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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 188 119 it is the complementary color RGB 202 67 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 188 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 188 119 shade: RGB 58 188 114, RGB 75 206 133, RGB 92 224 152, RGB 109 242 171 and RGB 126 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 188 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 188 119 shade: RGB 53 188 119, RGB 36 170 100, RGB 19 152 81, RGB 2 134 62 and RGB 0 116 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 188 119 shade: RGB 53 187 118, RGB 53 187 82, RGB 60 187 53, RGB 96 187 53 and RGB 132 187 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 188 119 shade: RGB 53 187 118, RGB 53 187 155, RGB 53 183 187, RGB 53 147 187 and RGB 53 111 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 188 119 shade matches the following richer shades: RGB 53 187 118, RGB 33 206 118 and RGB 14 226 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 188 119 shade: RGB 53 187 118, RGB 72 168 119, RGB 92 148 119, RGB 111 129 120 and RGB 130 109 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 188 119 shade: RGB 59 187 53, RGB 53 187 82, RGB 53 187 118, RGB 53 187 153 and RGB 53 185 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 188 119 shade: RGB 35 123 78, RGB 44 155 98, RGB 53 187 118, RGB 76 205 139 and RGB 109 214 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 188 119 shade: RGB 53 188 119, RGB 53 95 187 and RGB 187 64 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 188 119 shade: RGB 53 188 119, RGB 118 53 187 and RGB 187 118 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 188 119 shade: RGB 53 188 119, RGB 53 95 187, RGB 187 53 122 and RGB 187 144 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 188 119 shade: RGB 53 188 119, RGB 53 55 187, RGB 187 53 122 and RGB 187 185 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 37 / 26

HEX #35BC77

RGB 53 188 119

HSL 149.33, 0.56%, 0.47%

LAB 68.06, -51.75, 24.8

 

Complementary color

CMYK 0 / 67 / 33 / 21

HEX #CA4388

RGB 202 67 136

HSL 329.33, 0.56%, 0.53%

LAB 49.92, 59.34, -9.16

 

CMYK 69 / 0 / 39 / 26

HEX #3ABC72

RGB 58 188 114

HSL 145.85, 0.53%, 0.48%

LAB 68.08, -51.9, 27.48

 

CMYK 64 / 0 / 35 / 19

HEX #4BCE85

RGB 75 206 133

HSL 146.56, 0.57%, 0.55%

LAB 74.4, -52.26, 26.03

 

CMYK 59 / 0 / 32 / 12

HEX #5CE098

RGB 92 224 152

HSL 147.27, 0.68%, 0.62%

LAB 80.66, -52.41, 24.69

 

CMYK 55 / 0 / 29 / 5

HEX #6DF2AB

RGB 109 242 171

HSL 147.97, 0.84%, 0.69%

LAB 86.85, -52.43, 23.45

 

CMYK 51 / 0 / 25 / 0

HEX #7EFFBE

RGB 126 255 190

HSL 149.77, 1%, 0.75%

LAB 91.54, -50.29, 20.3

 

CMYK 72 / 0 / 37 / 26

HEX #35BC77

RGB 53 188 119

HSL 149.33, 0.56%, 0.47%

LAB 68.06, -51.75, 24.8

 

CMYK 79 / 0 / 41 / 33

HEX #24AA64

RGB 36 170 100

HSL 148.66, 0.65%, 0.4%

LAB 61.69, -50.96, 26.39

 

CMYK 88 / 0 / 47 / 40

HEX #139851

RGB 19 152 81

HSL 147.97, 0.78%, 0.34%

LAB 55.27, -49.69, 28.13

 

CMYK 99 / 0 / 54 / 47

HEX #02863E

RGB 2 134 62

HSL 147.27, 0.97%, 0.27%

LAB 48.77, -47.81, 29.98

 

CMYK 100 / 0 / 63 / 55

HEX #00742B

RGB 0 116 43

HSL 142.24, 1%, 0.23%

LAB 42.25, -44.74, 31.92

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 72 / 0 / 56 / 27

HEX #35BB52

RGB 53 187 82

HSL 132.99, 0.56%, 0.47%

LAB 67.21, -57.53, 42.49

 

CMYK 68 / 0 / 72 / 27

HEX #3CBB35

RGB 60 187 53

HSL 116.87, 0.56%, 0.47%

LAB 67.1, -59.41, 54.89

 

CMYK 49 / 0 / 72 / 27

HEX #60BB35

RGB 96 187 53

HSL 100.75, 0.56%, 0.47%

LAB 68.23, -50.42, 56.42

 

CMYK 29 / 0 / 72 / 27

HEX #84BB35

RGB 132 187 53

HSL 84.63, 0.56%, 0.47%

LAB 69.97, -38.14, 58.73

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 72 / 0 / 17 / 27

HEX #35BB9B

RGB 53 187 155

HSL 165.67, 0.56%, 0.47%

LAB 68.51, -43.24, 5.95

 

CMYK 72 / 2 / 0 / 27

HEX #35B7BB

RGB 53 183 187

HSL 181.79, 0.56%, 0.47%

LAB 68.18, -32.65, -12.14

 

CMYK 72 / 21 / 0 / 27

HEX #3593BB

RGB 53 147 187

HSL 197.91, 0.56%, 0.47%

LAB 57.28, -14.22, -28.75

 

CMYK 72 / 41 / 0 / 27

HEX #356FBB

RGB 53 111 187

HSL 214.03, 0.56%, 0.47%

LAB 46.6, 6.97, -45.54

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 84 / 0 / 43 / 19

HEX #21CE76

RGB 33 206 118

HSL 149.48, 0.72%, 0.47%

LAB 73.4, -60.89, 32.31

 

