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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 139 74 it is the complementary color RGB 202 116 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 139 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 139 74 shade: RGB 58 139 69, RGB 75 157 88, RGB 92 175 107, RGB 109 193 126 and RGB 126 211 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 139 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 139 74 shade: RGB 53 139 74, RGB 36 121 55, RGB 19 103 36, RGB 2 85 17 and RGB 0 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 139 74 shade: RGB 53 141 75, RGB 56 141 53, RGB 79 141 53, RGB 103 141 53 and RGB 126 141 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 139 74 shade: RGB 53 141 75, RGB 53 141 98, RGB 53 141 122, RGB 53 136 141 and RGB 53 112 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 139 74 shade matches the following richer shades: RGB 53 141 75, RGB 38 156 67, RGB 22 172 59 and RGB 6 188 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 139 74 shade: RGB 53 141 75, RGB 69 125 83, RGB 85 109 91, RGB 100 93 99 and RGB 116 78 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 139 74 shade: RGB 79 141 53, RGB 56 141 53, RGB 53 141 74, RGB 53 141 97 and RGB 53 141 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 139 74 shade: RGB 31 81 43, RGB 42 111 59, RGB 53 141 75, RGB 65 170 90 and RGB 86 191 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 139 74 shade: RGB 53 139 74, RGB 53 103 141 and RGB 141 53 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 139 74 shade: RGB 53 139 74, RGB 74 53 141 and RGB 141 74 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 139 74 shade: RGB 53 139 74, RGB 53 103 141, RGB 141 53 120 and RGB 141 91 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 139 74 shade: RGB 53 139 74, RGB 53 77 141, RGB 141 53 120 and RGB 141 117 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 47 / 45

HEX #358B4A

RGB 53 139 74

HSL 134.65, 0.45%, 0.38%

LAB 51.52, -40.62, 27.22

 

Complementary color

CMYK 0 / 43 / 10 / 21

HEX #CA74B5

RGB 202 116 181

HSL 314.65, 0.45%, 0.62%

LAB 60.23, 42.77, -19.87

 

CMYK 58 / 0 / 50 / 45

HEX #3A8B45

RGB 58 139 69

HSL 128.15, 0.41%, 0.39%

LAB 51.6, -40.2, 30.04

 

CMYK 52 / 0 / 44 / 38

HEX #4B9D58

RGB 75 157 88

HSL 129.51, 0.35%, 0.45%

LAB 58.33, -40.25, 28.61

 

CMYK 47 / 0 / 39 / 31

HEX #5CAF6B

RGB 92 175 107

HSL 130.84, 0.34%, 0.52%

LAB 64.96, -40.13, 27.26

 

CMYK 44 / 0 / 35 / 24

HEX #6DC17E

RGB 109 193 126

HSL 132.14, 0.4%, 0.59%

LAB 71.49, -39.93, 25.99

 

CMYK 40 / 0 / 31 / 17

HEX #7ED391

RGB 126 211 145

HSL 133.41, 0.49%, 0.66%

LAB 77.92, -39.69, 24.81

 

CMYK 62 / 0 / 47 / 45

HEX #358B4A

RGB 53 139 74

HSL 134.65, 0.45%, 0.38%

LAB 51.52, -40.62, 27.22

 

CMYK 70 / 0 / 55 / 53

HEX #247937

RGB 36 121 55

HSL 133.41, 0.54%, 0.31%

LAB 44.7, -40.2, 28.78

 

CMYK 82 / 0 / 65 / 60

HEX #136724

RGB 19 103 36

HSL 132.14, 0.69%, 0.24%

LAB 37.78, -39.16, 30.33

 

CMYK 98 / 0 / 80 / 67

HEX #025511

RGB 2 85 17

HSL 130.84, 0.95%, 0.17%

LAB 30.76, -37.22, 31.46

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 62 / 0 / 47 / 45

HEX #358D4B

RGB 53 141 75

HSL 135, 0.45%, 0.38%

LAB 52.19, -41.27, 27.54

 

CMYK 60 / 0 / 62 / 45

HEX #388D35

RGB 56 141 53

HSL 117.95, 0.45%, 0.38%

LAB 52, -43.7, 38.54

 

