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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 183 50 it is the complementary color RGB 202 72 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 183 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 183 50 shade: RGB 58 183 45, RGB 75 201 64, RGB 92 219 83, RGB 109 237 102 and RGB 126 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 183 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 183 50 shade: RGB 53 183 50, RGB 36 165 31, RGB 19 147 12, RGB 2 129 0 and RGB 0 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 183 50 shade: RGB 53 184 50, RGB 90 184 50, RGB 126 184 50, RGB 162 184 50 and RGB 184 171 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 183 50 shade: RGB 53 184 50, RGB 50 184 83, RGB 50 184 120, RGB 50 184 156 and RGB 50 177 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 183 50 shade matches the following richer shades: RGB 53 184 50, RGB 35 203 31 and RGB 17 222 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 183 50 shade: RGB 53 184 50, RGB 72 165 69, RGB 90 146 88, RGB 108 127 107 and RGB 126 108 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 183 50 shade: RGB 126 184 50, RGB 91 184 50, RGB 55 184 50, RGB 50 184 82 and RGB 50 184 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 183 50 shade: RGB 35 119 33, RGB 44 152 42, RGB 53 184 50, RGB 74 205 71 and RGB 106 214 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 183 50 shade: RGB 53 183 50, RGB 50 162 184 and RGB 184 50 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 183 50 shade: RGB 53 183 50, RGB 50 55 184 and RGB 184 50 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 183 50 shade: RGB 53 183 50, RGB 50 162 184, RGB 180 50 184 and RGB 184 73 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 183 50 shade: RGB 53 183 50, RGB 50 122 184, RGB 180 50 184 and RGB 184 113 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 73 / 28

HEX #35B732

RGB 53 183 50

HSL 118.65, 0.57%, 0.46%

LAB 65.63, -59.64, 54.46

 

Complementary color

CMYK 1 / 65 / 0 / 20

HEX #CA48CD

RGB 202 72 205

HSL 298.65, 0.57%, 0.54%

LAB 53.6, 67.36, -43.92

 

CMYK 68 / 0 / 75 / 28

HEX #3AB72D

RGB 58 183 45

HSL 114.35, 0.61%, 0.45%

LAB 65.71, -59.09, 56.36

 

CMYK 63 / 0 / 68 / 21

HEX #4BC940

RGB 75 201 64

HSL 115.18, 0.56%, 0.52%

LAB 71.99, -60.12, 55.89

 

CMYK 58 / 0 / 62 / 14

HEX #5CDB53

RGB 92 219 83

HSL 116.03, 0.65%, 0.59%

LAB 78.21, -60.76, 55

 

CMYK 54 / 0 / 57 / 7

HEX #6DED66

RGB 109 237 102

HSL 116.89, 0.79%, 0.66%

LAB 84.37, -61.12, 53.91

 

CMYK 51 / 0 / 53 / 0

HEX #7EFF79

RGB 126 255 121

HSL 117.76, 1%, 0.74%

LAB 90.48, -61.29, 52.72

 

CMYK 71 / 0 / 73 / 28

HEX #35B732

RGB 53 183 50

HSL 118.65, 0.57%, 0.46%

LAB 65.63, -59.64, 54.46

 

CMYK 78 / 0 / 81 / 35

HEX #24A51F

RGB 36 165 31

HSL 117.76, 0.68%, 0.38%

LAB 59.33, -57.96, 54.53

 

CMYK 87 / 0 / 92 / 42

HEX #13930C

RGB 19 147 12

HSL 116.89, 0.85%, 0.31%

LAB 52.98, -55.41, 53.35

 

CMYK 98 / 0 / 100 / 49

HEX #028100

RGB 2 129 0

HSL 119.07, 1%, 0.25%

LAB 46.6, -51.83, 50.2

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 71 / 0 / 73 / 28

HEX #35B832

RGB 53 184 50

HSL 118.66, 0.57%, 0.46%

LAB 65.96, -59.97, 54.79

 

