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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 173 147 it is the complementary color RGB 202 82 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 173 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 173 147 shade: RGB 58 173 142, RGB 75 191 161, RGB 92 209 180, RGB 109 227 199 and RGB 126 245 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 173 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 173 147 shade: RGB 53 173 147, RGB 36 155 128, RGB 19 137 109, RGB 2 119 90 and RGB 0 101 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 173 147 shade: RGB 53 172 146, RGB 53 172 114, RGB 53 172 82, RGB 56 172 53 and RGB 88 172 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 173 147 shade: RGB 53 172 146, RGB 53 165 172, RGB 53 133 172, RGB 53 101 172 and RGB 53 69 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 173 147 shade matches the following richer shades: RGB 53 172 146, RGB 35 190 156 and RGB 16 208 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 173 147 shade: RGB 53 172 146, RGB 71 154 136, RGB 89 135 125, RGB 107 117 115 and RGB 125 99 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 173 147 shade: RGB 53 172 82, RGB 53 172 114, RGB 53 172 146, RGB 53 166 172 and RGB 53 134 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 173 147 shade: RGB 33 109 92, RGB 43 140 119, RGB 53 172 146, RGB 68 198 170 and RGB 100 207 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 173 147 shade: RGB 53 173 147, RGB 53 55 172 and RGB 172 98 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 173 147 shade: RGB 53 173 147, RGB 146 53 172 and RGB 172 146 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 173 147 shade: RGB 53 173 147, RGB 53 55 172, RGB 172 53 79 and RGB 172 170 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 173 147 shade: RGB 53 173 147, RGB 86 53 172, RGB 172 53 79 and RGB 138 172 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 15 / 32

HEX #35AD93

RGB 53 173 147

HSL 167, 0.53%, 0.44%

LAB 63.96, -39.16, 3.81

 

Complementary color

CMYK 0 / 59 / 47 / 21

HEX #CA526C

RGB 202 82 108

HSL 347, 0.53%, 0.56%

LAB 51.47, 49.94, 9.91

 

CMYK 66 / 0 / 18 / 32

HEX #3AAD8E

RGB 58 173 142

HSL 163.83, 0.5%, 0.45%

LAB 63.95, -39.62, 6.59

 

CMYK 61 / 0 / 16 / 25

HEX #4BBFA1

RGB 75 191 161

HSL 164.48, 0.48%, 0.52%

LAB 70.41, -39.89, 5.47

 

CMYK 56 / 0 / 14 / 18

HEX #5CD1B4

RGB 92 209 180

HSL 165.13, 0.56%, 0.59%

LAB 76.78, -40.01, 4.46

 

CMYK 52 / 0 / 12 / 11

HEX #6DE3C7

RGB 109 227 199

HSL 165.76, 0.68%, 0.66%

LAB 83.08, -40.03, 3.52

 

CMYK 49 / 0 / 11 / 4

HEX #7EF5DA

RGB 126 245 218

HSL 166.39, 0.86%, 0.73%

LAB 89.3, -39.99, 2.65

 

CMYK 69 / 0 / 15 / 32

HEX #35AD93

RGB 53 173 147

HSL 167, 0.53%, 0.44%

LAB 63.96, -39.16, 3.81

 

CMYK 77 / 0 / 17 / 39

HEX #249B80

RGB 36 155 128

HSL 166.39, 0.62%, 0.37%

LAB 57.44, -38.5, 5.04

 

CMYK 86 / 0 / 20 / 46

HEX #13896D

RGB 19 137 109

HSL 165.76, 0.76%, 0.31%

LAB 50.84, -37.46, 6.45

 

CMYK 98 / 0 / 24 / 53

HEX #02775A

RGB 2 119 90

HSL 165.13, 0.97%, 0.24%

LAB 44.15, -35.97, 8.04

 

CMYK 100 / 0 / 30 / 60

HEX #006547

RGB 0 101 71

HSL 162.18, 1%, 0.2%

LAB 37.41, -33.48, 9.96

 

CMYK 69 / 0 / 15 / 33

HEX #35AC92

RGB 53 172 146

HSL 166.89, 0.53%, 0.44%

LAB 63.62, -38.97, 3.88

 

