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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 170 220 it is the complementary color RGB 202 85 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 170 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 170 220 shade: RGB 58 170 215, RGB 75 188 234, RGB 92 206 253, RGB 109 224 255 and RGB 126 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 170 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 170 220 shade: RGB 53 170 220, RGB 36 152 201, RGB 19 134 182, RGB 2 116 163 and RGB 0 98 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 170 220 shade: RGB 56 171 220, RGB 56 126 220, RGB 56 82 220, RGB 73 56 220 and RGB 118 56 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 170 220 shade: RGB 56 171 220, RGB 56 126 220, RGB 56 82 220 and RGB 56 56 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 170 220 shade matches the following richer shades: RGB 56 171 220 and RGB 37 178 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 170 220 shade: RGB 56 171 220, RGB 75 163 201, RGB 94 155 182, RGB 113 148 163 and RGB 132 140 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 170 220 shade: RGB 56 220 179, RGB 56 217 220, RGB 56 173 220, RGB 56 129 220 and RGB 56 86 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 170 220 shade: RGB 29 124 164, RGB 35 150 199, RGB 56 171 220, RGB 91 185 226 and RGB 126 200 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 170 220 shade: RGB 53 170 220, RGB 135 56 220 and RGB 220 201 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 170 220 shade: RGB 53 170 220, RGB 220 56 173 and RGB 173 220 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 170 220 shade: RGB 53 170 220, RGB 135 56 220, RGB 220 102 56 and RGB 140 220 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 170 220 shade: RGB 53 170 220, RGB 184 56 220, RGB 220 102 56 and RGB 91 220 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 23 / 0 / 14

HEX #35AADC

RGB 53 170 220

HSL 197.96, 0.7%, 0.54%

LAB 65.49, -15.59, -34.45

 

Complementary color

CMYK 0 / 58 / 83 / 21

HEX #CA5523

RGB 202 85 35

HSL 17.96, 0.7%, 0.46%

LAB 50.89, 44.01, 49.85

 

CMYK 73 / 21 / 0 / 16

HEX #3AAAD7

RGB 58 170 215

HSL 197.2, 0.66%, 0.54%

LAB 65.4, -16.65, -31.83

 

CMYK 68 / 20 / 0 / 8

HEX #4BBCEA

RGB 75 188 234

HSL 197.36, 0.79%, 0.61%

LAB 71.83, -17.69, -32.25

 

CMYK 64 / 19 / 0 / 1

HEX #5CCEFD

RGB 92 206 253

HSL 197.52, 0.98%, 0.68%

LAB 78.18, -18.51, -32.63

 

CMYK 57 / 12 / 0 / 0

HEX #6DE0FF

RGB 109 224 255

HSL 192.74, 1%, 0.71%

LAB 83.85, -24.07, -24.95

 

CMYK 51 / 5 / 0 / 0

HEX #7EF2FF

RGB 126 242 255

HSL 186.05, 1%, 0.75%

LAB 89.47, -29.52, -16.4

 

CMYK 76 / 23 / 0 / 14

HEX #35AADC

RGB 53 170 220

HSL 197.96, 0.7%, 0.54%

LAB 65.49, -15.59, -34.45

 

CMYK 82 / 24 / 0 / 21

HEX #2498C9

RGB 36 152 201

HSL 197.82, 0.7%, 0.46%

LAB 59.02, -14.06, -33.98

 

CMYK 90 / 26 / 0 / 29

HEX #1386B6

RGB 19 134 182

HSL 197.67, 0.81%, 0.39%

LAB 52.47, -12.12, -33.44

 

CMYK 99 / 29 / 0 / 36

HEX #0274A3

RGB 2 116 163

HSL 197.52, 0.98%, 0.32%

LAB 45.84, -9.71, -32.82

 

CMYK 100 / 32 / 0 / 44

HEX #006290

RGB 0 98 144

HSL 199.17, 1%, 0.28%

LAB 39.15, -6.5, -32.04

 

