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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 191 45 it is the complementary color RGB 202 64 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 191 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 191 45 shade: RGB 58 191 40, RGB 75 209 59, RGB 92 227 78, RGB 109 245 97 and RGB 126 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 191 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 191 45 shade: RGB 53 191 45, RGB 36 173 26, RGB 19 155 7, RGB 2 137 0 and RGB 0 119 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 191 45 shade: RGB 53 190 45, RGB 92 190 45, RGB 131 190 45, RGB 170 190 45 and RGB 190 171 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 191 45 shade: RGB 53 190 45, RGB 45 190 76, RGB 45 190 115, RGB 45 190 154 and RGB 45 187 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 191 45 shade matches the following richer shades: RGB 53 190 45, RGB 36 209 26 and RGB 19 228 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 191 45 shade: RGB 53 190 45, RGB 69 171 64, RGB 86 152 83, RGB 103 133 102 and RGB 120 114 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 191 45 shade: RGB 132 190 45, RGB 93 190 45, RGB 54 190 45, RGB 45 190 74 and RGB 45 190 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 191 45 shade: RGB 34 123 29, RGB 43 157 37, RGB 53 190 45, RGB 73 211 65 and RGB 105 218 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 191 45 shade: RGB 53 191 45, RGB 45 171 190 and RGB 190 45 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 191 45 shade: RGB 53 191 45, RGB 45 54 190 and RGB 190 45 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 191 45 shade: RGB 53 191 45, RGB 45 171 190, RGB 180 45 190 and RGB 190 64 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 191 45 shade: RGB 53 191 45, RGB 45 127 190, RGB 180 45 190 and RGB 190 108 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 76 / 25

HEX #35BF2D

RGB 53 191 45

HSL 116.71, 0.62%, 0.46%

LAB 68.17, -62.61, 58.74

 

Complementary color

CMYK 4 / 70 / 0 / 18

HEX #CA40D2

RGB 202 64 210

HSL 296.71, 0.62%, 0.54%

LAB 52.81, 71.16, -48.02

 

CMYK 70 / 0 / 79 / 25

HEX #3ABF28

RGB 58 191 40

HSL 112.85, 0.65%, 0.45%

LAB 68.25, -62.04, 60.43

 

CMYK 64 / 0 / 72 / 18

HEX #4BD13B

RGB 75 209 59

HSL 113.6, 0.62%, 0.53%

LAB 74.45, -63.28, 60.35

 

CMYK 59 / 0 / 66 / 11

HEX #5CE34E

RGB 92 227 78

HSL 114.36, 0.73%, 0.6%

LAB 80.61, -64.08, 59.71

 

CMYK 56 / 0 / 60 / 4

HEX #6DF561

RGB 109 245 97

HSL 115.14, 0.88%, 0.67%

LAB 86.71, -64.57, 58.77

 

CMYK 51 / 0 / 55 / 0

HEX #7EFF74

RGB 126 255 116

HSL 115.68, 1%, 0.73%

LAB 90.42, -61.88, 54.92

 

CMYK 72 / 0 / 76 / 25

HEX #35BF2D

RGB 53 191 45

HSL 116.71, 0.62%, 0.46%

LAB 68.17, -62.61, 58.74

 

CMYK 79 / 0 / 85 / 32

HEX #24AD1A

RGB 36 173 26

HSL 115.92, 0.74%, 0.39%

LAB 61.94, -60.71, 58.29

 

CMYK 88 / 0 / 95 / 39

HEX #139B07

RGB 19 155 7

HSL 115.14, 0.91%, 0.32%

LAB 55.68, -57.94, 56.44

 

CMYK 99 / 0 / 100 / 46

HEX #028900

RGB 2 137 0

HSL 119.12, 1%, 0.27%

LAB 49.38, -54.16, 52.43

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 72 / 0 / 76 / 25

HEX #35BE2D

RGB 53 190 45

HSL 116.69, 0.62%, 0.46%

LAB 67.85, -62.29, 58.43

 

