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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 138 232 it is the complementary color RGB 202 117 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 138 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 138 232 shade: RGB 58 138 227, RGB 75 156 246, RGB 92 174 255, RGB 109 192 255 and RGB 126 210 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 138 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 138 232 shade: RGB 53 138 232, RGB 36 120 213, RGB 19 102 194, RGB 2 84 175 and RGB 0 66 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 138 232 shade: RGB 53 138 233, RGB 53 90 233, RGB 65 53 233, RGB 113 53 233 and RGB 161 53 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 138 232 shade: RGB 53 138 233, RGB 53 90 233 and RGB 53 53 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 138 232 shade matches the following richer shades: RGB 53 138 233 and RGB 35 137 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 138 232 shade: RGB 53 138 233, RGB 71 139 214, RGB 89 140 196, RGB 108 141 178 and RGB 126 142 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 138 232 shade: RGB 53 233 230, RGB 53 188 233, RGB 53 140 233, RGB 53 92 233 and RGB 62 53 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 138 232 shade: RGB 20 97 183, RGB 24 117 220, RGB 53 138 233, RGB 90 160 237 and RGB 127 181 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 138 232 shade: RGB 53 138 232, RGB 182 53 233 and RGB 212 233 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 138 232 shade: RGB 53 138 232, RGB 233 53 140 and RGB 140 233 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 138 232 shade: RGB 53 138 232, RGB 182 53 233, RGB 233 146 53 and RGB 104 233 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 138 232 shade: RGB 53 138 232, RGB 233 53 230, RGB 233 146 53 and RGB 53 233 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 41 / 0 / 9

HEX #358AE8

RGB 53 138 232

HSL 211.51, 0.8%, 0.56%

LAB 56.84, 6.91, -54.73

 

Complementary color

CMYK 0 / 42 / 89 / 21

HEX #CA7517

RGB 202 117 23

HSL 31.51, 0.8%, 0.44%

LAB 57.41, 27.3, 59.66

 

CMYK 74 / 39 / 0 / 11

HEX #3A8AE3

RGB 58 138 227

HSL 211.6, 0.75%, 0.56%

LAB 56.71, 5.68, -52.15

 

CMYK 70 / 37 / 0 / 4

HEX #4B9CF6

RGB 75 156 246

HSL 211.58, 0.9%, 0.63%

LAB 63.28, 4, -52.17

 

CMYK 64 / 32 / 0 / 0

HEX #5CAEFF

RGB 92 174 255

HSL 209.82, 1%, 0.68%

LAB 69.3, -0.64, -47.53

 

CMYK 57 / 25 / 0 / 0

HEX #6DC0FF

RGB 109 192 255

HSL 205.89, 1%, 0.71%

LAB 74.93, -7.5, -38.68

 

CMYK 51 / 18 / 0 / 0

HEX #7ED2FF

RGB 126 210 255

HSL 200.93, 1%, 0.75%

LAB 80.6, -13.55, -29.87

 

CMYK 77 / 41 / 0 / 9

HEX #358AE8

RGB 53 138 232

HSL 211.51, 0.8%, 0.56%

LAB 56.84, 6.91, -54.73

 

CMYK 83 / 44 / 0 / 16

HEX #2478D5

RGB 36 120 213

HSL 211.53, 0.71%, 0.49%

LAB 50.23, 9.19, -54.66

 

CMYK 90 / 47 / 0 / 24

HEX #1366C2

RGB 19 102 194

HSL 211.54, 0.82%, 0.42%

LAB 43.56, 12.01, -54.51

 

CMYK 99 / 52 / 0 / 31

HEX #0254AF

RGB 2 84 175

HSL 211.56, 0.98%, 0.35%

LAB 36.83, 15.43, -54.27

 

CMYK 100 / 58 / 0 / 39

HEX #00429C

RGB 0 66 156

HSL 214.62, 1%, 0.31%

LAB 30.15, 19.74, -53.75

 

