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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 158 82 it is the complementary color RGB 202 97 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 158 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 158 82 shade: RGB 58 158 77, RGB 75 176 96, RGB 92 194 115, RGB 109 212 134 and RGB 126 230 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 158 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 158 82 shade: RGB 53 158 82, RGB 36 140 63, RGB 19 122 44, RGB 2 104 25 and RGB 0 86 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 158 82 shade: RGB 52 157 81, RGB 52 157 53, RGB 80 157 52, RGB 108 157 52 and RGB 136 157 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 158 82 shade: RGB 52 157 81, RGB 52 157 109, RGB 52 157 138, RGB 52 148 157 and RGB 52 120 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 158 82 shade matches the following richer shades: RGB 52 157 81, RGB 35 174 74, RGB 18 191 66 and RGB 2 208 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 158 82 shade: RGB 52 157 81, RGB 69 140 89, RGB 86 123 96, RGB 103 106 104 and RGB 120 89 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 158 82 shade: RGB 80 157 52, RGB 52 157 52, RGB 52 157 80, RGB 52 157 108 and RGB 52 157 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 158 82 shade: RGB 32 95 49, RGB 42 126 65, RGB 52 157 81, RGB 63 188 97 and RGB 91 200 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 158 82 shade: RGB 53 158 82, RGB 52 108 157 and RGB 157 52 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 158 82 shade: RGB 53 158 82, RGB 80 52 157 and RGB 157 80 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 158 82 shade: RGB 53 158 82, RGB 52 108 157, RGB 157 52 129 and RGB 157 101 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 158 82 shade: RGB 53 158 82, RGB 52 77 157, RGB 157 52 129 and RGB 157 132 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 48 / 38

HEX #359E52

RGB 53 158 82

HSL 136.57, 0.5%, 0.41%

LAB 57.87, -46.88, 31.03

 

Complementary color

CMYK 0 / 52 / 14 / 21

HEX #CA61AD

RGB 202 97 173

HSL 316.57, 0.5%, 0.59%

LAB 56.21, 51.09, -21.42

 

CMYK 63 / 0 / 51 / 38

HEX #3A9E4D

RGB 58 158 77

HSL 131.4, 0.46%, 0.42%

LAB 57.93, -46.61, 33.73

 

CMYK 57 / 0 / 45 / 31

HEX #4BB060

RGB 75 176 96

HSL 132.48, 0.4%, 0.49%

LAB 64.48, -46.84, 32.28

 

CMYK 53 / 0 / 41 / 24

HEX #5CC273

RGB 92 194 115

HSL 133.53, 0.46%, 0.56%

LAB 70.94, -46.86, 30.9

 

CMYK 49 / 0 / 37 / 17

HEX #6DD486

RGB 109 212 134

HSL 134.56, 0.54%, 0.63%

LAB 77.32, -46.76, 29.6

 

CMYK 45 / 0 / 33 / 10

HEX #7EE699

RGB 126 230 153

HSL 135.58, 0.68%, 0.7%

LAB 83.62, -46.58, 28.38

 

CMYK 66 / 0 / 48 / 38

HEX #359E52

RGB 53 158 82

HSL 136.57, 0.5%, 0.41%

LAB 57.87, -46.88, 31.03

 

CMYK 74 / 0 / 55 / 45

HEX #248C3F

RGB 36 140 63

HSL 135.58, 0.59%, 0.35%

LAB 51.26, -46.21, 32.6

 

CMYK 84 / 0 / 64 / 52

HEX #137A2C

RGB 19 122 44

HSL 134.56, 0.73%, 0.28%

LAB 44.57, -44.91, 34.15

 

CMYK 98 / 0 / 76 / 59

HEX #026819

RGB 2 104 25

HSL 133.53, 0.96%, 0.21%

LAB 37.81, -42.74, 35.37

 

CMYK 100 / 0 / 93 / 66

HEX #005606

RGB 0 86 6

HSL 124.19, 1%, 0.17%

LAB 31.04, -38.65, 35.6

 