CMYK 51 / 0 / 73 / 28

HEX #5AB832

RGB 90 184 50

HSL 102.09, 0.57%, 0.46%

LAB 67.04, -51.25, 56.24

 

CMYK 32 / 0 / 73 / 28

HEX #7EB832

RGB 126 184 50

HSL 85.97, 0.57%, 0.46%

LAB 68.71, -39.24, 58.46

 

CMYK 12 / 0 / 73 / 28

HEX #A2B832

RGB 162 184 50

HSL 69.85, 0.57%, 0.46%

LAB 71, -24.96, 61.48

 

CMYK 0 / 7 / 73 / 28

HEX #B8AB32

RGB 184 171 50

HSL 54.18, 0.57%, 0.46%

LAB 69.15, -8.94, 60.29

 

CMYK 71 / 0 / 73 / 28

HEX #35B832

RGB 53 184 50

HSL 118.66, 0.57%, 0.46%

LAB 65.96, -59.97, 54.79

 

CMYK 73 / 0 / 55 / 28

HEX #32B853

RGB 50 184 83

HSL 134.78, 0.57%, 0.46%

LAB 66.2, -56.83, 40.79

 

CMYK 73 / 0 / 35 / 28

HEX #32B878

RGB 50 184 120

HSL 151.34, 0.57%, 0.46%

LAB 66.76, -50.45, 22.51

 

CMYK 73 / 0 / 15 / 28

HEX #32B89C

RGB 50 184 156

HSL 167.46, 0.57%, 0.46%

LAB 67.55, -42.09, 4.01

 

CMYK 73 / 4 / 0 / 28

HEX #32B1B8

RGB 50 177 184

HSL 183.13, 0.57%, 0.46%

LAB 66.2, -31.03, -13.46

 

CMYK 71 / 0 / 73 / 28

HEX #35B832

RGB 53 184 50

HSL 118.66, 0.57%, 0.46%

LAB 65.96, -59.97, 54.79

 

CMYK 83 / 0 / 85 / 20

HEX #23CB1F

RGB 35 203 31

HSL 118.6, 0.74%, 0.46%

LAB 71.67, -69.52, 65.83

 

CMYK 92 / 0 / 95 / 13

HEX #11DE0C

RGB 17 222 12

HSL 118.57, 0.9%, 0.46%

LAB 77.51, -76.76, 73.89

 

CMYK 71 / 0 / 73 / 28

HEX #35B832

RGB 53 184 50

HSL 118.66, 0.57%, 0.46%

LAB 65.96, -59.97, 54.79

 

CMYK 56 / 0 / 58 / 35

HEX #48A545

RGB 72 165 69

HSL 118.13, 0.41%, 0.46%

LAB 60.53, -47.05, 40.92

 

CMYK 38 / 0 / 40 / 43

HEX #5A9258

RGB 90 146 88

HSL 117.93, 0.25%, 0.46%

LAB 55.52, -30.72, 25.08

 

CMYK 15 / 0 / 16 / 50

HEX #6C7F6B

RGB 108 127 107

HSL 117, 0.09%, 0.46%

LAB 51.18, -11.07, 8.58

 

CMYK 0 / 14 / 0 / 51

HEX #7E6C7E

RGB 126 108 126

HSL 300, 0.08%, 0.46%

LAB 47.84, 10.54, -7.33

 

CMYK 32 / 0 / 73 / 28

HEX #7EB832

RGB 126 184 50

HSL 85.97, 0.57%, 0.46%

LAB 68.71, -39.24, 58.46

 

CMYK 51 / 0 / 73 / 28

HEX #5BB832

RGB 91 184 50

HSL 101.64, 0.57%, 0.46%

LAB 67.08, -50.96, 56.29

 

CMYK 70 / 0 / 73 / 28

HEX #37B832

RGB 55 184 50

HSL 117.76, 0.57%, 0.46%

LAB 66, -59.6, 54.85

 

CMYK 73 / 0 / 55 / 28

HEX #32B852

RGB 50 184 82

HSL 134.33, 0.57%, 0.46%

LAB 66.19, -56.97, 41.25

 

