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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 145 70 it is the complementary color RGB 202 110 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 145 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 145 70 shade: RGB 58 145 65, RGB 75 163 84, RGB 92 181 103, RGB 109 199 122 and RGB 126 217 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 145 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 145 70 shade: RGB 53 145 70, RGB 36 127 51, RGB 19 109 32, RGB 2 91 13 and RGB 0 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 145 70 shade: RGB 54 145 71, RGB 61 145 54, RGB 86 145 54, RGB 111 145 54 and RGB 135 145 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 145 70 shade: RGB 54 145 71, RGB 54 145 95, RGB 54 145 120, RGB 54 145 145 and RGB 54 121 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 145 70 shade matches the following richer shades: RGB 54 145 71, RGB 38 161 60, RGB 22 177 50 and RGB 5 193 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 145 70 shade: RGB 54 145 71, RGB 70 129 81, RGB 86 113 91, RGB 102 97 101 and RGB 118 81 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 145 70 shade: RGB 86 145 54, RGB 61 145 54, RGB 54 145 70, RGB 54 145 95 and RGB 54 145 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 145 70 shade: RGB 31 85 41, RGB 43 115 56, RGB 54 145 71, RGB 65 175 85 and RGB 88 193 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 145 70 shade: RGB 53 145 70, RGB 54 110 145 and RGB 145 54 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 145 70 shade: RGB 53 145 70, RGB 70 54 145 and RGB 145 70 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 145 70 shade: RGB 53 145 70, RGB 54 110 145, RGB 145 54 128 and RGB 145 89 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 145 70 shade: RGB 53 145 70, RGB 54 83 145, RGB 145 54 128 and RGB 145 116 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 52 / 43

HEX #359146

RGB 53 145 70

HSL 131.09, 0.46%, 0.39%

LAB 53.44, -43.69, 31.75

 

Complementary color

CMYK 0 / 46 / 8 / 21

HEX #CA6EB9

RGB 202 110 185

HSL 311.09, 0.46%, 0.61%

LAB 59.17, 46.55, -23.78

 

CMYK 60 / 0 / 55 / 43

HEX #3A9141

RGB 58 145 65

HSL 124.83, 0.43%, 0.4%

LAB 53.53, -43.23, 34.46

 

CMYK 54 / 0 / 48 / 36

HEX #4BA354

RGB 75 163 84

HSL 126.14, 0.37%, 0.47%

LAB 60.19, -43.4, 33.05

 

CMYK 49 / 0 / 43 / 29

HEX #5CB567

RGB 92 181 103

HSL 127.42, 0.38%, 0.54%

LAB 66.75, -43.37, 31.69

 

CMYK 45 / 0 / 39 / 22

HEX #6DC77A

RGB 109 199 122

HSL 128.67, 0.45%, 0.6%

LAB 73.22, -43.23, 30.39

 

CMYK 42 / 0 / 35 / 15

HEX #7ED98D

RGB 126 217 141

HSL 129.89, 0.54%, 0.67%

LAB 79.6, -43.02, 29.16

 

CMYK 63 / 0 / 52 / 43

HEX #359146

RGB 53 145 70

HSL 131.09, 0.46%, 0.39%

LAB 53.44, -43.69, 31.75

 

CMYK 72 / 0 / 60 / 50

HEX #247F33

RGB 36 127 51

HSL 129.89, 0.56%, 0.32%

LAB 46.7, -43.09, 33.24

 

CMYK 83 / 0 / 71 / 57

HEX #136D20

RGB 19 109 32

HSL 128.67, 0.7%, 0.25%

LAB 39.88, -41.81, 34.57

 

CMYK 98 / 0 / 86 / 64

HEX #025B0D

RGB 2 91 13

HSL 127.42, 0.96%, 0.18%

LAB 32.97, -39.54, 35.13

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 63 / 0 / 51 / 43

HEX #369147

RGB 54 145 71

HSL 131.21, 0.46%, 0.39%

LAB 53.48, -43.31, 31.29

 

