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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 166 94 it is the complementary color RGB 202 89 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 166 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 166 94 shade: RGB 58 166 89, RGB 75 184 108, RGB 92 202 127, RGB 109 220 146 and RGB 126 238 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 166 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 166 94 shade: RGB 53 166 94, RGB 36 148 75, RGB 19 130 56, RGB 2 112 37 and RGB 0 94 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 166 94 shade: RGB 53 167 94, RGB 53 167 63, RGB 73 167 53, RGB 104 167 53 and RGB 134 167 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 166 94 shade: RGB 53 167 94, RGB 53 167 125, RGB 53 167 156, RGB 53 147 167 and RGB 53 116 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 166 94 shade matches the following richer shades: RGB 53 167 94, RGB 35 184 89 and RGB 17 202 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 166 94 shade: RGB 53 167 94, RGB 70 149 99, RGB 88 131 104, RGB 106 113 109 and RGB 124 96 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 166 94 shade: RGB 74 167 53, RGB 53 167 62, RGB 53 167 93, RGB 53 167 123 and RGB 53 167 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 166 94 shade: RGB 33 104 59, RGB 43 135 76, RGB 53 167 94, RGB 65 195 112 and RGB 97 205 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 166 94 shade: RGB 53 166 94, RGB 53 104 167 and RGB 167 53 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 166 94 shade: RGB 53 166 94, RGB 93 53 167 and RGB 167 93 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 166 94 shade: RGB 53 166 94, RGB 53 104 167, RGB 167 53 127 and RGB 167 115 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 166 94 shade: RGB 53 166 94, RGB 53 70 167, RGB 167 53 127 and RGB 167 150 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 43 / 35

HEX #35A65E

RGB 53 166 94

HSL 141.77, 0.52%, 0.43%

LAB 60.64, -47.94, 28.26

 

Complementary color

CMYK 0 / 56 / 20 / 21

HEX #CA59A1

RGB 202 89 161

HSL 321.77, 0.52%, 0.57%

LAB 54.32, 53.1, -17.32

 

CMYK 65 / 0 / 46 / 35

HEX #3AA659

RGB 58 166 89

HSL 137.22, 0.48%, 0.44%

LAB 60.69, -47.82, 30.98

 

CMYK 59 / 0 / 41 / 28

HEX #4BB86C

RGB 75 184 108

HSL 138.17, 0.43%, 0.51%

LAB 67.17, -48.06, 29.52

 

CMYK 54 / 0 / 37 / 21

HEX #5CCA7F

RGB 92 202 127

HSL 139.09, 0.51%, 0.58%

LAB 73.58, -48.1, 28.15

 

CMYK 50 / 0 / 34 / 14

HEX #6DDC92

RGB 109 220 146

HSL 140, 0.61%, 0.65%

LAB 79.9, -48.01, 26.87

 

CMYK 47 / 0 / 31 / 7

HEX #7EEEA5

RGB 126 238 165

HSL 140.89, 0.77%, 0.71%

LAB 86.16, -47.85, 25.67

 

CMYK 68 / 0 / 43 / 35

HEX #35A65E

RGB 53 166 94

HSL 141.77, 0.52%, 0.43%

LAB 60.64, -47.94, 28.26

 

CMYK 76 / 0 / 49 / 42

HEX #24944B

RGB 36 148 75

HSL 140.89, 0.61%, 0.36%

LAB 54.09, -47.27, 29.86

 

CMYK 85 / 0 / 57 / 49

HEX #138238

RGB 19 130 56

HSL 140, 0.74%, 0.29%

LAB 47.48, -46.02, 31.56

 

CMYK 98 / 0 / 67 / 56

HEX #027025

RGB 2 112 37

HSL 139.09, 0.96%, 0.22%

LAB 40.79, -44.03, 33.19

 

CMYK 100 / 0 / 81 / 63

HEX #005E12

RGB 0 94 18

HSL 131.49, 1%, 0.18%

LAB 34.08, -40.36, 34.39

 

