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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 191 48 it is the complementary color RGB 202 64 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 191 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 191 48 shade: RGB 58 191 43, RGB 75 209 62, RGB 92 227 81, RGB 109 245 100 and RGB 126 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 191 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 191 48 shade: RGB 53 191 48, RGB 36 173 29, RGB 19 155 10, RGB 2 137 0 and RGB 0 119 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 191 48 shade: RGB 53 192 48, RGB 92 192 48, RGB 131 192 48, RGB 169 192 48 and RGB 192 175 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 191 48 shade: RGB 53 192 48, RGB 48 192 82, RGB 48 192 120, RGB 48 192 159 and RGB 48 185 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 191 48 shade matches the following richer shades: RGB 53 192 48, RGB 35 211 29 and RGB 17 231 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 191 48 shade: RGB 53 192 48, RGB 71 172 67, RGB 89 153 87, RGB 107 134 106 and RGB 125 114 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 191 48 shade: RGB 132 192 48, RGB 93 192 48, RGB 55 192 48, RGB 48 192 79 and RGB 48 192 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 191 48 shade: RGB 35 126 31, RGB 44 159 40, RGB 53 192 48, RGB 77 209 72 and RGB 109 217 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 191 48 shade: RGB 53 191 48, RGB 48 170 192 and RGB 192 48 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 191 48 shade: RGB 53 191 48, RGB 48 55 192 and RGB 192 48 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 191 48 shade: RGB 53 191 48, RGB 48 170 192, RGB 185 48 192 and RGB 192 70 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 191 48 shade: RGB 53 191 48, RGB 48 127 192, RGB 185 48 192 and RGB 192 113 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 75 / 25

HEX #35BF30

RGB 53 191 48

HSL 117.9, 0.6%, 0.47%

LAB 68.19, -62.4, 57.75

 

Complementary color

CMYK 2 / 69 / 0 / 19

HEX #CA40CF

RGB 202 64 207

HSL 297.9, 0.6%, 0.53%

LAB 52.65, 70.66, -46.56

 

CMYK 70 / 0 / 77 / 25

HEX #3ABF2B

RGB 58 191 43

HSL 113.92, 0.63%, 0.46%

LAB 68.27, -61.86, 59.52

 

CMYK 64 / 0 / 70 / 18

HEX #4BD13E

RGB 75 209 62

HSL 114.69, 0.62%, 0.53%

LAB 74.47, -63.03, 59.27

 

CMYK 59 / 0 / 64 / 11

HEX #5CE351

RGB 92 227 81

HSL 115.48, 0.72%, 0.6%

LAB 80.63, -63.79, 58.53

 

CMYK 56 / 0 / 59 / 4

HEX #6DF564

RGB 109 245 100

HSL 116.28, 0.88%, 0.68%

LAB 86.74, -64.26, 57.52

 

CMYK 51 / 0 / 53 / 0

HEX #7EFF77

RGB 126 255 119

HSL 116.91, 1%, 0.73%

LAB 90.45, -61.53, 53.61

 

CMYK 72 / 0 / 75 / 25

HEX #35BF30

RGB 53 191 48

HSL 117.9, 0.6%, 0.47%

LAB 68.19, -62.4, 57.75

 

CMYK 79 / 0 / 83 / 32

HEX #24AD1D

RGB 36 173 29

HSL 117.08, 0.71%, 0.4%

LAB 61.96, -60.56, 57.53

 

CMYK 88 / 0 / 94 / 39

HEX #139B0A

RGB 19 155 10

HSL 116.28, 0.88%, 0.32%

LAB 55.69, -57.86, 55.98

 

CMYK 99 / 0 / 100 / 46

HEX #028900

RGB 2 137 0

HSL 119.12, 1%, 0.27%

LAB 49.38, -54.16, 52.43

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 72 / 0 / 75 / 25

HEX #35C030

RGB 53 192 48

HSL 117.92, 0.6%, 0.47%

LAB 68.51, -62.72, 58.07

 

