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Color name
RGB 53 191 230

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 191 230 it is the complementary color RGB 202 64 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 191 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 191 230 shade: RGB 58 191 225, RGB 75 209 244, RGB 92 227 255, RGB 109 245 255 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 191 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 191 230 shade: RGB 53 191 230, RGB 36 173 211, RGB 19 155 192, RGB 2 137 173 and RGB 0 119 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 191 230 shade: RGB 51 190 230, RGB 51 142 230, RGB 51 94 230, RGB 56 51 230 and RGB 104 51 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 191 230 shade: RGB 51 190 230, RGB 51 142 230, RGB 51 94 230 and RGB 51 51 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 191 230 shade matches the following richer shades: RGB 51 190 230 and RGB 32 201 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 191 230 shade: RGB 51 190 230, RGB 69 180 211, RGB 88 170 193, RGB 106 159 174 and RGB 125 149 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 191 230 shade: RGB 51 230 173, RGB 51 230 221, RGB 51 191 230, RGB 51 143 230 and RGB 51 95 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 191 230 shade: RGB 22 142 176, RGB 26 172 213, RGB 51 190 230, RGB 87 202 234 and RGB 124 214 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 191 230 shade: RGB 53 191 230, RGB 125 51 230 and RGB 230 197 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 191 230 shade: RGB 53 191 230, RGB 230 51 191 and RGB 191 230 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 191 230 shade: RGB 53 191 230, RGB 125 51 230, RGB 230 90 51 and RGB 155 230 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 191 230 shade: RGB 53 191 230, RGB 179 51 230, RGB 230 90 51 and RGB 101 230 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 17 / 0 / 10

HEX #35BFE6

RGB 53 191 230

HSL 193.22, 0.78%, 0.55%

LAB 72.05, -23.26, -29.78

 

Complementary color

CMYK 0 / 68 / 88 / 21

HEX #CA4019

RGB 202 64 25

HSL 13.22, 0.78%, 0.45%

LAB 47.36, 53, 51.1

 

CMYK 74 / 15 / 0 / 12

HEX #3ABFE1

RGB 58 191 225

HSL 192.22, 0.74%, 0.55%

LAB 71.96, -24.31, -27.19

 

CMYK 69 / 14 / 0 / 4

HEX #4BD1F4

RGB 75 209 244

HSL 192.43, 0.88%, 0.63%

LAB 78.24, -25.29, -27.76

 

CMYK 64 / 11 / 0 / 0

HEX #5CE3FF

RGB 92 227 255

HSL 190.31, 1%, 0.68%

LAB 84.19, -28.41, -24.48

 

CMYK 57 / 4 / 0 / 0

HEX #6DF5FF

RGB 109 245 255

HSL 184.11, 1%, 0.71%

LAB 89.76, -34.17, -16.03

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 77 / 17 / 0 / 10

HEX #35BFE6

RGB 53 191 230

HSL 193.22, 0.78%, 0.55%

LAB 72.05, -23.26, -29.78

 

CMYK 83 / 18 / 0 / 17

HEX #24ADD3

RGB 36 173 211

HSL 193.03, 0.71%, 0.48%

LAB 65.72, -21.83, -29.15

 

CMYK 90 / 19 / 0 / 25

HEX #139BC0

RGB 19 155 192

HSL 192.83, 0.82%, 0.41%

LAB 59.33, -20.03, -28.45

 

CMYK 99 / 21 / 0 / 32

HEX #0289AD

RGB 2 137 173

HSL 192.63, 0.98%, 0.34%

LAB 52.86, -17.82, -27.67

 

CMYK 100 / 23 / 0 / 40

HEX #00779A

RGB 0 119 154

HSL 193.64, 1%, 0.3%

LAB 46.35, -14.95, -26.73

 

CMYK 78 / 17 / 0 / 10

HEX #33BEE6

RGB 51 190 230

HSL 193.41, 0.78%, 0.55%

LAB 71.72, -22.95, -30.29

 

