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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 151 49 it is the complementary color RGB 202 104 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 151 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 151 49 shade: RGB 58 151 44, RGB 75 169 63, RGB 92 187 82, RGB 109 205 101 and RGB 126 223 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 151 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 151 49 shade: RGB 53 151 49, RGB 36 133 30, RGB 19 115 11, RGB 2 97 0 and RGB 0 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 151 49 shade: RGB 53 150 49, RGB 80 150 49, RGB 107 150 49, RGB 135 150 49 and RGB 150 138 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 151 49 shade: RGB 53 150 49, RGB 49 150 72, RGB 49 150 99, RGB 49 150 127 and RGB 49 146 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 151 49 shade matches the following richer shades: RGB 53 150 49, RGB 38 166 33, RGB 23 182 17 and RGB 8 198 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 151 49 shade: RGB 53 150 49, RGB 68 134 65, RGB 82 118 81, RGB 97 102 97 and RGB 112 86 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 151 49 shade: RGB 108 150 49, RGB 81 150 49, RGB 54 150 49, RGB 49 150 71 and RGB 49 150 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 151 49 shade: RGB 31 88 29, RGB 42 119 39, RGB 53 150 49, RGB 64 181 59 and RGB 87 199 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 151 49 shade: RGB 53 151 49, RGB 49 135 150 and RGB 150 49 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 151 49 shade: RGB 53 151 49, RGB 49 54 150 and RGB 150 49 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 151 49 shade: RGB 53 151 49, RGB 49 135 150, RGB 145 49 150 and RGB 150 64 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 151 49 shade: RGB 53 151 49, RGB 49 105 150, RGB 145 49 150 and RGB 150 94 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 68 / 41

HEX #359731

RGB 53 151 49

HSL 117.65, 0.51%, 0.39%

LAB 55.19, -48.64, 43.87

 

Complementary color

CMYK 2 / 50 / 0 / 19

HEX #CA68CE

RGB 202 104 206

HSL 297.65, 0.51%, 0.61%

LAB 58.89, 53.27, -36.16

 

CMYK 62 / 0 / 71 / 41

HEX #3A972C

RGB 58 151 44

HSL 112.15, 0.55%, 0.38%

LAB 55.29, -47.93, 46.12

 

CMYK 56 / 0 / 63 / 34

HEX #4BA93F

RGB 75 169 63

HSL 113.21, 0.46%, 0.45%

LAB 61.85, -48.51, 45.24

 

CMYK 51 / 0 / 56 / 27

HEX #5CBB52

RGB 92 187 82

HSL 114.29, 0.44%, 0.53%

LAB 68.33, -48.77, 44.1

 

CMYK 47 / 0 / 51 / 20

HEX #6DCD65

RGB 109 205 101

HSL 115.38, 0.51%, 0.6%

LAB 74.73, -48.82, 42.86

 

CMYK 43 / 0 / 46 / 13

HEX #7EDF78

RGB 126 223 120

HSL 116.5, 0.62%, 0.67%

LAB 81.05, -48.76, 41.6

 

CMYK 65 / 0 / 68 / 41

HEX #359731

RGB 53 151 49

HSL 117.65, 0.51%, 0.39%

LAB 55.19, -48.64, 43.87

 

CMYK 73 / 0 / 77 / 48

HEX #24851E

RGB 36 133 30

HSL 116.5, 0.63%, 0.32%

LAB 48.57, -47.49, 44.48

 

CMYK 83 / 0 / 90 / 55

HEX #13730B

RGB 19 115 11

HSL 115.38, 0.83%, 0.25%

LAB 41.88, -45.45, 43.92

 

CMYK 98 / 0 / 100 / 62

HEX #026100

RGB 2 97 0

HSL 118.76, 1%, 0.19%

LAB 35.13, -42.22, 41.01

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 65 / 0 / 67 / 41

HEX #359631

RGB 53 150 49

HSL 117.62, 0.51%, 0.39%

LAB 54.86, -48.27, 43.51

 

