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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 159 35 it is the complementary color RGB 202 96 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 159 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 159 35 shade: RGB 58 159 30, RGB 75 177 49, RGB 92 195 68, RGB 109 213 87 and RGB 126 231 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 159 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 36 141 16, RGB 19 123 0, RGB 2 105 0 and RGB 0 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 86 159 35, RGB 120 159 35, RGB 153 159 35 and RGB 159 131 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 35 159 50, RGB 35 159 84, RGB 35 159 117 and RGB 35 159 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 159 35 shade matches the following richer shades: RGB 53 159 35, RGB 42 175 19 and RGB 31 190 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 64 143 51, RGB 75 128 66, RGB 86 112 82 and RGB 97 96 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 159 35 shade: RGB 120 159 35, RGB 87 159 35, RGB 53 159 35, RGB 35 159 49 and RGB 35 159 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 159 35 shade: RGB 30 91 20, RGB 42 125 27, RGB 53 159 35, RGB 64 193 42 and RGB 85 213 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 35 153 159 and RGB 159 35 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 35 53 159 and RGB 159 35 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 35 153 159, RGB 140 35 159 and RGB 159 41 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 159 35 shade: RGB 53 159 35, RGB 35 116 159, RGB 140 35 159 and RGB 159 78 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

Complementary color

CMYK 8 / 56 / 0 / 14

HEX #CA60DC

RGB 202 96 220

HSL 291.29, 0.64%, 0.62%

LAB 58.12, 59.7, -45.28

 

CMYK 64 / 0 / 81 / 38

HEX #3A9F1E

RGB 58 159 30

HSL 106.98, 0.68%, 0.37%

LAB 57.84, -51.85, 53.6

 

CMYK 58 / 0 / 72 / 31

HEX #4BB131

RGB 75 177 49

HSL 107.81, 0.57%, 0.44%

LAB 64.29, -52.82, 53.65

 

CMYK 53 / 0 / 65 / 24

HEX #5CC344

RGB 92 195 68

HSL 108.66, 0.51%, 0.52%

LAB 70.68, -53.38, 53.01

 

CMYK 49 / 0 / 59 / 16

HEX #6DD557

RGB 109 213 87

HSL 109.52, 0.6%, 0.59%

LAB 77, -53.67, 52.05

 

CMYK 45 / 0 / 54 / 9

HEX #7EE76A

RGB 126 231 106

HSL 110.4, 0.72%, 0.66%

LAB 83.25, -53.77, 50.93

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 74 / 0 / 89 / 45

HEX #248D10

RGB 36 141 16

HSL 110.4, 0.8%, 0.31%

LAB 51.22, -51.02, 51.11

 

CMYK 85 / 0 / 100 / 52

HEX #137B00

RGB 19 123 0

HSL 110.73, 1%, 0.24%

LAB 44.67, -48.46, 48.73

 

CMYK 98 / 0 / 100 / 59

HEX #026900

RGB 2 105 0

HSL 118.86, 1%, 0.21%

LAB 38.05, -44.67, 43.35

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 46 / 0 / 78 / 38

HEX #569F23

RGB 86 159 35

HSL 95.32, 0.64%, 0.38%

LAB 58.88, -43.61, 53.38

 

CMYK 25 / 0 / 78 / 38

HEX #789F23

RGB 120 159 35

HSL 78.87, 0.64%, 0.38%

LAB 60.7, -31.02, 55.75

 

CMYK 4 / 0 / 78 / 38

HEX #999F23

RGB 153 159 35

HSL 62.9, 0.64%, 0.38%

LAB 63.09, -16.99, 58.82

 

CMYK 0 / 18 / 78 / 38

HEX #9F8323

RGB 159 131 35

HSL 46.45, 0.64%, 0.38%

LAB 55.81, 0.77, 52.33

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 78 / 0 / 69 / 38

HEX #239F32

RGB 35 159 50

HSL 127.26, 0.64%, 0.38%

LAB 57.45, -54.64, 45.77

 

CMYK 78 / 0 / 47 / 38

HEX #239F54

RGB 35 159 84

HSL 143.71, 0.64%, 0.38%

LAB 57.84, -49.94, 29.87

 

CMYK 78 / 0 / 26 / 38

HEX #239F75

RGB 35 159 117

HSL 159.68, 0.64%, 0.38%

LAB 58.45, -43.1, 12.67

 

CMYK 78 / 0 / 5 / 38

HEX #239F97

RGB 35 159 151

HSL 176.13, 0.64%, 0.38%

LAB 59.33, -34.02, -5.24

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 76 / 0 / 89 / 31

HEX #2AAF13

RGB 42 175 19

HSL 111.15, 0.8%, 0.38%

LAB 62.68, -60.75, 60.51

 

