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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 162 35 it is the complementary color RGB 202 93 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 162 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 162 35 shade: RGB 58 162 30, RGB 75 180 49, RGB 92 198 68, RGB 109 216 87 and RGB 126 234 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 162 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 162 35 shade: RGB 53 162 35, RGB 36 144 16, RGB 19 126 0, RGB 2 108 0 and RGB 0 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 162 35 shade: RGB 54 163 36, RGB 88 163 36, RGB 122 163 36, RGB 157 163 36 and RGB 163 135 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 162 35 shade: RGB 54 163 36, RGB 36 163 52, RGB 36 163 86, RGB 36 163 121 and RGB 36 163 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 162 35 shade matches the following richer shades: RGB 54 163 36, RGB 42 179 20 and RGB 31 195 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 162 35 shade: RGB 54 163 36, RGB 65 147 52, RGB 77 131 68, RGB 88 115 84 and RGB 100 99 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 162 35 shade: RGB 123 163 36, RGB 89 163 36, RGB 55 163 36, RGB 36 163 51 and RGB 36 163 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 162 35 shade: RGB 32 95 21, RGB 43 129 28, RGB 54 163 36, RGB 65 197 43 and RGB 88 214 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 162 35 shade: RGB 53 162 35, RGB 36 157 163 and RGB 163 36 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 162 35 shade: RGB 53 162 35, RGB 36 55 163 and RGB 163 36 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 162 35 shade: RGB 53 162 35, RGB 36 157 163, RGB 144 36 163 and RGB 163 42 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 162 35 shade: RGB 53 162 35, RGB 36 119 163, RGB 144 36 163 and RGB 163 80 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 78 / 36

HEX #35A223

RGB 53 162 35

HSL 111.5, 0.64%, 0.39%

LAB 58.71, -53.7, 52.82

 

Complementary color

CMYK 8 / 58 / 0 / 14

HEX #CA5DDC

RGB 202 93 220

HSL 291.5, 0.64%, 0.61%

LAB 57.61, 61.09, -46.09

 

CMYK 64 / 0 / 81 / 36

HEX #3AA21E

RGB 58 162 30

HSL 107.27, 0.69%, 0.38%

LAB 58.82, -52.9, 54.52

 

CMYK 58 / 0 / 73 / 29

HEX #4BB431

RGB 75 180 49

HSL 108.09, 0.57%, 0.45%

LAB 65.25, -53.92, 54.62

 

CMYK 54 / 0 / 66 / 22

HEX #5CC644

RGB 92 198 68

HSL 108.92, 0.53%, 0.52%

LAB 71.61, -54.51, 54.02

 

CMYK 50 / 0 / 60 / 15

HEX #6DD857

RGB 109 216 87

HSL 109.77, 0.62%, 0.59%

LAB 77.91, -54.83, 53.08

 

CMYK 46 / 0 / 55 / 8

HEX #7EEA6A

RGB 126 234 106

HSL 110.63, 0.75%, 0.67%

LAB 84.13, -54.96, 51.98

 

CMYK 67 / 0 / 78 / 36

HEX #35A223

RGB 53 162 35

HSL 111.5, 0.64%, 0.39%

LAB 58.71, -53.7, 52.82

 

CMYK 75 / 0 / 89 / 44

HEX #249010

RGB 36 144 16

HSL 110.63, 0.8%, 0.31%

LAB 52.24, -52.01, 52.01

 

CMYK 85 / 0 / 100 / 51

HEX #137E00

RGB 19 126 0

HSL 110.95, 1%, 0.25%

LAB 45.72, -49.4, 49.57

 

CMYK 98 / 0 / 100 / 58

HEX #026C00

RGB 2 108 0

HSL 118.89, 1%, 0.21%

LAB 39.14, -45.59, 44.22

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 67 / 0 / 78 / 36

HEX #36A324

RGB 54 163 36

HSL 111.5, 0.64%, 0.39%

LAB 59.07, -53.77, 52.85

 