CMYK 69 / 0 / 34 / 33

HEX #35AC72

RGB 53 172 114

HSL 150.76, 0.53%, 0.44%

LAB 62.91, -46.45, 20.53

 

CMYK 69 / 0 / 52 / 33

HEX #35AC52

RGB 53 172 82

HSL 134.62, 0.53%, 0.44%

LAB 62.4, -52.16, 36.67

 

CMYK 67 / 0 / 69 / 33

HEX #38AC35

RGB 56 172 53

HSL 118.49, 0.53%, 0.44%

LAB 62.17, -55.09, 49.71

 

CMYK 49 / 0 / 69 / 33

HEX #58AC35

RGB 88 172 53

HSL 102.35, 0.53%, 0.44%

LAB 63.21, -46.92, 51.12

 

CMYK 69 / 0 / 15 / 33

HEX #35AC92

RGB 53 172 146

HSL 166.89, 0.53%, 0.44%

LAB 63.62, -38.97, 3.88

 

CMYK 69 / 4 / 0 / 33

HEX #35A5AC

RGB 53 165 172

HSL 183.53, 0.53%, 0.44%

LAB 62.21, -28.4, -12.76

 

CMYK 69 / 23 / 0 / 33

HEX #3585AC

RGB 53 133 172

HSL 199.66, 0.53%, 0.44%

LAB 52.41, -11.5, -27.73

 

CMYK 69 / 41 / 0 / 33

HEX #3565AC

RGB 53 101 172

HSL 215.8, 0.53%, 0.44%

LAB 42.83, 7.75, -42.8

 

CMYK 69 / 60 / 0 / 33

HEX #3545AC

RGB 53 69 172

HSL 231.93, 0.53%, 0.44%

LAB 33.97, 28.61, -57.08

 

CMYK 69 / 0 / 15 / 33

HEX #35AC92

RGB 53 172 146

HSL 166.89, 0.53%, 0.44%

LAB 63.62, -38.97, 3.88

 

CMYK 82 / 0 / 18 / 25

HEX #23BE9C

RGB 35 190 156

HSL 166.84, 0.69%, 0.44%

LAB 69.17, -46.31, 6.32

 

CMYK 92 / 0 / 20 / 18

HEX #10D0A6

RGB 16 208 166

HSL 166.88, 0.86%, 0.44%

LAB 74.81, -52.31, 8.96

 

CMYK 69 / 0 / 15 / 33

HEX #35AC92

RGB 53 172 146

HSL 166.89, 0.53%, 0.44%

LAB 63.62, -38.97, 3.88

 

CMYK 54 / 0 / 12 / 40

HEX #479A88

RGB 71 154 136

HSL 166.99, 0.37%, 0.44%

LAB 58.25, -29.78, 1.79

 

CMYK 34 / 0 / 7 / 47

HEX #59877D

RGB 89 135 125

HSL 166.96, 0.21%, 0.44%

LAB 52.88, -18.04, 0.38

 

CMYK 9 / 0 / 2 / 54

HEX #6B7573

RGB 107 117 115

HSL 168, 0.04%, 0.44%

LAB 48.37, -4.17, -0.19

 

CMYK 0 / 21 / 16 / 51

HEX #7D6369

RGB 125 99 105

HSL 346.15, 0.12%, 0.44%

LAB 44.67, 11.5, 0.59

 

CMYK 69 / 0 / 52 / 33

HEX #35AC52

RGB 53 172 82

HSL 134.62, 0.53%, 0.44%

LAB 62.4, -52.16, 36.67

 

CMYK 69 / 0 / 34 / 33

HEX #35AC72

RGB 53 172 114

HSL 150.76, 0.53%, 0.44%

LAB 62.91, -46.45, 20.53

 

CMYK 69 / 0 / 15 / 33

HEX #35AC92

RGB 53 172 146

HSL 166.89, 0.53%, 0.44%

LAB 63.62, -38.97, 3.88

 

CMYK 69 / 3 / 0 / 33

HEX #35A6AC

RGB 53 166 172

HSL 183.03, 0.53%, 0.44%

LAB 62.51, -28.89, -12.3

 

