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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 138 39 it is the complementary color RGB 202 117 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 138 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 138 39 shade: RGB 58 138 34, RGB 75 156 53, RGB 92 174 72, RGB 109 192 91 and RGB 126 210 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 138 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 138 39 shade: RGB 53 138 39, RGB 36 120 20, RGB 19 102 1, RGB 2 84 0 and RGB 0 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 138 39 shade: RGB 53 139 39, RGB 80 139 39, RGB 107 139 39, RGB 134 139 39 and RGB 139 117 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 138 39 shade: RGB 53 139 39, RGB 39 139 52, RGB 39 139 79, RGB 39 139 106 and RGB 39 139 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 138 39 shade matches the following richer shades: RGB 53 139 39, RGB 43 154 25 and RGB 33 168 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 138 39 shade: RGB 53 139 39, RGB 64 125 54, RGB 74 110 68, RGB 84 96 83 and RGB 95 81 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 138 39 shade: RGB 108 139 39, RGB 81 139 39, RGB 54 139 39, RGB 39 139 51 and RGB 39 139 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 138 39 shade: RGB 29 75 21, RGB 41 107 30, RGB 53 139 39, RGB 66 171 48 and RGB 81 200 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 138 39 shade: RGB 53 138 39, RGB 39 134 139 and RGB 139 39 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 138 39 shade: RGB 53 138 39, RGB 39 54 139 and RGB 139 39 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 138 39 shade: RGB 53 138 39, RGB 39 134 139, RGB 124 39 139 and RGB 139 44 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 138 39 shade: RGB 53 138 39, RGB 39 104 139, RGB 124 39 139 and RGB 139 74 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

Complementary color

CMYK 6 / 46 / 0 / 15

HEX #CA75D8

RGB 202 117 216

HSL 291.52, 0.56%, 0.65%

LAB 61.86, 48.58, -37.16

 

CMYK 58 / 0 / 75 / 46

HEX #3A8A22

RGB 58 138 34

HSL 106.15, 0.6%, 0.34%

LAB 50.91, -43.85, 45.55

 

CMYK 52 / 0 / 66 / 39

HEX #4B9C35

RGB 75 156 53

HSL 107.18, 0.49%, 0.41%

LAB 57.59, -44.41, 44.96

 

CMYK 47 / 0 / 59 / 32

HEX #5CAE48

RGB 92 174 72

HSL 108.24, 0.41%, 0.48%

LAB 64.17, -44.66, 43.93

 

CMYK 43 / 0 / 53 / 25

HEX #6DC05B

RGB 109 192 91

HSL 109.31, 0.44%, 0.55%

LAB 70.67, -44.7, 42.75

 

CMYK 40 / 0 / 48 / 18

HEX #7ED26E

RGB 126 210 110

HSL 110.4, 0.53%, 0.63%

LAB 77.07, -44.63, 41.52

 

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

CMYK 70 / 0 / 83 / 53

HEX #247814

RGB 36 120 20

HSL 110.4, 0.71%, 0.27%

LAB 44.03, -43.62, 43.51

 

CMYK 81 / 0 / 99 / 60

HEX #136601

RGB 19 102 1

HSL 109.31, 0.98%, 0.2%

LAB 37.19, -41.62, 42.47

 

CMYK 98 / 0 / 100 / 67

HEX #025400

RGB 2 84 0

HSL 118.57, 1%, 0.16%

LAB 30.29, -38.14, 37.13

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 62 / 0 / 72 / 45

HEX #358B27

RGB 53 139 39

HSL 111.6, 0.56%, 0.35%

LAB 51.12, -45.14, 43.74

 

CMYK 42 / 0 / 72 / 45

HEX #508B27

RGB 80 139 39

HSL 95.4, 0.56%, 0.35%

LAB 52.19, -36.94, 45.2

 

CMYK 23 / 0 / 72 / 45

HEX #6B8B27

RGB 107 139 39

HSL 79.2, 0.56%, 0.35%

LAB 53.75, -26.51, 47.28

 

CMYK 4 / 0 / 72 / 45

HEX #868B27

RGB 134 139 39

HSL 63, 0.56%, 0.35%

LAB 55.77, -14.79, 49.96

 

CMYK 0 / 16 / 72 / 45

HEX #8B7527

RGB 139 117 39

HSL 46.8, 0.56%, 0.35%

LAB 49.93, -0.4, 44.28

 

CMYK 62 / 0 / 72 / 45

HEX #358B27

RGB 53 139 39

HSL 111.6, 0.56%, 0.35%

LAB 51.12, -45.14, 43.74

 

CMYK 72 / 0 / 63 / 45

HEX #278B34

RGB 39 139 52

HSL 127.8, 0.56%, 0.35%

LAB 50.86, -46.83, 37.58

 

CMYK 72 / 0 / 43 / 45

HEX #278B4F

RGB 39 139 79

HSL 144, 0.56%, 0.35%

LAB 51.22, -42.59, 24.04

 

CMYK 72 / 0 / 24 / 45

HEX #278B6A

RGB 39 139 106

HSL 160.2, 0.56%, 0.35%

LAB 51.77, -36.67, 9.53

 

CMYK 72 / 0 / 4 / 45

HEX #278B85

RGB 39 139 133

HSL 176.4, 0.56%, 0.35%

LAB 52.5, -29.3, -5.04

 

CMYK 62 / 0 / 72 / 45

HEX #358B27

RGB 53 139 39

HSL 111.6, 0.56%, 0.35%

LAB 51.12, -45.14, 43.74

 

