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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 182 49 it is the complementary color RGB 202 73 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 182 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 182 49 shade: RGB 58 182 44, RGB 75 200 63, RGB 92 218 82, RGB 109 236 101 and RGB 126 254 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 182 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 182 49 shade: RGB 53 182 49, RGB 36 164 30, RGB 19 146 11, RGB 2 128 0 and RGB 0 110 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 182 49 shade: RGB 52 181 48, RGB 88 181 48, RGB 124 181 48, RGB 160 181 48 and RGB 181 167 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 182 49 shade: RGB 52 181 48, RGB 48 181 80, RGB 48 181 116, RGB 48 181 152 and RGB 48 175 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 182 49 shade matches the following richer shades: RGB 52 181 48, RGB 35 200 30 and RGB 17 218 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 182 49 shade: RGB 52 181 48, RGB 70 163 67, RGB 87 144 85, RGB 105 126 104 and RGB 122 107 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 182 49 shade: RGB 124 181 48, RGB 88 181 48, RGB 53 181 48, RGB 48 181 79 and RGB 48 181 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 182 49 shade: RGB 33 116 31, RGB 43 149 40, RGB 52 181 48, RGB 70 205 66 and RGB 102 213 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 182 49 shade: RGB 53 182 49, RGB 48 159 181 and RGB 181 48 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 182 49 shade: RGB 53 182 49, RGB 48 53 181 and RGB 181 48 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 182 49 shade: RGB 53 182 49, RGB 48 159 181, RGB 177 48 181 and RGB 181 70 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 182 49 shade: RGB 53 182 49, RGB 48 119 181, RGB 177 48 181 and RGB 181 110 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 73 / 29

HEX #35B631

RGB 53 182 49

HSL 118.2, 0.58%, 0.45%

LAB 65.31, -59.39, 54.49

 

Complementary color

CMYK 2 / 65 / 0 / 19

HEX #CA49CE

RGB 202 73 206

HSL 298.2, 0.58%, 0.55%

LAB 53.79, 67.13, -44.18

 

CMYK 68 / 0 / 76 / 29

HEX #3AB62C

RGB 58 182 44

HSL 113.91, 0.61%, 0.44%

LAB 65.39, -58.82, 56.38

 

CMYK 63 / 0 / 69 / 22

HEX #4BC83F

RGB 75 200 63

HSL 114.74, 0.55%, 0.52%

LAB 71.67, -59.86, 55.94

 

CMYK 58 / 0 / 62 / 15

HEX #5CDA52

RGB 92 218 82

HSL 115.59, 0.65%, 0.59%

LAB 77.89, -60.5, 55.07

 

CMYK 54 / 0 / 57 / 7

HEX #6DEC65

RGB 109 236 101

HSL 116.44, 0.78%, 0.66%

LAB 84.06, -60.86, 53.99

 

CMYK 50 / 0 / 53 / 0

HEX #7EFE78

RGB 126 254 120

HSL 117.31, 0.99%, 0.73%

LAB 90.17, -61.03, 52.81

 

CMYK 71 / 0 / 73 / 29

HEX #35B631

RGB 53 182 49

HSL 118.2, 0.58%, 0.45%

LAB 65.31, -59.39, 54.49

 

CMYK 78 / 0 / 82 / 36

HEX #24A41E

RGB 36 164 30

HSL 117.31, 0.69%, 0.38%

LAB 58.99, -57.7, 54.51

 

CMYK 87 / 0 / 92 / 43

HEX #13920B

RGB 19 146 11

HSL 116.44, 0.86%, 0.31%

LAB 52.64, -55.14, 53.24

 

CMYK 98 / 0 / 100 / 50

HEX #028000

RGB 2 128 0

HSL 119.06, 1%, 0.25%

LAB 46.25, -51.54, 49.92

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 71 / 0 / 73 / 29

HEX #34B530

RGB 52 181 48

HSL 118.2, 0.58%, 0.45%

LAB 64.96, -59.32, 54.49

 