CMYK 69 / 22 / 0 / 33

HEX #3586AC

RGB 53 134 172

HSL 199.16, 0.53%, 0.44%

LAB 52.71, -12.06, -27.26

 

CMYK 70 / 0 / 16 / 57

HEX #216D5C

RGB 33 109 92

HSL 166.58, 0.54%, 0.28%

LAB 41.27, -27.47, 2.78

 

CMYK 69 / 0 / 15 / 45

HEX #2B8C77

RGB 43 140 119

HSL 167.01, 0.53%, 0.36%

LAB 52.51, -33.12, 3.11

 

CMYK 69 / 0 / 15 / 33

HEX #35AC92

RGB 53 172 146

HSL 166.89, 0.53%, 0.44%

LAB 63.62, -38.97, 3.88

 

CMYK 66 / 0 / 14 / 22

HEX #44C6AA

RGB 68 198 170

HSL 167.08, 0.53%, 0.52%

LAB 72.57, -41.98, 3.68

 

CMYK 52 / 0 / 11 / 19

HEX #64CFB8

RGB 100 207 184

HSL 167.1, 0.53%, 0.6%

LAB 76.56, -36.45, 2.01

 

CMYK 69 / 0 / 15 / 32

HEX #35AD93

RGB 53 173 147

HSL 167, 0.53%, 0.44%

LAB 63.96, -39.16, 3.81

 

CMYK 69 / 68 / 0 / 33

HEX #3537AC

RGB 53 55 172

HSL 238.99, 0.53%, 0.44%

LAB 30.56, 37.53, -62.64

 

CMYK 0 / 43 / 69 / 33

HEX #AC6235

RGB 172 98 53

HSL 22.69, 0.53%, 0.44%

LAB 49.21, 26.04, 37.89

 

CMYK 69 / 0 / 15 / 32

HEX #35AD93

RGB 53 173 147

HSL 167, 0.53%, 0.44%

LAB 63.96, -39.16, 3.81

 

CMYK 15 / 69 / 0 / 33

HEX #9235AC

RGB 146 53 172

HSL 286.89, 0.53%, 0.44%

LAB 40.63, 56.11, -45.83

 

CMYK 0 / 15 / 69 / 33

HEX #AC9235

RGB 172 146 53

HSL 46.89, 0.53%, 0.44%

LAB 61.29, -0.73, 50.9

 

CMYK 69 / 0 / 15 / 32

HEX #35AD93

RGB 53 173 147

HSL 167, 0.53%, 0.44%

LAB 63.96, -39.16, 3.81

 

CMYK 69 / 68 / 0 / 33

HEX #3537AC

RGB 53 55 172

HSL 238.99, 0.53%, 0.44%

LAB 30.56, 37.53, -62.64

 

CMYK 0 / 69 / 54 / 33

HEX #AC354F

RGB 172 53 79

HSL 346.89, 0.53%, 0.44%

LAB 41.03, 50.08, 12.34

 

CMYK 0 / 1 / 69 / 33

HEX #ACAA35

RGB 172 170 53

HSL 58.99, 0.53%, 0.44%

LAB 67.86, -13.5, 57.55

 

CMYK 69 / 0 / 15 / 32

HEX #35AD93

RGB 53 173 147

HSL 167, 0.53%, 0.44%

LAB 63.96, -39.16, 3.81

 

CMYK 50 / 69 / 0 / 33

HEX #5635AC

RGB 86 53 172

HSL 256.64, 0.53%, 0.44%

LAB 32.93, 43.77, -58.66

 

CMYK 0 / 69 / 54 / 33

HEX #AC354F

RGB 172 53 79

HSL 346.89, 0.53%, 0.44%

LAB 41.03, 50.08, 12.34

 

CMYK 20 / 0 / 69 / 33

HEX #8AAC35

RGB 138 172 53

HSL 77.14, 0.53%, 0.44%

LAB 65.88, -28.86, 54.72

 

Description

Color code: RGB 53 173 147 | qconv.com Color code: RGB 53 173 147 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 173 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 173 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 15 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 15% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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