CMYK 52 / 0 / 76 / 25

HEX #5CBE2D

RGB 92 190 45

HSL 100.55, 0.62%, 0.46%

LAB 68.96, -53.29, 59.89

 

CMYK 31 / 0 / 76 / 25

HEX #83BE2D

RGB 131 190 45

HSL 84.41, 0.62%, 0.46%

LAB 70.76, -40.3, 62.24

 

CMYK 11 / 0 / 76 / 25

HEX #AABE2D

RGB 170 190 45

HSL 68.28, 0.62%, 0.46%

LAB 73.26, -24.78, 65.48

 

CMYK 0 / 10 / 76 / 25

HEX #BEAB2D

RGB 190 171 45

HSL 52.14, 0.62%, 0.46%

LAB 69.66, -6.54, 62.74

 

CMYK 72 / 0 / 76 / 25

HEX #35BE2D

RGB 53 190 45

HSL 116.69, 0.62%, 0.46%

LAB 67.85, -62.29, 58.43

 

CMYK 76 / 0 / 60 / 25

HEX #2DBE4C

RGB 45 190 76

HSL 132.83, 0.62%, 0.46%

LAB 67.95, -60.55, 46.12

 

CMYK 76 / 0 / 39 / 25

HEX #2DBE73

RGB 45 190 115

HSL 148.97, 0.62%, 0.46%

LAB 68.48, -54.41, 27.44

 

CMYK 76 / 0 / 19 / 25

HEX #2DBE9A

RGB 45 190 154

HSL 165.1, 0.62%, 0.46%

LAB 69.27, -45.78, 7.57

 

CMYK 76 / 2 / 0 / 25

HEX #2DBBBE

RGB 45 187 190

HSL 181.24, 0.62%, 0.46%

LAB 69.34, -34.57, -12.07

 

CMYK 72 / 0 / 76 / 25

HEX #35BE2D

RGB 53 190 45

HSL 116.69, 0.62%, 0.46%

LAB 67.85, -62.29, 58.43

 

CMYK 83 / 0 / 88 / 18

HEX #24D11A

RGB 36 209 26

HSL 116.72, 0.78%, 0.46%

LAB 73.58, -71.34, 68.58

 

CMYK 92 / 0 / 97 / 11

HEX #13E407

RGB 19 228 7

HSL 116.74, 0.94%, 0.46%

LAB 79.41, -78.35, 75.91

 

CMYK 72 / 0 / 76 / 25

HEX #35BE2D

RGB 53 190 45

HSL 116.69, 0.62%, 0.46%

LAB 67.85, -62.29, 58.43

 

CMYK 60 / 0 / 63 / 33

HEX #45AB40

RGB 69 171 64

HSL 117.2, 0.46%, 0.46%

LAB 62.31, -50.7, 45.25

 

CMYK 43 / 0 / 45 / 40

HEX #569853

RGB 86 152 83

HSL 117.39, 0.29%, 0.46%

LAB 57.13, -35.59, 29.82

 

CMYK 23 / 0 / 23 / 48

HEX #678566

RGB 103 133 102

HSL 118.06, 0.13%, 0.46%

LAB 52.53, -17.14, 13.31

 

CMYK 0 / 5 / 0 / 53

HEX #787278

RGB 120 114 120

HSL 300, 0.03%, 0.46%

LAB 48.74, 3.51, -2.49

 

CMYK 31 / 0 / 76 / 25

HEX #84BE2D

RGB 132 190 45

HSL 84, 0.62%, 0.46%

LAB 70.82, -39.93, 62.31

 

CMYK 51 / 0 / 76 / 25

HEX #5DBE2D

RGB 93 190 45

HSL 100.14, 0.62%, 0.46%

LAB 69, -53, 59.94

 

CMYK 72 / 0 / 76 / 25

HEX #36BE2D

RGB 54 190 45

HSL 116.28, 0.62%, 0.46%

LAB 67.87, -62.12, 58.46

 

CMYK 76 / 0 / 61 / 25

HEX #2DBE4A

RGB 45 190 74

HSL 132, 0.62%, 0.46%

LAB 67.93, -60.8, 47

 