CMYK 47 / 0 / 67 / 41

HEX #509631

RGB 80 150 49

HSL 101.58, 0.51%, 0.39%

LAB 55.83, -40.79, 44.84

 

CMYK 29 / 0 / 67 / 41

HEX #6B9631

RGB 107 150 49

HSL 85.54, 0.51%, 0.39%

LAB 57.23, -31.07, 46.76

 

CMYK 10 / 0 / 67 / 41

HEX #879631

RGB 135 150 49

HSL 68.91, 0.51%, 0.39%

LAB 59.15, -19.48, 49.36

 

CMYK 0 / 8 / 67 / 41

HEX #968A31

RGB 150 138 49

HSL 52.87, 0.51%, 0.39%

LAB 56.96, -6.47, 47.48

 

CMYK 65 / 0 / 67 / 41

HEX #359631

RGB 53 150 49

HSL 117.62, 0.51%, 0.39%

LAB 54.86, -48.27, 43.51

 

CMYK 67 / 0 / 52 / 41

HEX #319648

RGB 49 150 72

HSL 133.66, 0.51%, 0.39%

LAB 55, -46.19, 32.63

 

CMYK 67 / 0 / 34 / 41

HEX #319663

RGB 49 150 99

HSL 149.7, 0.51%, 0.39%

LAB 55.45, -41.26, 18.64

 

CMYK 67 / 0 / 15 / 41

HEX #31967F

RGB 49 150 127

HSL 166.34, 0.51%, 0.39%

LAB 56.09, -34.62, 3.7

 

CMYK 67 / 3 / 0 / 41

HEX #319296

RGB 49 146 150

HSL 182.38, 0.51%, 0.39%

LAB 55.49, -26.18, -10.36

 

CMYK 65 / 0 / 67 / 41

HEX #359631

RGB 53 150 49

HSL 117.62, 0.51%, 0.39%

LAB 54.86, -48.27, 43.51

 

CMYK 77 / 0 / 80 / 35

HEX #26A621

RGB 38 166 33

HSL 117.74, 0.67%, 0.39%

LAB 59.7, -57.85, 54.29

 

CMYK 87 / 0 / 91 / 29

HEX #17B611

RGB 23 182 17

HSL 117.82, 0.83%, 0.39%

LAB 64.71, -65.16, 62.52

 

CMYK 96 / 0 / 100 / 22

HEX #08C600

RGB 8 198 0

HSL 117.58, 1%, 0.39%

LAB 69.78, -70.9, 68.8

 

CMYK 65 / 0 / 67 / 41

HEX #359631

RGB 53 150 49

HSL 117.62, 0.51%, 0.39%

LAB 54.86, -48.27, 43.51

 

CMYK 49 / 0 / 51 / 47

HEX #448641

RGB 68 134 65

HSL 117.39, 0.35%, 0.39%

LAB 50.29, -35.85, 30.6

 

CMYK 31 / 0 / 31 / 54

HEX #527651

RGB 82 118 81

HSL 118.38, 0.19%, 0.39%

LAB 46.1, -20.79, 16.41

 

CMYK 5 / 0 / 5 / 60

HEX #616661

RGB 97 102 97

HSL 120, 0.03%, 0.39%

LAB 42.62, -2.98, 2.15

 

CMYK 1 / 24 / 0 / 56

HEX #705671

RGB 112 86 113

HSL 297.78, 0.14%, 0.39%

LAB 40.07, 15.88, -11.27

 

CMYK 28 / 0 / 67 / 41

HEX #6C9631

RGB 108 150 49

HSL 84.95, 0.51%, 0.39%

LAB 57.29, -30.68, 46.84

 

CMYK 46 / 0 / 67 / 41

HEX #519631

RGB 81 150 49

HSL 100.99, 0.51%, 0.39%

LAB 55.87, -40.47, 44.9

 

CMYK 64 / 0 / 67 / 41

HEX #369631

RGB 54 150 49

HSL 117.03, 0.51%, 0.39%

LAB 54.89, -48.04, 43.55

 

CMYK 67 / 0 / 53 / 41

HEX #319647

RGB 49 150 71

HSL 133.07, 0.51%, 0.39%

LAB 54.99, -46.34, 33.12

 