CMYK 78 / 38 / 0 / 10

HEX #338EE6

RGB 51 142 230

HSL 209.5, 0.78%, 0.55%

LAB 57.81, 3.57, -52.08

 

CMYK 78 / 59 / 0 / 10

HEX #335EE6

RGB 51 94 230

HSL 225.59, 0.78%, 0.55%

LAB 44.83, 33.44, -73

 

CMYK 76 / 78 / 0 / 10

HEX #3833E6

RGB 56 51 230

HSL 241.68, 0.78%, 0.55%

LAB 35.83, 58.83, -87.8

 

CMYK 55 / 78 / 0 / 10

HEX #6833E6

RGB 104 51 230

HSL 257.77, 0.78%, 0.55%

LAB 39.62, 63.37, -81.42

 

CMYK 78 / 17 / 0 / 10

HEX #33BEE6

RGB 51 190 230

HSL 193.41, 0.78%, 0.55%

LAB 71.72, -22.95, -30.29

 

CMYK 78 / 38 / 0 / 10

HEX #338EE6

RGB 51 142 230

HSL 209.5, 0.78%, 0.55%

LAB 57.81, 3.57, -52.08

 

CMYK 78 / 59 / 0 / 10

HEX #335EE6

RGB 51 94 230

HSL 225.59, 0.78%, 0.55%

LAB 44.83, 33.44, -73

 

CMYK 78 / 78 / 0 / 10

HEX #3333E6

RGB 51 51 230

HSL 240, 0.78%, 0.55%

LAB 35.57, 58.51, -88.25

 

CMYK 78 / 17 / 0 / 10

HEX #33BEE6

RGB 51 190 230

HSL 193.41, 0.78%, 0.55%

LAB 71.72, -22.95, -30.29

 

CMYK 87 / 19 / 0 / 3

HEX #20C9F8

RGB 32 201 248

HSL 193.06, 0.94%, 0.55%

LAB 75.36, -24.09, -34.4

 

CMYK 78 / 17 / 0 / 10

HEX #33BEE6

RGB 51 190 230

HSL 193.41, 0.78%, 0.55%

LAB 71.72, -22.95, -30.29

 

CMYK 67 / 15 / 0 / 17

HEX #45B4D3

RGB 69 180 211

HSL 193.1, 0.62%, 0.55%

LAB 68.47, -21.65, -24.87

 

CMYK 54 / 12 / 0 / 24

HEX #58AAC1

RGB 88 170 193

HSL 193.14, 0.46%, 0.55%

LAB 65.49, -18.48, -19.42

 

CMYK 39 / 9 / 0 / 32

HEX #6A9FAE

RGB 106 159 174

HSL 193.24, 0.3%, 0.55%

LAB 62.44, -13.59, -13.34

 

CMYK 19 / 4 / 0 / 39

HEX #7D959B

RGB 125 149 155

HSL 192, 0.13%, 0.55%

LAB 60.09, -7.09, -5.99

 

CMYK 78 / 0 / 25 / 10

HEX #33E6AD

RGB 51 230 173

HSL 160.89, 0.78%, 0.55%

LAB 82.01, -56.7, 15.49

 

CMYK 78 / 0 / 4 / 10

HEX #33E6DD

RGB 51 230 221

HSL 176.98, 0.78%, 0.55%

LAB 83.19, -44.55, -8.11

 

CMYK 78 / 17 / 0 / 10

HEX #33BFE6

RGB 51 191 230

HSL 193.07, 0.78%, 0.55%

LAB 72.01, -23.46, -29.84

 

CMYK 78 / 38 / 0 / 10

HEX #338FE6

RGB 51 143 230

HSL 209.16, 0.78%, 0.55%

LAB 58.1, 2.98, -51.62

 

CMYK 78 / 59 / 0 / 10

HEX #335FE6

RGB 51 95 230

HSL 225.25, 0.78%, 0.55%

LAB 45.08, 32.81, -72.59

 

