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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 179 18 it is the complementary color RGB 202 76 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 179 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 179 18 shade: RGB 58 179 13, RGB 75 197 32, RGB 92 215 51, RGB 109 233 70 and RGB 126 251 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 179 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 179 18 shade: RGB 53 179 18, RGB 36 161 0, RGB 19 143 0, RGB 2 125 0 and RGB 0 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 179 18 shade: RGB 53 181 18, RGB 97 181 18, RGB 141 181 18, RGB 181 177 18 and RGB 181 133 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 179 18 shade: RGB 53 181 18, RGB 18 181 26, RGB 18 181 70, RGB 18 181 114 and RGB 18 181 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 179 18 shade matches the following richer shades: RGB 53 181 18 and RGB 44 197 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 179 18 shade: RGB 53 181 18, RGB 62 165 34, RGB 72 149 50, RGB 81 133 66 and RGB 90 117 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 179 18 shade: RGB 143 181 18, RGB 99 181 18, RGB 56 181 18, RGB 18 181 23 and RGB 18 181 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 179 18 shade: RGB 31 106 10, RGB 42 143 14, RGB 53 181 18, RGB 64 219 22 and RGB 88 234 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 179 18 shade: RGB 53 179 18, RGB 18 181 176 and RGB 181 18 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 179 18 shade: RGB 53 179 18, RGB 18 56 181 and RGB 181 18 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 179 18 shade: RGB 53 179 18, RGB 18 181 176, RGB 143 18 181 and RGB 181 18 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 179 18 shade: RGB 53 179 18, RGB 18 138 181, RGB 143 18 181 and RGB 181 61 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 90 / 30

HEX #35B312

RGB 53 179 18

HSL 106.96, 0.82%, 0.39%

LAB 64.19, -60.15, 62.09

 

Complementary color

CMYK 15 / 68 / 0 / 7

HEX #CA4CED

RGB 202 76 237

HSL 286.96, 0.82%, 0.61%

LAB 55.93, 71.49, -58.32

 

CMYK 68 / 0 / 93 / 30

HEX #3AB30D

RGB 58 179 13

HSL 103.73, 0.86%, 0.38%

LAB 64.3, -59.31, 63.03

 

CMYK 62 / 0 / 84 / 23

HEX #4BC520

RGB 75 197 32

HSL 104.36, 0.72%, 0.45%

LAB 70.55, -60.89, 64.88

 

CMYK 57 / 0 / 76 / 16

HEX #5CD733

RGB 92 215 51

HSL 105, 0.67%, 0.52%

LAB 76.75, -61.97, 65.5

 

CMYK 53 / 0 / 70 / 9

HEX #6DE946

RGB 109 233 70

HSL 105.64, 0.79%, 0.59%

LAB 82.9, -62.68, 65.35

 

CMYK 50 / 0 / 65 / 2

HEX #7EFB59

RGB 126 251 89

HSL 106.3, 0.95%, 0.67%

LAB 88.99, -63.14, 64.75

 

CMYK 70 / 0 / 90 / 30

HEX #35B312

RGB 53 179 18

HSL 106.96, 0.82%, 0.39%

LAB 64.19, -60.15, 62.09

 

CMYK 78 / 0 / 100 / 37

HEX #24A100

RGB 36 161 0

HSL 106.58, 1%, 0.32%

LAB 57.91, -57.87, 59.41

 

CMYK 87 / 0 / 100 / 44

HEX #138F00

RGB 19 143 0

HSL 112.03, 1%, 0.28%

LAB 51.59, -54.59, 54.26

 

CMYK 98 / 0 / 100 / 51

HEX #027D00

RGB 2 125 0

HSL 119.04, 1%, 0.25%

LAB 45.19, -50.66, 49.07

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 71 / 0 / 90 / 29

HEX #35B512

RGB 53 181 18

HSL 107.12, 0.82%, 0.39%

LAB 64.84, -60.79, 62.64

 