CMYK 51 / 0 / 73 / 29

HEX #58B530

RGB 88 181 48

HSL 101.95, 0.58%, 0.45%

LAB 66.01, -50.82, 55.9

 

CMYK 31 / 0 / 73 / 29

HEX #7CB530

RGB 124 181 48

HSL 85.71, 0.58%, 0.45%

LAB 67.68, -38.78, 58.12

 

CMYK 12 / 0 / 73 / 29

HEX #A0B530

RGB 160 181 48

HSL 69.47, 0.58%, 0.45%

LAB 69.99, -24.43, 61.15

 

CMYK 0 / 8 / 73 / 29

HEX #B5A730

RGB 181 167 48

HSL 53.68, 0.58%, 0.45%

LAB 67.78, -8.26, 59.62

 

CMYK 71 / 0 / 73 / 29

HEX #34B530

RGB 52 181 48

HSL 118.2, 0.58%, 0.45%

LAB 64.96, -59.32, 54.49

 

CMYK 73 / 0 / 56 / 29

HEX #30B550

RGB 48 181 80

HSL 134.44, 0.58%, 0.45%

LAB 65.16, -56.52, 40.98

 

CMYK 73 / 0 / 36 / 29

HEX #30B574

RGB 48 181 116

HSL 150.68, 0.58%, 0.45%

LAB 65.7, -50.39, 23.21

 

CMYK 73 / 0 / 16 / 29

HEX #30B598

RGB 48 181 152

HSL 166.92, 0.58%, 0.45%

LAB 66.48, -42.08, 4.66

 

CMYK 73 / 3 / 0 / 29

HEX #30AFB5

RGB 48 175 181

HSL 182.71, 0.58%, 0.45%

LAB 65.46, -31.21, -12.92

 

CMYK 71 / 0 / 73 / 29

HEX #34B530

RGB 52 181 48

HSL 118.2, 0.58%, 0.45%

LAB 64.96, -59.32, 54.49

 

CMYK 83 / 0 / 85 / 22

HEX #23C81E

RGB 35 200 30

HSL 118.24, 0.74%, 0.45%

LAB 70.7, -68.69, 65.2

 

CMYK 92 / 0 / 95 / 15

HEX #11DA0B

RGB 17 218 11

HSL 118.26, 0.9%, 0.45%

LAB 76.24, -75.7, 72.95

 

CMYK 71 / 0 / 73 / 29

HEX #34B530

RGB 52 181 48

HSL 118.2, 0.58%, 0.45%

LAB 64.96, -59.32, 54.49

 

CMYK 57 / 0 / 59 / 36

HEX #46A343

RGB 70 163 67

HSL 118.13, 0.42%, 0.45%

LAB 59.8, -47.04, 41

 

CMYK 40 / 0 / 41 / 44

HEX #579055

RGB 87 144 85

HSL 117.97, 0.26%, 0.45%

LAB 54.69, -31.26, 25.61

 

CMYK 17 / 0 / 17 / 51

HEX #697E68

RGB 105 126 104

HSL 117.27, 0.1%, 0.45%

LAB 50.6, -12.23, 9.47

 

CMYK 0 / 12 / 0 / 52

HEX #7A6B7A

RGB 122 107 122

HSL 300, 0.07%, 0.45%

LAB 47.05, 8.81, -6.16

 

CMYK 31 / 0 / 73 / 29

HEX #7CB530

RGB 124 181 48

HSL 85.71, 0.58%, 0.45%

LAB 67.68, -38.78, 58.12

 

CMYK 51 / 0 / 73 / 29

HEX #58B530

RGB 88 181 48

HSL 101.95, 0.58%, 0.45%

LAB 66.01, -50.82, 55.9

 

CMYK 71 / 0 / 73 / 29

HEX #35B530

RGB 53 181 48

HSL 117.74, 0.58%, 0.45%

LAB 64.98, -59.14, 54.52

 

CMYK 73 / 0 / 56 / 29

HEX #30B54F

RGB 48 181 79

HSL 133.98, 0.58%, 0.45%

LAB 65.15, -56.66, 41.45

 