CMYK 75 / 22 / 0 / 14

HEX #38ABDC

RGB 56 171 220

HSL 197.93, 0.7%, 0.54%

LAB 65.85, -15.77, -33.89

 

CMYK 75 / 43 / 0 / 14

HEX #387EDC

RGB 56 126 220

HSL 214.39, 0.7%, 0.54%

LAB 52.87, 10.18, -54.35

 

CMYK 75 / 63 / 0 / 14

HEX #3852DC

RGB 56 82 220

HSL 230.49, 0.7%, 0.54%

LAB 41.28, 37.89, -73.11

 

CMYK 67 / 75 / 0 / 14

HEX #4938DC

RGB 73 56 220

HSL 246.22, 0.7%, 0.54%

LAB 36.77, 54.72, -80.5

 

CMYK 46 / 75 / 0 / 14

HEX #7638DC

RGB 118 56 220

HSL 262.68, 0.7%, 0.54%

LAB 40.97, 60.51, -73.43

 

CMYK 75 / 22 / 0 / 14

HEX #38ABDC

RGB 56 171 220

HSL 197.93, 0.7%, 0.54%

LAB 65.85, -15.77, -33.89

 

CMYK 75 / 43 / 0 / 14

HEX #387EDC

RGB 56 126 220

HSL 214.39, 0.7%, 0.54%

LAB 52.87, 10.18, -54.35

 

CMYK 75 / 63 / 0 / 14

HEX #3852DC

RGB 56 82 220

HSL 230.49, 0.7%, 0.54%

LAB 41.28, 37.89, -73.11

 

CMYK 75 / 75 / 0 / 14

HEX #3838DC

RGB 56 56 220

HSL 240, 0.7%, 0.54%

LAB 35.67, 53.16, -82.35

 

CMYK 75 / 22 / 0 / 14

HEX #38ABDC

RGB 56 171 220

HSL 197.93, 0.7%, 0.54%

LAB 65.85, -15.77, -33.89

 

CMYK 85 / 26 / 0 / 6

HEX #25B2EF

RGB 37 178 239

HSL 198.12, 0.86%, 0.54%

LAB 68.36, -14.85, -40.41

 

CMYK 75 / 22 / 0 / 14

HEX #38ABDC

RGB 56 171 220

HSL 197.93, 0.7%, 0.54%

LAB 65.85, -15.77, -33.89

 

CMYK 63 / 19 / 0 / 21

HEX #4BA3C9

RGB 75 163 201

HSL 198.1, 0.54%, 0.54%

LAB 63.27, -14.85, -27.32

 

CMYK 48 / 15 / 0 / 29

HEX #5E9BB6

RGB 94 155 182

HSL 198.41, 0.38%, 0.54%

LAB 60.96, -12.29, -20.15

 

CMYK 31 / 9 / 0 / 36

HEX #7194A3

RGB 113 148 163

HSL 198, 0.21%, 0.54%

LAB 59.28, -8.42, -11.82

 

CMYK 8 / 3 / 0 / 44

HEX #848C90

RGB 132 140 144

HSL 200, 0.05%, 0.54%

LAB 57.73, -2.08, -3.14

 

CMYK 75 / 0 / 19 / 14

HEX #38DCB3

RGB 56 220 179

HSL 165, 0.7%, 0.54%

LAB 79.2, -50.75, 8.36

 

CMYK 75 / 1 / 0 / 14

HEX #38D9DC

RGB 56 217 220

HSL 181.1, 0.7%, 0.54%

LAB 79.4, -38.54, -13.21

 

CMYK 75 / 21 / 0 / 14

HEX #38ADDC

RGB 56 173 220

HSL 197.2, 0.7%, 0.54%

LAB 66.44, -16.84, -32.98

 

CMYK 75 / 41 / 0 / 14

HEX #3881DC

RGB 56 129 220

HSL 213.29, 0.7%, 0.54%

LAB 53.72, 8.34, -53

 

CMYK 75 / 61 / 0 / 14

HEX #3856DC

RGB 56 86 220

HSL 229.02, 0.7%, 0.54%

LAB 42.25, 35.39, -71.53

 