CMYK 52 / 0 / 75 / 25

HEX #5CC030

RGB 92 192 48

HSL 101.67, 0.6%, 0.47%

LAB 69.6, -53.84, 59.52

 

CMYK 32 / 0 / 75 / 25

HEX #83C030

RGB 131 192 48

HSL 85.42, 0.6%, 0.47%

LAB 71.38, -41.01, 61.85

 

CMYK 12 / 0 / 75 / 25

HEX #A9C030

RGB 169 192 48

HSL 69.58, 0.6%, 0.47%

LAB 73.77, -26.03, 64.97

 

CMYK 0 / 9 / 75 / 25

HEX #C0AF30

RGB 192 175 48

HSL 52.92, 0.6%, 0.47%

LAB 70.93, -7.63, 62.96

 

CMYK 72 / 0 / 75 / 25

HEX #35C030

RGB 53 192 48

HSL 117.92, 0.6%, 0.47%

LAB 68.51, -62.72, 58.07

 

CMYK 75 / 0 / 57 / 25

HEX #30C052

RGB 48 192 82

HSL 134.17, 0.6%, 0.47%

LAB 68.71, -60.03, 44.24

 

CMYK 75 / 0 / 38 / 25

HEX #30C078

RGB 48 192 120

HSL 150, 0.6%, 0.47%

LAB 69.24, -53.79, 25.84

 

CMYK 75 / 0 / 17 / 25

HEX #30C09F

RGB 48 192 159

HSL 166.25, 0.6%, 0.47%

LAB 70.06, -45.01, 5.98

 

CMYK 75 / 4 / 0 / 25

HEX #30B9C0

RGB 48 185 192

HSL 182.92, 0.6%, 0.47%

LAB 68.85, -32.7, -13.9

 

CMYK 72 / 0 / 75 / 25

HEX #35C030

RGB 53 192 48

HSL 117.92, 0.6%, 0.47%

LAB 68.51, -62.72, 58.07

 

CMYK 83 / 0 / 86 / 17

HEX #23D31D

RGB 35 211 29

HSL 118.02, 0.76%, 0.47%

LAB 74.21, -71.9, 68.53

 

CMYK 93 / 0 / 96 / 9

HEX #11E709

RGB 17 231 9

HSL 117.84, 0.93%, 0.47%

LAB 80.34, -79.22, 76.49

 

CMYK 72 / 0 / 75 / 25

HEX #35C030

RGB 53 192 48

HSL 117.92, 0.6%, 0.47%

LAB 68.51, -62.72, 58.07

 

CMYK 59 / 0 / 61 / 33

HEX #47AC43

RGB 71 172 67

HSL 117.71, 0.44%, 0.47%

LAB 62.72, -50.25, 44.37

 

CMYK 42 / 0 / 43 / 40

HEX #599957

RGB 89 153 87

HSL 118.18, 0.28%, 0.47%

LAB 57.65, -34.47, 28.38

 

CMYK 20 / 0 / 21 / 47

HEX #6B866A

RGB 107 134 106

HSL 117.86, 0.12%, 0.47%

LAB 53.19, -15.46, 11.96

 

CMYK 1 / 10 / 0 / 51

HEX #7D727E

RGB 125 114 126

HSL 295, 0.05%, 0.47%

LAB 49.38, 6.61, -5.05

 

CMYK 31 / 0 / 75 / 25

HEX #84C030

RGB 132 192 48

HSL 85, 0.6%, 0.47%

LAB 71.43, -40.64, 61.92

 

CMYK 52 / 0 / 75 / 25

HEX #5DC030

RGB 93 192 48

HSL 101.25, 0.6%, 0.47%

LAB 69.64, -53.56, 59.56

 

CMYK 71 / 0 / 75 / 25

HEX #37C030

RGB 55 192 48

HSL 117.08, 0.6%, 0.47%

LAB 68.55, -62.37, 58.12

 

CMYK 75 / 0 / 59 / 25

HEX #30C04F

RGB 48 192 79

HSL 132.92, 0.6%, 0.47%

LAB 68.67, -60.41, 45.59

 

