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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 189 190 it is the complementary color RGB 202 66 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 189 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 189 190 shade: RGB 58 189 185, RGB 75 207 204, RGB 92 225 223, RGB 109 243 242 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 189 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 189 190 shade: RGB 53 189 190, RGB 36 171 171, RGB 19 153 152, RGB 2 135 133 and RGB 0 117 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 189 190 shade: RGB 54 190 191, RGB 54 153 191, RGB 54 116 191, RGB 54 79 191 and RGB 66 54 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 189 190 shade: RGB 54 190 191, RGB 54 153 191, RGB 54 116 191, RGB 54 79 191 and RGB 54 54 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 189 190 shade matches the following richer shades: RGB 54 190 191, RGB 34 209 211 and RGB 14 229 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 189 190 shade: RGB 54 190 191, RGB 74 170 171, RGB 93 151 151, RGB 113 131 132 and RGB 133 112 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 189 190 shade: RGB 54 191 118, RGB 54 191 154, RGB 54 191 191, RGB 54 154 191 and RGB 54 118 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 189 190 shade: RGB 36 126 127, RGB 45 158 159, RGB 54 190 191, RGB 80 205 206 and RGB 113 214 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 189 190 shade: RGB 53 189 190, RGB 81 54 191 and RGB 191 136 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 189 190 shade: RGB 53 189 190, RGB 191 54 191 and RGB 191 191 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 189 190 shade: RGB 53 189 190, RGB 81 54 191, RGB 191 54 54 and RGB 164 191 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 189 190 shade: RGB 53 189 190, RGB 122 54 191, RGB 191 54 54 and RGB 122 191 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 1 / 0 / 25

HEX #35BDBE

RGB 53 189 190

HSL 180.44, 0.56%, 0.48%

LAB 70.08, -34.6, -10.93

 

Complementary color

CMYK 0 / 67 / 68 / 21

HEX #CA4241

RGB 202 66 65

HSL 0.44, 0.56%, 0.52%

LAB 48.05, 53.65, 31.03

 

CMYK 69 / 0 / 2 / 26

HEX #3ABDB9

RGB 58 189 185

HSL 178.17, 0.53%, 0.48%

LAB 70.03, -35.4, -8.26

 

CMYK 64 / 0 / 1 / 19

HEX #4BCFCC

RGB 75 207 204

HSL 178.64, 0.58%, 0.55%

LAB 76.36, -35.98, -9.13

 

CMYK 59 / 0 / 1 / 12

HEX #5CE1DF

RGB 92 225 223

HSL 179.1, 0.69%, 0.62%

LAB 82.62, -36.39, -9.92

 

CMYK 55 / 0 / 0 / 5

HEX #6DF3F2

RGB 109 243 242

HSL 179.55, 0.85%, 0.69%

LAB 88.81, -36.67, -10.65

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 72 / 1 / 0 / 25

HEX #35BDBE

RGB 53 189 190

HSL 180.44, 0.56%, 0.48%

LAB 70.08, -34.6, -10.93

 

CMYK 79 / 0 / 0 / 33

HEX #24ABAB

RGB 36 171 171

HSL 180, 0.65%, 0.41%

LAB 63.71, -33.61, -9.99

 

CMYK 88 / 0 / 1 / 40

HEX #139998

RGB 19 153 152

HSL 179.55, 0.78%, 0.34%

LAB 57.26, -32.26, -8.92

 

CMYK 99 / 0 / 1 / 47

HEX #028785

RGB 2 135 133

HSL 179.1, 0.97%, 0.27%

LAB 50.73, -30.51, -7.72

 

CMYK 100 / 0 / 3 / 54

HEX #007572

RGB 0 117 114

HSL 178.46, 1%, 0.23%

LAB 44.14, -28.03, -6.3

 

CMYK 72 / 1 / 0 / 25

HEX #36BEBF

RGB 54 190 191

HSL 180.44, 0.56%, 0.48%

LAB 70.44, -34.66, -10.95

 