CMYK 94 / 0 / 48 / 11

HEX #0EE275

RGB 14 226 117

HSL 149.15, 0.88%, 0.47%

LAB 79.48, -68.92, 40.57

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 57 / 0 / 29 / 34

HEX #48A877

RGB 72 168 119

HSL 149.38, 0.4%, 0.47%

LAB 62.27, -39.93, 17

 

CMYK 38 / 0 / 20 / 42

HEX #5C9477

RGB 92 148 119

HSL 148.93, 0.23%, 0.47%

LAB 56.87, -25.19, 9.59

 

CMYK 14 / 0 / 7 / 49

HEX #6F8178

RGB 111 129 120

HSL 150, 0.08%, 0.47%

LAB 52.33, -8.47, 2.66

 

CMYK 0 / 16 / 8 / 49

HEX #826D78

RGB 130 109 120

HSL 328.57, 0.09%, 0.47%

LAB 48.31, 10.28, -3.01

 

CMYK 68 / 0 / 72 / 27

HEX #3BBB35

RGB 59 187 53

HSL 117.31, 0.56%, 0.47%

LAB 67.07, -59.6, 54.86

 

CMYK 72 / 0 / 56 / 27

HEX #35BB52

RGB 53 187 82

HSL 132.99, 0.56%, 0.47%

LAB 67.21, -57.53, 42.49

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 72 / 0 / 18 / 27

HEX #35BB99

RGB 53 187 153

HSL 164.78, 0.56%, 0.47%

LAB 68.46, -43.74, 6.98

 

CMYK 72 / 1 / 0 / 27

HEX #35B9BB

RGB 53 185 187

HSL 180.9, 0.56%, 0.47%

LAB 68.78, -33.59, -11.23

 

CMYK 72 / 0 / 37 / 52

HEX #237B4E

RGB 35 123 78

HSL 149.32, 0.56%, 0.31%

LAB 45.73, -36.93, 17.32

 

CMYK 72 / 0 / 37 / 39

HEX #2C9B62

RGB 44 155 98

HSL 149.19, 0.56%, 0.39%

LAB 56.94, -44.4, 21.18

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 63 / 0 / 32 / 20

HEX #4CCD8B

RGB 76 205 139

HSL 149.3, 0.56%, 0.55%

LAB 74.23, -50.5, 22.66

 

CMYK 49 / 0 / 25 / 16

HEX #6DD6A0

RGB 109 214 160

HSL 149.14, 0.56%, 0.63%

LAB 78.39, -42.78, 17.48

 

CMYK 72 / 0 / 37 / 26

HEX #35BC77

RGB 53 188 119

HSL 149.33, 0.56%, 0.47%

LAB 68.06, -51.75, 24.8

 

CMYK 72 / 49 / 0 / 27

HEX #355FBB

RGB 53 95 187

HSL 221.19, 0.56%, 0.47%

LAB 42.05, 17.16, -52.84

 

CMYK 0 / 66 / 72 / 27

HEX #BB4035

RGB 187 64 53

HSL 4.93, 0.56%, 0.47%

LAB 44.93, 48.83, 33.64

 

CMYK 72 / 0 / 37 / 26

HEX #35BC77

RGB 53 188 119

HSL 149.33, 0.56%, 0.47%

LAB 68.06, -51.75, 24.8

 

CMYK 37 / 72 / 0 / 27

HEX #7635BB

RGB 118 53 187

HSL 269.1, 0.56%, 0.47%

LAB 37.82, 53.63, -59.44

 

CMYK 0 / 37 / 72 / 27

HEX #BB7635

RGB 187 118 53

HSL 29.1, 0.56%, 0.47%

LAB 55.87, 21.39, 45.73

 

CMYK 72 / 0 / 37 / 26

HEX #35BC77

RGB 53 188 119

HSL 149.33, 0.56%, 0.47%

LAB 68.06, -51.75, 24.8

 

CMYK 72 / 49 / 0 / 27

HEX #355FBB

RGB 53 95 187

HSL 221.19, 0.56%, 0.47%

LAB 42.05, 17.16, -52.84

 

CMYK 0 / 72 / 35 / 27

HEX #BB357A

RGB 187 53 122

HSL 329.1, 0.56%, 0.47%

LAB 44.96, 58.77, -8.35

 

CMYK 0 / 23 / 72 / 27

HEX #BB9035

RGB 187 144 53

HSL 40.75, 0.56%, 0.47%

LAB 62.31, 7.03, 52.43

 

CMYK 72 / 0 / 37 / 26

HEX #35BC77

RGB 53 188 119

HSL 149.33, 0.56%, 0.47%

LAB 68.06, -51.75, 24.8

 

CMYK 72 / 71 / 0 / 27

HEX #3537BB

RGB 53 55 187

HSL 239.1, 0.56%, 0.47%

LAB 31.98, 42.64, -69.23

 

CMYK 0 / 72 / 35 / 27

HEX #BB357A

RGB 187 53 122

HSL 329.1, 0.56%, 0.47%

LAB 44.96, 58.77, -8.35

 

CMYK 0 / 1 / 72 / 27

HEX #BBB935

RGB 187 185 53

HSL 59.1, 0.56%, 0.47%

LAB 73.23, -14.72, 63.24

 

Description

Color code: RGB 53 188 119 | qconv.com Color code: RGB 53 188 119 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 188 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 188 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 37 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 37% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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