CMYK 73 / 0 / 36 / 29

HEX #30B573

RGB 48 181 115

HSL 150.23, 0.58%, 0.45%

LAB 65.68, -50.59, 23.72

 

CMYK 72 / 0 / 73 / 55

HEX #21741F

RGB 33 116 31

HSL 118.59, 0.58%, 0.29%

LAB 42.63, -41.95, 38.03

 

CMYK 71 / 0 / 73 / 42

HEX #2B9528

RGB 43 149 40

HSL 118.35, 0.58%, 0.37%

LAB 54.2, -50.87, 46.45

 

CMYK 71 / 0 / 73 / 29

HEX #34B530

RGB 52 181 48

HSL 118.2, 0.58%, 0.45%

LAB 64.96, -59.32, 54.49

 

CMYK 66 / 0 / 68 / 20

HEX #46CD42

RGB 70 205 66

HSL 118.27, 0.58%, 0.53%

LAB 73.13, -62.36, 56.27

 

CMYK 52 / 0 / 54 / 16

HEX #66D563

RGB 102 213 99

HSL 118.42, 0.58%, 0.61%

LAB 76.87, -54.19, 46.34

 

CMYK 71 / 0 / 73 / 29

HEX #35B631

RGB 53 182 49

HSL 118.2, 0.58%, 0.45%

LAB 65.31, -59.39, 54.49

 

CMYK 73 / 12 / 0 / 29

HEX #309FB5

RGB 48 159 181

HSL 189.92, 0.58%, 0.45%

LAB 60.57, -23.25, -20.31

 

CMYK 0 / 73 / 41 / 29

HEX #B5306A

RGB 181 48 106

HSL 333.83, 0.58%, 0.45%

LAB 42.73, 57.13, -1.9

 

CMYK 71 / 0 / 73 / 29

HEX #35B631

RGB 53 182 49

HSL 118.2, 0.58%, 0.45%

LAB 65.31, -59.39, 54.49

 

CMYK 73 / 71 / 0 / 29

HEX #3035B5

RGB 48 53 181

HSL 237.74, 0.58%, 0.45%

LAB 30.67, 41.27, -67.85

 

CMYK 0 / 73 / 71 / 29

HEX #B53035

RGB 181 48 53

HSL 357.74, 0.58%, 0.45%

LAB 41.52, 53.15, 29.38

 

CMYK 71 / 0 / 73 / 29

HEX #35B631

RGB 53 182 49

HSL 118.2, 0.58%, 0.45%

LAB 65.31, -59.39, 54.49

 

CMYK 73 / 12 / 0 / 29

HEX #309FB5

RGB 48 159 181

HSL 189.92, 0.58%, 0.45%

LAB 60.57, -23.25, -20.31

 

CMYK 2 / 73 / 0 / 29

HEX #B130B5

RGB 177 48 181

HSL 298.2, 0.58%, 0.45%

LAB 45.36, 66.35, -43.32

 

CMYK 0 / 61 / 73 / 29

HEX #B54630

RGB 181 70 48

HSL 9.92, 0.58%, 0.45%

LAB 44.83, 43.79, 36.08

 

CMYK 71 / 0 / 73 / 29

HEX #35B631

RGB 53 182 49

HSL 118.2, 0.58%, 0.45%

LAB 65.31, -59.39, 54.49

 

CMYK 73 / 34 / 0 / 29

HEX #3077B5

RGB 48 119 181

HSL 207.97, 0.58%, 0.45%

LAB 48.46, -0.87, -39.13

 

CMYK 2 / 73 / 0 / 29

HEX #B130B5

RGB 177 48 181

HSL 298.2, 0.58%, 0.45%

LAB 45.36, 66.35, -43.32

 

CMYK 0 / 39 / 73 / 29

HEX #B56E30

RGB 181 110 48

HSL 27.97, 0.58%, 0.45%

LAB 53.16, 22.98, 45.04

 

Description

Color code: RGB 53 182 49 | qconv.com Color code: RGB 53 182 49 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 182 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 182 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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