CMYK 72 / 20 / 0 / 25

HEX #3699BF

RGB 54 153 191

HSL 196.64, 0.56%, 0.48%

LAB 59.28, -16.01, -27.92

 

CMYK 72 / 39 / 0 / 25

HEX #3674BF

RGB 54 116 191

HSL 212.85, 0.56%, 0.48%

LAB 48.31, 5.47, -45.13

 

CMYK 72 / 59 / 0 / 25

HEX #364FBF

RGB 54 79 191

HSL 229.05, 0.56%, 0.48%

LAB 38.09, 29.15, -61.58

 

CMYK 65 / 72 / 0 / 25

HEX #4236BF

RGB 66 54 191

HSL 245.26, 0.56%, 0.48%

LAB 33.05, 46.01, -69.81

 

CMYK 72 / 1 / 0 / 25

HEX #36BEBF

RGB 54 190 191

HSL 180.44, 0.56%, 0.48%

LAB 70.44, -34.66, -10.95

 

CMYK 72 / 20 / 0 / 25

HEX #3699BF

RGB 54 153 191

HSL 196.64, 0.56%, 0.48%

LAB 59.28, -16.01, -27.92

 

CMYK 72 / 39 / 0 / 25

HEX #3674BF

RGB 54 116 191

HSL 212.85, 0.56%, 0.48%

LAB 48.31, 5.47, -45.13

 

CMYK 72 / 59 / 0 / 25

HEX #364FBF

RGB 54 79 191

HSL 229.05, 0.56%, 0.48%

LAB 38.09, 29.15, -61.58

 

CMYK 72 / 72 / 0 / 25

HEX #3636BF

RGB 54 54 191

HSL 240, 0.56%, 0.48%

LAB 32.22, 44.67, -71.19

 

CMYK 72 / 1 / 0 / 25

HEX #36BEBF

RGB 54 190 191

HSL 180.44, 0.56%, 0.48%

LAB 70.44, -34.66, -10.95

 

CMYK 84 / 1 / 0 / 17

HEX #22D1D3

RGB 34 209 211

HSL 180.68, 0.72%, 0.48%

LAB 76.46, -39.42, -12.82

 

CMYK 94 / 1 / 0 / 9

HEX #0EE5E7

RGB 14 229 231

HSL 180.55, 0.89%, 0.48%

LAB 82.86, -43.41, -13.92

 

CMYK 72 / 1 / 0 / 25

HEX #36BEBF

RGB 54 190 191

HSL 180.44, 0.56%, 0.48%

LAB 70.44, -34.66, -10.95

 

CMYK 57 / 1 / 0 / 33

HEX #4AAAAB

RGB 74 170 171

HSL 180.62, 0.4%, 0.48%

LAB 64.28, -27.61, -9.04

 

CMYK 38 / 0 / 0 / 41

HEX #5D9797

RGB 93 151 151

HSL 180, 0.24%, 0.48%

LAB 58.69, -18.87, -5.99

 

CMYK 14 / 1 / 0 / 48

HEX #718384

RGB 113 131 132

HSL 183.16, 0.08%, 0.48%

LAB 53.39, -6.29, -2.75

 

CMYK 0 / 16 / 16 / 48

HEX #857070

RGB 133 112 112

HSL 0, 0.09%, 0.48%

LAB 49.19, 8.23, 3.06

 

CMYK 72 / 0 / 38 / 25

HEX #36BF76

RGB 54 191 118

HSL 148.03, 0.56%, 0.48%

LAB 69.01, -52.94, 26.59

 

CMYK 72 / 0 / 19 / 25

HEX #36BF9A

RGB 54 191 154

HSL 163.8, 0.56%, 0.48%

LAB 69.74, -45.05, 8.26

 

CMYK 72 / 0 / 0 / 25

HEX #36BFBF

RGB 54 191 191

HSL 180, 0.56%, 0.48%

LAB 70.74, -35.13, -10.5

 

CMYK 72 / 19 / 0 / 25

HEX #369ABF

RGB 54 154 191

HSL 196.2, 0.56%, 0.48%

LAB 59.58, -16.55, -27.46

 

