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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 188 229 it is the complementary color RGB 202 67 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 188 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 188 229 shade: RGB 58 188 224, RGB 75 206 243, RGB 92 224 255, RGB 109 242 255 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 188 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 188 229 shade: RGB 53 188 229, RGB 36 170 210, RGB 19 152 191, RGB 2 134 172 and RGB 0 116 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 188 229 shade: RGB 52 187 229, RGB 52 140 229, RGB 52 92 229, RGB 59 52 229 and RGB 107 52 229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 188 229 shade: RGB 52 187 229, RGB 52 140 229, RGB 52 92 229 and RGB 52 52 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 188 229 shade matches the following richer shades: RGB 52 187 229 and RGB 33 197 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 188 229 shade: RGB 52 187 229, RGB 70 178 210, RGB 89 168 191, RGB 108 158 173 and RGB 126 148 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 188 229 shade: RGB 52 229 173, RGB 52 229 220, RGB 52 190 229, RGB 52 143 229 and RGB 52 96 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 188 229 shade: RGB 23 140 175, RGB 28 169 212, RGB 52 187 229, RGB 88 200 233 and RGB 125 212 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 188 229 shade: RGB 53 188 229, RGB 126 52 229 and RGB 229 196 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 188 229 shade: RGB 53 188 229, RGB 229 52 190 and RGB 190 229 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 188 229 shade: RGB 53 188 229, RGB 126 52 229, RGB 229 90 52 and RGB 155 229 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 188 229 shade: RGB 53 188 229, RGB 179 52 229, RGB 229 90 52 and RGB 102 229 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 18 / 0 / 10

HEX #35BCE5

RGB 53 188 229

HSL 193.98, 0.77%, 0.55%

LAB 71.13, -22.05, -30.65

 

Complementary color

CMYK 0 / 67 / 87 / 21

HEX #CA431A

RGB 202 67 26

HSL 13.98, 0.77%, 0.45%

LAB 47.81, 51.81, 51.05

 

CMYK 74 / 16 / 0 / 12

HEX #3ABCE0

RGB 58 188 224

HSL 193.01, 0.73%, 0.55%

LAB 71.04, -23.11, -28.06

 

CMYK 69 / 15 / 0 / 5

HEX #4BCEF3

RGB 75 206 243

HSL 193.21, 0.88%, 0.62%

LAB 77.35, -24.1, -28.6

 

CMYK 64 / 12 / 0 / 0

HEX #5CE0FF

RGB 92 224 255

HSL 191.41, 1%, 0.68%

LAB 83.34, -26.95, -25.78

 

CMYK 57 / 5 / 0 / 0

HEX #6DF2FF

RGB 109 242 255

HSL 185.34, 1%, 0.71%

LAB 88.91, -32.76, -17.29

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 77 / 18 / 0 / 10

HEX #35BCE5

RGB 53 188 229

HSL 193.98, 0.77%, 0.55%

LAB 71.13, -22.05, -30.65

 

CMYK 83 / 19 / 0 / 18

HEX #24AAD2

RGB 36 170 210

HSL 193.79, 0.71%, 0.48%

LAB 64.79, -20.61, -30.05

 

CMYK 90 / 20 / 0 / 25

HEX #1398BF

RGB 19 152 191

HSL 193.6, 0.82%, 0.41%

LAB 58.37, -18.78, -29.37

 

CMYK 99 / 22 / 0 / 33

HEX #0286AC

RGB 2 134 172

HSL 193.41, 0.98%, 0.34%

LAB 51.88, -16.55, -28.61

 

CMYK 100 / 24 / 0 / 40

HEX #007499

RGB 0 116 153

HSL 194.51, 1%, 0.3%

LAB 45.35, -13.62, -27.7

 

CMYK 77 / 18 / 0 / 10

HEX #34BBE5

RGB 52 187 229

HSL 194.24, 0.77%, 0.55%

LAB 70.82, -21.64, -31.13

 