CMYK 46 / 0 / 90 / 29

HEX #61B512

RGB 97 181 18

HSL 90.92, 0.82%, 0.39%

LAB 66.24, -49.53, 64.38

 

CMYK 22 / 0 / 90 / 29

HEX #8DB512

RGB 141 181 18

HSL 74.72, 0.82%, 0.39%

LAB 68.57, -33.37, 67.26

 

CMYK 0 / 2 / 90 / 29

HEX #B5B112

RGB 181 177 18

HSL 58.53, 0.82%, 0.39%

LAB 70.39, -14.39, 69.97

 

CMYK 0 / 27 / 90 / 29

HEX #B58512

RGB 181 133 18

HSL 42.33, 0.82%, 0.39%

LAB 58.64, 9.18, 60.78

 

CMYK 71 / 0 / 90 / 29

HEX #35B512

RGB 53 181 18

HSL 107.12, 0.82%, 0.39%

LAB 64.84, -60.79, 62.64

 

CMYK 90 / 0 / 86 / 29

HEX #12B51A

RGB 18 181 26

HSL 122.94, 0.82%, 0.39%

LAB 64.36, -64.9, 60.39

 

CMYK 90 / 0 / 61 / 29

HEX #12B546

RGB 18 181 70

HSL 139.14, 0.82%, 0.39%

LAB 64.66, -61.18, 44.97

 

CMYK 90 / 0 / 37 / 29

HEX #12B572

RGB 18 181 114

HSL 155.34, 0.82%, 0.39%

LAB 65.27, -53.86, 23.64

 

CMYK 90 / 0 / 13 / 29

HEX #12B59E

RGB 18 181 158

HSL 171.53, 0.82%, 0.39%

LAB 66.25, -43.19, 0.97

 

CMYK 71 / 0 / 90 / 29

HEX #35B512

RGB 53 181 18

HSL 107.12, 0.82%, 0.39%

LAB 64.84, -60.79, 62.64

 

CMYK 78 / 0 / 99 / 23

HEX #2CC502

RGB 44 197 2

HSL 107.08, 0.98%, 0.39%

LAB 69.8, -67.5, 68.74

 

CMYK 71 / 0 / 90 / 29

HEX #35B512

RGB 53 181 18

HSL 107.12, 0.82%, 0.39%

LAB 64.84, -60.79, 62.64

 

CMYK 62 / 0 / 79 / 35

HEX #3EA522

RGB 62 165 34

HSL 107.18, 0.66%, 0.39%

LAB 59.93, -52.78, 54.4

 

CMYK 52 / 0 / 66 / 42

HEX #489532

RGB 72 149 50

HSL 106.67, 0.5%, 0.39%

LAB 55.18, -42.77, 43.61

 

CMYK 39 / 0 / 50 / 48

HEX #518542

RGB 81 133 66

HSL 106.57, 0.34%, 0.39%

LAB 50.59, -30.98, 30.58

 

CMYK 23 / 0 / 30 / 54

HEX #5A7552

RGB 90 117 82

HSL 106.29, 0.18%, 0.39%

LAB 46.32, -17.08, 16.21

 

CMYK 21 / 0 / 90 / 29

HEX #8FB512

RGB 143 181 18

HSL 73.99, 0.82%, 0.39%

LAB 68.7, -32.55, 67.42

 

CMYK 45 / 0 / 90 / 29

HEX #63B512

RGB 99 181 18

HSL 90.18, 0.82%, 0.39%

LAB 66.32, -48.88, 64.49

 

CMYK 69 / 0 / 90 / 29

HEX #38B512

RGB 56 181 18

HSL 106.01, 0.82%, 0.39%

LAB 64.91, -60.22, 62.72

 

CMYK 90 / 0 / 87 / 29

HEX #12B517

RGB 18 181 23

HSL 121.84, 0.82%, 0.39%

LAB 64.35, -65.04, 61.05

 

CMYK 90 / 0 / 63 / 29

HEX #12B543

RGB 18 181 67

HSL 138.04, 0.82%, 0.39%

LAB 64.63, -61.55, 46.28

 