CMYK 58 / 0 / 63 / 43

HEX #3D9136

RGB 61 145 54

HSL 115.38, 0.46%, 0.39%

LAB 53.5, -43.86, 39.82

 

CMYK 41 / 0 / 63 / 43

HEX #569136

RGB 86 145 54

HSL 98.9, 0.46%, 0.39%

LAB 54.55, -36.13, 41.28

 

CMYK 23 / 0 / 63 / 43

HEX #6F9136

RGB 111 145 54

HSL 82.42, 0.46%, 0.39%

LAB 55.98, -26.66, 43.28

 

CMYK 7 / 0 / 63 / 43

HEX #879136

RGB 135 145 54

HSL 66.59, 0.46%, 0.39%

LAB 57.72, -16.53, 45.67

 

CMYK 63 / 0 / 51 / 43

HEX #369147

RGB 54 145 71

HSL 131.21, 0.46%, 0.39%

LAB 53.48, -43.31, 31.29

 

CMYK 63 / 0 / 34 / 43

HEX #36915F

RGB 54 145 95

HSL 147.03, 0.46%, 0.39%

LAB 53.88, -38.97, 18.77

 

CMYK 63 / 0 / 17 / 43

HEX #369178

RGB 54 145 120

HSL 163.52, 0.46%, 0.39%

LAB 54.44, -33.2, 5.35

 

CMYK 63 / 0 / 0 / 43

HEX #369191

RGB 54 145 145

HSL 180, 0.46%, 0.39%

LAB 55.15, -26.33, -7.98

 

CMYK 63 / 17 / 0 / 43

HEX #367991

RGB 54 121 145

HSL 195.82, 0.46%, 0.39%

LAB 47.63, -13.58, -19.36

 

CMYK 63 / 0 / 51 / 43

HEX #369147

RGB 54 145 71

HSL 131.21, 0.46%, 0.39%

LAB 53.48, -43.31, 31.29

 

CMYK 76 / 0 / 63 / 37

HEX #26A13C

RGB 38 161 60

HSL 130.73, 0.62%, 0.39%

LAB 58.25, -53.75, 42.28

 

CMYK 88 / 0 / 72 / 31

HEX #16B132

RGB 22 177 50

HSL 130.84, 0.78%, 0.39%

LAB 63.21, -61.8, 51.82

 

CMYK 97 / 0 / 79 / 24

HEX #05C128

RGB 5 193 40

HSL 131.17, 0.95%, 0.39%

LAB 68.26, -68.21, 60.21

 

CMYK 63 / 0 / 51 / 43

HEX #369147

RGB 54 145 71

HSL 131.21, 0.46%, 0.39%

LAB 53.48, -43.31, 31.29

 

CMYK 46 / 0 / 37 / 49

HEX #468151

RGB 70 129 81

HSL 131.19, 0.3%, 0.39%

LAB 49, -30.32, 20.2

 

CMYK 24 / 0 / 19 / 56

HEX #56715B

RGB 86 113 91

HSL 131.11, 0.14%, 0.39%

LAB 45, -14.71, 9.04

 

CMYK 0 / 5 / 1 / 60

HEX #666165

RGB 102 97 101

HSL 312, 0.03%, 0.39%

LAB 41.71, 2.8, -1.57

 

CMYK 0 / 31 / 6 / 54

HEX #76516F

RGB 118 81 111

HSL 311.35, 0.19%, 0.39%

LAB 39.38, 20.74, -11.01

 

CMYK 41 / 0 / 63 / 43

HEX #569136

RGB 86 145 54

HSL 98.9, 0.46%, 0.39%

LAB 54.55, -36.13, 41.28

 

CMYK 58 / 0 / 63 / 43

HEX #3D9136

RGB 61 145 54

HSL 115.38, 0.46%, 0.39%

LAB 53.5, -43.86, 39.82

 

CMYK 63 / 0 / 52 / 43

HEX #369146

RGB 54 145 70

HSL 130.55, 0.46%, 0.39%

LAB 53.47, -43.46, 31.8

 

CMYK 63 / 0 / 34 / 43

HEX #36915F

RGB 54 145 95

HSL 147.03, 0.46%, 0.39%

LAB 53.88, -38.97, 18.77

 