CMYK 68 / 0 / 44 / 35

HEX #35A75E

RGB 53 167 94

HSL 141.58, 0.52%, 0.43%

LAB 60.96, -48.32, 28.68

 

CMYK 68 / 0 / 62 / 35

HEX #35A73F

RGB 53 167 63

HSL 125.26, 0.52%, 0.43%

LAB 60.56, -52.88, 43.61

 

CMYK 56 / 0 / 68 / 35

HEX #49A735

RGB 73 167 53

HSL 109.47, 0.52%, 0.43%

LAB 61.06, -49.27, 48.67

 

CMYK 38 / 0 / 68 / 35

HEX #68A735

RGB 104 167 53

HSL 93.16, 0.52%, 0.43%

LAB 62.37, -39.57, 50.47

 

CMYK 20 / 0 / 68 / 35

HEX #86A735

RGB 134 167 53

HSL 77.37, 0.52%, 0.43%

LAB 64.13, -28.08, 52.85

 

CMYK 68 / 0 / 44 / 35

HEX #35A75E

RGB 53 167 94

HSL 141.58, 0.52%, 0.43%

LAB 60.96, -48.32, 28.68

 

CMYK 68 / 0 / 25 / 35

HEX #35A77D

RGB 53 167 125

HSL 157.89, 0.52%, 0.43%

LAB 61.55, -41.96, 12.61

 

CMYK 68 / 0 / 7 / 35

HEX #35A79C

RGB 53 167 156

HSL 174.21, 0.52%, 0.43%

LAB 62.33, -34, -3.59

 

CMYK 68 / 12 / 0 / 35

HEX #3593A7

RGB 53 147 167

HSL 190.53, 0.52%, 0.43%

LAB 56.5, -20.78, -18.57

 

CMYK 68 / 31 / 0 / 35

HEX #3574A7

RGB 53 116 167

HSL 206.84, 0.52%, 0.43%

LAB 47.02, -3.34, -33.23

 

CMYK 68 / 0 / 44 / 35

HEX #35A75E

RGB 53 167 94

HSL 141.58, 0.52%, 0.43%

LAB 60.96, -48.32, 28.68

 

CMYK 81 / 0 / 52 / 28

HEX #23B859

RGB 35 184 89

HSL 141.74, 0.68%, 0.43%

LAB 66.03, -57.98, 37.58

 

CMYK 92 / 0 / 58 / 21

HEX #11CA54

RGB 17 202 84

HSL 141.73, 0.84%, 0.43%

LAB 71.56, -66.03, 46.58

 

CMYK 68 / 0 / 44 / 35

HEX #35A75E

RGB 53 167 94

HSL 141.58, 0.52%, 0.43%

LAB 60.96, -48.32, 28.68

 

CMYK 53 / 0 / 34 / 42

HEX #469563

RGB 70 149 99

HSL 142.03, 0.36%, 0.43%

LAB 55.78, -36.09, 19.2

 

CMYK 33 / 0 / 21 / 49

HEX #588368

RGB 88 131 104

HSL 142.33, 0.2%, 0.43%

LAB 51.04, -20.96, 9.94

 

CMYK 6 / 0 / 4 / 56

HEX #6A716D

RGB 106 113 109

HSL 145.71, 0.03%, 0.43%

LAB 46.95, -3.49, 1.3

 

CMYK 0 / 23 / 9 / 51

HEX #7C6071

RGB 124 96 113

HSL 323.57, 0.13%, 0.43%

LAB 44.01, 14.38, -5.24

 

CMYK 56 / 0 / 68 / 35

HEX #4AA735

RGB 74 167 53

HSL 108.95, 0.52%, 0.43%

LAB 61.09, -49, 48.72

 

CMYK 68 / 0 / 63 / 35

HEX #35A73E

RGB 53 167 62

HSL 124.74, 0.52%, 0.43%

LAB 60.55, -53, 44.06

 

CMYK 68 / 0 / 44 / 35

HEX #35A75D

RGB 53 167 93

HSL 141.05, 0.52%, 0.43%

LAB 60.94, -48.5, 29.19

 

