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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 152 139 it is the complementary color RGB 202 103 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 152 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 152 139 shade: RGB 58 152 134, RGB 75 170 153, RGB 92 188 172, RGB 109 206 191 and RGB 126 224 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 152 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 152 139 shade: RGB 53 152 139, RGB 36 134 120, RGB 19 116 101, RGB 2 98 82 and RGB 0 80 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 152 139 shade: RGB 53 151 138, RGB 53 151 112, RGB 53 151 85, RGB 53 151 59 and RGB 74 151 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 152 139 shade: RGB 53 151 138, RGB 53 137 151, RGB 53 111 151, RGB 53 85 151 and RGB 53 58 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 152 139 shade matches the following richer shades: RGB 53 151 138, RGB 37 167 150, RGB 20 184 162 and RGB 4 200 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 152 139 shade: RGB 53 151 138, RGB 70 134 126, RGB 86 118 114, RGB 103 101 102 and RGB 119 85 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 152 139 shade: RGB 53 151 86, RGB 53 151 112, RGB 53 151 138, RGB 53 138 151 and RGB 53 112 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 152 139 shade: RGB 32 90 82, RGB 42 120 110, RGB 53 151 138, RGB 64 181 166 and RGB 90 197 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 152 139 shade: RGB 53 152 139, RGB 60 53 151 and RGB 151 99 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 152 139 shade: RGB 53 152 139, RGB 138 53 151 and RGB 151 138 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 152 139 shade: RGB 53 152 139, RGB 60 53 151, RGB 151 53 66 and RGB 144 151 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 152 139 shade: RGB 53 152 139, RGB 89 53 151, RGB 151 53 66 and RGB 115 151 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 9 / 40

HEX #35988B

RGB 53 152 139

HSL 172.12, 0.48%, 0.4%

LAB 57.15, -31.64, -1.59

 

Complementary color

CMYK 0 / 49 / 43 / 21

HEX #CA6774

RGB 202 103 116

HSL 352.12, 0.48%, 0.6%

LAB 55.6, 40.51, 10.99

 

CMYK 62 / 0 / 12 / 40

HEX #3A9886

RGB 58 152 134

HSL 168.51, 0.45%, 0.41%

LAB 57.15, -32.07, 1.28

 

CMYK 56 / 0 / 10 / 33

HEX #4BAA99

RGB 75 170 153

HSL 169.26, 0.39%, 0.48%

LAB 63.79, -32.23, 0.3

 

CMYK 51 / 0 / 9 / 26

HEX #5CBCAC

RGB 92 188 172

HSL 170, 0.42%, 0.55%

LAB 70.33, -32.27, -0.58

 

CMYK 47 / 0 / 7 / 19

HEX #6DCEBF

RGB 109 206 191

HSL 170.72, 0.5%, 0.62%

LAB 76.77, -32.25, -1.4

 

CMYK 44 / 0 / 6 / 12

HEX #7EE0D2

RGB 126 224 210

HSL 171.43, 0.61%, 0.69%

LAB 83.13, -32.18, -2.15

 

CMYK 65 / 0 / 9 / 40

HEX #35988B

RGB 53 152 139

HSL 172.12, 0.48%, 0.4%

LAB 57.15, -31.64, -1.59

 

CMYK 73 / 0 / 10 / 47

HEX #248678

RGB 36 134 120

HSL 171.43, 0.58%, 0.33%

LAB 50.43, -31.1, -0.52

 

CMYK 84 / 0 / 13 / 55

HEX #137465

RGB 19 116 101

HSL 170.72, 0.72%, 0.26%

LAB 43.61, -30.2, 0.72

 

CMYK 98 / 0 / 16 / 62

HEX #026252

RGB 2 98 82

HSL 170, 0.96%, 0.2%

LAB 36.66, -28.85, 2.17

 

CMYK 100 / 0 / 21 / 69

HEX #00503F

RGB 0 80 63

HSL 167.25, 1%, 0.16%

LAB 29.65, -26.33, 3.98

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 65 / 0 / 26 / 41

HEX #359770

RGB 53 151 112

HSL 156.12, 0.48%, 0.4%

LAB 56.15, -38.05, 12.32

 

CMYK 65 / 0 / 44 / 41

HEX #359755

RGB 53 151 85

HSL 139.59, 0.48%, 0.4%

LAB 55.63, -43.6, 26.58

 

CMYK 65 / 0 / 61 / 41

HEX #35973B

RGB 53 151 59

HSL 123.67, 0.48%, 0.4%

LAB 55.28, -47.52, 39.44

 

CMYK 51 / 0 / 65 / 41

HEX #4A9735

RGB 74 151 53

HSL 107.14, 0.48%, 0.4%

LAB 55.93, -42.69, 43.13

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 65 / 9 / 0 / 41

HEX #358997

RGB 53 137 151

HSL 188.57, 0.48%, 0.4%

LAB 52.82, -20.57, -14.96

 

CMYK 65 / 26 / 0 / 41

HEX #356F97

RGB 53 111 151

HSL 204.49, 0.48%, 0.4%

LAB 44.75, -5.96, -27.37

 

CMYK 65 / 44 / 0 / 41

HEX #355597

RGB 53 85 151

HSL 220.41, 0.48%, 0.4%

LAB 36.91, 10.35, -39.74

 

CMYK 65 / 62 / 0 / 41

HEX #353A97

RGB 53 58 151

HSL 236.94, 0.48%, 0.4%

LAB 29.46, 28.25, -51.75

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 78 / 0 / 10 / 35

HEX #25A796

RGB 37 167 150

HSL 172.15, 0.64%, 0.4%

LAB 61.85, -37.76, -0.96

 