CMYK 76 / 0 / 41 / 25

HEX #2DBE70

RGB 45 190 112

HSL 147.72, 0.62%, 0.46%

LAB 68.43, -54.97, 28.94

 

CMYK 72 / 0 / 76 / 52

HEX #227B1D

RGB 34 123 29

HSL 116.81, 0.62%, 0.3%

LAB 45.07, -44.45, 41.35

 

CMYK 73 / 0 / 76 / 38

HEX #2B9D25

RGB 43 157 37

HSL 117, 0.62%, 0.38%

LAB 56.84, -53.83, 50.23

 

CMYK 72 / 0 / 76 / 25

HEX #35BE2D

RGB 53 190 45

HSL 116.69, 0.62%, 0.46%

LAB 67.85, -62.29, 58.43

 

CMYK 65 / 0 / 69 / 17

HEX #49D341

RGB 73 211 65

HSL 116.71, 0.62%, 0.54%

LAB 75.07, -63.87, 58.74

 

CMYK 52 / 0 / 55 / 15

HEX #69DA63

RGB 105 218 99

HSL 116.97, 0.62%, 0.62%

LAB 78.49, -55.33, 48.3

 

CMYK 72 / 0 / 76 / 25

HEX #35BF2D

RGB 53 191 45

HSL 116.71, 0.62%, 0.46%

LAB 68.17, -62.61, 58.74

 

CMYK 76 / 10 / 0 / 25

HEX #2DABBE

RGB 45 171 190

HSL 187.86, 0.62%, 0.46%

LAB 64.48, -26.82, -19.39

 

CMYK 0 / 76 / 41 / 25

HEX #BE2D70

RGB 190 45 112

HSL 332.28, 0.62%, 0.46%

LAB 44.22, 61.19, -3.24

 

CMYK 72 / 0 / 76 / 25

HEX #35BF2D

RGB 53 191 45

HSL 116.71, 0.62%, 0.46%

LAB 68.17, -62.61, 58.74

 

CMYK 76 / 72 / 0 / 25

HEX #2D36BE

RGB 45 54 190

HSL 236.28, 0.62%, 0.46%

LAB 31.61, 43.48, -71.63

 

CMYK 0 / 76 / 72 / 25

HEX #BE2D36

RGB 190 45 54

HSL 356.28, 0.62%, 0.46%

LAB 42.9, 56.98, 30.83

 

CMYK 72 / 0 / 76 / 25

HEX #35BF2D

RGB 53 191 45

HSL 116.71, 0.62%, 0.46%

LAB 68.17, -62.61, 58.74

 

CMYK 76 / 10 / 0 / 25

HEX #2DABBE

RGB 45 171 190

HSL 187.86, 0.62%, 0.46%

LAB 64.48, -26.82, -19.39

 

CMYK 5 / 76 / 0 / 25

HEX #B42DBE

RGB 180 45 190

HSL 295.86, 0.62%, 0.46%

LAB 46.04, 69.41, -47.48

 

CMYK 0 / 66 / 76 / 25

HEX #BE402D

RGB 190 64 45

HSL 7.86, 0.62%, 0.46%

LAB 45.36, 49.51, 38.77

 

CMYK 72 / 0 / 76 / 25

HEX #35BF2D

RGB 53 191 45

HSL 116.71, 0.62%, 0.46%

LAB 68.17, -62.61, 58.74

 

CMYK 76 / 33 / 0 / 25

HEX #2D7FBE

RGB 45 127 190

HSL 206.07, 0.62%, 0.46%

LAB 51.21, -2.77, -39.96

 

CMYK 5 / 76 / 0 / 25

HEX #B42DBE

RGB 180 45 190

HSL 295.86, 0.62%, 0.46%

LAB 46.04, 69.41, -47.48

 

CMYK 0 / 43 / 76 / 25

HEX #BE6C2D

RGB 190 108 45

HSL 26.07, 0.62%, 0.46%

LAB 53.88, 27.77, 47.57

 

Description

Color code: RGB 53 191 45 | qconv.com Color code: RGB 53 191 45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 191 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 191 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 76 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 76% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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