CMYK 72 / 0 / 84 / 40

HEX #2B9A19

RGB 43 154 25

HSL 111.63, 0.72%, 0.35%

LAB 55.78, -53.6, 53

 

CMYK 80 / 0 / 94 / 34

HEX #21A80A

RGB 33 168 10

HSL 111.27, 0.89%, 0.35%

LAB 60.2, -60.17, 59.84

 

CMYK 62 / 0 / 72 / 45

HEX #358B27

RGB 53 139 39

HSL 111.6, 0.56%, 0.35%

LAB 51.12, -45.14, 43.74

 

CMYK 49 / 0 / 57 / 51

HEX #407D36

RGB 64 125 54

HSL 111.55, 0.4%, 0.35%

LAB 47.01, -34.64, 32.31

 

CMYK 33 / 0 / 38 / 57

HEX #4A6E44

RGB 74 110 68

HSL 111.43, 0.24%, 0.35%

LAB 42.8, -21.87, 19.45

 

CMYK 13 / 0 / 14 / 62

HEX #546053

RGB 84 96 83

HSL 115.38, 0.07%, 0.35%

LAB 39.37, -7.43, 5.87

 

CMYK 2 / 16 / 0 / 62

HEX #5F5161

RGB 95 81 97

HSL 292.5, 0.09%, 0.35%

LAB 36.33, 9.05, -7.14

 

CMYK 22 / 0 / 72 / 45

HEX #6C8B27

RGB 108 139 39

HSL 78.6, 0.56%, 0.35%

LAB 53.81, -26.1, 47.37

 

CMYK 42 / 0 / 72 / 45

HEX #518B27

RGB 81 139 39

HSL 94.8, 0.56%, 0.35%

LAB 52.24, -36.59, 45.26

 

CMYK 61 / 0 / 72 / 45

HEX #368B27

RGB 54 139 39

HSL 111, 0.56%, 0.35%

LAB 51.15, -44.88, 43.78

 

CMYK 72 / 0 / 63 / 45

HEX #278B33

RGB 39 139 51

HSL 127.2, 0.56%, 0.35%

LAB 50.85, -46.95, 38.05

 

CMYK 72 / 0 / 44 / 45

HEX #278B4E

RGB 39 139 78

HSL 143.4, 0.56%, 0.35%

LAB 51.21, -42.78, 24.57

 

CMYK 61 / 0 / 72 / 71

HEX #1D4B15

RGB 29 75 21

HSL 111.11, 0.56%, 0.19%

LAB 27.7, -27.63, 26.62

 

CMYK 62 / 0 / 72 / 58

HEX #296B1E

RGB 41 107 30

HSL 111.43, 0.56%, 0.27%

LAB 39.72, -36.67, 35.46

 

CMYK 62 / 0 / 72 / 45

HEX #358B27

RGB 53 139 39

HSL 111.6, 0.56%, 0.35%

LAB 51.12, -45.14, 43.74

 

CMYK 61 / 0 / 72 / 33

HEX #42AB30

RGB 66 171 48

HSL 111.22, 0.56%, 0.43%

LAB 62.08, -52.96, 51.67

 

CMYK 60 / 0 / 70 / 22

HEX #51C83D

RGB 81 200 61

HSL 111.37, 0.56%, 0.51%

LAB 71.82, -58.66, 56.94

 

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

CMYK 72 / 4 / 0 / 45

HEX #27868B

RGB 39 134 139

HSL 183, 0.56%, 0.35%

LAB 51.09, -24.98, -10.63

 

CMYK 0 / 72 / 32 / 45

HEX #8B275E

RGB 139 39 94

HSL 327, 0.56%, 0.35%

LAB 33.45, 47.03, -8.94

 

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

CMYK 72 / 61 / 0 / 45

HEX #27368B

RGB 39 54 139

HSL 231, 0.56%, 0.35%

LAB 26.55, 24.35, -49.15

 

CMYK 0 / 72 / 61 / 45

HEX #8B2736

RGB 139 39 54

HSL 351, 0.56%, 0.35%

LAB 32.27, 43.03, 15.4

 

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

CMYK 72 / 4 / 0 / 45

HEX #27868B

RGB 39 134 139

HSL 183, 0.56%, 0.35%

LAB 51.09, -24.98, -10.63

 

CMYK 11 / 72 / 0 / 45

HEX #7C278B

RGB 124 39 139

HSL 291, 0.56%, 0.35%

LAB 33.14, 50.35, -38.03

 

CMYK 0 / 68 / 72 / 45

HEX #8B2C27

RGB 139 44 39

HSL 3, 0.56%, 0.35%

LAB 32.78, 39.97, 25.59

 

CMYK 62 / 0 / 72 / 46

HEX #358A27

RGB 53 138 39

HSL 111.52, 0.56%, 0.35%

LAB 50.78, -44.76, 43.39

 

CMYK 72 / 25 / 0 / 45

HEX #27688B

RGB 39 104 139

HSL 201, 0.56%, 0.35%

LAB 41.53, -8.45, -25.26

 

CMYK 11 / 72 / 0 / 45

HEX #7C278B

RGB 124 39 139

HSL 291, 0.56%, 0.35%

LAB 33.14, 50.35, -38.03

 

CMYK 0 / 47 / 72 / 45

HEX #8B4A27

RGB 139 74 39

HSL 21, 0.56%, 0.35%

LAB 38.78, 24.5, 32.46

 

Description

Color code: RGB 53 138 39 | qconv.com Color code: RGB 53 138 39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 138 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 138 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 72 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 72% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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