%, 0.48%

LAB 53.37, -11.92, 8.82

 

CMYK 0 / 14 / 0 / 48

HEX #847184

RGB 132 113 132

HSL 300, 0.08%, 0.48%

LAB 49.96, 11.03, -7.67

 

CMYK 34 / 0 / 72 / 25

HEX #7FC035

RGB 127 192 53

HSL 88.06, 0.57%, 0.48%

LAB 71.19, -42.17, 59.87

 

CMYK 53 / 0 / 72 / 25

HEX #5AC035

RGB 90 192 53

HSL 104.03, 0.57%, 0.48%

LAB 69.56, -54.06, 57.69

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 72 / 0 / 53 / 25

HEX #35C05A

RGB 53 192 90

HSL 135.97, 0.57%, 0.48%

LAB 68.89, -58.16, 40.67

 

CMYK 72 / 0 / 34 / 25

HEX #35C07F

RGB 53 192 127

HSL 151.94, 0.57%, 0.48%

LAB 69.46, -51.69, 22.44

 

CMYK 72 / 0 / 72 / 50

HEX #237F23

RGB 35 127 35

HSL 120, 0.57%, 0.32%

LAB 46.52, -45.14, 40.44

 

CMYK 73 / 0 / 73 / 37

HEX #2CA02C

RGB 44 160 44

HSL 120, 0.57%, 0.4%

LAB 57.9, -54.09, 48.72

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 62 / 0 / 62 / 19

HEX #4FCF4F

RGB 79 207 79

HSL 120, 0.57%, 0.56%

LAB 74.1, -59.87, 52

 

CMYK 48 / 0 / 48 / 15

HEX #70D870

RGB 112 216 112

HSL 120, 0.57%, 0.64%

LAB 78.3, -50.97, 41.95

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 72 / 15 / 0 / 25

HEX #35A4C0

RGB 53 164 192

HSL 192.09, 0.57%, 0.48%

LAB 62.6, -21.65, -23.37

 

CMYK 0 / 72 / 44 / 25

HEX #C0356C

RGB 192 53 108

HSL 336.26, 0.57%, 0.48%

LAB 45.41, 58.71, 1.01

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 72 / 72 / 0 / 25

HEX #3535C0

RGB 53 53 192

HSL 240, 0.57%, 0.48%

LAB 32.05, 45.48, -72.06

 

CMYK 0 / 72 / 72 / 25

HEX #C03535

RGB 192 53 53

HSL 0, 0.57%, 0.48%

LAB 44.25, 54.82, 33.1

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 72 / 15 / 0 / 25

HEX #35A4C0

RGB 53 164 192

HSL 192.09, 0.57%, 0.48%

LAB 62.6, -21.65, -23.37

 

CMYK 0 / 72 / 0 / 25

HEX #C035C0

RGB 192 53 192

HSL 300, 0.57%, 0.48%

LAB 48.96, 69.75, -43.88

 

CMYK 0 / 58 / 72 / 25

HEX #C05135

RGB 192 81 53

HSL 12.09, 0.57%, 0.48%

LAB 48.7, 42.87, 38.15

 

CMYK 72 / 0 / 72 / 25

HEX #35C035

RGB 53 192 53

HSL 120, 0.57%, 0.48%

LAB 68.54, -62.33, 56.33

 

CMYK 72 / 36 / 0 / 25

HEX #357AC0

RGB 53 122 192

HSL 210.22, 0.57%, 0.48%

LAB 50.08, 2.02, -42.9

 

CMYK 0 / 72 / 0 / 25

HEX #C035C0

RGB 192 53 192

HSL 300, 0.57%, 0.48%

LAB 48.96, 69.75, -43.88

 

CMYK 0 / 36 / 72 / 25

HEX #C07A35

RGB 192 122 53

HSL 29.78, 0.57%, 0.48%

LAB 57.45, 21.34, 47.59

 

Description

Color code: RGB 53 192 53 | qconv.com Color code: RGB 53 192 53 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 192 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 192 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 72% 25% C M Y K

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Provide designers and agencies with accurate color values.

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