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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 136 233 it is the complementary color RGB 202 119 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 136 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 136 233 shade: RGB 58 136 228, RGB 75 154 247, RGB 92 172 255, RGB 109 190 255 and RGB 126 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 136 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 36 118 214, RGB 19 100 195, RGB 2 82 176 and RGB 0 64 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 53 87 233, RGB 67 53 233, RGB 115 53 233 and RGB 164 53 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 53 87 233 and RGB 53 53 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 136 233 shade matches the following richer shades: RGB 53 136 233 and RGB 35 134 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 71 137 214, RGB 89 139 196, RGB 108 140 178 and RGB 126 141 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 136 233 shade: RGB 53 233 233, RGB 53 185 233, RGB 53 137 233, RGB 53 89 233 and RGB 65 53 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 136 233 shade: RGB 20 95 183, RGB 24 115 220, RGB 53 136 233, RGB 90 158 237 and RGB 127 180 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 185 53 233 and RGB 209 233 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 233 53 137 and RGB 137 233 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 185 53 233, RGB 233 149 53 and RGB 101 233 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 136 233 shade: RGB 53 136 233, RGB 233 53 227, RGB 233 149 53 and RGB 53 233 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

Complementary color

CMYK 0 / 41 / 89 / 21

HEX #CA7716

RGB 202 119 22

HSL 32.33, 0.8%, 0.44%

LAB 57.85, 26.2, 60.29

 

CMYK 75 / 40 / 0 / 11

HEX #3A88E4

RGB 58 136 228

HSL 212.47, 0.76%, 0.56%

LAB 56.2, 7.24, -53.52

 

CMYK 70 / 38 / 0 / 3

HEX #4B9AF7

RGB 75 154 247

HSL 212.44, 0.91%, 0.63%

LAB 62.78, 5.52, -53.52

 

CMYK 64 / 33 / 0 / 0

HEX #5CACFF

RGB 92 172 255

HSL 210.55, 1%, 0.68%

LAB 68.75, 0.48, -48.4

 

CMYK 57 / 25 / 0 / 0

HEX #6DBEFF

RGB 109 190 255

HSL 206.71, 1%, 0.71%

LAB 74.38, -6.42, -39.53

 

CMYK 51 / 18 / 0 / 0

HEX #7ED0FF

RGB 126 208 255

HSL 201.86, 1%, 0.75%

LAB 80.05, -12.51, -30.71

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 83 / 45 / 0 / 16

HEX #2476D6

RGB 36 118 214

HSL 212.36, 0.71%, 0.49%

LAB 49.72, 10.82, -56.04

 

CMYK 90 / 49 / 0 / 24

HEX #1364C3

RGB 19 100 195

HSL 212.39, 0.82%, 0.42%

LAB 43.05, 13.71, -55.91

 

CMYK 99 / 53 / 0 / 31

HEX #0252B0

RGB 2 82 176

HSL 212.41, 0.98%, 0.35%

LAB 36.33, 17.19, -55.67

 

CMYK 100 / 59 / 0 / 38

HEX #00409D

RGB 0 64 157

HSL 215.54, 1%, 0.31%

LAB 29.67, 21.55, -55.14

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 77 / 63 / 0 / 9

HEX #3557E9

RGB 53 87 233

HSL 228.67, 0.8%, 0.56%

LAB 43.44, 39.1, -76.97

 

CMYK 71 / 77 / 0 / 9

HEX #4335E9

RGB 67 53 233

HSL 244.67, 0.8%, 0.56%

LAB 37.16, 59.57, -87.29

 

CMYK 51 / 77 / 0 / 9

HEX #7335E9

RGB 115 53 233

HSL 260.67, 0.8%, 0.56%

LAB 41.33, 64.68, -80.26

 

CMYK 30 / 77 / 0 / 9

HEX #A435E9

RGB 164 53 233

HSL 277, 0.8%, 0.56%

LAB 47.39, 72, -70.11

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 77 / 63 / 0 / 9

HEX #3557E9

RGB 53 87 233

HSL 228.67, 0.8%, 0.56%

LAB 43.44, 39.1, -76.97

 

CMYK 77 / 77 / 0 / 9

HEX #3535E9

RGB 53 53 233

HSL 240, 0.8%, 0.56%

LAB 36.34, 58.57, -88.67

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 86 / 47 / 0 / 2

HEX #2386FB

RGB 35 134 251

HSL 212.5, 0.96%, 0.56%

LAB 56.46, 14.86, -65.89

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 67 / 36 / 0 / 16

HEX #4789D6

RGB 71 137 214

HSL 212.31, 0.64%, 0.56%

LAB 56.17, 3.53, -45.69

 