CMYK 67 / 0 / 48 / 38

HEX #349D51

RGB 52 157 81

HSL 136.57, 0.5%, 0.41%

LAB 57.5, -46.86, 31.08

 

CMYK 67 / 0 / 66 / 38

HEX #349D35

RGB 52 157 53

HSL 120.57, 0.5%, 0.41%

LAB 57.17, -50.62, 44.29

 

CMYK 49 / 0 / 67 / 38

HEX #509D34

RGB 80 157 52

HSL 104, 0.5%, 0.41%

LAB 58.1, -43.41, 46

 

CMYK 31 / 0 / 67 / 38

HEX #6C9D34

RGB 108 157 52

HSL 88, 0.5%, 0.41%

LAB 59.48, -33.71, 47.89

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 67 / 0 / 48 / 38

HEX #349D51

RGB 52 157 81

HSL 136.57, 0.5%, 0.41%

LAB 57.5, -46.86, 31.08

 

CMYK 67 / 0 / 31 / 38

HEX #349D6D

RGB 52 157 109

HSL 152.57, 0.5%, 0.41%

LAB 57.99, -41.5, 16.55

 

CMYK 67 / 0 / 12 / 38

HEX #349D8A

RGB 52 157 138

HSL 169.14, 0.5%, 0.41%

LAB 58.68, -34.43, 1.2

 

CMYK 67 / 6 / 0 / 38

HEX #34949D

RGB 52 148 157

HSL 185.14, 0.5%, 0.41%

LAB 56.43, -24.58, -12.96

 

CMYK 67 / 24 / 0 / 38

HEX #34789D

RGB 52 120 157

HSL 201.14, 0.5%, 0.41%

LAB 47.75, -9.35, -26.24

 

CMYK 67 / 0 / 48 / 38

HEX #349D51

RGB 52 157 81

HSL 136.57, 0.5%, 0.41%

LAB 57.5, -46.86, 31.08

 

CMYK 80 / 0 / 57 / 32

HEX #23AE4A

RGB 35 174 74

HSL 136.83, 0.67%, 0.41%

LAB 62.61, -56.77, 40.76

 

CMYK 91 / 0 / 65 / 25

HEX #12BF42

RGB 18 191 66

HSL 136.65, 0.83%, 0.41%

LAB 67.86, -64.75, 50.32

 

CMYK 99 / 0 / 72 / 18

HEX #02D03A

RGB 2 208 58

HSL 136.31, 0.98%, 0.41%

LAB 73.17, -71.25, 59.1

 

CMYK 67 / 0 / 48 / 38

HEX #349D51

RGB 52 157 81

HSL 136.57, 0.5%, 0.41%

LAB 57.5, -46.86, 31.08

 

CMYK 51 / 0 / 36 / 45

HEX #458C59

RGB 69 140 89

HSL 136.9, 0.34%, 0.41%

LAB 52.67, -34.23, 20.58

 

CMYK 30 / 0 / 22 / 52

HEX #567B60

RGB 86 123 96

HSL 136.22, 0.18%, 0.41%

LAB 48.25, -19.1, 10.65

 

CMYK 3 / 0 / 2 / 58

HEX #676A68

RGB 103 106 104

HSL 140, 0.01%, 0.41%

LAB 44.51, -1.57, 0.71

 

CMYK 0 / 26 / 8 / 53

HEX #78596F

RGB 120 89 111

HSL 317.42, 0.15%, 0.41%

LAB 41.67, 16.67, -7.55

 

CMYK 49 / 0 / 67 / 38

HEX #509D34

RGB 80 157 52

HSL 104, 0.5%, 0.41%

LAB 58.1, -43.41, 46

 

CMYK 67 / 0 / 67 / 38

HEX #349D34

RGB 52 157 52

HSL 120, 0.5%, 0.41%

LAB 57.16, -50.72, 44.72

 

CMYK 67 / 0 / 49 / 38

HEX #349D50

RGB 52 157 80

HSL 136, 0.5%, 0.41%

LAB 57.49, -47.02, 31.59

 

CMYK 67 / 0 / 31 / 38

HEX #349D6C

RGB 52 157 108

HSL 152, 0.5%, 0.41%

LAB 57.97, -41.72, 17.08

 

