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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 145 46 it is the complementary color RGB 202 110 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 145 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 145 46 shade: RGB 58 145 41, RGB 75 163 60, RGB 92 181 79, RGB 109 199 98 and RGB 126 217 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 145 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 145 46 shade: RGB 53 145 46, RGB 36 127 27, RGB 19 109 8, RGB 2 91 0 and RGB 0 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 145 46 shade: RGB 52 143 45, RGB 79 143 45, RGB 105 143 45, RGB 132 143 45 and RGB 143 129 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 145 46 shade: RGB 52 143 45, RGB 45 143 65, RGB 45 143 91, RGB 45 143 118 and RGB 45 143 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 145 46 shade matches the following richer shades: RGB 52 143 45, RGB 39 159 30 and RGB 26 174 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 145 46 shade: RGB 52 143 45, RGB 65 128 61, RGB 78 113 76, RGB 92 98 91 and RGB 105 82 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 145 46 shade: RGB 106 143 45, RGB 80 143 45, RGB 53 143 45, RGB 45 143 63 and RGB 45 143 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 145 46 shade: RGB 29 81 25, RGB 41 112 35, RGB 52 143 45, RGB 64 175 55 and RGB 82 198 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 145 46 shade: RGB 53 145 46, RGB 45 132 143 and RGB 143 45 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 145 46 shade: RGB 53 145 46, RGB 45 53 143 and RGB 143 45 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 145 46 shade: RGB 53 145 46, RGB 45 132 143, RGB 135 45 143 and RGB 143 57 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 145 46 shade: RGB 53 145 46, RGB 45 103 143, RGB 135 45 143 and RGB 143 86 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 68 / 43

HEX #35912E

RGB 53 145 46

HSL 115.76, 0.52%, 0.37%

LAB 53.17, -46.72, 42.98

 

Complementary color

CMYK 3 / 47 / 0 / 18

HEX #CA6ED1

RGB 202 110 209

HSL 295.76, 0.52%, 0.63%

LAB 60.17, 50.83, -35.86

 

CMYK 60 / 0 / 72 / 43

HEX #3A9129

RGB 58 145 41

HSL 110.19, 0.56%, 0.36%

LAB 53.29, -45.95, 45.24

 

CMYK 54 / 0 / 63 / 36

HEX #4BA33C

RGB 75 163 60

HSL 111.26, 0.46%, 0.44%

LAB 59.9, -46.49, 44.41

 

CMYK 49 / 0 / 56 / 29

HEX #5CB54F

RGB 92 181 79

HSL 112.35, 0.41%, 0.51%

LAB 66.43, -46.71, 43.28

 

CMYK 45 / 0 / 51 / 22

HEX #6DC762

RGB 109 199 98

HSL 113.47, 0.47%, 0.58%

LAB 72.88, -46.74, 42.04

 

CMYK 42 / 0 / 46 / 15

HEX #7ED975

RGB 126 217 117

HSL 114.6, 0.57%, 0.65%

LAB 79.24, -46.66, 40.8

 

CMYK 63 / 0 / 68 / 43

HEX #35912E

RGB 53 145 46

HSL 115.76, 0.52%, 0.37%

LAB 53.17, -46.72, 42.98

 

CMYK 72 / 0 / 79 / 50

HEX #247F1B

RGB 36 127 27

HSL 114.6, 0.65%, 0.3%

LAB 46.49, -45.62, 43.52

 

CMYK 83 / 0 / 93 / 57

HEX #136D08

RGB 19 109 8

HSL 113.47, 0.86%, 0.23%

LAB 39.74, -43.61, 42.75

 

CMYK 98 / 0 / 100 / 64

HEX #025B00

RGB 2 91 0

HSL 118.68, 1%, 0.18%

LAB 32.91, -40.35, 39.23

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 64 / 0 / 69 / 44

HEX #348F2D

RGB 52 143 45

HSL 115.71, 0.52%, 0.37%

LAB 52.47, -46.32, 42.65

 

