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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 164 190 it is the complementary color RGB 202 91 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 164 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 164 190 shade: RGB 58 164 185, RGB 75 182 204, RGB 92 200 223, RGB 109 218 242 and RGB 126 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 164 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 164 190 shade: RGB 53 164 190, RGB 36 146 171, RGB 19 128 152, RGB 2 110 133 and RGB 0 92 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 164 190 shade: RGB 54 165 191, RGB 54 128 191, RGB 54 91 191, RGB 54 54 191 and RGB 91 54 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 164 190 shade: RGB 54 165 191, RGB 54 128 191, RGB 54 91 191 and RGB 54 54 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 164 190 shade matches the following richer shades: RGB 54 165 191, RGB 34 177 211 and RGB 14 189 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 164 190 shade: RGB 54 165 191, RGB 74 153 171, RGB 93 140 151, RGB 113 128 132 and RGB 133 116 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 164 190 shade: RGB 54 191 143, RGB 54 191 180, RGB 54 166 191, RGB 54 129 191 and RGB 54 93 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 164 190 shade: RGB 36 109 127, RGB 45 137 159, RGB 54 165 191, RGB 80 182 206 and RGB 113 195 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 164 190 shade: RGB 53 164 190, RGB 106 54 191 and RGB 191 161 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 164 190 shade: RGB 53 164 190, RGB 191 54 166 and RGB 166 191 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 164 190 shade: RGB 53 164 190, RGB 106 54 191, RGB 191 79 54 and RGB 138 191 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 164 190 shade: RGB 53 164 190, RGB 148 54 191, RGB 191 79 54 and RGB 97 191 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

Complementary color

CMYK 0 / 55 / 68 / 21

HEX #CA5B41

RGB 202 91 65

HSL 11.39, 0.56%, 0.52%

LAB 52.31, 42.37, 36.11

 

CMYK 69 / 11 / 0 / 27

HEX #3AA4B9

RGB 58 164 185

HSL 189.92, 0.52%, 0.48%

LAB 62.47, -23.18, -19.65

 

CMYK 63 / 11 / 0 / 20

HEX #4BB6CC

RGB 75 182 204

HSL 190.23, 0.56%, 0.55%

LAB 68.98, -23.86, -20.24

 

CMYK 59 / 10 / 0 / 13

HEX #5CC8DF

RGB 92 200 223

HSL 190.53, 0.67%, 0.62%

LAB 75.4, -24.36, -20.78

 

CMYK 55 / 10 / 0 / 5

HEX #6DDAF2

RGB 109 218 242

HSL 190.83, 0.84%, 0.69%

LAB 81.73, -24.74, -21.29

 

CMYK 51 / 7 / 0 / 0

HEX #7EECFF

RGB 126 236 255

HSL 188.84, 1%, 0.75%

LAB 87.8, -26.62, -18.91

 

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

CMYK 79 / 15 / 0 / 33

HEX #2492AB

RGB 36 146 171

HSL 191.11, 0.65%, 0.41%

LAB 55.96, -21.16, -21.71

 

CMYK 88 / 16 / 0 / 40

HEX #138098

RGB 19 128 152

HSL 190.83, 0.78%, 0.34%

LAB 49.31, -19.62, -20.97

 

CMYK 98 / 17 / 0 / 48

HEX #026E85

RGB 2 110 133

HSL 190.53, 0.97%, 0.26%

LAB 42.55, -17.63, -20.12

 

CMYK 100 / 19 / 0 / 55

HEX #005C72

RGB 0 92 114

HSL 191.58, 1%, 0.22%

LAB 35.73, -14.76, -19.07

 

CMYK 72 / 14 / 0 / 25

HEX #36A5BF

RGB 54 165 191

HSL 191.39, 0.56%, 0.48%

LAB 62.89, -22.36, -22.37

 

CMYK 72 / 33 / 0 / 25

HEX #3680BF

RGB 54 128 191

HSL 207.59, 0.56%, 0.48%

LAB 51.82, -1.81, -39.57

 

CMYK 72 / 52 / 0 / 25

HEX #365BBF

RGB 54 91 191

HSL 223.8, 0.56%, 0.48%

LAB 41.26, 21.37, -56.43

 

CMYK 72 / 72 / 0 / 25

HEX #3636BF

RGB 54 54 191

HSL 240, 0.56%, 0.48%

LAB 32.22, 44.67, -71.19

 

CMYK 52 / 72 / 0 / 25

HEX #5B36BF

RGB 91 54 191

HSL 256.2, 0.56%, 0.48%

LAB 35.25, 49.52, -66.1

 

CMYK 72 / 14 / 0 / 25

HEX #36A5BF

RGB 54 165 191

HSL 191.39, 0.56%, 0.48%

LAB 62.89, -22.36, -22.37

 

CMYK 72 / 33 / 0 / 25

HEX #3680BF

RGB 54 128 191

HSL 207.59, 0.56%, 0.48%

LAB 51.82, -1.81, -39.57

 

CMYK 72 / 52 / 0 / 25

HEX #365BBF

RGB 54 91 191

HSL 223.8, 0.56%, 0.48%

LAB 41.26, 21.37, -56.43

 

CMYK 72 / 72 / 0 / 25

HEX #3636BF

RGB 54 54 191

HSL 240, 0.56%, 0.48%

LAB 32.22, 44.67, -71.19

 

CMYK 72 / 14 / 0 / 25

HEX #36A5BF

RGB 54 165 191

HSL 191.39, 0.56%, 0.48%

LAB 62.89, -22.36, -22.37

 

