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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 161 162 it is the complementary color RGB 202 94 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 161 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 161 162 shade: RGB 58 161 157, RGB 75 179 176, RGB 92 197 195, RGB 109 215 214 and RGB 126 233 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 161 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 161 162 shade: RGB 53 161 162, RGB 36 143 143, RGB 19 125 124, RGB 2 107 105 and RGB 0 89 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 161 162 shade: RGB 52 160 161, RGB 52 131 161, RGB 52 101 161, RGB 52 72 161 and RGB 62 52 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 161 162 shade: RGB 52 160 161, RGB 52 131 161, RGB 52 101 161, RGB 52 72 161 and RGB 52 52 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 161 162 shade matches the following richer shades: RGB 52 160 161, RGB 35 177 179, RGB 17 194 196 and RGB 0 211 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 161 162 shade: RGB 52 160 161, RGB 69 143 144, RGB 87 126 127, RGB 104 109 109 and RGB 121 92 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 161 162 shade: RGB 52 161 103, RGB 52 161 132, RGB 52 161 161, RGB 52 132 161 and RGB 52 103 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 161 162 shade: RGB 32 98 99, RGB 42 129 130, RGB 52 160 161, RGB 62 191 192 and RGB 93 201 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 161 162 shade: RGB 53 161 162, RGB 74 52 161 and RGB 161 118 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 161 162 shade: RGB 53 161 162, RGB 161 52 161 and RGB 161 161 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 161 162 shade: RGB 53 161 162, RGB 74 52 161, RGB 161 52 52 and RGB 139 161 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 161 162 shade: RGB 53 161 162, RGB 107 52 161, RGB 161 52 52 and RGB 107 161 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 1 / 0 / 36

HEX #35A1A2

RGB 53 161 162

HSL 180.55, 0.51%, 0.42%

LAB 60.65, -29.41, -9.46

 

Complementary color

CMYK 0 / 53 / 54 / 21

HEX #CA5E5D

RGB 202 94 93

HSL 0.55, 0.51%, 0.58%

LAB 53.33, 42.85, 21.37

 

CMYK 64 / 0 / 2 / 37

HEX #3AA19D

RGB 58 161 157

HSL 177.67, 0.47%, 0.43%

LAB 60.63, -30.06, -6.66

 

CMYK 58 / 0 / 2 / 30

HEX #4BB3B0

RGB 75 179 176

HSL 178.27, 0.41%, 0.5%

LAB 67.18, -30.43, -7.5

 

CMYK 53 / 0 / 1 / 23

HEX #5CC5C3

RGB 92 197 195

HSL 178.86, 0.48%, 0.57%

LAB 73.64, -30.65, -8.25

 

CMYK 49 / 0 / 0 / 16

HEX #6DD7D6

RGB 109 215 214

HSL 179.43, 0.57%, 0.64%

LAB 80.01, -30.78, -8.95

 

CMYK 46 / 0 / 0 / 9

HEX #7EE9E9

RGB 126 233 233

HSL 180, 0.71%, 0.7%

LAB 86.3, -30.85, -9.6

 

CMYK 67 / 1 / 0 / 36

HEX #35A1A2

RGB 53 161 162

HSL 180.55, 0.51%, 0.42%

LAB 60.65, -29.41, -9.46

 

CMYK 75 / 0 / 0 / 44

HEX #248F8F

RGB 36 143 143

HSL 180, 0.6%, 0.35%

LAB 54.03, -28.64, -8.55

 

CMYK 85 / 0 / 1 / 51

HEX #137D7C

RGB 19 125 124

HSL 179.43, 0.74%, 0.28%

LAB 47.31, -27.49, -7.51

 

CMYK 98 / 0 / 2 / 58

HEX #026B69

RGB 2 107 105

HSL 178.86, 0.96%, 0.21%

LAB 40.49, -25.9, -6.31

 

CMYK 100 / 0 / 3 / 65

HEX #005956

RGB 0 89 86

HSL 177.98, 1%, 0.17%

LAB 33.6, -23.34, -4.83

 

CMYK 68 / 1 / 0 / 37

HEX #34A0A1

RGB 52 160 161

HSL 180.55, 0.51%, 0.42%

LAB 60.29, -29.37, -9.44

 