CMYK 45 / 0 / 69 / 44

HEX #4F8F2D

RGB 79 143 45

HSL 99.18, 0.52%, 0.37%

LAB 53.49, -38.51, 44.04

 

CMYK 27 / 0 / 69 / 44

HEX #698F2D

RGB 105 143 45

HSL 83.27, 0.52%, 0.37%

LAB 54.9, -28.85, 45.97

 

CMYK 8 / 0 / 69 / 44

HEX #848F2D

RGB 132 143 45

HSL 66.73, 0.52%, 0.37%

LAB 56.82, -17.42, 48.55

 

CMYK 0 / 10 / 69 / 44

HEX #8F812D

RGB 143 129 45

HSL 51.43, 0.52%, 0.37%

LAB 53.74, -4.94, 45.68

 

CMYK 64 / 0 / 69 / 44

HEX #348F2D

RGB 52 143 45

HSL 115.71, 0.52%, 0.37%

LAB 52.47, -46.32, 42.65

 

CMYK 69 / 0 / 55 / 44

HEX #2D8F41

RGB 45 143 65

HSL 132.24, 0.52%, 0.37%

LAB 52.49, -45.38, 33.12

 

CMYK 69 / 0 / 36 / 44

HEX #2D8F5B

RGB 45 143 91

HSL 148.16, 0.52%, 0.37%

LAB 52.9, -40.76, 19.64

 

CMYK 69 / 0 / 17 / 44

HEX #2D8F76

RGB 45 143 118

HSL 164.69, 0.52%, 0.37%

LAB 53.5, -34.43, 5.12

 

CMYK 69 / 0 / 0 / 44

HEX #2D8F8F

RGB 45 143 143

HSL 180, 0.52%, 0.37%

LAB 54.22, -27.4, -8.24

 

CMYK 64 / 0 / 69 / 44

HEX #348F2D

RGB 52 143 45

HSL 115.71, 0.52%, 0.37%

LAB 52.47, -46.32, 42.65

 

CMYK 75 / 0 / 81 / 38

HEX #279F1E

RGB 39 159 30

HSL 115.81, 0.68%, 0.37%

LAB 57.39, -55.65, 53.02

 

CMYK 85 / 0 / 91 / 32

HEX #1AAE0F

RGB 26 174 15

HSL 115.85, 0.84%, 0.37%

LAB 62.11, -62.62, 60.65

 

CMYK 64 / 0 / 69 / 44

HEX #348F2D

RGB 52 143 45

HSL 115.71, 0.52%, 0.37%

LAB 52.47, -46.32, 42.65

 

CMYK 49 / 0 / 52 / 50

HEX #41803D

RGB 65 128 61

HSL 116.42, 0.35%, 0.37%

LAB 48.13, -34.7, 30.03

 

CMYK 31 / 0 / 33 / 56

HEX #4E714C

RGB 78 113 76

HSL 116.76, 0.2%, 0.37%

LAB 44.16, -20.55, 16.66

 

CMYK 6 / 0 / 7 / 62

HEX #5C625B

RGB 92 98 91

HSL 111.43, 0.04%, 0.37%

LAB 40.84, -3.81, 3.17

 

CMYK 1 / 23 / 0 / 58

HEX #69526A

RGB 105 82 106

HSL 297.5, 0.13%, 0.37%

LAB 37.98, 14.22, -10.17

 

CMYK 26 / 0 / 69 / 44

HEX #6A8F2D

RGB 106 143 45

HSL 82.65, 0.52%, 0.37%

LAB 54.97, -28.44, 46.05

 

CMYK 44 / 0 / 69 / 44

HEX #508F2D

RGB 80 143 45

HSL 98.57, 0.52%, 0.37%

LAB 53.54, -38.17, 44.11

 

CMYK 63 / 0 / 69 / 44

HEX #358F2D

RGB 53 143 45

HSL 115.1, 0.52%, 0.37%

LAB 52.5, -46.08, 42.69

 

