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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 181 54 it is the complementary color RGB 202 74 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 181 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 181 54 shade: RGB 58 181 49, RGB 75 199 68, RGB 92 217 87, RGB 109 235 106 and RGB 126 253 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 181 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 181 54 shade: RGB 53 181 54, RGB 36 163 35, RGB 19 145 16, RGB 2 127 0 and RGB 0 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 181 54 shade: RGB 53 182 54, RGB 87 182 53, RGB 121 182 53, RGB 156 182 53 and RGB 182 173 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 181 54 shade: RGB 53 182 54, RGB 53 182 89, RGB 53 182 123, RGB 53 182 158 and RGB 53 171 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 181 54 shade matches the following richer shades: RGB 53 182 54, RGB 34 201 35 and RGB 15 220 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 181 54 shade: RGB 53 182 54, RGB 72 163 72, RGB 91 144 91, RGB 110 125 110 and RGB 129 106 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 181 54 shade: RGB 122 182 53, RGB 87 182 53, RGB 53 182 53, RGB 53 182 87 and RGB 53 182 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 181 54 shade: RGB 34 118 35, RGB 44 150 44, RGB 53 182 54, RGB 74 202 75 and RGB 106 212 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 181 54 shade: RGB 53 181 54, RGB 53 156 182 and RGB 182 53 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 181 54 shade: RGB 53 181 54, RGB 53 53 182 and RGB 182 53 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 181 54 shade: RGB 53 181 54, RGB 53 156 182, RGB 182 53 182 and RGB 182 79 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 181 54 shade: RGB 53 181 54, RGB 53 117 182, RGB 182 53 182 and RGB 182 117 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 70 / 29

HEX #35B536

RGB 53 181 54

HSL 120.47, 0.55%, 0.46%

LAB 65.02, -58.63, 52.3

 

Complementary color

CMYK 0 / 63 / 0 / 21

HEX #CA4AC9

RGB 202 74 201

HSL 300.47, 0.55%, 0.54%

LAB 53.68, 65.9, -41.5

 

CMYK 68 / 0 / 73 / 29

HEX #3AB531

RGB 58 181 49

HSL 115.91, 0.57%, 0.45%

LAB 65.1, -58.11, 54.31

 

CMYK 62 / 0 / 66 / 22

HEX #4BC744

RGB 75 199 68

HSL 116.79, 0.54%, 0.52%

LAB 71.39, -59.05, 53.63

 

CMYK 58 / 0 / 60 / 15

HEX #5CD957

RGB 92 217 87

HSL 117.69, 0.63%, 0.6%

LAB 77.63, -59.61, 52.62

 

CMYK 54 / 0 / 55 / 8

HEX #6DEB6A

RGB 109 235 106

HSL 118.6, 0.76%, 0.67%

LAB 83.81, -59.91, 51.45

 

CMYK 50 / 0 / 51 / 1

HEX #7EFD7D

RGB 126 253 125

HSL 119.53, 0.97%, 0.74%

LAB 89.94, -60.03, 50.23

 

CMYK 71 / 0 / 70 / 29

HEX #35B536

RGB 53 181 54

HSL 120.47, 0.55%, 0.46%

LAB 65.02, -58.63, 52.3

 

CMYK 78 / 0 / 79 / 36

HEX #24A323

RGB 36 163 35

HSL 119.53, 0.65%, 0.39%

LAB 58.69, -57.07, 52.67

 

CMYK 87 / 0 / 89 / 43

HEX #139110

RGB 19 145 16

HSL 118.6, 0.8%, 0.32%

LAB 52.32, -54.65, 51.97

 

CMYK 98 / 0 / 100 / 50

HEX #027F00

RGB 2 127 0

HSL 119.06, 1%, 0.25%

LAB 45.9, -51.25, 49.64

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 71 / 0 / 70 / 29

HEX #35B636

RGB 53 182 54

HSL 120.47, 0.55%, 0.46%

LAB 65.34, -58.96, 52.64

 

