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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 161 83 it is the complementary color RGB 202 94 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 161 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 161 83 shade: RGB 58 161 78, RGB 75 179 97, RGB 92 197 116, RGB 109 215 135 and RGB 126 233 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 161 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 161 83 shade: RGB 53 161 83, RGB 36 143 64, RGB 19 125 45, RGB 2 107 26 and RGB 0 89 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 161 83 shade: RGB 54 161 83, RGB 54 161 54, RGB 82 161 54, RGB 110 161 54 and RGB 139 161 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 161 83 shade: RGB 54 161 83, RGB 54 161 112, RGB 54 161 141, RGB 54 151 161 and RGB 54 122 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 161 83 shade matches the following richer shades: RGB 54 161 83, RGB 36 178 76, RGB 19 195 68 and RGB 2 213 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 161 83 shade: RGB 54 161 83, RGB 71 143 91, RGB 88 126 99, RGB 106 109 106 and RGB 123 91 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 161 83 shade: RGB 82 161 54, RGB 54 161 54, RGB 54 161 82, RGB 54 161 111 and RGB 54 161 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 161 83 shade: RGB 33 99 51, RGB 43 130 67, RGB 54 161 83, RGB 64 191 99 and RGB 95 202 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 161 83 shade: RGB 53 161 83, RGB 54 111 161 and RGB 161 54 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 161 83 shade: RGB 53 161 83, RGB 82 54 161 and RGB 161 82 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 161 83 shade: RGB 53 161 83, RGB 54 111 161, RGB 161 54 132 and RGB 161 104 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 161 83 shade: RGB 53 161 83, RGB 54 79 161, RGB 161 54 132 and RGB 161 136 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 48 / 37

HEX #35A153

RGB 53 161 83

HSL 136.67, 0.5%, 0.42%

LAB 58.85, -47.88, 31.76

 

Complementary color

CMYK 0 / 53 / 15 / 21

HEX #CA5EAC

RGB 202 94 172

HSL 316.67, 0.5%, 0.58%

LAB 55.62, 52.39, -21.73

 

CMYK 64 / 0 / 52 / 37

HEX #3AA14E

RGB 58 161 78

HSL 131.65, 0.47%, 0.43%

LAB 58.92, -47.62, 34.44

 

CMYK 58 / 0 / 46 / 30

HEX #4BB361

RGB 75 179 97

HSL 132.69, 0.41%, 0.5%

LAB 65.44, -47.88, 32.98

 

CMYK 53 / 0 / 41 / 23

HEX #5CC574

RGB 92 197 116

HSL 133.71, 0.48%, 0.57%

LAB 71.87, -47.93, 31.6

 

CMYK 49 / 0 / 37 / 16

HEX #6DD787

RGB 109 215 135

HSL 134.72, 0.57%, 0.64%

LAB 78.23, -47.84, 30.29

 

CMYK 46 / 0 / 34 / 9

HEX #7EE99A

RGB 126 233 154

HSL 135.7, 0.71%, 0.7%

LAB 84.51, -47.68, 29.07

 

CMYK 67 / 0 / 48 / 37

HEX #35A153

RGB 53 161 83

HSL 136.67, 0.5%, 0.42%

LAB 58.85, -47.88, 31.76

 

CMYK 75 / 0 / 55 / 44

HEX #248F40

RGB 36 143 64

HSL 135.7, 0.6%, 0.35%

LAB 52.28, -47.17, 33.32

 

CMYK 85 / 0 / 64 / 51

HEX #137D2D

RGB 19 125 45

HSL 134.72, 0.74%, 0.28%

LAB 45.63, -45.82, 34.87

 

CMYK 98 / 0 / 76 / 58

HEX #026B1A

RGB 2 107 26

HSL 133.71, 0.96%, 0.21%

LAB 38.9, -43.62, 36.08

 

CMYK 100 / 0 / 92 / 65

HEX #005907

RGB 0 89 7

HSL 124.72, 1%, 0.17%

LAB 32.17, -39.54, 36.28

 

CMYK 66 / 0 / 48 / 37

HEX #36A153

RGB 54 161 83

HSL 136.26, 0.5%, 0.42%

LAB 58.88, -47.68, 31.79

 

