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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 178 39 it is the complementary color RGB 202 77 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 178 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 178 39 shade: RGB 58 178 34, RGB 75 196 53, RGB 92 214 72, RGB 109 232 91 and RGB 126 250 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 178 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 178 39 shade: RGB 53 178 39, RGB 36 160 20, RGB 19 142 1, RGB 2 124 0 and RGB 0 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 178 39 shade: RGB 54 180 39, RGB 91 180 39, RGB 129 180 39, RGB 167 180 39 and RGB 180 155 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 178 39 shade: RGB 54 180 39, RGB 39 180 63, RGB 39 180 101, RGB 39 180 139 and RGB 39 180 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 178 39 shade matches the following richer shades: RGB 54 180 39, RGB 39 198 22 and RGB 25 215 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 178 39 shade: RGB 54 180 39, RGB 68 162 57, RGB 82 144 75, RGB 96 127 93 and RGB 110 109 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 178 39 shade: RGB 131 180 39, RGB 93 180 39, RGB 56 180 39, RGB 39 180 61 and RGB 39 180 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 178 39 shade: RGB 33 112 25, RGB 44 146 32, RGB 54 180 39, RGB 67 210 50 and RGB 98 218 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 178 39 shade: RGB 53 178 39, RGB 39 168 180 and RGB 180 39 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 178 39 shade: RGB 53 178 39, RGB 39 56 180 and RGB 180 39 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 178 39 shade: RGB 53 178 39, RGB 39 168 180, RGB 163 39 180 and RGB 180 51 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 178 39 shade: RGB 53 178 39, RGB 39 126 180, RGB 163 39 180 and RGB 180 93 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 78 / 30

HEX #35B227

RGB 53 178 39

HSL 113.96, 0.64%, 0.43%

LAB 63.95, -58.8, 56.59

 

Complementary color

CMYK 6 / 64 / 0 / 15

HEX #CA4DD8

RGB 202 77 216

HSL 293.96, 0.64%, 0.57%

LAB 54.89, 67.27, -48.14

 

CMYK 67 / 0 / 81 / 30

HEX #3AB222

RGB 58 178 34

HSL 110, 0.68%, 0.42%

LAB 64.04, -58.13, 58.24

 

CMYK 62 / 0 / 73 / 23

HEX #4BC435

RGB 75 196 53

HSL 110.77, 0.57%, 0.49%

LAB 70.34, -59.29, 58.33

 

CMYK 57 / 0 / 66 / 16

HEX #5CD648

RGB 92 214 72

HSL 111.55, 0.63%, 0.56%

LAB 76.58, -60.02, 57.77

 

CMYK 53 / 0 / 61 / 9

HEX #6DE85B

RGB 109 232 91

HSL 112.34, 0.75%, 0.63%

LAB 82.76, -60.46, 56.86

 

CMYK 50 / 0 / 56 / 2

HEX #7EFA6E

RGB 126 250 110

HSL 113.14, 0.93%, 0.71%

LAB 88.89, -60.68, 55.79

 

CMYK 70 / 0 / 78 / 30

HEX #35B227

RGB 53 178 39

HSL 113.96, 0.64%, 0.43%

LAB 63.95, -58.8, 56.59

 

CMYK 78 / 0 / 88 / 37

HEX #24A014

RGB 36 160 20

HSL 113.14, 0.78%, 0.35%

LAB 57.62, -56.95, 55.85

 

CMYK 87 / 0 / 99 / 44

HEX #138E01

RGB 19 142 1

HSL 112.34, 0.99%, 0.28%

LAB 51.25, -54.25, 53.81

 

CMYK 98 / 0 / 100 / 51

HEX #027C00

RGB 2 124 0

HSL 119.03, 1%, 0.24%

LAB 44.84, -50.36, 48.79

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 70 / 0 / 78 / 29

HEX #36B427

RGB 54 180 39

HSL 113.62, 0.64%, 0.43%

LAB 64.62, -59.27, 57.24

 