CMYK 89 / 0 / 12 / 28

HEX #14B8A2

RGB 20 184 162

HSL 171.95, 0.8%, 0.4%

LAB 67.31, -43.26, 0.31

 

CMYK 98 / 0 / 13 / 22

HEX #04C8AF

RGB 4 200 175

HSL 172.35, 0.96%, 0.4%

LAB 72.51, -47.09, 0.78

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 48 / 0 / 6 / 47

HEX #46867E

RGB 70 134 126

HSL 172.5, 0.31%, 0.4%

LAB 51.68, -22.61, -2.06

 

CMYK 27 / 0 / 3 / 54

HEX #567672

RGB 86 118 114

HSL 172.5, 0.16%, 0.4%

LAB 47.17, -12.36, -1.52

 

CMYK 0 / 2 / 1 / 60

HEX #676566

RGB 103 101 102

HSL 330, 0.01%, 0.4%

LAB 42.99, 0.99, -0.29

 

CMYK 0 / 29 / 25 / 53

HEX #775559

RGB 119 85 89

HSL 352.94, 0.17%, 0.4%

LAB 39.82, 14.76, 3.27

 

CMYK 65 / 0 / 43 / 41

HEX #359756

RGB 53 151 86

HSL 140.2, 0.48%, 0.4%

LAB 55.65, -43.42, 26.06

 

CMYK 65 / 0 / 26 / 41

HEX #359770

RGB 53 151 112

HSL 156.12, 0.48%, 0.4%

LAB 56.15, -38.05, 12.32

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 65 / 9 / 0 / 41

HEX #358A97

RGB 53 138 151

HSL 187.96, 0.48%, 0.4%

LAB 53.13, -21.09, -14.48

 

CMYK 65 / 26 / 0 / 41

HEX #357097

RGB 53 112 151

HSL 203.88, 0.48%, 0.4%

LAB 45.05, -6.55, -26.89

 

CMYK 64 / 0 / 9 / 65

HEX #205A52

RGB 32 90 82

HSL 171.72, 0.48%, 0.24%

LAB 34.45, -20.91, -0.98

 

CMYK 65 / 0 / 8 / 53

HEX #2A786E

RGB 42 120 110

HSL 172.31, 0.48%, 0.32%

LAB 45.7, -26.16, -1.53

 

CMYK 65 / 0 / 9 / 41

HEX #35978A

RGB 53 151 138

HSL 172.04, 0.48%, 0.4%

LAB 56.81, -31.43, -1.53

 

CMYK 65 / 0 / 8 / 29

HEX #40B5A6

RGB 64 181 166

HSL 172.31, 0.48%, 0.48%

LAB 67.2, -36.03, -1.98

 

CMYK 54 / 0 / 7 / 23

HEX #5AC5B7

RGB 90 197 183

HSL 172.15, 0.48%, 0.56%

LAB 73.24, -34.18, -2.34

 

CMYK 65 / 0 / 9 / 40

HEX #35988B

RGB 53 152 139

HSL 172.12, 0.48%, 0.4%

LAB 57.15, -31.64, -1.59

 

CMYK 60 / 65 / 0 / 41

HEX #3C3597

RGB 60 53 151

HSL 244.29, 0.48%, 0.4%

LAB 28.75, 32.64, -52.88

 

CMYK 0 / 34 / 65 / 41

HEX #976335

RGB 151 99 53

HSL 28.16, 0.48%, 0.4%

LAB 46.66, 16.34, 34.24

 

CMYK 65 / 0 / 9 / 40

HEX #35988B

RGB 53 152 139

HSL 172.12, 0.48%, 0.4%

LAB 57.15, -31.64, -1.59

 

CMYK 9 / 65 / 0 / 41

HEX #8A3597

RGB 138 53 151

HSL 292.04, 0.48%, 0.4%

LAB 38.17, 50.09, -37.22

 

CMYK 0 / 9 / 65 / 41

HEX #978A35

RGB 151 138 53

HSL 52.04, 0.48%, 0.4%

LAB 57.09, -5.76, 45.85

 

CMYK 65 / 0 / 9 / 40

HEX #35988B

RGB 53 152 139

HSL 172.12, 0.48%, 0.4%

LAB 57.15, -31.64, -1.59

 

CMYK 60 / 65 / 0 / 41

HEX #3C3597

RGB 60 53 151

HSL 244.29, 0.48%, 0.4%

LAB 28.75, 32.64, -52.88

 

CMYK 0 / 65 / 56 / 41

HEX #973542

RGB 151 53 66

HSL 352.04, 0.48%, 0.4%

LAB 36.96, 42.02, 14.37

 

CMYK 5 / 0 / 65 / 41

HEX #909735

RGB 144 151 53

HSL 64.29, 0.48%, 0.4%

LAB 60.18, -15.82, 48.95

 

CMYK 65 / 0 / 9 / 40

HEX #35988B

RGB 53 152 139

HSL 172.12, 0.48%, 0.4%

LAB 57.15, -31.64, -1.59

 

CMYK 41 / 65 / 0 / 41

HEX #593597

RGB 89 53 151

HSL 262.04, 0.48%, 0.4%

LAB 31.59, 38.38, -48.14

 

CMYK 0 / 65 / 56 / 41

HEX #973542

RGB 151 53 66

HSL 352.04, 0.48%, 0.4%

LAB 36.96, 42.02, 14.37

 

CMYK 24 / 0 / 65 / 41

HEX #739735

RGB 115 151 53

HSL 82.04, 0.48%, 0.4%

LAB 58.07, -28.05, 46.08

 

Description

Color code: RGB 53 152 139 | qconv.com Color code: RGB 53 152 139 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 152 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 152 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 9 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 9% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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