CMYK 77 / 39 / 0 / 10

HEX #348CE5

RGB 52 140 229

HSL 210.17, 0.77%, 0.55%

LAB 57.21, 4.51, -52.47

 

CMYK 77 / 60 / 0 / 10

HEX #345CE5

RGB 52 92 229

HSL 226.44, 0.77%, 0.55%

LAB 44.29, 34.44, -73.32

 

CMYK 74 / 77 / 0 / 10

HEX #3B34E5

RGB 59 52 229

HSL 242.37, 0.77%, 0.55%

LAB 36.07, 58.25, -86.83

 

CMYK 53 / 77 / 0 / 10

HEX #6B34E5

RGB 107 52 229

HSL 258.64, 0.77%, 0.55%

LAB 39.98, 63.05, -80.24

 

CMYK 77 / 18 / 0 / 10

HEX #34BBE5

RGB 52 187 229

HSL 194.24, 0.77%, 0.55%

LAB 70.82, -21.64, -31.13

 

CMYK 77 / 39 / 0 / 10

HEX #348CE5

RGB 52 140 229

HSL 210.17, 0.77%, 0.55%

LAB 57.21, 4.51, -52.47

 

CMYK 77 / 60 / 0 / 10

HEX #345CE5

RGB 52 92 229

HSL 226.44, 0.77%, 0.55%

LAB 44.29, 34.44, -73.32

 

CMYK 77 / 77 / 0 / 10

HEX #3434E5

RGB 52 52 229

HSL 240, 0.77%, 0.55%

LAB 35.68, 57.77, -87.49

 

CMYK 77 / 18 / 0 / 10

HEX #34BBE5

RGB 52 187 229

HSL 194.24, 0.77%, 0.55%

LAB 70.82, -21.64, -31.13

 

CMYK 87 / 20 / 0 / 3

HEX #21C5F7

RGB 33 197 247

HSL 194.02, 0.93%, 0.55%

LAB 74.17, -22.34, -35.7

 

CMYK 77 / 18 / 0 / 10

HEX #34BBE5

RGB 52 187 229

HSL 194.24, 0.77%, 0.55%

LAB 70.82, -21.64, -31.13

 

CMYK 67 / 15 / 0 / 18

HEX #46B2D2

RGB 70 178 210

HSL 193.71, 0.61%, 0.55%

LAB 67.87, -20.78, -25.24

 

CMYK 53 / 12 / 0 / 25

HEX #59A8BF

RGB 89 168 191

HSL 193.53, 0.44%, 0.55%

LAB 64.88, -17.8, -19.24

 

CMYK 38 / 9 / 0 / 32

HEX #6C9EAD

RGB 108 158 173

HSL 193.85, 0.28%, 0.55%

LAB 62.22, -12.77, -13.1

 

CMYK 18 / 4 / 0 / 40

HEX #7E949A

RGB 126 148 154

HSL 192.86, 0.12%, 0.55%

LAB 59.84, -6.43, -5.78

 

CMYK 77 / 0 / 24 / 10

HEX #34E5AD

RGB 52 229 173

HSL 161.02, 0.77%, 0.55%

LAB 81.72, -56.2, 15.09

 

CMYK 77 / 0 / 4 / 10

HEX #34E5DC

RGB 52 229 220

HSL 176.95, 0.77%, 0.55%

LAB 82.88, -44.3, -8.04

 

CMYK 77 / 17 / 0 / 10

HEX #34BEE5

RGB 52 190 229

HSL 193.22, 0.77%, 0.55%

LAB 71.7, -23.18, -29.77

 

CMYK 77 / 38 / 0 / 10

HEX #348FE5

RGB 52 143 229

HSL 209.15, 0.77%, 0.55%

LAB 58.07, 2.72, -51.11

 

CMYK 77 / 58 / 0 / 10

HEX #3460E5

RGB 52 96 229

HSL 225.08, 0.77%, 0.55%

LAB 45.29, 31.91, -71.68

 

