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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 149 128 it is the complementary color RGB 202 106 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 149 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 149 128 shade: RGB 58 149 123, RGB 75 167 142, RGB 92 185 161, RGB 109 203 180 and RGB 126 221 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 149 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 149 128 shade: RGB 53 149 128, RGB 36 131 109, RGB 19 113 90, RGB 2 95 71 and RGB 0 77 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 149 128 shade: RGB 53 151 130, RGB 53 151 103, RGB 53 151 77, RGB 56 151 53 and RGB 82 151 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 149 128 shade: RGB 53 151 130, RGB 53 146 151, RGB 53 120 151, RGB 53 93 151 and RGB 53 67 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 149 128 shade matches the following richer shades: RGB 53 151 130, RGB 37 167 139, RGB 20 184 148 and RGB 4 200 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 149 128 shade: RGB 53 151 130, RGB 70 134 120, RGB 86 118 111, RGB 103 101 102 and RGB 119 85 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 149 128 shade: RGB 53 151 76, RGB 53 151 102, RGB 53 151 128, RGB 53 148 151 and RGB 53 122 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 149 128 shade: RGB 32 90 77, RGB 42 120 103, RGB 53 151 130, RGB 64 181 156 and RGB 90 197 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 149 128 shade: RGB 53 149 128, RGB 53 56 151 and RGB 151 89 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 149 128 shade: RGB 53 149 128, RGB 128 53 151 and RGB 151 128 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 149 128 shade: RGB 53 149 128, RGB 53 56 151, RGB 151 53 76 and RGB 151 148 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 149 128 shade: RGB 53 149 128, RGB 79 53 151, RGB 151 53 76 and RGB 125 151 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 14 / 42

HEX #359580

RGB 53 149 128

HSL 166.88, 0.48%, 0.4%

LAB 55.9, -33.18, 2.87

 

Complementary color

CMYK 0 / 48 / 37 / 21

HEX #CA6A7F

RGB 202 106 127

HSL 346.88, 0.48%, 0.6%

LAB 56.48, 40.2, 5.81

 

CMYK 61 / 0 / 17 / 42

HEX #3A957B

RGB 58 149 123

HSL 162.86, 0.44%, 0.41%

LAB 55.91, -33.5, 5.76

 

CMYK 55 / 0 / 15 / 35

HEX #4BA78E

RGB 75 167 142

HSL 163.7, 0.38%, 0.47%

LAB 62.58, -33.57, 4.69

 

CMYK 50 / 0 / 13 / 27

HEX #5CB9A1

RGB 92 185 161

HSL 164.52, 0.4%, 0.54%

LAB 69.15, -33.54, 3.72

 

CMYK 46 / 0 / 11 / 20

HEX #6DCBB4

RGB 109 203 180

HSL 165.32, 0.47%, 0.61%

LAB 75.61, -33.45, 2.84

 

CMYK 43 / 0 / 10 / 13

HEX #7EDDC7

RGB 126 221 199

HSL 166.11, 0.58%, 0.68%

LAB 81.99, -33.32, 2.01

 

CMYK 64 / 0 / 14 / 42

HEX #359580

RGB 53 149 128

HSL 166.88, 0.48%, 0.4%

LAB 55.9, -33.18, 2.87

 

CMYK 73 / 0 / 17 / 49

HEX #24836D

RGB 36 131 109

HSL 166.11, 0.57%, 0.33%

LAB 49.14, -32.75, 4.05

 

CMYK 83 / 0 / 20 / 56

HEX #13715A

RGB 19 113 90

HSL 165.32, 0.71%, 0.26%

LAB 42.29, -31.94, 5.42

 

CMYK 98 / 0 / 25 / 63

HEX #025F47

RGB 2 95 71

HSL 164.52, 0.96%, 0.19%

LAB 35.31, -30.67, 7.01

 

CMYK 100 / 0 / 32 / 70

HEX #004D34

RGB 0 77 52

HSL 160.52, 1%, 0.15%

LAB 28.26, -28.11, 9.02

 

CMYK 65 / 0 / 14 / 41

HEX #359782

RGB 53 151 130

HSL 167.14, 0.48%, 0.4%

LAB 56.59, -33.59, 2.72

 

