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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 179 114 it is the complementary color RGB 202 76 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 179 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 179 114 shade: RGB 58 179 109, RGB 75 197 128, RGB 92 215 147, RGB 109 233 166 and RGB 126 251 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 179 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 179 114 shade: RGB 53 179 114, RGB 36 161 95, RGB 19 143 76, RGB 2 125 57 and RGB 0 107 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 179 114 shade: RGB 53 177 113, RGB 53 177 79, RGB 60 177 53, RGB 93 177 53 and RGB 126 177 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 179 114 shade: RGB 53 177 113, RGB 53 177 146, RGB 53 174 177, RGB 53 140 177 and RGB 53 107 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 179 114 shade matches the following richer shades: RGB 53 177 113, RGB 34 195 112 and RGB 16 214 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 179 114 shade: RGB 53 177 113, RGB 71 158 113, RGB 90 140 114, RGB 108 121 115 and RGB 127 102 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 179 114 shade: RGB 59 177 53, RGB 53 177 80, RGB 53 177 113, RGB 53 177 146 and RGB 53 175 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 179 114 shade: RGB 34 113 72, RGB 43 145 93, RGB 53 177 113, RGB 71 200 133 and RGB 103 209 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 179 114 shade: RGB 53 179 114, RGB 53 92 177 and RGB 177 63 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 179 114 shade: RGB 53 179 114, RGB 113 53 177 and RGB 177 113 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 179 114 shade: RGB 53 179 114, RGB 53 92 177, RGB 177 53 117 and RGB 177 137 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 179 114 shade: RGB 53 179 114, RGB 53 55 177, RGB 177 53 117 and RGB 177 175 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 36 / 30

HEX #35B372

RGB 53 179 114

HSL 149.05, 0.54%, 0.45%

LAB 65.13, -49.24, 23.53

 

Complementary color

CMYK 0 / 62 / 30 / 21

HEX #CA4C8D

RGB 202 76 141

HSL 329.05, 0.54%, 0.55%

LAB 51.44, 56.25, -9.87

 

CMYK 68 / 0 / 39 / 30

HEX #3AB36D

RGB 58 179 109

HSL 145.29, 0.51%, 0.46%

LAB 65.16, -49.35, 26.25

 

CMYK 62 / 0 / 35 / 23

HEX #4BC580

RGB 75 197 128

HSL 146.07, 0.51%, 0.53%

LAB 71.55, -49.63, 24.81

 

CMYK 57 / 0 / 32 / 16

HEX #5CD793

RGB 92 215 147

HSL 146.83, 0.61%, 0.6%

LAB 77.86, -49.72, 23.49

 

CMYK 53 / 0 / 29 / 9

HEX #6DE9A6

RGB 109 233 166

HSL 147.58, 0.74%, 0.67%

LAB 84.11, -49.69, 22.26

 

CMYK 50 / 0 / 26 / 2

HEX #7EFBB9

RGB 126 251 185

HSL 148.32, 0.94%, 0.74%

LAB 90.29, -49.58, 21.12

 

CMYK 70 / 0 / 36 / 30

HEX #35B372

RGB 53 179 114

HSL 149.05, 0.54%, 0.45%

LAB 65.13, -49.24, 23.53

 

CMYK 78 / 0 / 41 / 37

HEX #24A15F

RGB 36 161 95

HSL 148.32, 0.63%, 0.39%

LAB 58.69, -48.53, 25.11

 

CMYK 87 / 0 / 47 / 44

HEX #138F4C

RGB 19 143 76

HSL 147.58, 0.77%, 0.32%

LAB 52.18, -47.33, 26.85

 

CMYK 98 / 0 / 54 / 51

HEX #027D39

RGB 2 125 57

HSL 146.83, 0.97%, 0.25%

LAB 45.6, -45.51, 28.71

 

CMYK 100 / 0 / 64 / 58

HEX #006B26

RGB 0 107 38

HSL 141.31, 1%, 0.21%

LAB 38.99, -42.39, 30.66

 

CMYK 70 / 0 / 36 / 31

HEX #35B171

RGB 53 177 113

HSL 149.03, 0.54%, 0.45%

LAB 64.48, -48.65, 23.19

 