CMYK 68 / 19 / 0 / 37

HEX #3483A1

RGB 52 131 161

HSL 196.51, 0.51%, 0.42%

LAB 51.31, -14.24, -23.07

 

CMYK 68 / 37 / 0 / 37

HEX #3465A1

RGB 52 101 161

HSL 213.03, 0.51%, 0.42%

LAB 42.17, 3.55, -37.35

 

CMYK 68 / 55 / 0 / 37

HEX #3448A1

RGB 52 72 161

HSL 228.99, 0.51%, 0.42%

LAB 33.85, 22.46, -50.68

 

CMYK 61 / 68 / 0 / 37

HEX #3E34A1

RGB 62 52 161

HSL 245.5, 0.51%, 0.42%

LAB 29.55, 36.92, -57.66

 

CMYK 68 / 1 / 0 / 37

HEX #34A0A1

RGB 52 160 161

HSL 180.55, 0.51%, 0.42%

LAB 60.29, -29.37, -9.44

 

CMYK 68 / 19 / 0 / 37

HEX #3483A1

RGB 52 131 161

HSL 196.51, 0.51%, 0.42%

LAB 51.31, -14.24, -23.07

 

CMYK 68 / 37 / 0 / 37

HEX #3465A1

RGB 52 101 161

HSL 213.03, 0.51%, 0.42%

LAB 42.17, 3.55, -37.35

 

CMYK 68 / 55 / 0 / 37

HEX #3448A1

RGB 52 72 161

HSL 228.99, 0.51%, 0.42%

LAB 33.85, 22.46, -50.68

 

CMYK 68 / 68 / 0 / 37

HEX #3434A1

RGB 52 52 161

HSL 240, 0.51%, 0.42%

LAB 28.8, 35.46, -58.92

 

CMYK 68 / 1 / 0 / 37

HEX #34A0A1

RGB 52 160 161

HSL 180.55, 0.51%, 0.42%

LAB 60.29, -29.37, -9.44

 

CMYK 80 / 1 / 0 / 30

HEX #23B1B3

RGB 35 177 179

HSL 180.83, 0.67%, 0.42%

LAB 65.79, -34.12, -11.32

 

CMYK 91 / 1 / 0 / 23

HEX #11C2C4

RGB 17 194 196

HSL 180.67, 0.84%, 0.42%

LAB 71.34, -38, -12.38

 

CMYK 100 / 1 / 0 / 16

HEX #00D3D5

RGB 0 211 213

HSL 180.56, 1%, 0.42%

LAB 76.92, -41.08, -13.24

 

CMYK 68 / 1 / 0 / 37

HEX #34A0A1

RGB 52 160 161

HSL 180.55, 0.51%, 0.42%

LAB 60.29, -29.37, -9.44

 

CMYK 52 / 1 / 0 / 44

HEX #458F90

RGB 69 143 144

HSL 180.8, 0.35%, 0.42%

LAB 54.99, -22.59, -7.59

 

CMYK 31 / 1 / 0 / 50

HEX #577E7F

RGB 87 126 127

HSL 181.5, 0.19%, 0.42%

LAB 50.07, -13.27, -4.92

 

CMYK 5 / 0 / 0 / 57

HEX #686D6D

RGB 104 109 109

HSL 180, 0.02%, 0.42%

LAB 45.61, -1.91, -0.67

 

CMYK 0 / 24 / 24 / 53

HEX #795C5C

RGB 121 92 92

HSL 0, 0.14%, 0.42%

LAB 41.99, 11.86, 4.58

 

CMYK 68 / 0 / 36 / 37

HEX #34A167

RGB 52 161 103

HSL 148.07, 0.51%, 0.42%

LAB 59.16, -44.42, 21.45

 

CMYK 68 / 0 / 18 / 37

HEX #34A184

RGB 52 161 132

HSL 164.04, 0.51%, 0.42%

LAB 59.79, -37.81, 6.19

 

CMYK 68 / 0 / 0 / 37

HEX #34A1A1

RGB 52 161 161

HSL 180, 0.51%, 0.42%

LAB 60.6, -29.86, -8.98

 