CMYK 72 / 38 / 0 / 25

HEX #3676BF

RGB 54 118 191

HSL 211.97, 0.56%, 0.48%

LAB 48.89, 4.24, -44.21

 

CMYK 72 / 1 / 0 / 50

HEX #247E7F

RGB 36 126 127

HSL 180.66, 0.56%, 0.32%

LAB 48.04, -25.09, -8.16

 

CMYK 72 / 1 / 0 / 38

HEX #2D9E9F

RGB 45 158 159

HSL 180.53, 0.56%, 0.4%

LAB 59.45, -29.97, -9.58

 

CMYK 72 / 1 / 0 / 25

HEX #36BEBF

RGB 54 190 191

HSL 180.44, 0.56%, 0.48%

LAB 70.44, -34.66, -10.95

 

CMYK 61 / 0 / 0 / 19

HEX #50CDCE

RGB 80 205 206

HSL 180.48, 0.56%, 0.56%

LAB 75.96, -33.69, -10.79

 

CMYK 47 / 0 / 0 / 16

HEX #71D6D7

RGB 113 214 215

HSL 180.59, 0.56%, 0.64%

LAB 79.9, -29.18, -9.63

 

CMYK 72 / 1 / 0 / 25

HEX #35BDBE

RGB 53 189 190

HSL 180.44, 0.56%, 0.48%

LAB 70.08, -34.6, -10.93

 

CMYK 58 / 72 / 0 / 25

HEX #5136BF

RGB 81 54 191

HSL 251.82, 0.56%, 0.48%

LAB 34.29, 48.01, -67.71

 

CMYK 0 / 29 / 72 / 25

HEX #BF8836

RGB 191 136 54

HSL 35.91, 0.56%, 0.48%

LAB 60.74, 13.24, 50.52

 

CMYK 72 / 1 / 0 / 25

HEX #35BDBE

RGB 53 189 190

HSL 180.44, 0.56%, 0.48%

LAB 70.08, -34.6, -10.93

 

CMYK 0 / 72 / 0 / 25

HEX #BF36BF

RGB 191 54 191

HSL 300, 0.56%, 0.48%

LAB 48.85, 69.05, -43.47

 

CMYK 0 / 0 / 72 / 25

HEX #BFBF36

RGB 191 191 54

HSL 60, 0.56%, 0.48%

LAB 75.2, -16, 64.89

 

CMYK 72 / 1 / 0 / 25

HEX #35BDBE

RGB 53 189 190

HSL 180.44, 0.56%, 0.48%

LAB 70.08, -34.6, -10.93

 

CMYK 58 / 72 / 0 / 25

HEX #5136BF

RGB 81 54 191

HSL 251.82, 0.56%, 0.48%

LAB 34.29, 48.01, -67.71

 

CMYK 0 / 72 / 72 / 25

HEX #BF3636

RGB 191 54 54

HSL 0, 0.56%, 0.48%

LAB 44.21, 54.18, 32.42

 

CMYK 14 / 0 / 72 / 25

HEX #A4BF36

RGB 164 191 54

HSL 71.82, 0.56%, 0.48%

LAB 73.17, -27.31, 62.22

 

CMYK 72 / 1 / 0 / 25

HEX #35BDBE

RGB 53 189 190

HSL 180.44, 0.56%, 0.48%

LAB 70.08, -34.6, -10.93

 

CMYK 36 / 72 / 0 / 25

HEX #7A36BF

RGB 122 54 191

HSL 269.78, 0.56%, 0.48%

LAB 38.79, 54.9, -60.18

 

CMYK 0 / 72 / 72 / 25

HEX #BF3636

RGB 191 54 54

HSL 0, 0.56%, 0.48%

LAB 44.21, 54.18, 32.42

 

CMYK 36 / 0 / 72 / 25

HEX #7ABF36

RGB 122 191 54

HSL 90.22, 0.56%, 0.48%

LAB 70.64, -43.46, 58.87

 

Description

Color code: RGB 53 189 190 | qconv.com Color code: RGB 53 189 190 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 189 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 189 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 1 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 1% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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