CMYK 69 / 0 / 56 / 44

HEX #2D8F3F

RGB 45 143 63

HSL 131.02, 0.52%, 0.37%

LAB 52.47, -45.67, 34.11

 

CMYK 69 / 0 / 38 / 44

HEX #2D8F59

RGB 45 143 89

HSL 146.94, 0.52%, 0.37%

LAB 52.87, -41.17, 20.71

 

CMYK 64 / 0 / 69 / 68

HEX #1D5119

RGB 29 81 25

HSL 115.71, 0.53%, 0.21%

LAB 29.95, -29.77, 27.09

 

CMYK 63 / 0 / 69 / 56

HEX #297023

RGB 41 112 35

HSL 115.32, 0.52%, 0.29%

LAB 41.5, -38.15, 35.12

 

CMYK 64 / 0 / 69 / 44

HEX #348F2D

RGB 52 143 45

HSL 115.71, 0.52%, 0.37%

LAB 52.47, -46.32, 42.65

 

CMYK 63 / 0 / 69 / 31

HEX #40AF37

RGB 64 175 55

HSL 115.5, 0.52%, 0.45%

LAB 63.36, -54.24, 50.23

 

CMYK 59 / 0 / 63 / 22

HEX #52C64A

RGB 82 198 74

HSL 116.13, 0.52%, 0.53%

LAB 71.33, -56.47, 51.09

 

CMYK 63 / 0 / 68 / 43

HEX #35912E

RGB 53 145 46

HSL 115.76, 0.52%, 0.37%

LAB 53.17, -46.72, 42.98

 

CMYK 69 / 8 / 0 / 44

HEX #2D848F

RGB 45 132 143

HSL 186.73, 0.52%, 0.37%

LAB 50.74, -21.79, -13.48

 

CMYK 0 / 69 / 35 / 44

HEX #8F2D5D

RGB 143 45 93

HSL 330.61, 0.52%, 0.37%

LAB 35.02, 45.67, -5.88

 

CMYK 63 / 0 / 68 / 43

HEX #35912E

RGB 53 145 46

HSL 115.76, 0.52%, 0.37%

LAB 53.17, -46.72, 42.98

 

CMYK 69 / 63 / 0 / 44

HEX #2D358F

RGB 45 53 143

HSL 235.1, 0.52%, 0.37%

LAB 26.98, 27.4, -50.89

 

CMYK 0 / 69 / 63 / 44

HEX #8F2D35

RGB 143 45 53

HSL 355.1, 0.52%, 0.37%

LAB 33.93, 41.81, 18.36

 

CMYK 63 / 0 / 68 / 43

HEX #35912E

RGB 53 145 46

HSL 115.76, 0.52%, 0.37%

LAB 53.17, -46.72, 42.98

 

CMYK 69 / 8 / 0 / 44

HEX #2D848F

RGB 45 132 143

HSL 186.73, 0.52%, 0.37%

LAB 50.74, -21.79, -13.48

 

CMYK 6 / 69 / 0 / 44

HEX #872D8F

RGB 135 45 143

HSL 295.1, 0.52%, 0.37%

LAB 36.01, 51.27, -35.81

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 63 / 0 / 68 / 43

HEX #35912E

RGB 53 145 46

HSL 115.76, 0.52%, 0.37%

LAB 53.17, -46.72, 42.98

 

CMYK 69 / 28 / 0 / 44

HEX #2D678F

RGB 45 103 143

HSL 204.49, 0.52%, 0.37%

LAB 41.6, -5.42, -27.54

 

CMYK 6 / 69 / 0 / 44

HEX #872D8F

RGB 135 45 143

HSL 295.1, 0.52%, 0.37%

LAB 36.01, 51.27, -35.81

 

CMYK 0 / 40 / 69 / 44

HEX #8F562D

RGB 143 86 45

HSL 25.1, 0.52%, 0.37%

LAB 42.28, 19.75, 33.27

 

Description

Color code: RGB 53 145 46 | qconv.com Color code: RGB 53 145 46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 145 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 145 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 68 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 68% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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