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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 14 91 it is the complementary color RGB 202 241 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 14 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 14 91 shade: RGB 58 14 86, RGB 75 32 105, RGB 92 50 124, RGB 109 68 143 and RGB 126 86 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 14 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 14 91 shade: RGB 53 14 91, RGB 36 0 72, RGB 19 0 53, RGB 2 0 34 and RGB 0 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 14 91 shade: RGB 54 14 93, RGB 75 14 93, RGB 93 14 89, RGB 93 14 68 and RGB 93 14 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 14 91 shade: RGB 54 14 93, RGB 33 14 93 and RGB 14 14 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 14 91 shade matches the following richer shades: RGB 54 14 93 and RGB 54 6 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 14 91 shade: RGB 54 14 93, RGB 54 23 84, RGB 54 32 75, RGB 54 40 67 and RGB 54 49 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 14 91 shade: RGB 14 17 93, RGB 33 14 93, RGB 54 14 93, RGB 74 14 93 and RGB 93 14 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 14 91 shade: RGB 12 3 21, RGB 33 9 57, RGB 54 14 93, RGB 75 20 128 and RGB 96 26 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 14 91 shade: RGB 53 14 91, RGB 93 14 38 and RGB 14 93 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 14 91 shade: RGB 53 14 91, RGB 93 54 14 and RGB 14 93 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 14 91 shade: RGB 53 14 91, RGB 93 14 38, RGB 54 93 14 and RGB 14 93 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 14 91 shade: RGB 53 14 91, RGB 93 14 14, RGB 54 93 14 and RGB 14 93 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 85 / 0 / 64

HEX #350E5B

RGB 53 14 91

HSL 270.39, 0.73%, 0.21%

LAB 14.55, 34.89, -37.76

 

Complementary color

CMYK 16 / 0 / 32 / 5

HEX #CAF1A4

RGB 202 241 164

HSL 90.39, 0.73%, 0.79%

LAB 90.85, -25.72, 33.16

 

CMYK 33 / 84 / 0 / 66

HEX #3A0E56

RGB 58 14 86

HSL 276.67, 0.72%, 0.2%

LAB 14.87, 34.55, -33.82

 

CMYK 29 / 70 / 0 / 59

HEX #4B2069

RGB 75 32 105

HSL 275.34, 0.53%, 0.27%

LAB 22.12, 34.42, -34.58

 

CMYK 26 / 60 / 0 / 51

HEX #5C327C

RGB 92 50 124

HSL 274.05, 0.43%, 0.34%

LAB 29.44, 33.64, -34.86

 

CMYK 24 / 52 / 0 / 44

HEX #6D448F

RGB 109 68 143

HSL 272.8, 0.36%, 0.41%

LAB 36.68, 32.7, -34.96

 

CMYK 22 / 47 / 0 / 36

HEX #7E56A2

RGB 126 86 162

HSL 271.58, 0.31%, 0.49%

LAB 43.8, 31.77, -35.01

 

CMYK 42 / 85 / 0 / 64

HEX #350E5B

RGB 53 14 91

HSL 270.39, 0.73%, 0.21%

LAB 14.55, 34.89, -37.76

 

CMYK 50 / 100 / 0 / 72

HEX #240048

RGB 36 0 72

HSL 270, 1%, 0.14%

LAB 7.61, 33.85, -36.2

 

CMYK 64 / 100 / 0 / 79

HEX #130035

RGB 19 0 53

HSL 261.51, 1%, 0.1%

LAB 3.57, 21.85, -29.21

 

CMYK 94 / 100 / 0 / 87

HEX #020022

RGB 2 0 34

HSL 243.53, 1%, 0.07%

LAB 1.16, 7.85, -18.59

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 42 / 85 / 0 / 64

HEX #360E5D

RGB 54 14 93

HSL 270.38, 0.74%, 0.21%

LAB 14.89, 35.6, -38.53

 

CMYK 19 / 85 / 0 / 64

HEX #4B0E5D

RGB 75 14 93

HSL 286.33, 0.74%, 0.21%

LAB 18.37, 39.65, -32.73

 

CMYK 0 / 85 / 4 / 64

HEX #5D0E59

RGB 93 14 89

HSL 303.04, 0.74%, 0.21%

LAB 21.44, 42.82, -24.95

 

CMYK 0 / 85 / 27 / 64

HEX #5D0E44

RGB 93 14 68

HSL 318.99, 0.74%, 0.21%

LAB 20.28, 39.51, -12.52

 

CMYK 0 / 85 / 49 / 64

HEX #5D0E2F

RGB 93 14 47

HSL 334.94, 0.74%, 0.21%

LAB 19.42, 36.96, 0.89

 

CMYK 42 / 85 / 0 / 64

HEX #360E5D

RGB 54 14 93

HSL 270.38, 0.74%, 0.21%

LAB 14.89, 35.6, -38.53

 

CMYK 65 / 85 / 0 / 64

HEX #210E5D

RGB 33 14 93

HSL 254.43, 0.74%, 0.21%

LAB 12.14, 32.39, -43.16

 

CMYK 85 / 85 / 0 / 64

HEX #0E0E5D

RGB 14 14 93

HSL 240, 0.74%, 0.21%

LAB 10.54, 30.51, -45.85

 

CMYK 42 / 85 / 0 / 64

HEX #360E5D

RGB 54 14 93

HSL 270.38, 0.74%, 0.21%

LAB 14.89, 35.6, -38.53

 

CMYK 47 / 94 / 0 / 60

HEX #360665

RGB 54 6 101

HSL 270.32, 0.89%, 0.21%

LAB 14.7, 40.64, -44.17

 