CMYK 55 / 29 / 0 / 23

HEX #598BC4

RGB 89 139 196

HSL 211.96, 0.48%, 0.56%

LAB 56.66, -0.18, -34.72

 

CMYK 39 / 21 / 0 / 30

HEX #6C8CB2

RGB 108 140 178

HSL 212.57, 0.31%, 0.56%

LAB 57.23, -1.39, -23.52

 

CMYK 21 / 12 / 0 / 37

HEX #7E8DA0

RGB 126 141 160

HSL 213.53, 0.15%, 0.56%

LAB 58.06, -1.12, -11.87

 

CMYK 77 / 0 / 0 / 9

HEX #35E9E9

RGB 53 233 233

HSL 180, 0.8%, 0.56%

LAB 84.44, -42.33, -12.58

 

CMYK 77 / 21 / 0 / 9

HEX #35B9E9

RGB 53 185 233

HSL 196, 0.8%, 0.56%

LAB 70.41, -19.19, -33.93

 

CMYK 77 / 41 / 0 / 9

HEX #3589E9

RGB 53 137 233

HSL 212, 0.8%, 0.56%

LAB 56.62, 7.88, -55.65

 

CMYK 77 / 62 / 0 / 9

HEX #3559E9

RGB 53 89 233

HSL 228, 0.8%, 0.56%

LAB 43.92, 37.86, -76.18

 

CMYK 72 / 77 / 0 / 9

HEX #4135E9

RGB 65 53 233

HSL 244, 0.8%, 0.56%

LAB 37.03, 59.42, -87.51

 

CMYK 89 / 48 / 0 / 28

HEX #145FB7

RGB 20 95 183

HSL 212.39, 0.8%, 0.4%

LAB 40.82, 12.23, -52.53

 

CMYK 89 / 48 / 0 / 14

HEX #1873DC

RGB 24 115 220

HSL 212.14, 0.8%, 0.48%

LAB 49.04, 14.2, -60.56

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 62 / 33 / 0 / 7

HEX #5A9EED

RGB 90 158 237

HSL 212.24, 0.8%, 0.64%

LAB 63.95, 2.23, -46.14

 

CMYK 47 / 25 / 0 / 5

HEX #7FB4F1

RGB 127 180 241

HSL 212.11, 0.8%, 0.72%

LAB 71.9, -1.22, -35.77

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 21 / 77 / 0 / 9

HEX #B935E9

RGB 185 53 233

HSL 284, 0.8%, 0.56%

LAB 50.39, 75.58, -65.11

 

CMYK 10 / 0 / 77 / 9

HEX #D1E935

RGB 209 233 53

HSL 68, 0.8%, 0.56%

LAB 88.01, -28.97, 77.6

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 0 / 77 / 41 / 9

HEX #E93589

RGB 233 53 137

HSL 332, 0.8%, 0.56%

LAB 53.68, 72.44, -3.58

 

CMYK 41 / 0 / 77 / 9

HEX #89E935

RGB 137 233 53

HSL 92, 0.8%, 0.56%

LAB 83.89, -55.56, 72.3

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 21 / 77 / 0 / 9

HEX #B935E9

RGB 185 53 233

HSL 284, 0.8%, 0.56%

LAB 50.39, 75.58, -65.11

 

CMYK 0 / 36 / 77 / 9

HEX #E99535

RGB 233 149 53

HSL 32, 0.8%, 0.56%

LAB 68.81, 24.14, 60.61

 

CMYK 57 / 0 / 77 / 9

HEX #65E935

RGB 101 233 53

HSL 104, 0.8%, 0.56%

LAB 82.54, -65.86, 70.54

 

CMYK 77 / 42 / 0 / 9

HEX #3588E9

RGB 53 136 233

HSL 212.33, 0.8%, 0.56%

LAB 56.34, 8.48, -56.1

 

CMYK 0 / 77 / 3 / 9

HEX #E935E3

RGB 233 53 227

HSL 302, 0.8%, 0.56%

LAB 57.48, 83.5, -49.95

 

CMYK 0 / 36 / 77 / 9

HEX #E99535

RGB 233 149 53

HSL 32, 0.8%, 0.56%

LAB 68.81, 24.14, 60.61

 

CMYK 77 / 0 / 75 / 9

HEX #35E93B

RGB 53 233 59

HSL 122, 0.8%, 0.56%

LAB 81.48, -74.55, 67.28

 

Description

Color code: RGB 53 136 233 | qconv.com Color code: RGB 53 136 233 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 136 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 136 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 42 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 42% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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