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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 147 124 it is the complementary color RGB 202 108 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 147 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 147 124 shade: RGB 58 147 119, RGB 75 165 138, RGB 92 183 157, RGB 109 201 176 and RGB 126 219 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 147 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 147 124 shade: RGB 53 147 124, RGB 36 129 105, RGB 19 111 86, RGB 2 93 67 and RGB 0 75 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 147 124 shade: RGB 53 146 123, RGB 53 146 98, RGB 53 146 73, RGB 58 146 53 and RGB 83 146 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 147 124 shade: RGB 53 146 123, RGB 53 144 146, RGB 53 119 146, RGB 53 93 146 and RGB 53 68 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 147 124 shade matches the following richer shades: RGB 53 146 123, RGB 37 162 132, RGB 21 178 140 and RGB 4 194 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 147 124 shade: RGB 53 146 123, RGB 69 130 115, RGB 85 114 107, RGB 101 98 99 and RGB 117 82 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 147 124 shade: RGB 53 146 73, RGB 53 146 98, RGB 53 146 123, RGB 53 145 146 and RGB 53 120 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 147 124 shade: RGB 31 86 72, RGB 42 116 98, RGB 53 146 123, RGB 64 177 149 and RGB 87 194 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 147 124 shade: RGB 53 147 124, RGB 53 57 146 and RGB 146 85 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 147 124 shade: RGB 53 147 124, RGB 123 53 146 and RGB 146 123 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 147 124 shade: RGB 53 147 124, RGB 53 57 146, RGB 146 53 76 and RGB 146 142 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 147 124 shade: RGB 53 147 124, RGB 76 53 146, RGB 146 53 76 and RGB 123 146 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 16 / 42

HEX #35937C

RGB 53 147 124

HSL 165.32, 0.47%, 0.39%

LAB 55.15, -33.29, 4.08

 

Complementary color

CMYK 0 / 47 / 35 / 21

HEX #CA6C83

RGB 202 108 131

HSL 345.32, 0.47%, 0.61%

LAB 57, 39.65, 4.21

 

CMYK 61 / 0 / 19 / 42

HEX #3A9377

RGB 58 147 119

HSL 161.12, 0.43%, 0.4%

LAB 55.17, -33.56, 6.99

 

CMYK 55 / 0 / 16 / 35

HEX #4BA58A

RGB 75 165 138

HSL 162, 0.38%, 0.47%

LAB 61.86, -33.61, 5.89

 

CMYK 50 / 0 / 14 / 28

HEX #5CB79D

RGB 92 183 157

HSL 162.86, 0.39%, 0.54%

LAB 68.44, -33.55, 4.91

 

CMYK 46 / 0 / 12 / 21

HEX #6DC9B0

RGB 109 201 176

HSL 163.7, 0.46%, 0.61%

LAB 74.93, -33.43, 4

 

CMYK 42 / 0 / 11 / 14

HEX #7EDBC3

RGB 126 219 195

HSL 164.52, 0.56%, 0.68%

LAB 81.31, -33.29, 3.16

 

CMYK 64 / 0 / 16 / 42

HEX #35937C

RGB 53 147 124

HSL 165.32, 0.47%, 0.39%

LAB 55.15, -33.29, 4.08

 

CMYK 72 / 0 / 19 / 49

HEX #248169

RGB 36 129 105

HSL 164.52, 0.56%, 0.32%

LAB 48.38, -32.9, 5.29

 

CMYK 83 / 0 / 23 / 56

HEX #136F56

RGB 19 111 86

HSL 163.7, 0.71%, 0.25%

LAB 41.5, -32.13, 6.69

 

CMYK 98 / 0 / 28 / 64

HEX #025D43

RGB 2 93 67

HSL 162.86, 0.96%, 0.19%

LAB 34.49, -30.88, 8.33

 

CMYK 100 / 0 / 36 / 71

HEX #004B30

RGB 0 75 48

HSL 158.4, 1%, 0.15%

LAB 27.42, -28.29, 10.39

 

CMYK 64 / 0 / 16 / 43

HEX #35927B

RGB 53 146 123

HSL 165.16, 0.47%, 0.39%

LAB 54.81, -33.09, 4.16

 