CMYK 46 / 0 / 78 / 36

HEX #58A324

RGB 88 163 36

HSL 95.43, 0.64%, 0.39%

LAB 60.25, -44.52, 54.39

 

CMYK 25 / 0 / 78 / 36

HEX #7AA324

RGB 122 163 36

HSL 79.37, 0.64%, 0.39%

LAB 62.05, -32.04, 56.73

 

CMYK 4 / 0 / 78 / 36

HEX #9DA324

RGB 157 163 36

HSL 62.83, 0.64%, 0.39%

LAB 64.56, -17.24, 59.96

 

CMYK 0 / 17 / 78 / 36

HEX #A38724

RGB 163 135 36

HSL 46.77, 0.64%, 0.39%

LAB 57.31, 0.42, 53.5

 

CMYK 67 / 0 / 78 / 36

HEX #36A324

RGB 54 163 36

HSL 111.5, 0.64%, 0.39%

LAB 59.07, -53.77, 52.85

 

CMYK 78 / 0 / 68 / 36

HEX #24A334

RGB 36 163 52

HSL 127.56, 0.64%, 0.39%

LAB 58.8, -55.61, 46.4

 

CMYK 78 / 0 / 47 / 36

HEX #24A356

RGB 36 163 86

HSL 143.62, 0.64%, 0.39%

LAB 59.2, -50.93, 30.55

 

CMYK 78 / 0 / 26 / 36

HEX #24A379

RGB 36 163 121

HSL 160.16, 0.64%, 0.39%

LAB 59.84, -43.68, 12.39

 

CMYK 78 / 0 / 5 / 36

HEX #24A39B

RGB 36 163 155

HSL 176.22, 0.64%, 0.39%

LAB 60.73, -34.61, -5.44

 

CMYK 67 / 0 / 78 / 36

HEX #36A324

RGB 54 163 36

HSL 111.5, 0.64%, 0.39%

LAB 59.07, -53.77, 52.85

 

CMYK 77 / 0 / 89 / 30

HEX #2AB314

RGB 42 179 20

HSL 111.7, 0.8%, 0.39%

LAB 63.98, -61.94, 61.45

 

CMYK 84 / 0 / 98 / 24

HEX #1FC304

RGB 31 195 4

HSL 111.52, 0.96%, 0.39%

LAB 68.99, -68.44, 67.78

 

CMYK 67 / 0 / 78 / 36

HEX #36A324

RGB 54 163 36

HSL 111.5, 0.64%, 0.39%

LAB 59.07, -53.77, 52.85

 

CMYK 56 / 0 / 65 / 42

HEX #419334

RGB 65 147 52

HSL 111.79, 0.48%, 0.39%

LAB 54.28, -43.78, 41.65

 

CMYK 41 / 0 / 48 / 49

HEX #4D8344

RGB 77 131 68

HSL 111.43, 0.32%, 0.39%

LAB 49.77, -31.14, 28.45

 

CMYK 23 / 0 / 27 / 55

HEX #587354

RGB 88 115 84

HSL 112.26, 0.16%, 0.39%

LAB 45.6, -16.41, 14.04

 

CMYK 0 / 1 / 0 / 61

HEX #646364

RGB 100 99 100

HSL 300, 0.01%, 0.39%

LAB 42.08, 0.6, -0.43

 

CMYK 25 / 0 / 78 / 36

HEX #7BA324

RGB 123 163 36

HSL 78.9, 0.64%, 0.39%

LAB 62.11, -31.64, 56.81

 

CMYK 45 / 0 / 78 / 36

HEX #59A324

RGB 89 163 36

HSL 94.96, 0.64%, 0.39%

LAB 60.29, -44.19, 54.44

 

CMYK 66 / 0 / 78 / 36

HEX #37A324

RGB 55 163 36

HSL 111.02, 0.64%, 0.39%

LAB 59.1, -53.55, 52.88

 

CMYK 78 / 0 / 69 / 36

HEX #24A333

RGB 36 163 51

HSL 127.09, 0.64%, 0.39%

LAB 58.8, -55.71, 46.81

 