CMYK 67 / 0 / 13 / 38

HEX #349D88

RGB 52 157 136

HSL 168, 0.5%, 0.41%

LAB 58.62, -34.96, 2.26

 

CMYK 66 / 0 / 48 / 63

HEX #205F31

RGB 32 95 49

HSL 136.19, 0.5%, 0.25%

LAB 35.43, -31.34, 20.5

 

CMYK 67 / 0 / 48 / 51

HEX #2A7E41

RGB 42 126 65

HSL 136.43, 0.5%, 0.33%

LAB 46.71, -39.3, 25.92

 

CMYK 67 / 0 / 48 / 38

HEX #349D51

RGB 52 157 81

HSL 136.57, 0.5%, 0.41%

LAB 57.5, -46.86, 31.08

 

CMYK 66 / 0 / 48 / 26

HEX #3FBC61

RGB 63 188 97

HSL 136.32, 0.5%, 0.49%

LAB 67.94, -53.92, 36.08

 

CMYK 55 / 0 / 40 / 22

HEX #5BC879

RGB 91 200 121

HSL 136.51, 0.5%, 0.57%

LAB 72.83, -48.56, 30.27

 

CMYK 66 / 0 / 48 / 38

HEX #359E52

RGB 53 158 82

HSL 136.57, 0.5%, 0.41%

LAB 57.87, -46.88, 31.03

 

CMYK 67 / 31 / 0 / 38

HEX #346C9D

RGB 52 108 157

HSL 208, 0.5%, 0.41%

LAB 44.07, -2.22, -31.98

 

CMYK 0 / 67 / 58 / 38

HEX #9D3442

RGB 157 52 66

HSL 352, 0.5%, 0.41%

LAB 37.87, 44.53, 15.78

 

CMYK 66 / 0 / 48 / 38

HEX #359E52

RGB 53 158 82

HSL 136.57, 0.5%, 0.41%

LAB 57.87, -46.88, 31.03

 

CMYK 49 / 67 / 0 / 38

HEX #50349D

RGB 80 52 157

HSL 256, 0.5%, 0.41%

LAB 30.87, 38.82, -53.01

 

CMYK 0 / 49 / 67 / 38

HEX #9D5034

RGB 157 80 52

HSL 16, 0.5%, 0.41%

LAB 42.99, 29.59, 30.71

 

CMYK 66 / 0 / 48 / 38

HEX #359E52

RGB 53 158 82

HSL 136.57, 0.5%, 0.41%

LAB 57.87, -46.88, 31.03

 

CMYK 67 / 31 / 0 / 38

HEX #346C9D

RGB 52 108 157

HSL 208, 0.5%, 0.41%

LAB 44.07, -2.22, -31.98

 

CMYK 0 / 67 / 18 / 38

HEX #9D3481

RGB 157 52 129

HSL 316, 0.5%, 0.41%

LAB 39.93, 51.76, -20.8

 

CMYK 0 / 36 / 67 / 38

HEX #9D6534

RGB 157 101 52

HSL 28, 0.5%, 0.41%

LAB 47.91, 17.79, 36.41

 

CMYK 66 / 0 / 48 / 38

HEX #359E52

RGB 53 158 82

HSL 136.57, 0.5%, 0.41%

LAB 57.87, -46.88, 31.03

 

CMYK 67 / 51 / 0 / 38

HEX #344D9D

RGB 52 77 157

HSL 225.71, 0.5%, 0.41%

LAB 34.95, 17.66, -46.5

 

CMYK 0 / 67 / 18 / 38

HEX #9D3481

RGB 157 52 129

HSL 316, 0.5%, 0.41%

LAB 39.93, 51.76, -20.8

 

CMYK 0 / 16 / 67 / 38

HEX #9D8434

RGB 157 132 52

HSL 45.71, 0.5%, 0.41%

LAB 56.01, 0.19, 45.33

 

Description

Color code: RGB 53 158 82 | qconv.com Color code: RGB 53 158 82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 158 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 158 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 48 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 48% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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