CMYK 64 / 0 / 33 / 43

HEX #359262

RGB 53 146 98

HSL 149.03, 0.47%, 0.39%

LAB 54.23, -38.98, 17.56

 

CMYK 64 / 0 / 50 / 43

HEX #359249

RGB 53 146 73

HSL 132.9, 0.47%, 0.39%

LAB 53.81, -43.62, 30.65

 

CMYK 60 / 0 / 64 / 43

HEX #3A9235

RGB 58 146 53

HSL 116.77, 0.47%, 0.39%

LAB 53.72, -45.14, 40.51

 

CMYK 43 / 0 / 64 / 43

HEX #539235

RGB 83 146 53

HSL 100.65, 0.47%, 0.39%

LAB 54.71, -37.71, 41.89

 

CMYK 64 / 0 / 16 / 43

HEX #35927B

RGB 53 146 123

HSL 165.16, 0.47%, 0.39%

LAB 54.81, -33.09, 4.16

 

CMYK 64 / 1 / 0 / 43

HEX #359092

RGB 53 144 146

HSL 181.29, 0.47%, 0.39%

LAB 54.84, -25.71, -9.02

 

CMYK 64 / 18 / 0 / 43

HEX #357792

RGB 53 119 146

HSL 197.42, 0.47%, 0.39%

LAB 47.01, -12.31, -20.91

 

CMYK 64 / 36 / 0 / 43

HEX #355D92

RGB 53 93 146

HSL 214.19, 0.47%, 0.39%

LAB 39, 3.37, -33.39

 

CMYK 64 / 53 / 0 / 43

HEX #354492

RGB 53 68 146

HSL 230.32, 0.47%, 0.39%

LAB 31.73, 19.81, -45.01

 

CMYK 64 / 0 / 16 / 43

HEX #35927B

RGB 53 146 123

HSL 165.16, 0.47%, 0.39%

LAB 54.81, -33.09, 4.16

 

CMYK 77 / 0 / 19 / 36

HEX #25A284

RGB 37 162 132

HSL 165.6, 0.63%, 0.39%

LAB 59.8, -40.39, 6.17

 

CMYK 88 / 0 / 21 / 30

HEX #15B28C

RGB 21 178 140

HSL 165.48, 0.79%, 0.39%

LAB 64.88, -46.52, 8.95

 

CMYK 98 / 0 / 24 / 24

HEX #04C294

RGB 4 194 148

HSL 165.47, 0.96%, 0.39%

LAB 70, -51.67, 11.82

 

CMYK 64 / 0 / 16 / 43

HEX #35927B

RGB 53 146 123

HSL 165.16, 0.47%, 0.39%

LAB 54.81, -33.09, 4.16

 

CMYK 47 / 0 / 12 / 49

HEX #458273

RGB 69 130 115

HSL 165.25, 0.31%, 0.39%

LAB 50.06, -23.66, 1.99

 

CMYK 25 / 0 / 6 / 55

HEX #55726B

RGB 85 114 107

HSL 165.52, 0.15%, 0.39%

LAB 45.67, -12.12, 0.45

 

CMYK 0 / 3 / 2 / 60

HEX #656263

RGB 101 98 99

HSL 340, 0.02%, 0.39%

LAB 41.85, 1.39, -0.15

 

CMYK 0 / 30 / 23 / 54

HEX #75525A

RGB 117 82 90

HSL 346.29, 0.18%, 0.39%

LAB 38.82, 15.92, 1.18

 

CMYK 64 / 0 / 50 / 43

HEX #359249

RGB 53 146 73

HSL 132.9, 0.47%, 0.39%

LAB 53.81, -43.62, 30.65

 

CMYK 64 / 0 / 33 / 43

HEX #359262

RGB 53 146 98

HSL 149.03, 0.47%, 0.39%

LAB 54.23, -38.98, 17.56

 

CMYK 64 / 0 / 16 / 43

HEX #35927B

RGB 53 146 123

HSL 165.16, 0.47%, 0.39%

LAB 54.81, -33.09, 4.16

 