CMYK 78 / 0 / 48 / 36

HEX #24A355

RGB 36 163 85

HSL 143.15, 0.64%, 0.39%

LAB 59.18, -51.1, 31.06

 

CMYK 66 / 0 / 78 / 63

HEX #205F15

RGB 32 95 21

HSL 111.08, 0.64%, 0.23%

LAB 35.09, -35.12, 34.42

 

CMYK 67 / 0 / 78 / 49

HEX #2B811C

RGB 43 129 28

HSL 111.09, 0.64%, 0.31%

LAB 47.36, -44.75, 44.08

 

CMYK 67 / 0 / 78 / 36

HEX #36A324

RGB 54 163 36

HSL 111.5, 0.64%, 0.39%

LAB 59.07, -53.77, 52.85

 

CMYK 67 / 0 / 78 / 23

HEX #41C52B

RGB 65 197 43

HSL 111.43, 0.64%, 0.47%

LAB 70.34, -62.46, 61.56

 

CMYK 59 / 0 / 68 / 16

HEX #58D644

RGB 88 214 68

HSL 111.78, 0.64%, 0.55%

LAB 76.43, -61.34, 59.14

 

CMYK 67 / 0 / 78 / 36

HEX #35A223

RGB 53 162 35

HSL 111.5, 0.64%, 0.39%

LAB 58.71, -53.7, 52.82

 

CMYK 78 / 4 / 0 / 36

HEX #249DA3

RGB 36 157 163

HSL 182.83, 0.64%, 0.39%

LAB 59.1, -29.33, -12.39

 

CMYK 0 / 78 / 35 / 36

HEX #A3246A

RGB 163 36 106

HSL 326.93, 0.64%, 0.39%

LAB 38, 56.15, -9.3

 

CMYK 67 / 0 / 78 / 36

HEX #35A223

RGB 53 162 35

HSL 111.5, 0.64%, 0.39%

LAB 58.71, -53.7, 52.82

 

CMYK 78 / 66 / 0 / 36

HEX #2437A3

RGB 36 55 163

HSL 231.02, 0.64%, 0.39%

LAB 28.78, 32.37, -60.19

 

CMYK 0 / 78 / 66 / 36

HEX #A32437

RGB 163 36 55

HSL 351.02, 0.64%, 0.39%

LAB 36.6, 51.77, 21.3

 

CMYK 67 / 0 / 78 / 36

HEX #35A223

RGB 53 162 35

HSL 111.5, 0.64%, 0.39%

LAB 58.71, -53.7, 52.82

 

CMYK 78 / 4 / 0 / 36

HEX #249DA3

RGB 36 157 163

HSL 182.83, 0.64%, 0.39%

LAB 59.1, -29.33, -12.39

 

CMYK 12 / 78 / 0 / 36

HEX #9024A3

RGB 144 36 163

HSL 291.02, 0.64%, 0.39%

LAB 37.55, 60.23, -45.41

 

CMYK 0 / 74 / 78 / 36

HEX #A32A24

RGB 163 42 36

HSL 2.83, 0.64%, 0.39%

LAB 37.06, 48.81, 33.45

 

CMYK 67 / 0 / 78 / 36

HEX #35A223

RGB 53 162 35

HSL 111.5, 0.64%, 0.39%

LAB 58.71, -53.7, 52.82

 

CMYK 78 / 27 / 0 / 36

HEX #2477A3

RGB 36 119 163

HSL 200.79, 0.64%, 0.39%

LAB 47.25, -8.99, -30.57

 

CMYK 12 / 78 / 0 / 36

HEX #9024A3

RGB 144 36 163

HSL 291.02, 0.64%, 0.39%

LAB 37.55, 60.23, -45.41

 

CMYK 0 / 51 / 78 / 36

HEX #A35024

RGB 163 80 36

HSL 20.79, 0.64%, 0.39%

LAB 43.73, 31.22, 40.37

 

Description

Color code: RGB 53 162 35 | qconv.com Color code: RGB 53 162 35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 162 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 162 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 78 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 78% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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