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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 152 162 it is the complementary color RGB 202 103 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 152 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 152 162 shade: RGB 58 152 157, RGB 75 170 176, RGB 92 188 195, RGB 109 206 214 and RGB 126 224 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 152 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 152 162 shade: RGB 53 152 162, RGB 36 134 143, RGB 19 116 124, RGB 2 98 105 and RGB 0 80 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 152 162 shade: RGB 52 152 162, RGB 52 122 162, RGB 52 93 162, RGB 52 63 162 and RGB 71 52 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 152 162 shade: RGB 52 152 162, RGB 52 122 162, RGB 52 93 162, RGB 52 63 162 and RGB 52 52 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 152 162 shade matches the following richer shades: RGB 52 152 162, RGB 35 166 179, RGB 18 180 196 and RGB 0 194 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 152 162 shade: RGB 52 152 162, RGB 70 138 144, RGB 87 123 127, RGB 104 109 110 and RGB 122 95 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 152 162 shade: RGB 52 162 113, RGB 52 162 142, RGB 52 153 162, RGB 52 123 162 and RGB 52 94 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 152 162 shade: RGB 32 93 99, RGB 42 122 131, RGB 52 152 162, RGB 63 181 193 and RGB 94 193 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 152 162 shade: RGB 53 152 162, RGB 83 52 162 and RGB 162 127 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 152 162 shade: RGB 53 152 162, RGB 162 52 153 and RGB 153 162 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 152 162 shade: RGB 53 152 162, RGB 83 52 162, RGB 162 62 52 and RGB 131 162 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 152 162 shade: RGB 53 152 162, RGB 116 52 162, RGB 162 62 52 and RGB 98 162 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 6 / 0 / 36

HEX #3598A2

RGB 53 152 162

HSL 185.5, 0.51%, 0.42%

LAB 57.87, -24.93, -13.64

 

Complementary color

CMYK 0 / 49 / 54 / 21

HEX #CA675D

RGB 202 103 93

HSL 5.5, 0.51%, 0.58%

LAB 55.12, 38.29, 23.74

 

CMYK 63 / 3 / 0 / 38

HEX #3A989D

RGB 58 152 157

HSL 183.03, 0.46%, 0.42%

LAB 57.84, -25.61, -10.83

 

CMYK 57 / 3 / 0 / 31

HEX #4BAAB0

RGB 75 170 176

HSL 183.56, 0.4%, 0.49%

LAB 64.47, -26, -11.54

 

CMYK 53 / 4 / 0 / 24

HEX #5CBCC3

RGB 92 188 195

HSL 184.08, 0.46%, 0.56%

LAB 71, -26.25, -12.2

 

CMYK 49 / 4 / 0 / 16

HEX #6DCED6

RGB 109 206 214

HSL 184.57, 0.56%, 0.63%

LAB 77.43, -26.42, -12.81

 

CMYK 46 / 4 / 0 / 9

HEX #7EE0E9

RGB 126 224 233

HSL 185.05, 0.71%, 0.7%

LAB 83.77, -26.51, -13.38

 

CMYK 67 / 6 / 0 / 36

HEX #3598A2

RGB 53 152 162

HSL 185.5, 0.51%, 0.42%

LAB 57.87, -24.93, -13.64

 

CMYK 75 / 6 / 0 / 44

HEX #24868F

RGB 36 134 143

HSL 185.05, 0.6%, 0.35%

LAB 51.16, -24.11, -12.86

 

CMYK 85 / 6 / 0 / 51

HEX #13747C

RGB 19 116 124

HSL 184.57, 0.73%, 0.28%

LAB 44.35, -22.91, -11.96

 

CMYK 98 / 7 / 0 / 59

HEX #026269

RGB 2 98 105

HSL 184.08, 0.96%, 0.21%

LAB 37.42, -21.26, -10.92

 

CMYK 100 / 7 / 0 / 66

HEX #005056

RGB 0 80 86

HSL 184.19, 1%, 0.17%

LAB 30.42, -18.57, -9.6

 

CMYK 68 / 6 / 0 / 36

HEX #3498A2

RGB 52 152 162

HSL 185.45, 0.51%, 0.42%

LAB 57.84, -25.08, -13.68

 