CMYK 64 / 1 / 0 / 43

HEX #359192

RGB 53 145 146

HSL 180.65, 0.47%, 0.39%

LAB 55.16, -26.21, -8.55

 

CMYK 64 / 18 / 0 / 43

HEX #357892

RGB 53 120 146

HSL 196.77, 0.47%, 0.39%

LAB 47.32, -12.88, -20.43

 

CMYK 64 / 0 / 16 / 66

HEX #1F5648

RGB 31 86 72

HSL 164.73, 0.47%, 0.23%

LAB 32.73, -21.93, 2.79

 

CMYK 64 / 0 / 16 / 55

HEX #2A7462

RGB 42 116 98

HSL 165.41, 0.47%, 0.31%

LAB 44.04, -27.52, 3.21

 

CMYK 64 / 0 / 16 / 43

HEX #35927B

RGB 53 146 123

HSL 165.16, 0.47%, 0.39%

LAB 54.81, -33.09, 4.16

 

CMYK 64 / 0 / 16 / 31

HEX #40B195

RGB 64 177 149

HSL 165.13, 0.47%, 0.47%

LAB 65.52, -38.62, 4.99

 

CMYK 55 / 0 / 13 / 24

HEX #57C2A8

RGB 87 194 168

HSL 165.42, 0.47%, 0.55%

LAB 71.85, -37.14, 3.79

 

CMYK 64 / 0 / 16 / 42

HEX #35937C

RGB 53 147 124

HSL 165.32, 0.47%, 0.39%

LAB 55.15, -33.29, 4.08

 

CMYK 64 / 61 / 0 / 43

HEX #353992

RGB 53 57 146

HSL 237.42, 0.47%, 0.39%

LAB 28.79, 27.13, -49.77

 

CMYK 0 / 42 / 64 / 43

HEX #925535

RGB 146 85 53

HSL 20.65, 0.47%, 0.39%

LAB 42.56, 22.19, 29.24

 

CMYK 64 / 0 / 16 / 42

HEX #35937C

RGB 53 147 124

HSL 165.32, 0.47%, 0.39%

LAB 55.15, -33.29, 4.08

 

CMYK 16 / 64 / 0 / 43

HEX #7B3592

RGB 123 53 146

HSL 285.16, 0.47%, 0.39%

LAB 35.66, 45.29, -38.31

 

CMYK 0 / 16 / 64 / 43

HEX #927B35

RGB 146 123 53

HSL 45.16, 0.47%, 0.39%

LAB 52.44, 0.32, 40.64

 

CMYK 64 / 0 / 16 / 42

HEX #35937C

RGB 53 147 124

HSL 165.32, 0.47%, 0.39%

LAB 55.15, -33.29, 4.08

 

CMYK 64 / 61 / 0 / 43

HEX #353992

RGB 53 57 146

HSL 237.42, 0.47%, 0.39%

LAB 28.79, 27.13, -49.77

 

CMYK 0 / 64 / 48 / 43

HEX #92354C

RGB 146 53 76

HSL 345.16, 0.47%, 0.39%

LAB 36.33, 41.2, 6.98

 

CMYK 0 / 3 / 64 / 43

HEX #928E35

RGB 146 142 53

HSL 57.42, 0.47%, 0.39%

LAB 57.76, -10.17, 46.44

 

CMYK 64 / 0 / 16 / 42

HEX #35937C

RGB 53 147 124

HSL 165.32, 0.47%, 0.39%

LAB 55.15, -33.29, 4.08

 

CMYK 48 / 64 / 0 / 43

HEX #4C3592

RGB 76 53 146

HSL 254.84, 0.47%, 0.39%

LAB 29.81, 34.12, -48.03

 

CMYK 0 / 64 / 48 / 43

HEX #92354C

RGB 146 53 76

HSL 345.16, 0.47%, 0.39%

LAB 36.33, 41.2, 6.98

 

CMYK 16 / 0 / 64 / 43

HEX #7B9235

RGB 123 146 53

HSL 74.84, 0.47%, 0.39%

LAB 57.1, -22.27, 45.19

 

Description

Color code: RGB 53 147 124 | qconv.com Color code: RGB 53 147 124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 147 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 147 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 16 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 16% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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