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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 189 38 it is the complementary color RGB 202 66 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 189 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 189 38 shade: RGB 58 189 33, RGB 75 207 52, RGB 92 225 71, RGB 109 243 90 and RGB 126 255 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 189 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 189 38 shade: RGB 53 189 38, RGB 36 171 19, RGB 19 153 0, RGB 2 135 0 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 189 38 shade: RGB 53 191 37, RGB 94 191 37, RGB 136 191 37, RGB 177 191 37 and RGB 191 164 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 189 38 shade: RGB 53 191 37, RGB 37 191 64, RGB 37 191 105, RGB 37 191 146 and RGB 37 191 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 189 38 shade matches the following richer shades: RGB 53 191 37, RGB 38 210 19 and RGB 23 228 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 189 38 shade: RGB 53 191 37, RGB 68 173 56, RGB 82 154 75, RGB 97 135 93 and RGB 112 117 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 189 38 shade: RGB 135 191 37, RGB 94 191 37, RGB 53 191 37, RGB 37 191 63 and RGB 37 191 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 189 38 shade: RGB 34 122 24, RGB 43 157 31, RGB 53 191 37, RGB 71 215 55 and RGB 102 222 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 189 38 shade: RGB 53 189 38, RGB 37 176 191 and RGB 191 37 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 189 38 shade: RGB 53 189 38, RGB 37 53 191 and RGB 191 37 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 189 38 shade: RGB 53 189 38, RGB 37 176 191, RGB 176 37 191 and RGB 191 53 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 189 38 shade: RGB 53 189 38, RGB 37 130 191, RGB 176 37 191 and RGB 191 99 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 80 / 26

HEX #35BD26

RGB 53 189 38

HSL 114.04, 0.67%, 0.45%

LAB 67.5, -62.42, 60.27

 

Complementary color

CMYK 7 / 70 / 0 / 15

HEX #CA42D9

RGB 202 66 217

HSL 294.04, 0.67%, 0.55%

LAB 53.45, 71.64, -50.99

 

CMYK 69 / 0 / 83 / 26

HEX #3ABD21

RGB 58 189 33

HSL 110.38, 0.7%, 0.44%

LAB 67.58, -61.79, 61.78

 

CMYK 64 / 0 / 75 / 19

HEX #4BCF34

RGB 75 207 52

HSL 111.1, 0.62%, 0.51%

LAB 73.78, -63.12, 62.11

 

CMYK 59 / 0 / 68 / 12

HEX #5CE147

RGB 92 225 71

HSL 111.82, 0.72%, 0.58%

LAB 79.94, -64, 61.74

 

CMYK 55 / 0 / 63 / 5

HEX #6DF35A

RGB 109 243 90

HSL 112.55, 0.86%, 0.65%

LAB 86.05, -64.55, 60.96

 

CMYK 51 / 0 / 57 / 0

HEX #7EFF6D

RGB 126 255 109

HSL 113.01, 1%, 0.71%

LAB 90.35, -62.66, 57.93

 

CMYK 72 / 0 / 80 / 26

HEX #35BD26

RGB 53 189 38

HSL 114.04, 0.67%, 0.45%

LAB 67.5, -62.42, 60.27

 

CMYK 79 / 0 / 89 / 33

HEX #24AB13

RGB 36 171 19

HSL 113.29, 0.8%, 0.37%

LAB 61.26, -60.4, 59.25

 

CMYK 88 / 0 / 100 / 40

HEX #139900

RGB 19 153 0

HSL 112.55, 1%, 0.3%

LAB 54.99, -57.56, 56.98

 

CMYK 99 / 0 / 100 / 47

HEX #028700

RGB 2 135 0

HSL 119.11, 1%, 0.26%

LAB 48.69, -53.58, 51.88

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 51 / 0 / 81 / 25

HEX #5EBF25

RGB 94 191 37

HSL 97.79, 0.68%, 0.45%

LAB 69.31, -53.53, 62.68

 

CMYK 29 / 0 / 81 / 25

HEX #88BF25

RGB 136 191 37

HSL 81.43, 0.68%, 0.45%

LAB 71.3, -39.24, 65.23

 

CMYK 7 / 0 / 81 / 25

HEX #B1BF25

RGB 177 191 37

HSL 65.45, 0.68%, 0.45%

LAB 74.02, -22.64, 68.69

 

CMYK 0 / 14 / 81 / 25

HEX #BFA425

RGB 191 164 37

HSL 49.48, 0.68%, 0.45%

LAB 67.84, -2.69, 63.72

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 81 / 0 / 66 / 25

HEX #25BF40

RGB 37 191 64

HSL 130.52, 0.68%, 0.45%

LAB 68.04, -63.27, 51.41

 

CMYK 81 / 0 / 45 / 25

HEX #25BF69

RGB 37 191 105

HSL 146.49, 0.68%, 0.45%

LAB 68.52, -57.56, 32.65

 

CMYK 81 / 0 / 24 / 25

HEX #25BF92

RGB 37 191 146

HSL 162.47, 0.68%, 0.45%

LAB 69.28, -49.01, 11.92

 

CMYK 81 / 0 / 2 / 25

HEX #25BFBC

RGB 37 191 188

HSL 178.83, 0.68%, 0.45%

LAB 70.38, -37.76, -9.43

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 82 / 0 / 91 / 18

HEX #26D213

RGB 38 210 19

HSL 114.03, 0.83%, 0.45%

LAB 73.9, -71.64, 70.07

 