CMYK 68 / 25 / 0 / 36

HEX #347AA2

RGB 52 122 162

HSL 201.82, 0.51%, 0.42%

LAB 48.58, -8.79, -27.87

 

CMYK 68 / 43 / 0 / 36

HEX #345DA2

RGB 52 93 162

HSL 217.64, 0.51%, 0.42%

LAB 39.86, 9.02, -41.62

 

CMYK 68 / 61 / 0 / 36

HEX #343FA2

RGB 52 63 162

HSL 234, 0.51%, 0.42%

LAB 31.56, 28.76, -55

 

CMYK 56 / 68 / 0 / 36

HEX #4734A2

RGB 71 52 162

HSL 250.36, 0.51%, 0.42%

LAB 30.41, 38.71, -56.82

 

CMYK 68 / 6 / 0 / 36

HEX #3498A2

RGB 52 152 162

HSL 185.45, 0.51%, 0.42%

LAB 57.84, -25.08, -13.68

 

CMYK 68 / 25 / 0 / 36

HEX #347AA2

RGB 52 122 162

HSL 201.82, 0.51%, 0.42%

LAB 48.58, -8.79, -27.87

 

CMYK 68 / 43 / 0 / 36

HEX #345DA2

RGB 52 93 162

HSL 217.64, 0.51%, 0.42%

LAB 39.86, 9.02, -41.62

 

CMYK 68 / 61 / 0 / 36

HEX #343FA2

RGB 52 63 162

HSL 234, 0.51%, 0.42%

LAB 31.56, 28.76, -55

 

CMYK 68 / 68 / 0 / 36

HEX #3434A2

RGB 52 52 162

HSL 240, 0.51%, 0.42%

LAB 28.89, 35.8, -59.37

 

CMYK 68 / 6 / 0 / 36

HEX #3498A2

RGB 52 152 162

HSL 185.45, 0.51%, 0.42%

LAB 57.84, -25.08, -13.68

 

CMYK 80 / 7 / 0 / 30

HEX #23A6B3

RGB 35 166 179

HSL 185.42, 0.67%, 0.42%

LAB 62.41, -28.83, -16.42

 

CMYK 91 / 8 / 0 / 23

HEX #12B4C4

RGB 18 180 196

HSL 185.39, 0.83%, 0.42%

LAB 67.09, -31.38, -18.79

 

CMYK 100 / 9 / 0 / 16

HEX #00C2D6

RGB 0 194 214

HSL 185.61, 1%, 0.42%

LAB 71.85, -32.92, -21.43

 

CMYK 68 / 6 / 0 / 36

HEX #3498A2

RGB 52 152 162

HSL 185.45, 0.51%, 0.42%

LAB 57.84, -25.08, -13.68

 

CMYK 51 / 4 / 0 / 44

HEX #468A90

RGB 70 138 144

HSL 184.86, 0.35%, 0.42%

LAB 53.48, -19.75, -9.84

 

CMYK 31 / 3 / 0 / 50

HEX #577B7F

RGB 87 123 127

HSL 186, 0.19%, 0.42%

LAB 49.16, -11.6, -6.28

 

CMYK 5 / 1 / 0 / 57

HEX #686D6E

RGB 104 109 110

HSL 190, 0.03%, 0.42%

LAB 45.64, -1.69, -1.23

 

CMYK 0 / 22 / 25 / 52

HEX #7A5F5C

RGB 122 95 92

HSL 6, 0.14%, 0.42%

LAB 42.91, 10.47, 5.91

 

CMYK 68 / 0 / 30 / 36

HEX #34A271

RGB 52 162 113

HSL 153.27, 0.51%, 0.42%

LAB 59.67, -42.73, 16.65

 

CMYK 68 / 0 / 12 / 36

HEX #34A28E

RGB 52 162 142

HSL 169.09, 0.51%, 0.42%

LAB 60.36, -35.66, 1.39

 

CMYK 68 / 6 / 0 / 36

HEX #3499A2

RGB 52 153 162

HSL 184.91, 0.51%, 0.42%

LAB 58.15, -25.59, -13.22

 