CMYK 73 / 0 / 36 / 28

HEX #32B875

RGB 50 184 117

HSL 150, 0.57%, 0.46%

LAB 66.71, -51.05, 24.03

 

CMYK 71 / 0 / 72 / 53

HEX #237721

RGB 35 119 33

HSL 118.6, 0.57%, 0.3%

LAB 43.74, -42.44, 38.36

 

CMYK 71 / 0 / 72 / 40

HEX #2C982A

RGB 44 152 42

HSL 118.91, 0.57%, 0.38%

LAB 55.24, -51.53, 46.75

 

CMYK 71 / 0 / 73 / 28

HEX #35B832

RGB 53 184 50

HSL 118.66, 0.57%, 0.46%

LAB 65.96, -59.97, 54.79

 

CMYK 64 / 0 / 65 / 20

HEX #4ACD47

RGB 74 205 71

HSL 118.66, 0.57%, 0.54%

LAB 73.27, -61.07, 54.43

 

CMYK 50 / 0 / 51 / 16

HEX #6AD668

RGB 106 214 104

HSL 118.91, 0.57%, 0.62%

LAB 77.37, -52.88, 44.61

 

CMYK 71 / 0 / 73 / 28

HEX #35B732

RGB 53 183 50

HSL 118.65, 0.57%, 0.46%

LAB 65.63, -59.64, 54.46

 

CMYK 73 / 12 / 0 / 28

HEX #32A2B8

RGB 50 162 184

HSL 189.85, 0.57%, 0.46%

LAB 61.64, -23.57, -20.37

 

CMYK 0 / 73 / 41 / 28

HEX #B8326C

RGB 184 50 108

HSL 334.03, 0.57%, 0.46%

LAB 43.59, 57.49, -1.83

 

CMYK 71 / 0 / 73 / 28

HEX #35B732

RGB 53 183 50

HSL 118.65, 0.57%, 0.46%

LAB 65.63, -59.64, 54.46

 

CMYK 73 / 70 / 0 / 28

HEX #3237B8

RGB 50 55 184

HSL 237.76, 0.57%, 0.46%

LAB 31.51, 41.31, -68.24

 

CMYK 0 / 73 / 70 / 28

HEX #B83237

RGB 184 50 55

HSL 357.76, 0.57%, 0.46%

LAB 42.38, 53.47, 29.34

 

CMYK 71 / 0 / 73 / 28

HEX #35B732

RGB 53 183 50

HSL 118.65, 0.57%, 0.46%

LAB 65.63, -59.64, 54.46

 

CMYK 73 / 12 / 0 / 28

HEX #32A2B8

RGB 50 162 184

HSL 189.85, 0.57%, 0.46%

LAB 61.64, -23.57, -20.37

 

CMYK 2 / 73 / 0 / 28

HEX #B432B8

RGB 180 50 184

HSL 298.21, 0.57%, 0.46%

LAB 46.24, 66.84, -43.65

 

CMYK 0 / 60 / 73 / 28

HEX #B84932

RGB 184 73 50

HSL 10.3, 0.57%, 0.46%

LAB 45.89, 43.58, 36.29

 

CMYK 71 / 0 / 73 / 28

HEX #35B732

RGB 53 183 50

HSL 118.65, 0.57%, 0.46%

LAB 65.63, -59.64, 54.46

 

CMYK 73 / 34 / 0 / 28

HEX #327AB8

RGB 50 122 184

HSL 207.76, 0.57%, 0.46%

LAB 49.57, -1.31, -39.11

 

CMYK 2 / 73 / 0 / 28

HEX #B432B8

RGB 180 50 184

HSL 298.21, 0.57%, 0.46%

LAB 46.24, 66.84, -43.65

 

CMYK 0 / 39 / 73 / 28

HEX #B87132

RGB 184 113 50

HSL 28.21, 0.57%, 0.46%

LAB 54.27, 22.71, 45.37

 

Description

Color code: RGB 53 183 50 | qconv.com Color code: RGB 53 183 50 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 183 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 183 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 73 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 73% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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