CMYK 75 / 0 / 39 / 25

HEX #30C075

RGB 48 192 117

HSL 148.75, 0.6%, 0.47%

LAB 69.19, -54.37, 27.34

 

CMYK 72 / 0 / 75 / 51

HEX #237E1F

RGB 35 126 31

HSL 117.47, 0.61%, 0.31%

LAB 46.15, -45.15, 41.67

 

CMYK 72 / 0 / 75 / 38

HEX #2C9F28

RGB 44 159 40

HSL 117.98, 0.6%, 0.39%

LAB 57.54, -54.08, 49.87

 

CMYK 72 / 0 / 75 / 25

HEX #35C030

RGB 53 192 48

HSL 117.92, 0.6%, 0.47%

LAB 68.51, -62.72, 58.07

 

CMYK 63 / 0 / 66 / 18

HEX #4DD148

RGB 77 209 72

HSL 117.81, 0.6%, 0.55%

LAB 74.6, -61.72, 55.5

 

CMYK 50 / 0 / 52 / 15

HEX #6DD969

RGB 109 217 105

HSL 117.86, 0.6%, 0.63%

LAB 78.4, -53.12, 45.41

 

CMYK 72 / 0 / 75 / 25

HEX #35BF30

RGB 53 191 48

HSL 117.9, 0.6%, 0.47%

LAB 68.19, -62.4, 57.75

 

CMYK 75 / 11 / 0 / 25

HEX #30AAC0

RGB 48 170 192

HSL 189.17, 0.6%, 0.47%

LAB 64.31, -25.34, -20.77

 

CMYK 0 / 75 / 41 / 25

HEX #C03071

RGB 192 48 113

HSL 332.92, 0.6%, 0.47%

LAB 44.96, 60.88, -2.73

 

CMYK 72 / 0 / 75 / 25

HEX #35BF30

RGB 53 191 48

HSL 117.9, 0.6%, 0.47%

LAB 68.19, -62.4, 57.75

 

CMYK 75 / 71 / 0 / 25

HEX #3037C0

RGB 48 55 192

HSL 237.08, 0.6%, 0.47%

LAB 32.18, 43.84, -71.86

 

CMYK 0 / 75 / 71 / 25

HEX #C03037

RGB 192 48 55

HSL 357.08, 0.6%, 0.47%

LAB 43.65, 56.65, 31.22

 

CMYK 72 / 0 / 75 / 25

HEX #35BF30

RGB 53 191 48

HSL 117.9, 0.6%, 0.47%

LAB 68.19, -62.4, 57.75

 

CMYK 75 / 11 / 0 / 25

HEX #30AAC0

RGB 48 170 192

HSL 189.17, 0.6%, 0.47%

LAB 64.31, -25.34, -20.77

 

CMYK 4 / 75 / 0 / 25

HEX #B930C0

RGB 185 48 192

HSL 297.08, 0.6%, 0.47%

LAB 47.28, 69.85, -46.61

 

CMYK 0 / 64 / 75 / 25

HEX #C04630

RGB 192 70 48

HSL 9.17, 0.6%, 0.47%

LAB 46.71, 47.74, 38.69

 

CMYK 72 / 0 / 75 / 25

HEX #35BF30

RGB 53 191 48

HSL 117.9, 0.6%, 0.47%

LAB 68.19, -62.4, 57.75

 

CMYK 75 / 34 / 0 / 25

HEX #307FC0

RGB 48 127 192

HSL 207.08, 0.6%, 0.47%

LAB 51.4, -1.67, -40.82

 

CMYK 4 / 75 / 0 / 25

HEX #B930C0

RGB 185 48 192

HSL 297.08, 0.6%, 0.47%

LAB 47.28, 69.85, -46.61

 

CMYK 0 / 41 / 75 / 25

HEX #C07130

RGB 192 113 48

HSL 27.08, 0.6%, 0.47%

LAB 55.31, 26.03, 47.71

 

Description

Color code: RGB 53 191 48 | qconv.com Color code: RGB 53 191 48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 191 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 191 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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