CMYK 87 / 20 / 0 / 31

HEX #178CAF

RGB 23 140 175

HSL 193.82, 0.77%, 0.39%

LAB 54.06, -17.71, -26.94

 

CMYK 87 / 20 / 0 / 17

HEX #1CA9D4

RGB 28 169 212

HSL 194.02, 0.77%, 0.47%

LAB 64.46, -19.98, -31.66

 

CMYK 77 / 18 / 0 / 10

HEX #34BBE5

RGB 52 187 229

HSL 194.24, 0.77%, 0.55%

LAB 70.82, -21.64, -31.13

 

CMYK 62 / 14 / 0 / 9

HEX #58C8E9

RGB 88 200 233

HSL 193.66, 0.77%, 0.63%

LAB 75.62, -22.13, -25.85

 

CMYK 47 / 11 / 0 / 7

HEX #7DD4EE

RGB 125 212 238

HSL 193.81, 0.77%, 0.71%

LAB 80.53, -19.47, -20.93

 

CMYK 77 / 18 / 0 / 10

HEX #35BCE5

RGB 53 188 229

HSL 193.98, 0.77%, 0.55%

LAB 71.13, -22.05, -30.65

 

CMYK 45 / 77 / 0 / 10

HEX #7E34E5

RGB 126 52 229

HSL 265.08, 0.77%, 0.55%

LAB 42.08, 65.6, -76.73

 

CMYK 0 / 14 / 77 / 10

HEX #E5C434

RGB 229 196 52

HSL 48.81, 0.77%, 0.55%

LAB 79.83, -2.38, 71.09

 

CMYK 77 / 18 / 0 / 10

HEX #35BCE5

RGB 53 188 229

HSL 193.98, 0.77%, 0.55%

LAB 71.13, -22.05, -30.65

 

CMYK 0 / 77 / 17 / 10

HEX #E534BE

RGB 229 52 190

HSL 313.22, 0.77%, 0.55%

LAB 54.9, 77.75, -32.95

 

CMYK 17 / 0 / 77 / 10

HEX #BEE534

RGB 190 229 52

HSL 73.22, 0.77%, 0.55%

LAB 85.62, -34.74, 75.24

 

CMYK 77 / 18 / 0 / 10

HEX #35BCE5

RGB 53 188 229

HSL 193.98, 0.77%, 0.55%

LAB 71.13, -22.05, -30.65

 

CMYK 45 / 77 / 0 / 10

HEX #7E34E5

RGB 126 52 229

HSL 265.08, 0.77%, 0.55%

LAB 42.08, 65.6, -76.73

 

CMYK 0 / 61 / 77 / 10

HEX #E55A34

RGB 229 90 52

HSL 12.88, 0.77%, 0.55%

LAB 56.31, 52.06, 48.58

 

CMYK 32 / 0 / 77 / 10

HEX #9BE534

RGB 155 229 52

HSL 85.08, 0.77%, 0.55%

LAB 83.58, -47.9, 72.61

 

CMYK 77 / 18 / 0 / 10

HEX #35BCE5

RGB 53 188 229

HSL 193.98, 0.77%, 0.55%

LAB 71.13, -22.05, -30.65

 

CMYK 22 / 77 / 0 / 10

HEX #B334E5

RGB 179 52 229

HSL 283.05, 0.77%, 0.55%

LAB 49.13, 74.08, -64.93

 

CMYK 0 / 61 / 77 / 10

HEX #E55A34

RGB 229 90 52

HSL 12.88, 0.77%, 0.55%

LAB 56.31, 52.06, 48.58

 

CMYK 55 / 0 / 77 / 10

HEX #66E534

RGB 102 229 52

HSL 103.05, 0.77%, 0.55%

LAB 81.35, -64.28, 69.72

 

Description

Color code: RGB 53 188 229 | qconv.com Color code: RGB 53 188 229 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 188 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 188 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 18 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 18% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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