CMYK 42 / 85 / 0 / 64

HEX #360E5D

RGB 54 14 93

HSL 270.38, 0.74%, 0.21%

LAB 14.89, 35.6, -38.53

 

CMYK 36 / 73 / 0 / 67

HEX #361754

RGB 54 23 84

HSL 270.49, 0.57%, 0.21%

LAB 15.68, 28.64, -31.19

 

CMYK 28 / 57 / 0 / 71

HEX #36204B

RGB 54 32 75

HSL 270.7, 0.4%, 0.21%

LAB 17.11, 20.53, -22.77

 

CMYK 19 / 40 / 0 / 74

HEX #362843

RGB 54 40 67

HSL 271.11, 0.25%, 0.21%

LAB 18.83, 12.87, -14.59

 

CMYK 7 / 16 / 0 / 77

HEX #36313A

RGB 54 49 58

HSL 273.33, 0.08%, 0.21%

LAB 21.16, 4.32, -4.88

 

CMYK 85 / 82 / 0 / 64

HEX #0E115D

RGB 14 17 93

HSL 237.72, 0.74%, 0.21%

LAB 11.17, 28.71, -44.82

 

CMYK 65 / 85 / 0 / 64

HEX #210E5D

RGB 33 14 93

HSL 254.43, 0.74%, 0.21%

LAB 12.14, 32.39, -43.16

 

CMYK 42 / 85 / 0 / 64

HEX #360E5D

RGB 54 14 93

HSL 270.38, 0.74%, 0.21%

LAB 14.89, 35.6, -38.53

 

CMYK 20 / 85 / 0 / 64

HEX #4A0E5D

RGB 74 14 93

HSL 285.57, 0.74%, 0.21%

LAB 18.19, 39.44, -33.03

 

CMYK 0 / 85 / 3 / 64

HEX #5D0E5A

RGB 93 14 90

HSL 302.28, 0.74%, 0.21%

LAB 21.5, 42.99, -25.52

 

CMYK 43 / 86 / 0 / 92

HEX #0C0315

RGB 12 3 21

HSL 270, 0.75%, 0.05%

LAB 1.78, 5.4, -7.38

 

CMYK 42 / 84 / 0 / 78

HEX #210939

RGB 33 9 57

HSL 270, 0.73%, 0.13%

LAB 7.35, 23.72, -25.95

 

CMYK 42 / 85 / 0 / 64

HEX #360E5D

RGB 54 14 93

HSL 270.38, 0.74%, 0.21%

LAB 14.89, 35.6, -38.53

 

CMYK 41 / 84 / 0 / 50

HEX #4B1480

RGB 75 20 128

HSL 270.56, 0.73%, 0.29%

LAB 22.14, 45.66, -49.31

 

CMYK 41 / 84 / 0 / 36

HEX #601AA4

RGB 96 26 164

HSL 270.43, 0.73%, 0.37%

LAB 29.17, 55.38, -59.94

 

CMYK 42 / 85 / 0 / 64

HEX #350E5B

RGB 53 14 91

HSL 270.39, 0.73%, 0.21%

LAB 14.55, 34.89, -37.76

 

CMYK 0 / 85 / 59 / 64

HEX #5D0E26

RGB 93 14 38

HSL 341.77, 0.74%, 0.21%

LAB 19.15, 36.12, 6.91

 

CMYK 85 / 0 / 76 / 64

HEX #0E5D16

RGB 14 93 22

HSL 126.08, 0.74%, 0.21%

LAB 33.94, -37.93, 32.68

 

CMYK 42 / 85 / 0 / 64

HEX #350E5B

RGB 53 14 91

HSL 270.39, 0.73%, 0.21%

LAB 14.55, 34.89, -37.76

 

CMYK 0 / 42 / 85 / 64

HEX #5D360E

RGB 93 54 14

HSL 30.38, 0.74%, 0.21%

LAB 26.73, 13.95, 30.85

 

CMYK 85 / 0 / 42 / 64

HEX #0E5D36

RGB 14 93 54

HSL 150.38, 0.74%, 0.21%

LAB 34.37, -32.8, 16.1

 

CMYK 42 / 85 / 0 / 64

HEX #350E5B

RGB 53 14 91

HSL 270.39, 0.73%, 0.21%

LAB 14.55, 34.89, -37.76

 

CMYK 0 / 85 / 59 / 64

HEX #5D0E26

RGB 93 14 38

HSL 341.77, 0.74%, 0.21%

LAB 19.15, 36.12, 6.91

 

CMYK 42 / 0 / 85 / 64

HEX #365D0E

RGB 54 93 14

HSL 89.62, 0.74%, 0.21%

LAB 35.29, -27.51, 37.55

 

CMYK 85 / 0 / 26 / 64

HEX #0E5D45

RGB 14 93 69

HSL 161.77, 0.74%, 0.21%

LAB 34.7, -29.11, 7.42

 

CMYK 42 / 85 / 0 / 64

HEX #350E5B

RGB 53 14 91

HSL 270.39, 0.73%, 0.21%

LAB 14.55, 34.89, -37.76

 

CMYK 0 / 85 / 85 / 64

HEX #5D0E0E

RGB 93 14 14

HSL 0, 0.74%, 0.21%

LAB 18.68, 34.68, 22.47

 

CMYK 42 / 0 / 85 / 64

HEX #365D0E

RGB 54 93 14

HSL 89.62, 0.74%, 0.21%

LAB 35.29, -27.51, 37.55

 

CMYK 85 / 0 / 0 / 64

HEX #0E5D5D

RGB 14 93 93

HSL 180, 0.74%, 0.21%

LAB 35.42, -21.79, -6.47

 

Description

Color code: RGB 53 14 91 | qconv.com Color code: RGB 53 14 91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 14 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 14 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 85 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 85% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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