CMYK 65 / 0 / 32 / 41

HEX #359767

RGB 53 151 103

HSL 150.61, 0.48%, 0.4%

LAB 55.96, -40.06, 17.11

 

CMYK 65 / 0 / 49 / 41

HEX #35974D

RGB 53 151 77

HSL 134.69, 0.48%, 0.4%

LAB 55.51, -44.96, 30.68

 

CMYK 63 / 0 / 65 / 41

HEX #389735

RGB 56 151 53

HSL 118.16, 0.48%, 0.4%

LAB 55.31, -47.53, 42.26

 

CMYK 46 / 0 / 65 / 41

HEX #529735

RGB 82 151 53

HSL 102.24, 0.48%, 0.4%

LAB 56.27, -40.18, 43.6

 

CMYK 65 / 0 / 14 / 41

HEX #359782

RGB 53 151 130

HSL 167.14, 0.48%, 0.4%

LAB 56.59, -33.59, 2.72

 

CMYK 65 / 3 / 0 / 41

HEX #359297

RGB 53 146 151

HSL 183.06, 0.48%, 0.4%

LAB 55.63, -25.22, -10.71

 

CMYK 65 / 21 / 0 / 41

HEX #357897

RGB 53 120 151

HSL 198.98, 0.48%, 0.4%

LAB 47.53, -11.21, -23.06

 

CMYK 65 / 38 / 0 / 41

HEX #355D97

RGB 53 93 151

HSL 215.51, 0.48%, 0.4%

LAB 39.28, 5.17, -35.97

 

CMYK 65 / 56 / 0 / 41

HEX #354397

RGB 53 67 151

HSL 231.43, 0.48%, 0.4%

LAB 31.82, 22.29, -47.91

 

CMYK 65 / 0 / 14 / 41

HEX #359782

RGB 53 151 130

HSL 167.14, 0.48%, 0.4%

LAB 56.59, -33.59, 2.72

 

CMYK 78 / 0 / 17 / 35

HEX #25A78B

RGB 37 167 139

HSL 167.08, 0.64%, 0.4%

LAB 61.56, -40.74, 4.78

 

CMYK 89 / 0 / 20 / 28

HEX #14B894

RGB 20 184 148

HSL 166.83, 0.8%, 0.4%

LAB 66.95, -46.99, 7.5

 

CMYK 98 / 0 / 22 / 22

HEX #04C89D

RGB 4 200 157

HSL 166.84, 0.96%, 0.4%

LAB 72.07, -51.8, 9.89

 

CMYK 65 / 0 / 14 / 41

HEX #359782

RGB 53 151 130

HSL 167.14, 0.48%, 0.4%

LAB 56.59, -33.59, 2.72

 

CMYK 48 / 0 / 10 / 47

HEX #468678

RGB 70 134 120

HSL 166.88, 0.31%, 0.4%

LAB 51.51, -24.17, 1.18

 

CMYK 27 / 0 / 6 / 54

HEX #56766F

RGB 86 118 111

HSL 166.88, 0.16%, 0.4%

LAB 47.08, -13.08, 0.13

 

CMYK 0 / 2 / 1 / 60

HEX #676566

RGB 103 101 102

HSL 330, 0.01%, 0.4%

LAB 42.99, 0.99, -0.29

 

CMYK 0 / 29 / 23 / 53

HEX #77555C

RGB 119 85 92

HSL 347.65, 0.17%, 0.4%

LAB 39.9, 15.25, 1.54

 

CMYK 65 / 0 / 50 / 41

HEX #35974C

RGB 53 151 76

HSL 134.08, 0.48%, 0.4%

LAB 55.49, -45.12, 31.18

 

CMYK 65 / 0 / 32 / 41

HEX #359766

RGB 53 151 102

HSL 150, 0.48%, 0.4%

LAB 55.94, -40.27, 17.65

 

CMYK 65 / 0 / 15 / 41

HEX #359780

RGB 53 151 128

HSL 165.92, 0.48%, 0.4%

LAB 56.53, -34.11, 3.79

 