CMYK 84 / 0 / 98 / 25

HEX #1FBE04

RGB 31 190 4

HSL 111.29, 0.96%, 0.38%

LAB 67.37, -67.01, 66.47

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 55 / 0 / 64 / 44

HEX #408F33

RGB 64 143 51

HSL 111.52, 0.47%, 0.38%

LAB 52.92, -42.57, 40.58

 

CMYK 41 / 0 / 48 / 50

HEX #4B8042

RGB 75 128 66

HSL 111.29, 0.32%, 0.38%

LAB 48.67, -30.71, 28.13

 

CMYK 23 / 0 / 27 / 56

HEX #567052

RGB 86 112 82

HSL 112, 0.15%, 0.38%

LAB 44.48, -15.91, 13.66

 

CMYK 1 / 2 / 0 / 62

HEX #616062

RGB 97 96 98

HSL 270, 0.01%, 0.38%

LAB 40.88, 0.82, -1

 

CMYK 25 / 0 / 78 / 38

HEX #789F23

RGB 120 159 35

HSL 78.87, 0.64%, 0.38%

LAB 60.7, -31.02, 55.75

 

CMYK 45 / 0 / 78 / 38

HEX #579F23

RGB 87 159 35

HSL 94.84, 0.64%, 0.38%

LAB 58.92, -43.28, 53.43

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 78 / 0 / 69 / 38

HEX #239F31

RGB 35 159 49

HSL 126.77, 0.64%, 0.38%

LAB 57.44, -54.74, 46.18

 

CMYK 78 / 0 / 48 / 38

HEX #239F52

RGB 35 159 82

HSL 142.74, 0.64%, 0.38%

LAB 57.81, -50.29, 30.88

 

CMYK 67 / 0 / 78 / 64

HEX #1E5B14

RGB 30 91 20

HSL 111.55, 0.64%, 0.22%

LAB 33.58, -34.14, 33.27

 

CMYK 66 / 0 / 78 / 51

HEX #2A7D1B

RGB 42 125 27

HSL 110.82, 0.64%, 0.3%

LAB 45.96, -43.59, 43.05

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 67 / 0 / 78 / 24

HEX #40C12A

RGB 64 193 42

HSL 111.26, 0.64%, 0.46%

LAB 69.04, -61.41, 60.62

 

CMYK 60 / 0 / 70 / 16

HEX #55D53F

RGB 85 213 63

HSL 111.2, 0.64%, 0.54%

LAB 75.99, -62.11, 60.56

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 78 / 4 / 0 / 38

HEX #23999F

RGB 35 153 159

HSL 182.9, 0.64%, 0.38%

LAB 57.7, -28.72, -12.23

 

CMYK 0 / 78 / 35 / 38

HEX #9F2367

RGB 159 35 103

HSL 327.1, 0.64%, 0.38%

LAB 37.03, 55.06, -8.94

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 78 / 67 / 0 / 38

HEX #23359F

RGB 35 53 159

HSL 231.29, 0.64%, 0.38%

LAB 27.86, 32.08, -59.27

 

CMYK 0 / 78 / 67 / 38

HEX #9F2335

RGB 159 35 53

HSL 351.29, 0.64%, 0.38%

LAB 35.65, 50.76, 21.2

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 78 / 4 / 0 / 38

HEX #23999F

RGB 35 153 159

HSL 182.9, 0.64%, 0.38%

LAB 57.7, -28.72, -12.23

 

CMYK 12 / 78 / 0 / 38

HEX #8C239F

RGB 140 35 159

HSL 290.81, 0.64%, 0.38%

LAB 36.52, 59.01, -44.68

 

CMYK 0 / 74 / 78 / 38

HEX #9F2923

RGB 159 41 35

HSL 2.9, 0.64%, 0.38%

LAB 36.13, 47.83, 32.81

 

CMYK 67 / 0 / 78 / 38

HEX #359F23

RGB 53 159 35

HSL 111.29, 0.64%, 0.38%

LAB 57.73, -52.67, 51.87

 

CMYK 78 / 27 / 0 / 38

HEX #23749F

RGB 35 116 159

HSL 200.81, 0.64%, 0.38%

LAB 46.11, -8.82, -30

 

CMYK 12 / 78 / 0 / 38

HEX #8C239F

RGB 140 35 159

HSL 290.81, 0.64%, 0.38%

LAB 36.52, 59.01, -44.68

 

CMYK 0 / 51 / 78 / 38

HEX #9F4E23

RGB 159 78 35

HSL 20.81, 0.64%, 0.38%

LAB 42.67, 30.59, 39.6

 

Description

Color code: RGB 53 159 35 | qconv.com Color code: RGB 53 159 35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 159 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 159 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 78 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 78% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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