CMYK 49 / 0 / 78 / 29

HEX #5BB427

RGB 91 180 39

HSL 97.87, 0.64%, 0.43%

LAB 65.76, -50.13, 58.72

 

CMYK 28 / 0 / 78 / 29

HEX #81B427

RGB 129 180 39

HSL 81.7, 0.64%, 0.43%

LAB 67.62, -36.93, 61.13

 

CMYK 7 / 0 / 78 / 29

HEX #A7B427

RGB 167 180 39

HSL 65.53, 0.64%, 0.43%

LAB 70.18, -21.38, 64.42

 

CMYK 0 / 14 / 78 / 29

HEX #B49B27

RGB 180 155 39

HSL 49.36, 0.64%, 0.43%

LAB 64.4, -2.7, 59.59

 

CMYK 70 / 0 / 78 / 29

HEX #36B427

RGB 54 180 39

HSL 113.62, 0.64%, 0.43%

LAB 64.62, -59.27, 57.24

 

CMYK 78 / 0 / 65 / 29

HEX #27B43F

RGB 39 180 63

HSL 130.21, 0.64%, 0.43%

LAB 64.51, -59.6, 47.96

 

CMYK 78 / 0 / 44 / 29

HEX #27B465

RGB 39 180 101

HSL 146.38, 0.64%, 0.43%

LAB 64.97, -54.09, 30.15

 

CMYK 78 / 0 / 23 / 29

HEX #27B48B

RGB 39 180 139

HSL 162.55, 0.64%, 0.43%

LAB 65.7, -46.01, 10.69

 

CMYK 78 / 0 / 2 / 29

HEX #27B4B1

RGB 39 180 177

HSL 178.72, 0.64%, 0.43%

LAB 66.71, -35.75, -8.84

 

CMYK 70 / 0 / 78 / 29

HEX #36B427

RGB 54 180 39

HSL 113.62, 0.64%, 0.43%

LAB 64.62, -59.27, 57.24

 

CMYK 80 / 0 / 89 / 22

HEX #27C616

RGB 39 198 22

HSL 114.2, 0.8%, 0.43%

LAB 70.09, -67.97, 66.33

 

CMYK 88 / 0 / 98 / 16

HEX #19D704

RGB 25 215 4

HSL 114.03, 0.96%, 0.43%

LAB 75.34, -74.52, 72.9

 

CMYK 70 / 0 / 78 / 29

HEX #36B427

RGB 54 180 39

HSL 113.62, 0.64%, 0.43%

LAB 64.62, -59.27, 57.24

 

CMYK 58 / 0 / 65 / 36

HEX #44A239

RGB 68 162 57

HSL 113.71, 0.48%, 0.43%

LAB 59.31, -48.29, 45.02

 

CMYK 43 / 0 / 48 / 44

HEX #52904B

RGB 82 144 75

HSL 113.91, 0.32%, 0.43%

LAB 54.29, -34.44, 30.43

 

CMYK 24 / 0 / 27 / 50

HEX #607F5D

RGB 96 127 93

HSL 114.71, 0.15%, 0.43%

LAB 50.04, -18.19, 14.99

 

CMYK 0 / 1 / 0 / 57

HEX #6E6D6E

RGB 110 109 110

HSL 300, 0%, 0.43%

LAB 46.15, 0.59, -0.43

 

CMYK 27 / 0 / 78 / 29

HEX #83B427

RGB 131 180 39

HSL 80.85, 0.64%, 0.43%

LAB 67.74, -36.16, 61.28

 

CMYK 48 / 0 / 78 / 29

HEX #5DB427

RGB 93 180 39

HSL 97.02, 0.64%, 0.43%

LAB 65.84, -49.52, 58.83

 

CMYK 69 / 0 / 78 / 29

HEX #38B427

RGB 56 180 39

HSL 112.77, 0.64%, 0.43%

LAB 64.67, -58.89, 57.3

 

CMYK 78 / 0 / 66 / 29

HEX #27B43D

RGB 39 180 61

HSL 129.36, 0.64%, 0.43%

LAB 64.49, -59.82, 48.8

 