CMYK 66 / 0 / 66 / 37

HEX #36A136

RGB 54 161 54

HSL 120, 0.5%, 0.42%

LAB 58.55, -51.53, 45.37

 

CMYK 49 / 0 / 66 / 37

HEX #52A136

RGB 82 161 54

HSL 104.3, 0.5%, 0.42%

LAB 59.48, -44.24, 46.66

 

CMYK 32 / 0 / 66 / 37

HEX #6EA136

RGB 110 161 54

HSL 88.6, 0.5%, 0.42%

LAB 60.84, -34.62, 48.53

 

CMYK 14 / 0 / 66 / 37

HEX #8BA136

RGB 139 161 54

HSL 72.34, 0.5%, 0.42%

LAB 62.71, -23, 51.07

 

CMYK 66 / 0 / 48 / 37

HEX #36A153

RGB 54 161 83

HSL 136.26, 0.5%, 0.42%

LAB 58.88, -47.68, 31.79

 

CMYK 66 / 0 / 30 / 37

HEX #36A170

RGB 54 161 112

HSL 152.52, 0.5%, 0.42%

LAB 59.38, -42.16, 16.81

 

CMYK 66 / 0 / 12 / 37

HEX #36A18D

RGB 54 161 141

HSL 168.79, 0.5%, 0.42%

LAB 60.07, -35.14, 1.53

 

CMYK 66 / 6 / 0 / 37

HEX #3697A1

RGB 54 151 161

HSL 185.61, 0.5%, 0.42%

LAB 57.55, -24.57, -13.55

 

CMYK 66 / 24 / 0 / 37

HEX #367AA1

RGB 54 122 161

HSL 201.87, 0.5%, 0.42%

LAB 48.61, -8.79, -27.25

 

CMYK 66 / 0 / 48 / 37

HEX #36A153

RGB 54 161 83

HSL 136.26, 0.5%, 0.42%

LAB 58.88, -47.68, 31.79

 

CMYK 80 / 0 / 57 / 30

HEX #24B24C

RGB 36 178 76

HSL 136.9, 0.66%, 0.42%

LAB 63.95, -57.72, 41.4

 

CMYK 90 / 0 / 65 / 24

HEX #13C344

RGB 19 195 68

HSL 136.7, 0.82%, 0.42%

LAB 69.17, -65.69, 50.93

 

CMYK 99 / 0 / 72 / 16

HEX #02D53C

RGB 2 213 60

HSL 136.49, 0.98%, 0.42%

LAB 74.78, -72.5, 60.02

 

CMYK 66 / 0 / 48 / 37

HEX #36A153

RGB 54 161 83

HSL 136.26, 0.5%, 0.42%

LAB 58.88, -47.68, 31.79

 

CMYK 50 / 0 / 36 / 44

HEX #478F5B

RGB 71 143 91

HSL 136.67, 0.34%, 0.42%

LAB 53.75, -34.66, 20.93

 

CMYK 30 / 0 / 21 / 51

HEX #587E63

RGB 88 126 99

HSL 137.37, 0.18%, 0.42%

LAB 49.37, -19.38, 10.49

 

CMYK 3 / 0 / 3 / 57

HEX #6A6D6A

RGB 106 109 106

HSL 120, 0.01%, 0.42%

LAB 45.69, -1.77, 1.27

 

CMYK 0 / 26 / 7 / 52

HEX #7B5B72

RGB 123 91 114

HSL 316.88, 0.15%, 0.42%

LAB 42.62, 17.19, -7.92

 

CMYK 49 / 0 / 66 / 37

HEX #52A136

RGB 82 161 54

HSL 104.3, 0.5%, 0.42%

LAB 59.48, -44.24, 46.66

 

CMYK 66 / 0 / 66 / 37

HEX #36A136

RGB 54 161 54

HSL 120, 0.5%, 0.42%

LAB 58.55, -51.53, 45.37

 

CMYK 66 / 0 / 49 / 37

HEX #36A152

RGB 54 161 82

HSL 135.7, 0.5%, 0.42%

LAB 58.87, -47.84, 32.29

 