CMYK 82 / 24 / 0 / 36

HEX #1D7CA4

RGB 29 124 164

HSL 197.78, 0.7%, 0.38%

LAB 48.71, -12.26, -28.89

 

CMYK 82 / 25 / 0 / 22

HEX #2396C7

RGB 35 150 199

HSL 197.93, 0.7%, 0.46%

LAB 58.31, -13.75, -33.95

 

CMYK 75 / 22 / 0 / 14

HEX #38ABDC

RGB 56 171 220

HSL 197.93, 0.7%, 0.54%

LAB 65.85, -15.77, -33.89

 

CMYK 60 / 18 / 0 / 11

HEX #5BB9E2

RGB 91 185 226

HSL 198.22, 0.7%, 0.62%

LAB 71.15, -15.96, -28.9

 

CMYK 46 / 14 / 0 / 9

HEX #7EC8E8

RGB 126 200 232

HSL 198.11, 0.7%, 0.7%

LAB 77.02, -14.69, -23.04

 

CMYK 76 / 23 / 0 / 14

HEX #35AADC

RGB 53 170 220

HSL 197.96, 0.7%, 0.54%

LAB 65.49, -15.59, -34.45

 

CMYK 39 / 75 / 0 / 14

HEX #8738DC

RGB 135 56 220

HSL 268.9, 0.7%, 0.54%

LAB 42.98, 63.21, -70.06

 

CMYK 0 / 9 / 75 / 14

HEX #DCC938

RGB 220 201 56

HSL 53.05, 0.7%, 0.54%

LAB 80.33, -8.62, 69.93

 

CMYK 76 / 23 / 0 / 14

HEX #35AADC

RGB 53 170 220

HSL 197.96, 0.7%, 0.54%

LAB 65.49, -15.59, -34.45

 

CMYK 0 / 75 / 21 / 14

HEX #DC38AD

RGB 220 56 173

HSL 317.2, 0.7%, 0.54%

LAB 53.02, 72.38, -26.1

 

CMYK 21 / 0 / 75 / 14

HEX #ADDC38

RGB 173 220 56

HSL 77.2, 0.7%, 0.54%

LAB 82.03, -37.11, 70.29

 

CMYK 76 / 23 / 0 / 14

HEX #35AADC

RGB 53 170 220

HSL 197.96, 0.7%, 0.54%

LAB 65.49, -15.59, -34.45

 

CMYK 39 / 75 / 0 / 14

HEX #8738DC

RGB 135 56 220

HSL 268.9, 0.7%, 0.54%

LAB 42.98, 63.21, -70.06

 

CMYK 0 / 54 / 75 / 14

HEX #DC6638

RGB 220 102 56

HSL 16.83, 0.7%, 0.54%

LAB 57.08, 43.32, 46.95

 

CMYK 36 / 0 / 75 / 14

HEX #8CDC38

RGB 140 220 56

HSL 89.27, 0.7%, 0.54%

LAB 80.21, -49.2, 67.91

 

CMYK 76 / 23 / 0 / 14

HEX #35AADC

RGB 53 170 220

HSL 197.96, 0.7%, 0.54%

LAB 65.49, -15.59, -34.45

 

CMYK 16 / 75 / 0 / 14

HEX #B838DC

RGB 184 56 220

HSL 286.83, 0.7%, 0.54%

LAB 49.72, 72, -58.83

 

CMYK 0 / 54 / 75 / 14

HEX #DC6638

RGB 220 102 56

HSL 16.83, 0.7%, 0.54%

LAB 57.08, 43.32, 46.95

 

CMYK 59 / 0 / 75 / 14

HEX #5BDC38

RGB 91 220 56

HSL 107.2, 0.7%, 0.54%

LAB 78.28, -63.63, 65.38

 

Description

Color code: RGB 53 170 220 | qconv.com Color code: RGB 53 170 220 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 170 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 170 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 23 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 23% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - WordPress大学 | WordPr...
Link: http://www.wpdaxue.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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