CMYK 71 / 0 / 91 / 58

HEX #1F6A0A

RGB 31 106 10

HSL 106.88, 0.83%, 0.23%

LAB 38.94, -40.24, 41.66

 

CMYK 71 / 0 / 90 / 44

HEX #2A8F0E

RGB 42 143 14

HSL 106.98, 0.82%, 0.31%

LAB 52.03, -50.62, 52.3

 

CMYK 71 / 0 / 90 / 29

HEX #35B512

RGB 53 181 18

HSL 107.12, 0.82%, 0.39%

LAB 64.84, -60.79, 62.64

 

CMYK 71 / 0 / 90 / 14

HEX #40DB16

RGB 64 219 22

HSL 107.21, 0.82%, 0.47%

LAB 77.17, -70.52, 72.54

 

CMYK 62 / 0 / 80 / 8

HEX #58EA2F

RGB 88 234 47

HSL 106.84, 0.82%, 0.55%

LAB 82.45, -69.54, 72.02

 

CMYK 70 / 0 / 90 / 30

HEX #35B312

RGB 53 179 18

HSL 106.96, 0.82%, 0.39%

LAB 64.19, -60.15, 62.09

 

CMYK 90 / 0 / 3 / 29

HEX #12B5B0

RGB 18 181 176

HSL 178.16, 0.82%, 0.39%

LAB 66.76, -38.03, -8.24

 

CMYK 0 / 90 / 33 / 29

HEX #B51279

RGB 181 18 121

HSL 322.09, 0.82%, 0.39%

LAB 40.63, 66.22, -14.39

 

CMYK 70 / 0 / 90 / 30

HEX #35B312

RGB 53 179 18

HSL 106.96, 0.82%, 0.39%

LAB 64.19, -60.15, 62.09

 

CMYK 90 / 69 / 0 / 29

HEX #1238B5

RGB 18 56 181

HSL 226.01, 0.82%, 0.39%

LAB 30.14, 37.19, -68.76

 

CMYK 0 / 90 / 69 / 29

HEX #B51238

RGB 181 18 56

HSL 346.01, 0.82%, 0.39%

LAB 38.8, 61.13, 24.21

 

CMYK 70 / 0 / 90 / 30

HEX #35B312

RGB 53 179 18

HSL 106.96, 0.82%, 0.39%

LAB 64.19, -60.15, 62.09

 

CMYK 90 / 0 / 3 / 29

HEX #12B5B0

RGB 18 181 176

HSL 178.16, 0.82%, 0.39%

LAB 66.76, -38.03, -8.24

 

CMYK 21 / 90 / 0 / 29

HEX #8F12B5

RGB 143 18 181

HSL 286.01, 0.82%, 0.39%

LAB 37.13, 67.81, -56.84

 

CMYK 0 / 90 / 87 / 29

HEX #B51217

RGB 181 18 23

HSL 358.16, 0.82%, 0.39%

LAB 38.41, 60.01, 43.06

 

CMYK 70 / 0 / 90 / 30

HEX #35B312

RGB 53 179 18

HSL 106.96, 0.82%, 0.39%

LAB 64.19, -60.15, 62.09

 

CMYK 90 / 24 / 0 / 29

HEX #128AB5

RGB 18 138 181

HSL 195.83, 0.82%, 0.39%

LAB 53.64, -14.78, -31.03

 

CMYK 21 / 90 / 0 / 29

HEX #8F12B5

RGB 143 18 181

HSL 286.01, 0.82%, 0.39%

LAB 37.13, 67.81, -56.84

 

CMYK 0 / 66 / 90 / 29

HEX #B53D12

RGB 181 61 18

HSL 15.83, 0.82%, 0.39%

LAB 43.07, 46.86, 48.87

 

Description

Color code: RGB 53 179 18 | qconv.com Color code: RGB 53 179 18 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 179 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 179 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 90 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 90% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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