CMYK 67 / 0 / 35 / 41

HEX #319662

RGB 49 150 98

HSL 149.11, 0.51%, 0.39%

LAB 55.43, -41.47, 19.17

 

CMYK 65 / 0 / 67 / 65

HEX #1F581D

RGB 31 88 29

HSL 117.97, 0.5%, 0.23%

LAB 32.61, -31.7, 28.07

 

CMYK 65 / 0 / 67 / 53

HEX #2A7727

RGB 42 119 39

HSL 117.75, 0.51%, 0.31%

LAB 43.99, -40.21, 36.01

 

CMYK 65 / 0 / 67 / 41

HEX #359631

RGB 53 150 49

HSL 117.62, 0.51%, 0.39%

LAB 54.86, -48.27, 43.51

 

CMYK 65 / 0 / 67 / 29

HEX #40B53B

RGB 64 181 59

HSL 117.54, 0.51%, 0.47%

LAB 65.32, -55.99, 50.69

 

CMYK 56 / 0 / 59 / 22

HEX #57C752

RGB 87 199 82

HSL 117.44, 0.51%, 0.55%

LAB 71.88, -54.74, 48.2

 

CMYK 65 / 0 / 68 / 41

HEX #359731

RGB 53 151 49

HSL 117.65, 0.51%, 0.39%

LAB 55.19, -48.64, 43.87

 

CMYK 67 / 10 / 0 / 41

HEX #318796

RGB 49 135 150

HSL 188.91, 0.51%, 0.39%

LAB 52.04, -20.5, -15.57

 

CMYK 0 / 67 / 37 / 41

HEX #96315E

RGB 150 49 94

HSL 333.27, 0.51%, 0.39%

LAB 36.91, 46.26, -3.57

 

CMYK 65 / 0 / 68 / 41

HEX #359731

RGB 53 151 49

HSL 117.65, 0.51%, 0.39%

LAB 55.19, -48.64, 43.87

 

CMYK 67 / 64 / 0 / 41

HEX #313696

RGB 49 54 150

HSL 237.03, 0.51%, 0.39%

LAB 28.1, 29.88, -53.37

 

CMYK 0 / 67 / 64 / 41

HEX #963136

RGB 150 49 54

HSL 357.03, 0.51%, 0.39%

LAB 35.88, 42.56, 20.5

 

CMYK 65 / 0 / 68 / 41

HEX #359731

RGB 53 151 49

HSL 117.65, 0.51%, 0.39%

LAB 55.19, -48.64, 43.87

 

CMYK 67 / 10 / 0 / 41

HEX #318796

RGB 49 135 150

HSL 188.91, 0.51%, 0.39%

LAB 52.04, -20.5, -15.57

 

CMYK 3 / 67 / 0 / 41

HEX #913196

RGB 145 49 150

HSL 297.03, 0.51%, 0.39%

LAB 38.58, 53.34, -35.89

 

CMYK 0 / 57 / 67 / 41

HEX #964031

RGB 150 64 49

HSL 8.91, 0.51%, 0.39%

LAB 38.5, 35.07, 26.83

 

CMYK 65 / 0 / 68 / 41

HEX #359731

RGB 53 151 49

HSL 117.65, 0.51%, 0.39%

LAB 55.19, -48.64, 43.87

 

CMYK 67 / 30 / 0 / 41

HEX #316996

RGB 49 105 150

HSL 206.73, 0.51%, 0.39%

LAB 42.7, -3.42, -29.99

 

CMYK 3 / 67 / 0 / 41

HEX #913196

RGB 145 49 150

HSL 297.03, 0.51%, 0.39%

LAB 38.58, 53.34, -35.89

 

CMYK 0 / 37 / 67 / 41

HEX #965E31

RGB 150 94 49

HSL 26.73, 0.51%, 0.39%

LAB 45.24, 18.51, 34.72

 

Description

Color code: RGB 53 151 49 | qconv.com Color code: RGB 53 151 49 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 151 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 151 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 68 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 68% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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