CMYK 84 / 16 / 0 / 17

HEX #22B1D3

RGB 34 177 211

HSL 191.53, 0.72%, 0.48%

LAB 66.89, -24.04, -27.36

 

CMYK 94 / 18 / 0 / 9

HEX #0EBDE7

RGB 14 189 231

HSL 191.61, 0.89%, 0.48%

LAB 71.05, -24.49, -31.9

 

CMYK 72 / 14 / 0 / 25

HEX #36A5BF

RGB 54 165 191

HSL 191.39, 0.56%, 0.48%

LAB 62.89, -22.36, -22.37

 

CMYK 57 / 11 / 0 / 33

HEX #4A99AB

RGB 74 153 171

HSL 191.13, 0.4%, 0.48%

LAB 59.14, -18.91, -16.77

 

CMYK 38 / 7 / 0 / 41

HEX #5D8C97

RGB 93 140 151

HSL 191.38, 0.24%, 0.48%

LAB 55.4, -12.96, -10.91

 

CMYK 14 / 3 / 0 / 48

HEX #718084

RGB 113 128 132

HSL 192.63, 0.08%, 0.48%

LAB 52.53, -4.59, -4.03

 

CMYK 0 / 13 / 16 / 48

HEX #857470

RGB 133 116 112

HSL 11.43, 0.09%, 0.48%

LAB 50.27, 5.89, 4.63

 

CMYK 72 / 0 / 25 / 25

HEX #36BF8F

RGB 54 191 143

HSL 158.98, 0.56%, 0.48%

LAB 69.49, -47.66, 13.89

 

CMYK 72 / 0 / 6 / 25

HEX #36BFB4

RGB 54 191 180

HSL 175.18, 0.56%, 0.48%

LAB 70.41, -38.24, -4.96

 

CMYK 72 / 13 / 0 / 25

HEX #36A6BF

RGB 54 166 191

HSL 190.95, 0.56%, 0.48%

LAB 63.19, -22.87, -21.91

 

CMYK 72 / 32 / 0 / 25

HEX #3681BF

RGB 54 129 191

HSL 207.15, 0.56%, 0.48%

LAB 52.11, -2.4, -39.1

 

CMYK 72 / 51 / 0 / 25

HEX #365DBF

RGB 54 93 191

HSL 222.92, 0.56%, 0.48%

LAB 41.81, 20.07, -55.55

 

CMYK 72 / 14 / 0 / 50

HEX #246D7F

RGB 36 109 127

HSL 191.87, 0.56%, 0.32%

LAB 42.53, -16.02, -16.5

 

CMYK 72 / 14 / 0 / 38

HEX #2D899F

RGB 45 137 159

HSL 191.58, 0.56%, 0.4%

LAB 52.9, -19.26, -19.49

 

CMYK 72 / 14 / 0 / 25

HEX #36A5BF

RGB 54 165 191

HSL 191.39, 0.56%, 0.48%

LAB 62.89, -22.36, -22.37

 

CMYK 61 / 12 / 0 / 19

HEX #50B6CE

RGB 80 182 206

HSL 191.43, 0.56%, 0.56%

LAB 69.2, -22.4, -20.99

 

CMYK 47 / 9 / 0 / 16

HEX #71C3D7

RGB 113 195 215

HSL 191.76, 0.56%, 0.64%

LAB 74.47, -19.74, -17.78

 

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

CMYK 45 / 72 / 0 / 25

HEX #6A36BF

RGB 106 54 191

HSL 262.77, 0.56%, 0.48%

LAB 36.86, 52, -63.4

 

CMYK 0 / 16 / 72 / 25

HEX #BFA136

RGB 191 161 54

HSL 46.86, 0.56%, 0.48%

LAB 67.15, -0.38, 57.02

 

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

CMYK 0 / 72 / 13 / 25

HEX #BF36A6

RGB 191 54 166

HSL 310.95, 0.56%, 0.48%

LAB 47.58, 65.19, -30.8

 

CMYK 13 / 0 / 72 / 25

HEX #A6BF36

RGB 166 191 54

HSL 70.95, 0.56%, 0.48%

LAB 73.31, -26.49, 62.4

 

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

CMYK 45 / 72 / 0 / 25

HEX #6A36BF

RGB 106 54 191

HSL 262.77, 0.56%, 0.48%

LAB 36.86, 52, -63.4

 

CMYK 0 / 59 / 72 / 25

HEX #BF4F36

RGB 191 79 54

HSL 10.95, 0.56%, 0.48%

LAB 48.18, 43.51, 36.97

 

CMYK 28 / 0 / 72 / 25

HEX #8ABF36

RGB 138 191 54

HSL 83.21, 0.56%, 0.48%

LAB 71.51, -37.6, 60.02

 

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

CMYK 23 / 72 / 0 / 25

HEX #9436BF

RGB 148 54 191

HSL 281.17, 0.56%, 0.48%

LAB 42.3, 59.99, -54.33

 

CMYK 0 / 59 / 72 / 25

HEX #BF4F36

RGB 191 79 54

HSL 10.95, 0.56%, 0.48%

LAB 48.18, 43.51, 36.97

 

CMYK 49 / 0 / 72 / 25

HEX #61BF36

RGB 97 191 54

HSL 101.17, 0.56%, 0.48%

LAB 69.52, -51.6, 57.37

 

Description

Color code: RGB 53 164 190 | qconv.com Color code: RGB 53 164 190 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 164 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 164 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 14 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 14% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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