CMYK 44 / 0 / 62 / 45

HEX #4F8D35

RGB 79 141 53

HSL 102.27, 0.45%, 0.38%

LAB 52.92, -36.87, 39.82

 

CMYK 27 / 0 / 62 / 45

HEX #678D35

RGB 103 141 53

HSL 85.91, 0.45%, 0.38%

LAB 54.23, -28.01, 41.65

 

CMYK 11 / 0 / 62 / 45

HEX #7E8D35

RGB 126 141 53

HSL 70.23, 0.45%, 0.38%

LAB 55.83, -18.43, 43.87

 

CMYK 62 / 0 / 47 / 45

HEX #358D4B

RGB 53 141 75

HSL 135, 0.45%, 0.38%

LAB 52.19, -41.27, 27.54

 

CMYK 62 / 0 / 30 / 45

HEX #358D62

RGB 53 141 98

HSL 150.68, 0.45%, 0.38%

LAB 52.61, -36.8, 15.33

 

CMYK 62 / 0 / 13 / 45

HEX #358D7A

RGB 53 141 122

HSL 167.05, 0.45%, 0.38%

LAB 53.18, -30.99, 2.38

 

CMYK 62 / 4 / 0 / 45

HEX #35888D

RGB 53 136 141

HSL 183.41, 0.45%, 0.38%

LAB 52.16, -23.12, -10.15

 

CMYK 62 / 21 / 0 / 45

HEX #35708D

RGB 53 112 141

HSL 199.77, 0.45%, 0.38%

LAB 44.62, -9.95, -21.63

 

CMYK 62 / 0 / 47 / 45

HEX #358D4B

RGB 53 141 75

HSL 135, 0.45%, 0.38%

LAB 52.19, -41.27, 27.54

 

CMYK 76 / 0 / 57 / 39

HEX #269C43

RGB 38 156 67

HSL 134.75, 0.61%, 0.38%

LAB 56.68, -51.1, 37.12

 

CMYK 87 / 0 / 66 / 33

HEX #16AC3B

RGB 22 172 59

HSL 134.8, 0.77%, 0.38%

LAB 61.65, -59.34, 46.46

 

CMYK 97 / 0 / 73 / 26

HEX #06BC33

RGB 6 188 51

HSL 134.84, 0.94%, 0.38%

LAB 66.71, -65.91, 55.01

 

CMYK 62 / 0 / 47 / 45

HEX #358D4B

RGB 53 141 75

HSL 135, 0.45%, 0.38%

LAB 52.19, -41.27, 27.54

 

CMYK 45 / 0 / 34 / 51

HEX #457D53

RGB 69 125 83

HSL 135, 0.29%, 0.38%

LAB 47.7, -28.34, 17.3

 

CMYK 22 / 0 / 17 / 57

HEX #556D5B

RGB 85 109 91

HSL 135, 0.12%, 0.38%

LAB 43.69, -12.86, 7.18

 

CMYK 0 / 7 / 1 / 61

HEX #645D63

RGB 100 93 99

HSL 308.57, 0.04%, 0.38%

LAB 40.31, 4.02, -2.42

 

CMYK 0 / 33 / 8 / 55

HEX #744E6B

RGB 116 78 107

HSL 314.21, 0.2%, 0.38%

LAB 38.24, 21.02, -10.28

 

CMYK 44 / 0 / 62 / 45

HEX #4F8D35

RGB 79 141 53

HSL 102.27, 0.45%, 0.38%

LAB 52.92, -36.87, 39.82

 

CMYK 60 / 0 / 62 / 45

HEX #388D35

RGB 56 141 53

HSL 117.95, 0.45%, 0.38%

LAB 52, -43.7, 38.54

 

CMYK 62 / 0 / 48 / 45

HEX #358D4A

RGB 53 141 74

HSL 134.32, 0.45%, 0.38%

LAB 52.18, -41.44, 28.06

 

CMYK 62 / 0 / 31 / 45

HEX #358D61

RGB 53 141 97

HSL 150, 0.45%, 0.38%

LAB 52.59, -37.02, 15.87

 