CMYK 90 / 0 / 100 / 11

HEX #17E400

RGB 23 228 0

HSL 113.95, 1%, 0.45%

LAB 79.43, -78.24, 76.56

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 61 / 0 / 68 / 32

HEX #44AD38

RGB 68 173 56

HSL 113.85, 0.51%, 0.45%

LAB 62.85, -52.5, 49.3

 

CMYK 47 / 0 / 51 / 40

HEX #529A4B

RGB 82 154 75

HSL 114.68, 0.34%, 0.45%

LAB 57.48, -38.88, 34.38

 

CMYK 28 / 0 / 31 / 47

HEX #61875D

RGB 97 135 93

HSL 114.29, 0.18%, 0.45%

LAB 52.57, -22, 18.45

 

CMYK 4 / 0 / 4 / 54

HEX #707570

RGB 112 117 112

HSL 120, 0.02%, 0.45%

LAB 48.68, -2.91, 2.09

 

CMYK 29 / 0 / 81 / 25

HEX #87BF25

RGB 135 191 37

HSL 81.82, 0.68%, 0.45%

LAB 71.25, -39.62, 65.16

 

CMYK 51 / 0 / 81 / 25

HEX #5EBF25

RGB 94 191 37

HSL 97.79, 0.68%, 0.45%

LAB 69.31, -53.53, 62.68

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 81 / 0 / 67 / 25

HEX #25BF3F

RGB 37 191 63

HSL 130.13, 0.68%, 0.45%

LAB 68.03, -63.37, 51.82

 

CMYK 81 / 0 / 46 / 25

HEX #25BF68

RGB 37 191 104

HSL 146.1, 0.68%, 0.45%

LAB 68.5, -57.73, 33.14

 

CMYK 72 / 0 / 80 / 52

HEX #227A18

RGB 34 122 24

HSL 113.88, 0.67%, 0.29%

LAB 44.7, -44.49, 42.81

 

CMYK 73 / 0 / 80 / 38

HEX #2B9D1F

RGB 43 157 31

HSL 114.29, 0.67%, 0.37%

LAB 56.81, -54.24, 52.2

 

CMYK 72 / 0 / 81 / 25

HEX #35BF25

RGB 53 191 37

HSL 113.77, 0.68%, 0.45%

LAB 68.13, -63.11, 61.16

 

CMYK 67 / 0 / 74 / 16

HEX #47D737

RGB 71 215 55

HSL 114, 0.67%, 0.53%

LAB 76.2, -66.37, 63.47

 

CMYK 54 / 0 / 60 / 13

HEX #66DE59

RGB 102 222 89

HSL 114.14, 0.67%, 0.61%

LAB 79.49, -58.76, 53.95

 

CMYK 72 / 0 / 80 / 26

HEX #35BD26

RGB 53 189 38

HSL 114.04, 0.67%, 0.45%

LAB 67.5, -62.42, 60.27

 

CMYK 81 / 8 / 0 / 25

HEX #25B0BF

RGB 37 176 191

HSL 185.84, 0.68%, 0.45%

LAB 65.91, -29.76, -17.8

 

CMYK 0 / 81 / 40 / 25

HEX #BF2572

RGB 191 37 114

HSL 330, 0.68%, 0.45%

LAB 43.67, 63.93, -5.27

 

CMYK 72 / 0 / 80 / 26

HEX #35BD26

RGB 53 189 38

HSL 114.04, 0.67%, 0.45%

LAB 67.5, -62.42, 60.27

 

CMYK 81 / 72 / 0 / 25

HEX #2535BF

RGB 37 53 191

HSL 233.77, 0.68%, 0.45%

LAB 31.12, 43.78, -73.04

 

CMYK 0 / 81 / 72 / 25

HEX #BF2535

RGB 191 37 53

HSL 353.77, 0.68%, 0.45%

LAB 42.24, 59.59, 30.71

 

CMYK 72 / 0 / 80 / 26

HEX #35BD26

RGB 53 189 38

HSL 114.04, 0.67%, 0.45%

LAB 67.5, -62.42, 60.27

 

CMYK 81 / 8 / 0 / 25

HEX #25B0BF

RGB 37 176 191

HSL 185.84, 0.68%, 0.45%

LAB 65.91, -29.76, -17.8

 

CMYK 8 / 81 / 0 / 25

HEX #B025BF

RGB 176 37 191

HSL 294.16, 0.68%, 0.45%

LAB 44.68, 71.02, -50.27

 

CMYK 0 / 72 / 81 / 25

HEX #BF3525

RGB 191 53 37

HSL 6.23, 0.68%, 0.45%

LAB 43.88, 53.89, 41.6

 

CMYK 72 / 0 / 80 / 26

HEX #35BD26

RGB 53 189 38

HSL 114.04, 0.67%, 0.45%

LAB 67.5, -62.42, 60.27

 

CMYK 81 / 32 / 0 / 25

HEX #2582BF

RGB 37 130 191

HSL 203.77, 0.68%, 0.45%

LAB 51.97, -5.06, -39.35

 

CMYK 8 / 81 / 0 / 25

HEX #B025BF

RGB 176 37 191

HSL 294.16, 0.68%, 0.45%

LAB 44.68, 71.02, -50.27

 

CMYK 0 / 48 / 81 / 25

HEX #BF6325

RGB 191 99 37

HSL 24.16, 0.68%, 0.45%

LAB 51.99, 32.69, 49.37

 

Description

Color code: RGB 53 189 38 | qconv.com Color code: RGB 53 189 38 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 189 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 189 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 80 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 80% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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