CMYK 65 / 2 / 0 / 41

HEX #359497

RGB 53 148 151

HSL 181.84, 0.48%, 0.4%

LAB 56.26, -26.23, -9.78

 

CMYK 65 / 19 / 0 / 41

HEX #357A97

RGB 53 122 151

HSL 197.76, 0.48%, 0.4%

LAB 48.15, -12.35, -22.1

 

CMYK 64 / 0 / 14 / 65

HEX #205A4D

RGB 32 90 77

HSL 166.55, 0.48%, 0.24%

LAB 34.3, -22.37, 1.93

 

CMYK 65 / 0 / 14 / 53

HEX #2A7867

RGB 42 120 103

HSL 166.92, 0.48%, 0.32%

LAB 45.5, -28.12, 2.34

 

CMYK 65 / 0 / 14 / 41

HEX #359782

RGB 53 151 130

HSL 167.14, 0.48%, 0.4%

LAB 56.59, -33.59, 2.72

 

CMYK 65 / 0 / 14 / 29

HEX #40B59C

RGB 64 181 156

HSL 167.18, 0.48%, 0.48%

LAB 66.93, -38.64, 3.16

 

CMYK 54 / 0 / 12 / 23

HEX #5AC5AD

RGB 90 197 173

HSL 166.54, 0.48%, 0.56%

LAB 72.97, -36.67, 2.71

 

CMYK 64 / 0 / 14 / 42

HEX #359580

RGB 53 149 128

HSL 166.88, 0.48%, 0.4%

LAB 55.9, -33.18, 2.87

 

CMYK 65 / 63 / 0 / 41

HEX #353897

RGB 53 56 151

HSL 238.16, 0.48%, 0.4%

LAB 28.95, 29.56, -52.57

 

CMYK 0 / 41 / 65 / 41

HEX #975935

RGB 151 89 53

HSL 22.04, 0.48%, 0.4%

LAB 44.21, 22.08, 31.37

 

CMYK 64 / 0 / 14 / 42

HEX #359580

RGB 53 149 128

HSL 166.88, 0.48%, 0.4%

LAB 55.9, -33.18, 2.87

 

CMYK 15 / 65 / 0 / 41

HEX #803597

RGB 128 53 151

HSL 285.92, 0.48%, 0.4%

LAB 36.69, 47.6, -39.67

 

CMYK 0 / 15 / 65 / 41

HEX #978035

RGB 151 128 53

HSL 45.92, 0.48%, 0.4%

LAB 54.32, -0.23, 42.85

 

CMYK 64 / 0 / 14 / 42

HEX #359580

RGB 53 149 128

HSL 166.88, 0.48%, 0.4%

LAB 55.9, -33.18, 2.87

 

CMYK 65 / 63 / 0 / 41

HEX #353897

RGB 53 56 151

HSL 238.16, 0.48%, 0.4%

LAB 28.95, 29.56, -52.57

 

CMYK 0 / 65 / 50 / 41

HEX #97354C

RGB 151 53 76

HSL 345.92, 0.48%, 0.4%

LAB 37.2, 42.91, 8.34

 

CMYK 0 / 2 / 65 / 41

HEX #979435

RGB 151 148 53

HSL 58.16, 0.48%, 0.4%

LAB 59.9, -11.16, 48.84

 

CMYK 64 / 0 / 14 / 42

HEX #359580

RGB 53 149 128

HSL 166.88, 0.48%, 0.4%

LAB 55.9, -33.18, 2.87

 

CMYK 48 / 65 / 0 / 41

HEX #4F3597

RGB 79 53 151

HSL 255.92, 0.48%, 0.4%

LAB 30.5, 36.25, -49.95

 

CMYK 0 / 65 / 50 / 41

HEX #97354C

RGB 151 53 76

HSL 345.92, 0.48%, 0.4%

LAB 37.2, 42.91, 8.34

 

CMYK 17 / 0 / 65 / 41

HEX #7D9735

RGB 125 151 53

HSL 75.92, 0.48%, 0.4%

LAB 58.74, -23.95, 47

 

Description

Color code: RGB 53 149 128 | qconv.com Color code: RGB 53 149 128 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 149 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 149 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 14 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 14% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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