CMYK 68 / 0 / 26 / 35

HEX #35A77B

RGB 53 167 123

HSL 156.84, 0.52%, 0.43%

LAB 61.5, -42.42, 13.65

 

CMYK 68 / 0 / 8 / 35

HEX #35A799

RGB 53 167 153

HSL 172.63, 0.52%, 0.43%

LAB 62.25, -34.83, -2.03

 

CMYK 68 / 0 / 43 / 59

HEX #21683B

RGB 33 104 59

HSL 141.97, 0.52%, 0.27%

LAB 38.79, -33.12, 19.06

 

CMYK 68 / 0 / 44 / 47

HEX #2B874C

RGB 43 135 76

HSL 141.52, 0.52%, 0.35%

LAB 49.93, -40.8, 24.04

 

CMYK 68 / 0 / 44 / 35

HEX #35A75E

RGB 53 167 94

HSL 141.58, 0.52%, 0.43%

LAB 60.96, -48.32, 28.68

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 53 / 0 / 34 / 20

HEX #61CD88

RGB 97 205 136

HSL 141.67, 0.52%, 0.59%

LAB 74.81, -46.51, 25.13

 

CMYK 68 / 0 / 43 / 35

HEX #35A65E

RGB 53 166 94

HSL 141.77, 0.52%, 0.43%

LAB 60.64, -47.94, 28.26

 

CMYK 68 / 38 / 0 / 35

HEX #3568A7

RGB 53 104 167

HSL 213.16, 0.52%, 0.43%

LAB 43.43, 4.03, -38.9

 

CMYK 0 / 68 / 65 / 35

HEX #A7353A

RGB 167 53 58

HSL 357.37, 0.52%, 0.43%

LAB 39.69, 46.93, 23.5

 

CMYK 68 / 0 / 43 / 35

HEX #35A65E

RGB 53 166 94

HSL 141.77, 0.52%, 0.43%

LAB 60.64, -47.94, 28.26

 

CMYK 44 / 68 / 0 / 35

HEX #5D35A7

RGB 93 53 167

HSL 261.05, 0.52%, 0.43%

LAB 33.27, 43.66, -55.07

 

CMYK 0 / 44 / 68 / 35

HEX #A75D35

RGB 167 93 53

HSL 21.05, 0.52%, 0.43%

LAB 47.37, 26.69, 35.62

 

CMYK 68 / 0 / 43 / 35

HEX #35A65E

RGB 53 166 94

HSL 141.77, 0.52%, 0.43%

LAB 60.64, -47.94, 28.26

 

CMYK 68 / 38 / 0 / 35

HEX #3568A7

RGB 53 104 167

HSL 213.16, 0.52%, 0.43%

LAB 43.43, 4.03, -38.9

 

CMYK 0 / 68 / 24 / 35

HEX #A7357F

RGB 167 53 127

HSL 321.05, 0.52%, 0.43%

LAB 41.68, 53.85, -16.73

 

CMYK 0 / 31 / 68 / 35

HEX #A77335

RGB 167 115 53

HSL 32.63, 0.52%, 0.43%

LAB 52.66, 14.33, 41.54

 

CMYK 68 / 0 / 43 / 35

HEX #35A65E

RGB 53 166 94

HSL 141.77, 0.52%, 0.43%

LAB 60.64, -47.94, 28.26

 

CMYK 68 / 58 / 0 / 35

HEX #3546A7

RGB 53 70 167

HSL 231.05, 0.52%, 0.43%

LAB 33.83, 26.14, -54.31

 

CMYK 0 / 68 / 24 / 35

HEX #A7357F

RGB 167 53 127

HSL 321.05, 0.52%, 0.43%

LAB 41.68, 53.85, -16.73

 

CMYK 0 / 10 / 68 / 35

HEX #A79635

RGB 167 150 53

HSL 51.05, 0.52%, 0.43%

LAB 61.9, -5.13, 51.37

 

Description

Color code: RGB 53 166 94 | qconv.com Color code: RGB 53 166 94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 166 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 166 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 43 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 43% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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