CMYK 77 / 41 / 0 / 9

HEX #358AE9

RGB 53 138 233

HSL 211.67, 0.8%, 0.56%

LAB 56.9, 7.28, -55.2

 

CMYK 77 / 61 / 0 / 9

HEX #355AE9

RGB 53 90 233

HSL 227.67, 0.8%, 0.56%

LAB 44.16, 37.23, -75.79

 

CMYK 72 / 77 / 0 / 9

HEX #4135E9

RGB 65 53 233

HSL 244, 0.8%, 0.56%

LAB 37.03, 59.42, -87.51

 

CMYK 52 / 77 / 0 / 9

HEX #7135E9

RGB 113 53 233

HSL 260, 0.8%, 0.56%

LAB 41.12, 64.42, -80.62

 

CMYK 31 / 77 / 0 / 9

HEX #A135E9

RGB 161 53 233

HSL 276, 0.8%, 0.56%

LAB 46.98, 71.5, -70.79

 

CMYK 77 / 41 / 0 / 9

HEX #358AE9

RGB 53 138 233

HSL 211.67, 0.8%, 0.56%

LAB 56.9, 7.28, -55.2

 

CMYK 77 / 61 / 0 / 9

HEX #355AE9

RGB 53 90 233

HSL 227.67, 0.8%, 0.56%

LAB 44.16, 37.23, -75.79

 

CMYK 77 / 77 / 0 / 9

HEX #3535E9

RGB 53 53 233

HSL 240, 0.8%, 0.56%

LAB 36.34, 58.57, -88.67

 

CMYK 77 / 41 / 0 / 9

HEX #358AE9

RGB 53 138 233

HSL 211.67, 0.8%, 0.56%

LAB 56.9, 7.28, -55.2

 

CMYK 86 / 45 / 0 / 2

HEX #2389FB

RGB 35 137 251

HSL 211.67, 0.96%, 0.56%

LAB 57.28, 13.02, -64.56

 

CMYK 77 / 41 / 0 / 9

HEX #358AE9

RGB 53 138 233

HSL 211.67, 0.8%, 0.56%

LAB 56.9, 7.28, -55.2

 

CMYK 67 / 35 / 0 / 16

HEX #478BD6

RGB 71 139 214

HSL 211.47, 0.64%, 0.56%

LAB 56.74, 2.35, -44.79

 

CMYK 55 / 29 / 0 / 23

HEX #598CC4

RGB 89 140 196

HSL 211.4, 0.48%, 0.56%

LAB 56.94, -0.77, -34.27

 

CMYK 39 / 21 / 0 / 30

HEX #6C8DB2

RGB 108 141 178

HSL 211.71, 0.31%, 0.56%

LAB 57.51, -1.96, -23.08

 

CMYK 21 / 11 / 0 / 37

HEX #7E8EA0

RGB 126 142 160

HSL 211.76, 0.15%, 0.56%

LAB 58.34, -1.69, -11.44

 

CMYK 77 / 0 / 1 / 9

HEX #35E9E6

RGB 53 233 230

HSL 179, 0.8%, 0.56%

LAB 84.35, -43.18, -11.13

 

CMYK 77 / 19 / 0 / 9

HEX #35BCE9

RGB 53 188 233

HSL 195, 0.8%, 0.56%

LAB 71.29, -20.75, -32.58

 

CMYK 77 / 40 / 0 / 9

HEX #358CE9

RGB 53 140 233

HSL 211, 0.8%, 0.56%

LAB 57.46, 6.07, -54.3

 

CMYK 77 / 61 / 0 / 9

HEX #355CE9

RGB 53 92 233

HSL 227, 0.8%, 0.56%

LAB 44.65, 35.98, -74.99

 

CMYK 73 / 77 / 0 / 9

HEX #3E35E9

RGB 62 53 233

HSL 243, 0.8%, 0.56%

LAB 36.84, 59.19, -87.82

 