CMYK 70 / 0 / 55 / 31

HEX #35B14F

RGB 53 177 79

HSL 132.58, 0.54%, 0.45%

LAB 63.97, -54.41, 40.06

 

CMYK 66 / 0 / 70 / 31

HEX #3CB135

RGB 60 177 53

HSL 116.61, 0.54%, 0.45%

LAB 63.89, -56, 51.55

 

CMYK 47 / 0 / 70 / 31

HEX #5DB135

RGB 93 177 53

HSL 100.65, 0.54%, 0.45%

LAB 64.99, -47.38, 53.04

 

CMYK 29 / 0 / 70 / 31

HEX #7EB135

RGB 126 177 53

HSL 84.68, 0.54%, 0.45%

LAB 66.62, -35.91, 55.25

 

CMYK 70 / 0 / 36 / 31

HEX #35B171

RGB 53 177 113

HSL 149.03, 0.54%, 0.45%

LAB 64.48, -48.65, 23.19

 

CMYK 70 / 0 / 18 / 31

HEX #35B192

RGB 53 177 146

HSL 165, 0.54%, 0.45%

LAB 65.18, -41.17, 6.13

 

CMYK 70 / 2 / 0 / 31

HEX #35AEB1

RGB 53 174 177

HSL 181.45, 0.54%, 0.45%

LAB 65.12, -31.29, -11.18

 

CMYK 70 / 21 / 0 / 31

HEX #358CB1

RGB 53 140 177

HSL 197.9, 0.54%, 0.45%

LAB 54.75, -13.72, -26.98

 

CMYK 70 / 40 / 0 / 31

HEX #356BB1

RGB 53 107 177

HSL 213.87, 0.54%, 0.45%

LAB 44.87, 5.8, -42.48

 

CMYK 70 / 0 / 36 / 31

HEX #35B171

RGB 53 177 113

HSL 149.03, 0.54%, 0.45%

LAB 64.48, -48.65, 23.19

 

CMYK 83 / 0 / 43 / 24

HEX #22C370

RGB 34 195 112

HSL 149.07, 0.7%, 0.45%

LAB 69.85, -58.03, 30.77

 

CMYK 93 / 0 / 48 / 16

HEX #10D670

RGB 16 214 112

HSL 149.09, 0.86%, 0.45%

LAB 75.68, -65.75, 38.23

 

CMYK 70 / 0 / 36 / 31

HEX #35B171

RGB 53 177 113

HSL 149.03, 0.54%, 0.45%

LAB 64.48, -48.65, 23.19

 

CMYK 55 / 0 / 28 / 38

HEX #479E71

RGB 71 158 113

HSL 148.97, 0.38%, 0.45%

LAB 58.96, -37.01, 15.76

 

CMYK 36 / 0 / 19 / 45

HEX #5A8C72

RGB 90 140 114

HSL 148.8, 0.22%, 0.45%

LAB 54.18, -22.84, 8.62

 

CMYK 11 / 0 / 5 / 53

HEX #6C7973

RGB 108 121 115

HSL 152.31, 0.06%, 0.45%

LAB 49.62, -6.09, 1.64

 

CMYK 0 / 20 / 9 / 50

HEX #7F6673

RGB 127 102 115

HSL 328.8, 0.11%, 0.45%

LAB 45.98, 12.33, -3.49

 

CMYK 67 / 0 / 70 / 31

HEX #3BB135

RGB 59 177 53

HSL 117.1, 0.54%, 0.45%

LAB 63.86, -56.2, 51.52

 

CMYK 70 / 0 / 55 / 31

HEX #35B150

RGB 53 177 80

HSL 133.06, 0.54%, 0.45%

LAB 63.98, -54.27, 39.59

 

CMYK 70 / 0 / 36 / 31

HEX #35B171

RGB 53 177 113

HSL 149.03, 0.54%, 0.45%

LAB 64.48, -48.65, 23.19

 

CMYK 70 / 0 / 18 / 31

HEX #35B192

RGB 53 177 146

HSL 165, 0.54%, 0.45%

LAB 65.18, -41.17, 6.13

 