CMYK 52 / 0 / 71 / 29

HEX #57B635

RGB 87 182 53

HSL 104.19, 0.55%, 0.46%

LAB 66.32, -51.12, 54.35

 

CMYK 34 / 0 / 71 / 29

HEX #79B635

RGB 121 182 53

HSL 88.37, 0.55%, 0.46%

LAB 67.86, -40, 56.41

 

CMYK 14 / 0 / 71 / 29

HEX #9CB635

RGB 156 182 53

HSL 72.09, 0.55%, 0.46%

LAB 70.02, -26.31, 59.29

 

CMYK 0 / 5 / 71 / 29

HEX #B6AD35

RGB 182 173 53

HSL 55.81, 0.55%, 0.46%

LAB 69.53, -10.71, 59.49

 

CMYK 71 / 0 / 70 / 29

HEX #35B636

RGB 53 182 54

HSL 120.47, 0.55%, 0.46%

LAB 65.34, -58.96, 52.64

 

CMYK 71 / 0 / 51 / 29

HEX #35B659

RGB 53 182 89

HSL 136.74, 0.55%, 0.46%

LAB 65.7, -54.75, 37.24

 

CMYK 71 / 0 / 32 / 29

HEX #35B67B

RGB 53 182 123

HSL 152.56, 0.55%, 0.46%

LAB 66.25, -48.58, 20.21

 

CMYK 71 / 0 / 13 / 29

HEX #35B69E

RGB 53 182 158

HSL 168.84, 0.55%, 0.46%

LAB 67.04, -40.28, 2.18

 

CMYK 71 / 6 / 0 / 29

HEX #35ABB6

RGB 53 171 182

HSL 185.12, 0.55%, 0.46%

LAB 64.37, -28.33, -15.1

 

CMYK 71 / 0 / 70 / 29

HEX #35B636

RGB 53 182 54

HSL 120.47, 0.55%, 0.46%

LAB 65.34, -58.96, 52.64

 

CMYK 83 / 0 / 83 / 21

HEX #22C923

RGB 34 201 35

HSL 120.36, 0.71%, 0.46%

LAB 71.03, -68.85, 64.28

 

CMYK 93 / 0 / 93 / 14

HEX #0FDC10

RGB 15 220 16

HSL 120.29, 0.87%, 0.46%

LAB 76.88, -76.24, 72.9

 

CMYK 71 / 0 / 70 / 29

HEX #35B636

RGB 53 182 54

HSL 120.47, 0.55%, 0.46%

LAB 65.34, -58.96, 52.64

 

CMYK 56 / 0 / 56 / 36

HEX #48A348

RGB 72 163 72

HSL 120, 0.39%, 0.46%

LAB 59.92, -45.88, 38.75

 

CMYK 37 / 0 / 37 / 44

HEX #5B905B

RGB 91 144 91

HSL 120, 0.23%, 0.46%

LAB 55, -28.93, 22.75

 

CMYK 12 / 0 / 12 / 51

HEX #6E7D6E

RGB 110 125 110

HSL 120, 0.06%, 0.46%

LAB 50.81, -8.62, 6.32

 

CMYK 0 / 18 / 0 / 49

HEX #816A81

RGB 129 106 129

HSL 300, 0.1%, 0.46%

LAB 47.7, 13.46, -9.3

 

CMYK 33 / 0 / 71 / 29

HEX #7AB635

RGB 122 182 53

HSL 87.91, 0.55%, 0.46%

LAB 67.91, -39.64, 56.48

 

CMYK 52 / 0 / 71 / 29

HEX #57B635

RGB 87 182 53

HSL 104.19, 0.55%, 0.46%

LAB 66.32, -51.12, 54.35

 

CMYK 71 / 0 / 71 / 29

HEX #35B635

RGB 53 182 53

HSL 120, 0.55%, 0.46%

LAB 65.33, -59.05, 53.02

 

CMYK 71 / 0 / 52 / 29

HEX #35B657

RGB 53 182 87

HSL 135.81, 0.55%, 0.46%

LAB 65.67, -55.05, 38.2

 