CMYK 68 / 18 / 0 / 37

HEX #3484A1

RGB 52 132 161

HSL 195.96, 0.51%, 0.42%

LAB 51.62, -14.8, -22.6

 

CMYK 68 / 36 / 0 / 37

HEX #3467A1

RGB 52 103 161

HSL 211.93, 0.51%, 0.42%

LAB 42.77, 2.3, -36.4

 

CMYK 68 / 1 / 0 / 61

HEX #206263

RGB 32 98 99

HSL 180.9, 0.51%, 0.26%

LAB 37.74, -19.93, -6.69

 

CMYK 68 / 1 / 0 / 49

HEX #2A8182

RGB 42 129 130

HSL 180.68, 0.51%, 0.34%

LAB 49.26, -24.77, -8.1

 

CMYK 68 / 1 / 0 / 37

HEX #34A0A1

RGB 52 160 161

HSL 180.55, 0.51%, 0.42%

LAB 60.29, -29.37, -9.44

 

CMYK 68 / 1 / 0 / 25

HEX #3EBFC0

RGB 62 191 192

HSL 180.46, 0.51%, 0.5%

LAB 70.93, -33.78, -10.74

 

CMYK 54 / 0 / 0 / 21

HEX #5DC9CA

RGB 93 201 202

HSL 180.55, 0.51%, 0.58%

LAB 75.05, -30.51, -9.94

 

CMYK 67 / 1 / 0 / 36

HEX #35A1A2

RGB 53 161 162

HSL 180.55, 0.51%, 0.42%

LAB 60.65, -29.41, -9.46

 

CMYK 54 / 68 / 0 / 37

HEX #4A34A1

RGB 74 52 161

HSL 252.11, 0.51%, 0.42%

LAB 30.6, 38.92, -55.89

 

CMYK 0 / 27 / 68 / 37

HEX #A17634

RGB 161 118 52

HSL 36.33, 0.51%, 0.42%

LAB 52.71, 9.88, 41.89

 

CMYK 67 / 1 / 0 / 36

HEX #35A1A2

RGB 53 161 162

HSL 180.55, 0.51%, 0.42%

LAB 60.65, -29.41, -9.46

 

CMYK 0 / 68 / 0 / 37

HEX #A134A1

RGB 161 52 161

HSL 300, 0.51%, 0.42%

LAB 42.16, 57.95, -36.69

 

CMYK 0 / 0 / 68 / 37

HEX #A1A134

RGB 161 161 52

HSL 60, 0.51%, 0.42%

LAB 64.41, -13.68, 54.19

 

CMYK 67 / 1 / 0 / 36

HEX #35A1A2

RGB 53 161 162

HSL 180.55, 0.51%, 0.42%

LAB 60.65, -29.41, -9.46

 

CMYK 54 / 68 / 0 / 37

HEX #4A34A1

RGB 74 52 161

HSL 252.11, 0.51%, 0.42%

LAB 30.6, 38.92, -55.89

 

CMYK 0 / 68 / 68 / 37

HEX #A13434

RGB 161 52 52

HSL 0, 0.51%, 0.42%

LAB 38.34, 44.95, 25.26

 

CMYK 14 / 0 / 68 / 37

HEX #8BA134

RGB 139 161 52

HSL 72.11, 0.51%, 0.42%

LAB 62.7, -23.13, 51.88

 

CMYK 67 / 1 / 0 / 36

HEX #35A1A2

RGB 53 161 162

HSL 180.55, 0.51%, 0.42%

LAB 60.65, -29.41, -9.46

 

CMYK 34 / 68 / 0 / 37

HEX #6B34A1

RGB 107 52 161

HSL 270.28, 0.51%, 0.42%

LAB 34.3, 45.49, -49.71

 

CMYK 0 / 68 / 68 / 37

HEX #A13434

RGB 161 52 52

HSL 0, 0.51%, 0.42%

LAB 38.34, 44.95, 25.26

 

CMYK 34 / 0 / 68 / 37

HEX #6BA134

RGB 107 161 52

HSL 89.72, 0.51%, 0.42%

LAB 60.66, -35.9, 49.12

 

Description

Color code: RGB 53 161 162 | qconv.com Color code: RGB 53 161 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 161 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 161 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 1 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 1% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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