CMYK 62 / 0 / 15 / 45

HEX #358D78

RGB 53 141 120

HSL 165.68, 0.45%, 0.38%

LAB 53.13, -31.52, 3.46

 

CMYK 62 / 0 / 47 / 68

HEX #1F512B

RGB 31 81 43

HSL 134.4, 0.45%, 0.22%

LAB 30.28, -26.39, 17.42

 

CMYK 62 / 0 / 47 / 56

HEX #2A6F3B

RGB 42 111 59

HSL 134.78, 0.45%, 0.3%

LAB 41.5, -34.05, 22.62

 

CMYK 62 / 0 / 47 / 45

HEX #358D4B

RGB 53 141 75

HSL 135, 0.45%, 0.38%

LAB 52.19, -41.27, 27.54

 

CMYK 62 / 0 / 47 / 33

HEX #41AA5A

RGB 65 170 90

HSL 134.29, 0.45%, 0.46%

LAB 62.18, -47.73, 32.4

 

CMYK 55 / 0 / 42 / 25

HEX #56BF6F

RGB 86 191 111

HSL 134.29, 0.45%, 0.54%

LAB 69.74, -47.79, 31.37

 

CMYK 62 / 0 / 47 / 45

HEX #358B4A

RGB 53 139 74

HSL 134.65, 0.45%, 0.38%

LAB 51.52, -40.62, 27.22

 

CMYK 62 / 27 / 0 / 45

HEX #35678D

RGB 53 103 141

HSL 205.91, 0.45%, 0.38%

LAB 41.81, -4.61, -25.97

 

CMYK 0 / 62 / 52 / 45

HEX #8D3544

RGB 141 53 68

HSL 349.77, 0.45%, 0.38%

LAB 35.25, 38.66, 10.47

 

CMYK 62 / 0 / 47 / 45

HEX #358B4A

RGB 53 139 74

HSL 134.65, 0.45%, 0.38%

LAB 51.52, -40.62, 27.22

 

CMYK 48 / 62 / 0 / 45

HEX #4A358D

RGB 74 53 141

HSL 254.32, 0.45%, 0.38%

LAB 29.22, 32.16, -45.91

 

CMYK 0 / 48 / 62 / 45

HEX #8D4A35

RGB 141 74 53

HSL 14.32, 0.45%, 0.38%

LAB 39.27, 26.3, 25.07

 

CMYK 62 / 0 / 47 / 45

HEX #358B4A

RGB 53 139 74

HSL 134.65, 0.45%, 0.38%

LAB 51.52, -40.62, 27.22

 

CMYK 62 / 27 / 0 / 45

HEX #35678D

RGB 53 103 141

HSL 205.91, 0.45%, 0.38%

LAB 41.81, -4.61, -25.97

 

CMYK 0 / 62 / 15 / 45

HEX #8D3578

RGB 141 53 120

HSL 314.32, 0.45%, 0.38%

LAB 37.05, 45.37, -19.88

 

CMYK 0 / 35 / 62 / 45

HEX #8D5B35

RGB 141 91 53

HSL 25.91, 0.45%, 0.38%

LAB 43.36, 16.52, 30.04

 

CMYK 62 / 0 / 47 / 45

HEX #358B4A

RGB 53 139 74

HSL 134.65, 0.45%, 0.38%

LAB 51.52, -40.62, 27.22

 

CMYK 62 / 45 / 0 / 45

HEX #354D8D

RGB 53 77 141

HSL 223.64, 0.45%, 0.38%

LAB 33.96, 11.97, -38.38

 

CMYK 0 / 62 / 15 / 45

HEX #8D3578

RGB 141 53 120

HSL 314.32, 0.45%, 0.38%

LAB 37.05, 45.37, -19.88

 

CMYK 0 / 17 / 62 / 45

HEX #8D7535

RGB 141 117 53

HSL 43.64, 0.45%, 0.38%

LAB 50.27, 1.44, 38.07

 

Description

Color code: RGB 53 139 74 | qconv.com Color code: RGB 53 139 74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 139 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 139 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 47 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 47% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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