CMYK 68 / 24 / 0 / 36

HEX #347BA2

RGB 52 123 162

HSL 201.27, 0.51%, 0.42%

LAB 48.89, -9.37, -27.4

 

CMYK 68 / 42 / 0 / 36

HEX #345EA2

RGB 52 94 162

HSL 217.09, 0.51%, 0.42%

LAB 40.15, 8.37, -41.15

 

CMYK 68 / 6 / 0 / 61

HEX #205D63

RGB 32 93 99

HSL 185.37, 0.51%, 0.26%

LAB 36.05, -17.19, -9.22

 

CMYK 68 / 7 / 0 / 49

HEX #2A7A83

RGB 42 122 131

HSL 186.07, 0.51%, 0.34%

LAB 47.04, -20.81, -12.02

 

CMYK 68 / 6 / 0 / 36

HEX #3498A2

RGB 52 152 162

HSL 185.45, 0.51%, 0.42%

LAB 57.84, -25.08, -13.68

 

CMYK 67 / 6 / 0 / 24

HEX #3FB5C1

RGB 63 181 193

HSL 185.54, 0.51%, 0.5%

LAB 67.99, -28.53, -15.71

 

CMYK 54 / 5 / 0 / 20

HEX #5EC1CB

RGB 94 193 203

HSL 185.5, 0.51%, 0.58%

LAB 72.78, -26.13, -13.88

 

CMYK 67 / 6 / 0 / 36

HEX #3598A2

RGB 53 152 162

HSL 185.5, 0.51%, 0.42%

LAB 57.87, -24.93, -13.64

 

CMYK 49 / 68 / 0 / 36

HEX #5334A2

RGB 83 52 162

HSL 256.91, 0.51%, 0.42%

LAB 31.59, 40.87, -54.85

 

CMYK 0 / 22 / 68 / 36

HEX #A27F34

RGB 162 127 52

HSL 40.91, 0.51%, 0.42%

LAB 55.18, 5.25, 44.6

 

CMYK 67 / 6 / 0 / 36

HEX #3598A2

RGB 53 152 162

HSL 185.5, 0.51%, 0.42%

LAB 57.87, -24.93, -13.64

 

CMYK 0 / 68 / 6 / 36

HEX #A23499

RGB 162 52 153

HSL 304.91, 0.51%, 0.42%

LAB 41.9, 56.85, -32.28

 

CMYK 6 / 0 / 68 / 36

HEX #99A234

RGB 153 162 52

HSL 64.91, 0.51%, 0.42%

LAB 64.05, -17.67, 53.6

 

CMYK 67 / 6 / 0 / 36

HEX #3598A2

RGB 53 152 162

HSL 185.5, 0.51%, 0.42%

LAB 57.87, -24.93, -13.64

 

CMYK 49 / 68 / 0 / 36

HEX #5334A2

RGB 83 52 162

HSL 256.91, 0.51%, 0.42%

LAB 31.59, 40.87, -54.85

 

CMYK 0 / 62 / 68 / 36

HEX #A23E34

RGB 162 62 52

HSL 5.45, 0.51%, 0.42%

LAB 40.2, 40.79, 27.57

 

CMYK 19 / 0 / 68 / 36

HEX #83A234

RGB 131 162 52

HSL 76.91, 0.51%, 0.42%

LAB 62.43, -26.95, 51.43

 

CMYK 67 / 6 / 0 / 36

HEX #3598A2

RGB 53 152 162

HSL 185.5, 0.51%, 0.42%

LAB 57.87, -24.93, -13.64

 

CMYK 28 / 68 / 0 / 36

HEX #7434A2

RGB 116 52 162

HSL 274.91, 0.51%, 0.42%

LAB 35.55, 47.7, -48.24

 

CMYK 0 / 62 / 68 / 36

HEX #A23E34

RGB 162 62 52

HSL 5.45, 0.51%, 0.42%

LAB 40.2, 40.79, 27.57

 

CMYK 40 / 0 / 68 / 36

HEX #62A234

RGB 98 162 52

HSL 94.91, 0.51%, 0.42%

LAB 60.5, -39.59, 48.82

 

Description

Color code: RGB 53 152 162 | qconv.com Color code: RGB 53 152 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 152 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 152 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 6 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 6% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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