CMYK 89 / 47 / 0 / 28

HEX #1461B7

RGB 20 97 183

HSL 211.66, 0.8%, 0.4%

LAB 41.4, 10.92, -51.59

 

CMYK 89 / 47 / 0 / 14

HEX #1875DC

RGB 24 117 220

HSL 211.53, 0.8%, 0.48%

LAB 49.6, 12.93, -59.65

 

CMYK 77 / 41 / 0 / 9

HEX #358AE9

RGB 53 138 233

HSL 211.67, 0.8%, 0.56%

LAB 56.9, 7.28, -55.2

 

CMYK 62 / 32 / 0 / 7

HEX #5AA0ED

RGB 90 160 237

HSL 211.43, 0.8%, 0.64%

LAB 64.51, 1.09, -45.26

 

CMYK 47 / 25 / 0 / 5

HEX #7FB5F1

RGB 127 181 241

HSL 211.58, 0.8%, 0.72%

LAB 72.17, -1.78, -35.35

 

CMYK 77 / 41 / 0 / 9

HEX #358AE8

RGB 53 138 232

HSL 211.51, 0.8%, 0.56%

LAB 56.84, 6.91, -54.73

 

CMYK 22 / 77 / 0 / 9

HEX #B635E9

RGB 182 53 233

HSL 283, 0.8%, 0.56%

LAB 49.95, 75.05, -65.85

 

CMYK 9 / 0 / 77 / 9

HEX #D4E935

RGB 212 233 53

HSL 67, 0.8%, 0.56%

LAB 88.22, -27.76, 77.88

 

CMYK 77 / 41 / 0 / 9

HEX #358AE8

RGB 53 138 232

HSL 211.51, 0.8%, 0.56%

LAB 56.84, 6.91, -54.73

 

CMYK 0 / 77 / 40 / 9

HEX #E9358C

RGB 233 53 140

HSL 331, 0.8%, 0.56%

LAB 53.77, 72.72, -5.23

 

CMYK 40 / 0 / 77 / 9

HEX #8CE935

RGB 140 233 53

HSL 91, 0.8%, 0.56%

LAB 84.02, -54.59, 72.47

 

CMYK 77 / 41 / 0 / 9

HEX #358AE8

RGB 53 138 232

HSL 211.51, 0.8%, 0.56%

LAB 56.84, 6.91, -54.73

 

CMYK 22 / 77 / 0 / 9

HEX #B635E9

RGB 182 53 233

HSL 283, 0.8%, 0.56%

LAB 49.95, 75.05, -65.85

 

CMYK 0 / 37 / 77 / 9

HEX #E99235

RGB 233 146 53

HSL 31, 0.8%, 0.56%

LAB 68.12, 25.73, 59.96

 

CMYK 55 / 0 / 77 / 9

HEX #68E935

RGB 104 233 53

HSL 103, 0.8%, 0.56%

LAB 82.64, -65.1, 70.67

 

CMYK 77 / 41 / 0 / 9

HEX #358AE8

RGB 53 138 232

HSL 211.51, 0.8%, 0.56%

LAB 56.84, 6.91, -54.73

 

CMYK 0 / 77 / 1 / 9

HEX #E935E6

RGB 233 53 230

HSL 301, 0.8%, 0.56%

LAB 57.64, 83.95, -51.38

 

CMYK 0 / 37 / 77 / 9

HEX #E99235

RGB 233 146 53

HSL 31, 0.8%, 0.56%

LAB 68.12, 25.73, 59.96

 

CMYK 77 / 0 / 76 / 9

HEX #35E938

RGB 53 233 56

HSL 121, 0.8%, 0.56%

LAB 81.47, -74.76, 68.22

 

Description

Color code: RGB 53 138 232 | qconv.com Color code: RGB 53 138 232 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 138 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 138 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 41 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 41% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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