CMYK 66 / 0 / 31 / 37

HEX #36A16F

RGB 54 161 111

HSL 151.96, 0.5%, 0.42%

LAB 59.36, -42.38, 17.34

 

CMYK 66 / 0 / 14 / 37

HEX #36A18B

RGB 54 161 139

HSL 167.66, 0.5%, 0.42%

LAB 60.01, -35.67, 2.59

 

CMYK 67 / 0 / 48 / 61

HEX #216333

RGB 33 99 51

HSL 136.36, 0.5%, 0.26%

LAB 36.9, -32.48, 21.24

 

CMYK 67 / 0 / 48 / 49

HEX #2B8243

RGB 43 130 67

HSL 136.55, 0.5%, 0.34%

LAB 48.11, -40.37, 26.63

 

CMYK 66 / 0 / 48 / 37

HEX #36A153

RGB 54 161 83

HSL 136.26, 0.5%, 0.42%

LAB 58.88, -47.68, 31.79

 

CMYK 66 / 0 / 48 / 25

HEX #40BF63

RGB 64 191 99

HSL 136.54, 0.5%, 0.5%

LAB 68.93, -54.53, 36.33

 

CMYK 53 / 0 / 38 / 21

HEX #5FCA7D

RGB 95 202 125

HSL 136.82, 0.5%, 0.58%

LAB 73.65, -47.71, 29.29

 

CMYK 67 / 0 / 48 / 37

HEX #35A153

RGB 53 161 83

HSL 136.67, 0.5%, 0.42%

LAB 58.85, -47.88, 31.76

 

CMYK 66 / 31 / 0 / 37

HEX #366FA1

RGB 54 111 161

HSL 208.04, 0.5%, 0.42%

LAB 45.26, -2.27, -32.48

 

CMYK 0 / 66 / 58 / 37

HEX #A13644

RGB 161 54 68

HSL 352.15, 0.5%, 0.42%

LAB 38.95, 45.17, 16.1

 

CMYK 67 / 0 / 48 / 37

HEX #35A153

RGB 53 161 83

HSL 136.67, 0.5%, 0.42%

LAB 58.85, -47.88, 31.76

 

CMYK 49 / 66 / 0 / 37

HEX #5236A1

RGB 82 54 161

HSL 255.7, 0.5%, 0.42%

LAB 31.82, 39.25, -53.87

 

CMYK 0 / 49 / 66 / 37

HEX #A15236

RGB 161 82 54

HSL 15.7, 0.5%, 0.42%

LAB 44.06, 30.28, 30.99

 

CMYK 67 / 0 / 48 / 37

HEX #35A153

RGB 53 161 83

HSL 136.67, 0.5%, 0.42%

LAB 58.85, -47.88, 31.76

 

CMYK 66 / 31 / 0 / 37

HEX #366FA1

RGB 54 111 161

HSL 208.04, 0.5%, 0.42%

LAB 45.26, -2.27, -32.48

 

CMYK 0 / 66 / 18 / 37

HEX #A13684

RGB 161 54 132

HSL 316.26, 0.5%, 0.42%

LAB 41.03, 52.49, -20.89

 

CMYK 0 / 35 / 66 / 37

HEX #A16836

RGB 161 104 54

HSL 28.04, 0.5%, 0.42%

LAB 49.18, 17.98, 36.94

 

CMYK 67 / 0 / 48 / 37

HEX #35A153

RGB 53 161 83

HSL 136.67, 0.5%, 0.42%

LAB 58.85, -47.88, 31.76

 

CMYK 66 / 51 / 0 / 37

HEX #364FA1

RGB 54 79 161

HSL 225.98, 0.5%, 0.42%

LAB 35.89, 18.15, -47.39

 

CMYK 0 / 66 / 18 / 37

HEX #A13684

RGB 161 54 132

HSL 316.26, 0.5%, 0.42%

LAB 41.03, 52.49, -20.89

 

CMYK 0 / 16 / 66 / 37

HEX #A18836

RGB 161 136 54

HSL 45.98, 0.5%, 0.42%

LAB 57.51, -0.1, 46.14

 

Description

Color code: RGB 53 161 83 | qconv.com Color code: RGB 53 161 83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 161 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 161 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 48 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 48% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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