CMYK 78 / 0 / 46 / 29

HEX #27B462

RGB 39 180 98

HSL 145.11, 0.64%, 0.43%

LAB 64.93, -54.62, 31.65

 

CMYK 71 / 0 / 78 / 56

HEX #217019

RGB 33 112 25

HSL 114.48, 0.64%, 0.27%

LAB 41.19, -41.02, 38.98

 

CMYK 70 / 0 / 78 / 43

HEX #2C9220

RGB 44 146 32

HSL 113.68, 0.64%, 0.35%

LAB 53.16, -50.27, 48.36

 

CMYK 70 / 0 / 78 / 29

HEX #36B427

RGB 54 180 39

HSL 113.62, 0.64%, 0.43%

LAB 64.62, -59.27, 57.24

 

CMYK 68 / 0 / 76 / 18

HEX #43D232

RGB 67 210 50

HSL 113.63, 0.64%, 0.51%

LAB 74.52, -65.86, 63.42

 

CMYK 55 / 0 / 61 / 15

HEX #62DA54

RGB 98 218 84

HSL 113.73, 0.64%, 0.59%

LAB 78.1, -58.82, 54.5

 

CMYK 70 / 0 / 78 / 30

HEX #35B227

RGB 53 178 39

HSL 113.96, 0.64%, 0.43%

LAB 63.95, -58.8, 56.59

 

CMYK 78 / 7 / 0 / 29

HEX #27A8B4

RGB 39 168 180

HSL 185.11, 0.64%, 0.43%

LAB 63.12, -29.11, -15.89

 

CMYK 0 / 78 / 38 / 29

HEX #B42770

RGB 180 39 112

HSL 328.94, 0.64%, 0.43%

LAB 41.73, 60.36, -7.15

 

CMYK 70 / 0 / 78 / 30

HEX #35B227

RGB 53 178 39

HSL 113.96, 0.64%, 0.43%

LAB 63.95, -58.8, 56.59

 

CMYK 78 / 69 / 0 / 29

HEX #2738B4

RGB 39 56 180

HSL 232.77, 0.64%, 0.43%

LAB 30.77, 38.23, -67.1

 

CMYK 0 / 78 / 69 / 29

HEX #B42738

RGB 180 39 56

HSL 352.77, 0.64%, 0.43%

LAB 40.31, 55.96, 26.04

 

CMYK 70 / 0 / 78 / 30

HEX #35B227

RGB 53 178 39

HSL 113.96, 0.64%, 0.43%

LAB 63.95, -58.8, 56.59

 

CMYK 78 / 7 / 0 / 29

HEX #27A8B4

RGB 39 168 180

HSL 185.11, 0.64%, 0.43%

LAB 63.12, -29.11, -15.89

 

CMYK 9 / 78 / 0 / 29

HEX #A327B4

RGB 163 39 180

HSL 292.77, 0.64%, 0.43%

LAB 42.05, 66.11, -48.15

 

CMYK 0 / 72 / 78 / 29

HEX #B43327

RGB 180 51 39

HSL 5.11, 0.64%, 0.43%

LAB 41.56, 51.13, 37.5

 

CMYK 70 / 0 / 78 / 30

HEX #35B227

RGB 53 178 39

HSL 113.96, 0.64%, 0.43%

LAB 63.95, -58.8, 56.59

 

CMYK 78 / 30 / 0 / 29

HEX #277EB4

RGB 39 126 180

HSL 202.98, 0.64%, 0.43%

LAB 50.27, -6.54, -35.71

 

CMYK 9 / 78 / 0 / 29

HEX #A327B4

RGB 163 39 180

HSL 292.77, 0.64%, 0.43%

LAB 42.05, 66.11, -48.15

 

CMYK 0 / 48 / 78 / 29

HEX #B45D27

RGB 180 93 39

HSL 22.98, 0.64%, 0.43%

LAB 49.1, 31.42, 45.14

 

Description

Color code: RGB 53 178 39 | qconv.com Color code: RGB 53 178 39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 178 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 178 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 78 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 78% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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