CMYK 88 / 19 / 0 / 31

HEX #168EB0

RGB 22 142 176

HSL 193.25, 0.78%, 0.39%

LAB 54.71, -18.51, -26.51

 

CMYK 88 / 19 / 0 / 16

HEX #1AACD5

RGB 26 172 213

HSL 193.16, 0.78%, 0.47%

LAB 65.38, -21.33, -30.8

 

CMYK 78 / 17 / 0 / 10

HEX #33BEE6

RGB 51 190 230

HSL 193.41, 0.78%, 0.55%

LAB 71.72, -22.95, -30.29

 

CMYK 63 / 14 / 0 / 8

HEX #57CAEA

RGB 87 202 234

HSL 193.06, 0.78%, 0.63%

LAB 76.2, -23.01, -25.5

 

CMYK 48 / 10 / 0 / 6

HEX #7CD6EF

RGB 124 214 239

HSL 193.04, 0.78%, 0.71%

LAB 81.08, -20.43, -20.63

 

CMYK 77 / 17 / 0 / 10

HEX #35BFE6

RGB 53 191 230

HSL 193.22, 0.78%, 0.55%

LAB 72.05, -23.26, -29.78

 

CMYK 46 / 78 / 0 / 10

HEX #7D33E6

RGB 125 51 230

HSL 264.8, 0.78%, 0.55%

LAB 41.91, 66.09, -77.57

 

CMYK 0 / 14 / 78 / 10

HEX #E6C533

RGB 230 197 51

HSL 48.94, 0.78%, 0.55%

LAB 80.18, -2.5, 71.75

 

CMYK 77 / 17 / 0 / 10

HEX #35BFE6

RGB 53 191 230

HSL 193.22, 0.78%, 0.55%

LAB 72.05, -23.26, -29.78

 

CMYK 0 / 78 / 17 / 10

HEX #E633BF

RGB 230 51 191

HSL 313.07, 0.78%, 0.55%

LAB 55.02, 78.36, -33.32

 

CMYK 17 / 0 / 78 / 10

HEX #BFE633

RGB 191 230 51

HSL 73.07, 0.78%, 0.55%

LAB 85.96, -34.84, 75.86

 

CMYK 77 / 17 / 0 / 10

HEX #35BFE6

RGB 53 191 230

HSL 193.22, 0.78%, 0.55%

LAB 72.05, -23.26, -29.78

 

CMYK 46 / 78 / 0 / 10

HEX #7D33E6

RGB 125 51 230

HSL 264.8, 0.78%, 0.55%

LAB 41.91, 66.09, -77.57

 

CMYK 0 / 61 / 78 / 10

HEX #E65A33

RGB 230 90 51

HSL 13.07, 0.78%, 0.55%

LAB 56.46, 52.38, 49.28

 

CMYK 33 / 0 / 78 / 10

HEX #9BE633

RGB 155 230 51

HSL 85.14, 0.78%, 0.55%

LAB 83.86, -48.36, 73.16

 

CMYK 77 / 17 / 0 / 10

HEX #35BFE6

RGB 53 191 230

HSL 193.22, 0.78%, 0.55%

LAB 72.05, -23.26, -29.78

 

CMYK 22 / 78 / 0 / 10

HEX #B333E6

RGB 179 51 230

HSL 282.91, 0.78%, 0.55%

LAB 49.09, 74.59, -65.56

 

CMYK 0 / 61 / 78 / 10

HEX #E65A33

RGB 230 90 51

HSL 13.07, 0.78%, 0.55%

LAB 56.46, 52.38, 49.28

 

CMYK 56 / 0 / 78 / 10

HEX #65E633

RGB 101 230 51

HSL 103.24, 0.78%, 0.55%

LAB 81.62, -64.93, 70.26

 

Description

Color code: RGB 53 191 230 | qconv.com Color code: RGB 53 191 230 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 191 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 191 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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