CMYK 70 / 1 / 0 / 31

HEX #35AFB1

RGB 53 175 177

HSL 180.97, 0.54%, 0.45%

LAB 65.43, -31.77, -10.72

 

CMYK 70 / 0 / 36 / 56

HEX #227148

RGB 34 113 72

HSL 148.86, 0.54%, 0.29%

LAB 42.18, -34.11, 16

 

CMYK 70 / 0 / 36 / 43

HEX #2B915D

RGB 43 145 93

HSL 149.41, 0.54%, 0.37%

LAB 53.55, -41.53, 19.39

 

CMYK 70 / 0 / 36 / 31

HEX #35B171

RGB 53 177 113

HSL 149.03, 0.54%, 0.45%

LAB 64.48, -48.65, 23.19

 

CMYK 65 / 0 / 34 / 22

HEX #47C885

RGB 71 200 133

HSL 148.84, 0.54%, 0.53%

LAB 72.46, -50.63, 23.39

 

CMYK 51 / 0 / 26 / 18

HEX #67D19A

RGB 103 209 154

HSL 148.87, 0.54%, 0.61%

LAB 76.57, -43.28, 18.08

 

CMYK 70 / 0 / 36 / 30

HEX #35B372

RGB 53 179 114

HSL 149.05, 0.54%, 0.45%

LAB 65.13, -49.24, 23.53

 

CMYK 70 / 48 / 0 / 31

HEX #355CB1

RGB 53 92 177

HSL 221.13, 0.54%, 0.45%

LAB 40.55, 15.38, -49.39

 

CMYK 0 / 64 / 70 / 31

HEX #B13F35

RGB 177 63 53

HSL 4.84, 0.54%, 0.45%

LAB 43, 45.78, 30.95

 

CMYK 70 / 0 / 36 / 30

HEX #35B372

RGB 53 179 114

HSL 149.05, 0.54%, 0.45%

LAB 65.13, -49.24, 23.53

 

CMYK 36 / 70 / 0 / 31

HEX #7135B1

RGB 113 53 177

HSL 269.03, 0.54%, 0.45%

LAB 36.43, 50.21, -55.81

 

CMYK 0 / 36 / 70 / 31

HEX #B17135

RGB 177 113 53

HSL 29.03, 0.54%, 0.45%

LAB 53.4, 19.84, 42.71

 

CMYK 70 / 0 / 36 / 30

HEX #35B372

RGB 53 179 114

HSL 149.05, 0.54%, 0.45%

LAB 65.13, -49.24, 23.53

 

CMYK 70 / 48 / 0 / 31

HEX #355CB1

RGB 53 92 177

HSL 221.13, 0.54%, 0.45%

LAB 40.55, 15.38, -49.39

 

CMYK 0 / 70 / 34 / 31

HEX #B13575

RGB 177 53 117

HSL 329.03, 0.54%, 0.45%

LAB 43.03, 55.39, -8.36

 

CMYK 0 / 23 / 70 / 31

HEX #B18935

RGB 177 137 53

HSL 40.65, 0.54%, 0.45%

LAB 59.43, 6.45, 49.12

 

CMYK 70 / 0 / 36 / 30

HEX #35B372

RGB 53 179 114

HSL 149.05, 0.54%, 0.45%

LAB 65.13, -49.24, 23.53

 

CMYK 70 / 69 / 0 / 31

HEX #3537B1

RGB 53 55 177

HSL 239.03, 0.54%, 0.45%

LAB 31.03, 39.24, -64.87

 

CMYK 0 / 70 / 34 / 31

HEX #B13575

RGB 177 53 117

HSL 329.03, 0.54%, 0.45%

LAB 43.03, 55.39, -8.36

 

CMYK 0 / 1 / 70 / 31

HEX #B1AF35

RGB 177 175 53

HSL 59.03, 0.54%, 0.45%

LAB 69.66, -13.91, 59.47

 

Description

Color code: RGB 53 179 114 | qconv.com Color code: RGB 53 179 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 179 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 179 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 36 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 36% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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