CMYK 71 / 0 / 33 / 29

HEX #35B67A

RGB 53 182 122

HSL 152.09, 0.55%, 0.46%

LAB 66.23, -48.79, 20.72

 

CMYK 71 / 0 / 70 / 54

HEX #227623

RGB 34 118 35

HSL 120.71, 0.55%, 0.3%

LAB 43.39, -42.08, 37.1

 

CMYK 71 / 0 / 71 / 41

HEX #2C962C

RGB 44 150 44

HSL 120, 0.55%, 0.38%

LAB 54.58, -50.66, 45.26

 

CMYK 71 / 0 / 70 / 29

HEX #35B636

RGB 53 182 54

HSL 120.47, 0.55%, 0.46%

LAB 65.34, -58.96, 52.64

 

CMYK 63 / 0 / 63 / 21

HEX #4ACA4B

RGB 74 202 75

HSL 120.47, 0.55%, 0.54%

LAB 72.37, -59.61, 51.75

 

CMYK 50 / 0 / 50 / 17

HEX #6AD46A

RGB 106 212 106

HSL 120, 0.55%, 0.62%

LAB 76.8, -51.82, 42.94

 

CMYK 71 / 0 / 70 / 29

HEX #35B536

RGB 53 181 54

HSL 120.47, 0.55%, 0.46%

LAB 65.02, -58.63, 52.3

 

CMYK 71 / 14 / 0 / 29

HEX #359CB6

RGB 53 156 182

HSL 192.09, 0.55%, 0.46%

LAB 59.81, -20.7, -22.03

 

CMYK 0 / 71 / 43 / 29

HEX #B63568

RGB 182 53 104

HSL 336.28, 0.55%, 0.46%

LAB 43.49, 55.42, 0.48

 

CMYK 71 / 0 / 70 / 29

HEX #35B536

RGB 53 181 54

HSL 120.47, 0.55%, 0.46%

LAB 65.02, -58.63, 52.3

 

CMYK 71 / 71 / 0 / 29

HEX #3535B6

RGB 53 53 182

HSL 240, 0.55%, 0.46%

LAB 31.07, 42.14, -67.77

 

CMYK 0 / 71 / 71 / 29

HEX #B63535

RGB 182 53 53

HSL 0, 0.55%, 0.46%

LAB 42.38, 51.62, 30.44

 

CMYK 71 / 0 / 70 / 29

HEX #35B536

RGB 53 181 54

HSL 120.47, 0.55%, 0.46%

LAB 65.02, -58.63, 52.3

 

CMYK 71 / 14 / 0 / 29

HEX #359CB6

RGB 53 156 182

HSL 192.09, 0.55%, 0.46%

LAB 59.81, -20.7, -22.03

 

CMYK 0 / 71 / 0 / 29

HEX #B635B6

RGB 182 53 182

HSL 300, 0.55%, 0.46%

LAB 46.8, 65.94, -41.56

 

CMYK 0 / 57 / 71 / 29

HEX #B64F35

RGB 182 79 53

HSL 12.09, 0.55%, 0.46%

LAB 46.7, 40.08, 35.46

 

CMYK 71 / 0 / 70 / 29

HEX #35B536

RGB 53 181 54

HSL 120.47, 0.55%, 0.46%

LAB 65.02, -58.63, 52.3

 

CMYK 71 / 36 / 0 / 29

HEX #3575B6

RGB 53 117 182

HSL 210.23, 0.55%, 0.46%

LAB 48.08, 1.44, -40.3

 

CMYK 0 / 71 / 0 / 29

HEX #B635B6

RGB 182 53 182

HSL 300, 0.55%, 0.46%

LAB 46.8, 65.94, -41.56

 

CMYK 0 / 36 / 71 / 29

HEX #B67535

RGB 182 117 53

HSL 29.77, 0.55%, 0.46%

LAB 54.99, 19.79, 44.61

 

Description

Color code: RGB 53 181 54 | qconv.com Color code: RGB 53 181 54 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 181 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 181 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 70 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 70% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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