CMYK 63 / 0 / 18 / 43

HEX #369177

RGB 54 145 119

HSL 162.86, 0.46%, 0.39%

LAB 54.41, -33.45, 5.89

 

CMYK 64 / 0 / 52 / 67

HEX #1F5529

RGB 31 85 41

HSL 131.11, 0.47%, 0.23%

LAB 31.69, -28.59, 20.39

 

CMYK 63 / 0 / 51 / 55

HEX #2B7338

RGB 43 115 56

HSL 130.83, 0.46%, 0.31%

LAB 42.85, -36.02, 26.01

 

CMYK 63 / 0 / 51 / 43

HEX #369147

RGB 54 145 71

HSL 131.21, 0.46%, 0.39%

LAB 53.48, -43.31, 31.29

 

CMYK 63 / 0 / 51 / 31

HEX #41AF55

RGB 65 175 85

HSL 130.91, 0.46%, 0.47%

LAB 63.7, -50.44, 36.85

 

CMYK 54 / 0 / 44 / 24

HEX #58C16C

RGB 88 193 108

HSL 131.43, 0.46%, 0.55%

LAB 70.38, -48.6, 33.75

 

CMYK 63 / 0 / 52 / 43

HEX #359146

RGB 53 145 70

HSL 131.09, 0.46%, 0.39%

LAB 53.44, -43.69, 31.75

 

CMYK 63 / 24 / 0 / 43

HEX #366E91

RGB 54 110 145

HSL 203.08, 0.46%, 0.39%

LAB 44.2, -7.23, -24.65

 

CMYK 0 / 63 / 49 / 43

HEX #91364A

RGB 145 54 74

HSL 346.81, 0.46%, 0.39%

LAB 36.28, 40.18, 8.17

 

CMYK 63 / 0 / 52 / 43

HEX #359146

RGB 53 145 70

HSL 131.09, 0.46%, 0.39%

LAB 53.44, -43.69, 31.75

 

CMYK 52 / 63 / 0 / 43

HEX #463691

RGB 70 54 145

HSL 250.55, 0.46%, 0.39%

LAB 29.37, 31.95, -48.15

 

CMYK 0 / 52 / 63 / 43

HEX #914636

RGB 145 70 54

HSL 10.55, 0.46%, 0.39%

LAB 39.01, 30.24, 24.28

 

CMYK 63 / 0 / 52 / 43

HEX #359146

RGB 53 145 70

HSL 131.09, 0.46%, 0.39%

LAB 53.44, -43.69, 31.75

 

CMYK 63 / 24 / 0 / 43

HEX #366E91

RGB 54 110 145

HSL 203.08, 0.46%, 0.39%

LAB 44.2, -7.23, -24.65

 

CMYK 0 / 63 / 12 / 43

HEX #913680

RGB 145 54 128

HSL 311.21, 0.46%, 0.39%

LAB 38.23, 47.37, -22.97

 

CMYK 0 / 39 / 63 / 43

HEX #915936

RGB 145 89 54

HSL 23.08, 0.46%, 0.39%

LAB 43.41, 19.53, 29.66

 

CMYK 63 / 0 / 52 / 43

HEX #359146

RGB 53 145 70

HSL 131.09, 0.46%, 0.39%

LAB 53.44, -43.69, 31.75

 

CMYK 63 / 43 / 0 / 43

HEX #365391

RGB 54 83 145

HSL 220.88, 0.46%, 0.39%

LAB 36.01, 9.67, -37.53

 

CMYK 0 / 63 / 12 / 43

HEX #913680

RGB 145 54 128

HSL 311.21, 0.46%, 0.39%

LAB 38.23, 47.37, -22.97

 

CMYK 0 / 20 / 63 / 43

HEX #917436

RGB 145 116 54

HSL 40.88, 0.46%, 0.39%

LAB 50.43, 3.91, 37.85

 

Description

Color code: RGB 53 145 70 | qconv.com Color code: RGB 53 145 70 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 145 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 145 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 52 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 52% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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